Orban 9300 Operating Manual

NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure  voltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompa- nying literature. Read the manual. In accordance to the WEEE (waste electrical and electronic equipment) direc- tive of the European Parliament, this product must not be discarded into the municipal waste stream in any of the Member States. This product may be sent back to your Orban dealer at end of life where it will be reused or recycled at no cost to you. If this product is discarded into an approved municipal WEEE collection site or turned over to an approved WEEE recycler at end of life, your Orban dealer must be notified and supplied with model, serial number and the name and location of site/facility. Please contact your Orban dealer for further assistance. www.orban.com IMPORTANT NOTE: Refer to the unit’s rear panel for your Model Number. Model Number: Description: 9300 OPTIMOD 9300, Digital I/O, Five-band monophonic processing, 85-264 VAC, 50-60 Hz using universal switching power supply. MANUAL: Part Number: Description: 96126.105.03 9300 Operating Manual

All the safety and operating instructions should be read before the appliance is operated. Retain Instructions: The safety and operation instructions should be retained for future reference. Heed Warnings: All warnings on the appliance and in the operating instructions should be adhered to. Follow Instructions: All operation and user instructions should be followed. Water and Moisture: The appliance should not be used near water (e.g., near a bathtub, washbowl, kitchen sink, laundry tub, in a wet base- ment, or near a swimming pool, etc.). Ventilation: The appliance should be situated so that its location or position does not interfere with its proper ventilation. For example, the appli- ance should not be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings; or, placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. Heat: The appliance should be situated away from heat sources such as radiators, heat registers, stoves, or other appliances (including amplifiers) that produce heat. Power Sources: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. Grounding or Polarization: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated. Power-Cord Protection: Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. Cleaning: The appliance should be cleaned only as recommended by the manufacturer. Non-Use Periods: The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time. Object and Liquid Entry: Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. Damage Requiring Service: The appliance should be serviced by qualified service personnel when: The power supply cord or the plug has been damaged; or Objects have fallen, or liquid has been spilled into the appliance; or The appliance has been exposed to rain; or The appliance does not appear to operate normally or exhibits a marked change in performance; or The appliance has been dropped, or the enclosure damaged. Servicing: The user should not attempt to service the appliance beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel. The Appliance should be used only with a cart or stand that is recommended by the manufacturer. Safety Instructions (European) Notice For U.K. Customers If Your Unit Is Equipped With A Power Cord. WARNING: THIS APPLIANCE MUST BE EARTHED. The cores in the mains lead are coloured in accordance with the following code: GREEN and YELLOW - Earth BLUE - Neutral BROWN - Live As colours of the cores in the mains lead of this appliance may not correspond with the coloured markings identifying the terminals in your plug, pro- ceed as follows: The core which is coloured green and yellow must be connected to the terminal in the plug marked with the letter E, or with the earth symbol, or col- oured green, or green and yellow. The core which is coloured blue must be connected to the terminal marked N or coloured black. The core which is coloured brown must be connected to the terminal marked L or coloured red. The power cord is terminated in a CEE7 / 7 plug (Continental Europe). The green / yellow wire is connected directly to the unit's chassis. If you need to change the plug and if you are qualified to do so, refer to the table below. WARNING: If the ground is defeated, certain fault conditions in the unit or in the system to which it is connected can result in full line voltage between chassis and earth ground. Severe injury or death can then result if the chassis and earth ground are touched simultaneously. Conductor WIRE COLOR Normal Alt L LIVE BROWN BLACK N NEUTRAL BLUE WHITE E EARTH GND GREEN-YELLOW GREEN AC Power Cord Color Coding

Gerät nur an der am Leistungsschild vermerkten Spannung und Stromart betreiben. Sicherungen nur durch solche, gleicher Stromstärke und gleichen AbschalAMerhaltens ersetzen. Sicherungen nie überbrücken. Jedwede Beschädigung des Netzkabels vermeiden. Netzkabel nicht knicken oder quetschen. Beim Abziehen des Netzkabels den Stecker und nicht das Kabel enfassen. Beschädigte Netzkabel sofort auswechseln. Gerät und Netzkabel keinen übertriebenen mechanischen Beaspruchungen aussetzen. Um Berührung gefährlicher elektrischer Spannungen zu vermeiden, darf das Gerät nicht geöffnet werden. Im Fall von Betriebsstörun- gen darf das Gerät nur Von befugten Servicestellen instandgesetzt werden. Im Gerät befinden sich keine, durch den Benutzer reparierbare Teile. Zur Vermeidung von elektrischen Schlägen und Feuer ist das Gerät vor Nässe zu schützen. Eindringen von Feuchtigkeit und Flüssigkeiten in das Gerät vermeiden. Bei Betriebsstörungen bzw. nach Eindringen von Flüssigkeiten oder anderen Gegenständen, das Gerät sofort vom Netz trennen und eine qualifizierte Servicestelle kontaktieren. Safety Instructions (French) On s'assurera toujours que la tension et la nature du courant utilisé correspondent bien à ceux indiqués sur la plaque de l'appareil. N'utiliser que des fusibles de même intensité et du même principe de mise hors circuit que les fusibles d'origine. Ne jamais shunter les fusibles. Eviter tout ce qui risque d'endommager le câble seceur. On ne devra ni le plier, ni l'aplatir. Lorsqu'on débranche l'appareil, tirer la fiche et non le câble. Si un câble est endommagé, le remplacer immédiatement. Ne jamais exposer l'appareil ou le câble ä une contrainte mécanique excessive. Pour éviter tout contact averc une tension électrique dangereuse, on n'oouvrira jamais l'appareil. En cas de dysfonctionnement, l'appareil ne peut être réparé que dans un atelier autorisé. Aucun élément de cet appareil ne peut être réparé par l'utilisateur. Pour éviter les risques de décharge électrique et d'incendie, protéger l'appareil de l'humidité. Eviter toute pénétration d'humidité ou fr liquide dans l'appareil. En cas de dysfonctionnement ou si un liquide ou tout autre objet a pénétré dans l'appareil couper aussitôt l'appareil de son alimentation et s'adresser à un point de service aprésvente autorisé. Safety Instructions (Spanish) Hacer funcionar el aparato sólo con la tensión y clase de corriente señaladas en la placa indicadora de características. Reemplazar los fusibles sólo por otros de la misma intensidad de corriente y sistema de desconexión. No poner nunca los fusibles en puente. Proteger el cable de alimentación contra toda clase de daños. No doblar o apretar el cable. Al desenchufar, asir el enchufe y no el cable. Sustituir inmediatamente cables dañados. No someter el aparato y el cable de alimentación a esfuerzo mecánico excesivo. Para evitar el contacto con tensiones eléctricas peligrosas, el aparato no debe abrirse. En caso de producirse fallos de funcionamiento, debe ser reparado sólo por talleres de servicio autorizados. En el aparato no se encuentra ninguna pieza que pudiera ser reparada por el usuario. Para evitar descargas eléctricas e incendios, el aparato debe protegerse contra la humedad, impidiendo que penetren ésta o líquidos en el mismo. En caso de producirse fallas de funcionamiento como consecuencia de la penetración de líquidos u otros objetos en el aparato, hay que desconectarlo inmediatamente de la red y ponerse en contacto con un taller de servicio autorizado. Safety Instructions (Italian) Far funzionare l'apparecchio solo con la tensione e il tipo di corrente indicati sulla targa riportante i dati sulle prestazioni. Sostituire i dispositivi di protezione (valvole, fusibili ecc.) solo con dispositivi aventi lo stesso amperaggio e lo stesso comportamento di interruzione. Non cavallottare mai i dispositivi di protezione. Evitare qualsiasi danno al cavo di collegamento alla rete. Non piegare o schiacciare il cavo. Per staccare il cavo, tirare la presa e mai il cavo. Sostituire subito i cavi danneggiati. Non esporre l'apparecchio e il cavo ad esagerate sollecitazioni meccaniche. Per evitare il contatto con le tensioni elettriche pericolose, l'apparecchio non deve venir aperto. In caso di anomalie di funzionamento l'apparecchio deve venir riparato solo da centri di servizio autorizzati. Nell'apparecchio non si trovano parti che possano essere riparate dall'utente. Per evitare scosse elettriche o incendi, l'apparecchio va protetto dall'umidità. Evitare che umidità o liquidi entrino nell'apparecchio. In caso di anomalie di funzionamento rispettivamente dopo la penetrazione di liquidi o oggetti nell'apparecchio, staccare immediatamente l'apparecchio dalla rete e contattare un centro di servizio qualificato.

Manual The Operating Manual contains instructions to verify the proper operation of this unit and initialization of certain options. You will find these operations are most conveniently performed on the bench before you install the unit in the rack. Please review the Manual, especially the installation section, before unpacking the unit. Trial Period Precautions If your unit has been provided on a trial basis: You should observe the following precautions to avoid reconditioning charges in case you later wish to return the unit to your dealer. (1) Note the packing technique and save all packing materials. It is not wise to ship in other than the factory carton. (Re- placements cost $35.00). (2) Avoid scratching the paint or plating. Set the unit on soft, clean surfaces. (3) Do not cut the grounding pin from the line cord. (4) Use care and proper tools in removing and tightening screws to avoid burring the heads. (5) Use the nylon-washered rack screws supplied, if possible, to avoid damaging the panel. Support the unit when tighten- ing the screws so that the threads do not scrape the paint inside the slotted holes. Packing When you pack the unit for shipping: (1) Tighten all screws on any barrier strip(s) so the screws do not fall out from vibration. (2) Wrap the unit in its original plastic bag to avoid abrading the paint. (3) Seal the inner and outer cartons with tape. If you are returning the unit permanently (for credit), be sure to enclose: The Manual(s) The Registration/Warranty Card The Line Cord All Miscellaneous Hardware (including the Rack Screws and Keys) The Extender Card (if applicable) The Monitor Rolloff Filter(s) (OPTIMOD-AM only) The COAX Connecting Cable (OPTIMOD-AM and OPTIMOD-AM only) Your dealer may charge you for any missing items. If you are returning a unit for repair, do not enclose any of the above items. Further advice on proper packing and shipping is included in the Manual (see Table of Contents). Trouble If you have problems with installation or operation: (1) Check everything you have done so far against the instructions in the Manual. The information contained therein is based on our years of experience with OPTIMOD and broadcast stations. (2) Check the other sections of the Manual (consult the Table of Contents and Index) to see if there might be some sug- gestions regarding your problem. (3) After reading the section on Factory Assistance, you may call Orban Customer Service for advice during normal Cali- fornia business hours. The number is +1 856.719.9900.

and used as directed by this manual, it may cause interference to radio communication. This equipment complies with the limits for a Class A computing device, as specified by FCC Rules, Part 15, subject J, which are designed to provide reasonable protection against such interference when this type of equipment is operated in a commercial environment. Operation of this equipment in a residential area is likely to cause interference. If it does, the user will be required to eliminate the interference at the user’s expense. WARNING This digital apparatus does not exceed the Class A limits for radio noise emissions from digi- tal apparatus set out in the radio Interference Regulations of the Canadian Department of Communications. (Le present appareil numerique n’emet pas de bruits radioelectriques de- passant les limites applicables aux appareils numeriques [de las class A] prescrites dans le Reglement sur le brouillage radioelectrique edicte par le ministere des Communications du Canada.) IMPORTANT Perform the installation under static control conditions. Simply walking across a rug can gen- erate a static charge of 20,000 volts. This is the spark or shock you may have felt when touching a doorknob or some other conductive surface. A much smaller static discharge is likely to destroy one or more of the CMOS semiconductors employed in OPTIMOD-AM. Static damage will not be covered under warranty. There are many common sources of static. Most involve some type of friction between two dissimilar materials. Some examples are combing your hair, sliding across a seat cover or rolling a cart across the floor. Since the threshold of human perception for a static discharge is 3000 volts, you will not even notice many damaging discharges. Basic damage prevention consists of minimizing generation, discharging any accumulated static charge on your body or workstation, and preventing that discharge from being sent to or through an electronic component. You should use a static grounding strap (grounded through a protective resistor) and a static safe workbench with a conductive surface. This will prevent any buildup of damaging static. Orban and Optimod are registered trademarks. All trademarks are property of their respective companies. Published November 2016 © Copyright Orban. This document may be freely printed and distributed by Orban’s customers, but its text may not be incorporated into derivative works. Orban Labs Inc., 7209 Browning Road, Pennsauken NJ 08110 USA Phone: +1 856.719.9900; E-Mail: [email protected]; Site: www.orban.com

Index.........................................................................................................................0-8 Section 1 Introduction .........................................................................................................................................1-1 ABOUT THIS MANUAL.......................................................................................................1-1 THE OPTIMOD-AM 9300 DIGITAL AUDIO PROCESSOR ......................................................1-1 Making the Most of the AM Channel....................................................................1-2 Controllable and Adjustable...................................................................................1-2 Versatile Installation................................................................................................1-3 PRESETS IN OPTIMOD-AM..............................................................................................1-4 Factory Presets.........................................................................................................1-5 User Presets..............................................................................................................1-5 INPUT/OUTPUT CONFIGURATION ........................................................................................1-5 Digital AES3 Input/Output......................................................................................1-5 Analog Input/Outputs.............................................................................................1-6 Remote Control Interface .......................................................................................1-6 Computer Interface.................................................................................................1-7 RS-232 Serial Port ............................................................................................................. 1-7 RJ45 Ethernet Connector ................................................................................................. 1-7 LOCATION OF OPTIMOD-AM..........................................................................................1-7 Optimal Control of Peak Modulation Levels.........................................................1-7 Best Location for OPTIMOD-AM ............................................................................1-8 If the transmitter is not accessible:.................................................................................. 1-8 If the transmitter is accessible: ........................................................................................ 1-9 STUDIO-TRANSMITTER LINK...............................................................................................1-9 Transmission from Studio to Transmitter...............................................................1-9 Digital Links.................................................................................................................... 1-10 Analog Microwave STLs ................................................................................................. 1-11 Analog Landline (PTT/Post Office Line)......................................................................... 1-12 AM Transmitters and Antennas............................................................................1-12 Bypassing the Transmitter's Internal Filters and Clippers...................................1-12 Power Supplies ......................................................................................................1-13 Pre-1965 Transmitters............................................................................................1-14 Asymmetry .............................................................................................................1-15 System Presets and Transmitter Equalization......................................................1-15 Antenna System.....................................................................................................1-17 USING LOSSY DATA REDUCTION IN THE STUDIO..................................................................1-17 ABOUT TRANSMISSION LEVELS AND METERING ..................................................................1-18 Meters ....................................................................................................................1-18 Figure 1-1: Absolute Peak Level, VU and PPM Reading ............................................... 1-19 Studio Line-up Levels and Headroom..................................................................1-19 Transmission Levels................................................................................................1-20 LINE-UP FACILITIES.........................................................................................................1-20 Metering of Levels.................................................................................................1-20 Built-in Calibrated Line-up Tones.................................................................................. 1-20 Built-in Calibrated Bypass Test Mode............................................................................ 1-20 MONITORING.................................................................................................................1-21 Modulation Monitors and Their RF Amplifiers ...................................................1-21 Monitoring on Loudspeakers and Headphones..................................................1-21 Monitor Rolloff Filter..................................................................................................... 1-21

WHY THE NORTH AMERICAN NRSC STANDARD?...............................................................1-23 AM Stereo Introduces a Preemphasis Dilemma ............................................................1-23 Figure 1-2: NRSC Modified 75 µs Deemphasis...............................................................1-24 NRSC Standard Preemphasis and Low-pass Filtering ....................................................1-24 Figure 1-3: NRSC Lowpass Filter .....................................................................................1-25 WARRANTY, USER FEEDBACK...........................................................................................1-26 User Feedback........................................................................................................1-26 LIMITED WARRANTY.............................................................................................1-26 INTERNATIONAL WARRANTY...............................................................................1-26 Section 2 Installation .........................................................................................................................................2-1 INSTALLING THE 9300.......................................................................................................2-1 Figure 2-1: AC Line Cord Wire Standard).........................................................................2-2 Figure 2-2: Wiring the 25-pin Remote Interface Connector...........................................2-3 Figure 2-3: 9300 Serial Port Pin Identification.................................................................2-4 Figure 2-4: Jumper Positions, Monitor Roll-Off Filter.....................................................2-4 Figure 2-5: Frequency Response Curves as Function of ROLLOFF Control, Monitor Rolloff Filter Strapped for 18 dB/Octave......................................................................................2-5 Figure 2-6: Monitor Rolloff Filter Schematic Diagram....................................................2-6 9300 REAR PANEL ...........................................................................................................2-7 INPUT AND OUTPUT CONNECTIONS.....................................................................................2-8 Cable.........................................................................................................................2-8 Connectors ...............................................................................................................2-8 Analog Audio Input.................................................................................................2-8 Analog Audio Outputs............................................................................................2-9 AES3 Digital Input and Output.............................................................................2-10 Grounding..............................................................................................................2-10 Power Ground........................................................................................................2-11 Circuit Ground .......................................................................................................2-11 9300 FRONT PANEL .......................................................................................................2-11 QUICK SETUP.................................................................................................................2-13 ANALOG AND DIGITAL I/O SETUP.....................................................................................2-19 Figure 2-7: Effect of Lowpass Filter Shape Control on 5 kHz Lowpass Filter...............2-23 Overview of Transmitter Equalization...........................................................................2-28 Description of the TX EQ Controls.................................................................................2-28 Procedure for LF Equalization........................................................................................2-28 Figure 2-8: Unequalized RF envelope (showing tilt).....................................................2-29 Figure 2-9: RF envelope requiring no tilt equalization.................................................2-29 Figure 2-10: Unequalized RF envelope (showing ringing) ...........................................2-31 Figure 2-11: RF envelope showing successful HF equalization.....................................2-31 AUTOMATION USING THE 9300’S INTERNAL CLOCK............................................................2-34 SECURITY AND PASSCODE PROGRAMMING.........................................................................2-37 To Create a Passcode: ............................................................................................2-37 To Edit a Passcode:.................................................................................................2-38 To Delete a Passcode: ............................................................................................2-38 To Lock the Front Panel Immediately:..................................................................2-38 To Program local lockout: .....................................................................................2-39 To Unlock the Front Panel: ...................................................................................2-39

If You Have Forgotten Your Passcode..................................................................2-40 REMOTE CONTROL INTERFACE PROGRAMMING ..................................................................2-40 NETWORKING AND REMOTE CONTROL..............................................................................2-41 INSTALLING 9300 PC REMOTE CONTROL SOFTWARE ..........................................................2-44 Installing the Necessary Windows Services..........................................................2-44 Check Hardware Requirements............................................................................2-45 Running the Orban Installer Program .................................................................2-46 Setting Up Ethernet, LAN, and VPN Connections ...............................................2-46 Conclusion..............................................................................................................2-47 SYNCHRONIZING OPTIMOD TO A NETWORK TIMESERVER.....................................................2-47 APPENDIX: SETTING UP SERIAL COMMUNICATIONS.............................................................2-51 Preparing for Communication through Null Modem Cable ..............................2-51 Connecting Using Windows 2000 Direct Serial Connection:..............................2-51 Connecting Using Windows XP Direct Serial Connection ..................................2-56 Connecting Using Windows 7 Direct Serial Connection:....................................2-61 Preparing for Communication through Modems ...............................................2-71 Connecting Using Windows 2000 Modem Connection......................................2-71 Connecting using Windows XP Modem Connection ..........................................2-77 UPDATING YOUR 9300’S SOFTWARE.................................................................................2-82 SNMP SUPPORT ............................................................................................................2-83 SNMP Network Setup..................................................................................................... 2-84 SNMP Mib file................................................................................................................. 2-84 SNMP Default Settings................................................................................................... 2-85 SNMP Features................................................................................................................ 2-85 Section 3 Operation .........................................................................................................................................3-1 9300 FRONT PANEL .........................................................................................................3-1 SOME AUDIO PROCESSING CONCEPTS...................................................................................3-2 Loudness and density....................................................................................................... 3-3 OPTIMOD-AM PROCESSING............................................................................................3-4 AM Processing: The Art of Compromise................................................................3-4 Shortwave/HF Processing ................................................................................................. 3-6 Working Together............................................................................................................ 3-6 Fundamental Requirements: High-Quality Source Material and Accurate Monitoring...............................................................................................................3-6 Monitor Rolloff Filter....................................................................................................... 3-7 Reference Radios for the Processing ............................................................................... 3-7 Modulation Monitors....................................................................................................... 3-8 More About Audio Processing ...............................................................................3-8 Judging Loudness............................................................................................................. 3-9 Reverberation................................................................................................................... 3-9 CUSTOMIZING THE 9300’S SOUND .....................................................................................3-9 Basic Control ..........................................................................................................3-10 Full Control ............................................................................................................3-11 Advanced Control..................................................................................................3-11 Gain Reduction Metering .....................................................................................3-12 To Create or Save a User Preset............................................................................3-12 FACTORY PROGRAMMING PRESETS ...................................................................................3-13 Description of the Factory Presets................................................................................. 3-14 Table 3-1: Factory Programming Presets....................................................................... 3-15

Table 3-2: Equalization Controls....................................................................................3-17 Figure 3-1: HF Receiver Equalizer Curves.......................................................................3-21 AGC CONTROLS ............................................................................................................3-23 Table 3-3: AGC Controls..................................................................................................3-24 Advanced AGC Controls........................................................................................3-26 CLIPPER CONTROLS.........................................................................................................3-28 Table 3-4: Clipper Controls.............................................................................................3-28 MULTIBAND DYNAMICS PROCESSING ................................................................................3-30 Table 3-5: Multiband Controls .......................................................................................3-30 Table 3-6: MB Attack/Release Controls..........................................................................3-31 Table 3-7: MB Band Mix Controls...................................................................................3-33 Advanced Multiband Controls..............................................................................3-34 TEST MODES .................................................................................................................3-37 Table 3-8: Test Modes.....................................................................................................3-37 USING THE 9300 PC REMOTE CONTROL SOFTWARE ...........................................................3-37 To set up a new connection:.................................................................................3-38 To initiate communication:...................................................................................3-39 To modify a control setting:..................................................................................3-40 To recall a preset:...................................................................................................3-40 To save a user preset you have created: ..............................................................3-40 To back up User Presets, system files, and automation files onto your computer’s hard drive:..............................................................................................................3-41 To restore archived presets, system files, and automation files:........................3-41 To modify INPUT/OUTPUT and SYSTEM SETUP:...........................................................3-43 To modify AUTOMATION: .........................................................................................3-43 To group multiple 9300s: ......................................................................................3-43 Navigation Using the Keyboard ...........................................................................3-43 To Quit the Program..............................................................................................3-43 About Aliases created by Optimod 9300 PC Remote Software .........................3-44 Multiple Installations of Optimod 9300 PC Remote ...........................................3-44 To share an archived User Preset between 9300s: ........................................................3-45 Section 4 Maintenance .........................................................................................................................................4-1 ROUTINE MAINTENANCE...................................................................................................4-1 SUBASSEMBLY REMOVAL AND REPLACEMENT.......................................................................4-2 FIELD AUDIT OF PERFORMANCE..........................................................................................4-5 Section 5 Troubleshooting .........................................................................................................................................5-1 PROBLEMS AND POTENTIAL SOLUTIONS...............................................................................5-1 RFI, Hum, Clicks, or Buzzes ...............................................................................................5-1 Poor Peak Modulation Control ........................................................................................5-1 Excessively Low Positive Peak Modulation ......................................................................5-2 Audible Distortion On-Air ................................................................................................5-2 Audible Noise on Air ........................................................................................................5-3 Shrill, Harsh Sound............................................................................................................5-3 Audible Lowpass Filter Ringing........................................................................................5-3 Dull Sound.........................................................................................................................5-4 Excessive Occupied Bandwidth ........................................................................................5-4

System Will Not Pass Emergency Alert System (“EAS” USA Standard) Tones at the Legally Required Modulation Level ................................................................................ 5-5 System Receiving 9300’s Digital Output Will Not Lock .................................................. 5-5 General Dissatisfaction with Subjective Sound Quality.................................................. 5-5 Security Passcode Lost (When Unit is Locked Out) ......................................................... 5-6 Connection Issues between the 9300 and a PC, Modem, or Network ................5-6 Troubleshooting Connections.................................................................................5-6 You Cannot Access the Internet After Making a Direct or Modem Connection to the 9300: ..................................................................................................................5-7 OS-SPECIFIC TROUBLESHOOTING ADVICE ............................................................................5-8 Troubleshooting Windows XP Direct Connect: .....................................................5-8 Troubleshooting Windows XP Modem Connect: ..................................................5-9 TROUBLESHOOTING IC OPAMPS .........................................................................................5-9 TECHNICAL SUPPORT.......................................................................................................5-10 FACTORY SERVICE...........................................................................................................5-10 SHIPPING INSTRUCTIONS..................................................................................................5-11 Section 6 Technical Data .........................................................................................................................................6-1 SPECIFICATIONS................................................................................................................6-1 Performance.............................................................................................................6-1 Installation ...............................................................................................................6-2 CIRCUIT DESCRIPTION .......................................................................................................6-4 Overview ..................................................................................................................6-4 Control Circuits ........................................................................................................6-5 User Control Interface and LCD Display Circuits ...................................................6-5 Input Circuits............................................................................................................6-7 Output Circuits.........................................................................................................6-8 DSP Circuit..............................................................................................................6-10 Power Supply .........................................................................................................6-10 ABBREVIATIONS .............................................................................................................6-11 PARTS LIST ....................................................................................................................6-13 Obtaining Spare Parts ...........................................................................................6-13 Control Board ........................................................................................................6-13 Combined Input/Output and DSP (I/O+DSP) Board ............................................6-15 Display Board (Front) ............................................................................................6-18 Display Board (Back)..............................................................................................6-19 SCHEMATICS AND PARTS LOCATOR DRAWINGS...................................................................6-19

terconnections Top view (not to scale) 6-21 Control board Control microprocessor. Services front panel, serial port, Ethernet, and DSP+I/O board. Contains: Parts Locator Drawing 6-22 General Purpose bus, address de- coder, DSP, and I/O interface Schematic 1 of 5 6-23 Memory and clock generation Schematic 2 of 5 6-24 Ethernet Schematic 3 of 5 6-25 Miscellaneous input/output Schematic 4 of 5 6-26 Power and Ground Schematic 5 of 5 6-27 I/O+DSP Board Analog Input/output AES3 Input/output DSP Chips; Local regulators. Contains: Parts Locator Drawing 6-28 L and R Analog Inputs Schematic 1 of 9 6-29 Analog Outputs Schematic 2 of 9 6-30 Digital Input and Sync Input Schematic 3 of 9 6-31 Digital Outputs Schematic 4 of 9 6-32 DSP Extended Serial Audio Inter- face (ESAI) and Host Interface Schematic 5 of 9 6-33 DSP Serial Peripheral Interface, Power, and Ground Schematic 6 of 9 6-34 General Purpose bus 8-bit I/O Schematic 7 of 9 6-35 Serial Audio Interface and Clock Generation Schematic 8 of 9 6-36 Power Distribution Schematic 9 of 9 6-37 Display Board Front-Panel LCD, LEDs, Buttons, and Rotary Encoder Contains: Parts Locator Drawing 6-38 Front of board Schematic 1 of 2 6-39 Rear of board Schematic 2 of 2 6-40 DSP Block Diagram Shows signal processing 6-41

9 9300 OPTIMOD-AM 1- · 1 A A/D converter circuit description 5- · 8 specification 6- · 2 Abbreviations 6- · 11 AC Line Cord Standard 2- · 2 Advanced Control 3- · 11 AES/EBU I/O 2- · 10 AGC bass attack control 3- · 27 bass coupling control 3- · 26 bass release control 3- · 27 bass threshold control 3- · 27 control list 3- · 23 defeating 3- · 24 drive control 3- · 24 dual band 3- · 26 gate threshold control 3- · 25 idle gain control 3- · 27 master attack control 3- · 27 master release control 3- · 24 meter 2- · 12, 2 ratio control 3- · 27 studio 2- · 13 window release control 3- · 26 window size control 3- · 26 AGC Meter Display control 3- · 26 AM processing general remarks 3- · 4 AM transmitters 1- · 12 analog I/O 1- · 6 analog input circuit description 6- · 7 ref level, I/O setup 2- · 20 analog input 2- · 8 analog landline 1- · 12 analog output circuit description 6- · 9 compensating for 600 ohm load 2- · 24 analog output 2- · 9 antenna system 1- · 17 archiving presets 3- · 41 asymmetry inverting 2- · 32 asymmetry 1- · 15, 16 attack 3- · 27 attack time controls 3- · 35 audio connections 2- · 8 input, connecting 2- · 8 output 2- · 10 output, connecting 2- · 9 Audio Precision 4- · 5 auditing performance 4- · 5 automation add event 2- · 35 delete event 2- · 36 edit event 2- · 36 automation 2- · 34 automation 3- · 43 B backing up presets 3- · 41 balanced inputs 2- · 8 output, simulates transformer 2- · 9 base board removing 4- · 2 replacing 4- · 4 Basic Control 3- · 10 bass clip threshold 3- · 28 bass punch and the bass clipper 3- · 28 bass threshold 3- · 27 battery replacing 6- · 5 bit depth of internal processing 6- · 1 block diagram 6- · 42

buttons escape 2- · 12, 1 modify 2- · 12, 1 next 2- · 12, 1 previous 2- · 12, 1 RECALL 2- · 12, 1 setup 2- · 12, 1 soft buttons 2- · 11, 1 buzz 5- · 1 bypass local 1- · 22 PC remote 1- · 23 remote interface 1- · 22 test mode 1- · 20 C cable shielding 2- · 11 type recommended for analog I/O 2- · 8 chassis getting inside 4 · 2 ground 2- · 11 circuit board locator drawing 6- · 21 circuit description control 6- · 5 LCD display 6- · 5 user control interface 6- · 5 circuit description 6- · 4 cleaning front panel 4- · 1 clipper bass clip threshold control 3- · 28 control list 3- · 28 final clip drive control 3- · 29 Clipping Defined 3- · 3 clock battery 6- · 5 setting 2- · 34 common-mode rejection 2- · 10 components obtaining 6- · 13 Compression Defined 3- · 2 compressor gate 3- · 25 computer connecting to 2- · 5 interface, specifications 6- · 3 troubleshooting connections 5- · 6 Windows XP 5- · 8 computer interface RS-232 2- · 7 serial 2- · 7 computer interface 1- · 7 connecting through Win XP direct serial 2- · 56 connection to PC troubleshooting 5- · 6 connectors audio 2- · 8 input and output 2- · 8 contrast 2- · 11, 1 control knob 2- · 12, 1 controls contrast 2- · 11, 1 description 3- · 1 corrosion 4- · 1 D D/A converter circuit description 6- · 9 specification 6- · 2 delta release control 3- · 35 density 3- · 3 digital I/O 1- · 5 digital input circuit description 6- · 8 digital links 1- · 10 digital output circuit description 6- · 9 display assembly removing 4 · 2 display board parts list 6- · 18, 19 distortion excessive 5- · 5 specification 6- · 1 testing 4- · 8 troubleshooting 5- · 2 dither 2- · 24 DJ Bass control 3- · 22 downward expander 3- · 33 DSP block diagram 6- · 42 circuit description 6- · 10 DSP board replacing 4- · 4 dual microwave STLs 1- · 11 dull sound

E EAS modulation low 5- · 5 test tones 1- · 22 easy setup 2- · 13 equalizer control list 3- · 17 parametric 3- · 17 transmitter 1- · 15 escape button 2- · 12, 1 Ethernet 2- · 42, 46, 39 Ethernet cable crossover 5- · 7 F factory presets selecting 2- · 18 tv 3- · 15 factory presets 1- · 5 factory service 5- · 10 final clip drive 3- · 29 Firewall 2- · 46, 39 Firmware updating 9300 2- · 82 five-band attack time controls 3- · 35 band on/off switch 3- · 35 band threshold control 3- · 32 delta release control 3- · 35 downward expander thresold control 3- · 33 HF clipper threshold 3- · 34 multiband drive control 3- · 30 multiband gate threshold control 3- · 32 mutiband release control 3- · 31 output mix controls 3- · 34 five-band 3- · 30 frequency response specification 6- · 1 testing 4- · 8 front panel 3- · 1 front panel description 2- · 11 Full Control 3- · 11 fuse 6- · 10 G gain reduction meters 2- · 12, 2 gate threshold control 3- · 32 gate 3- · 25 gate LED 2- · 12, 2 Gateway 2- · 46, 39 gateway address 2- · 42 getting inside the unit 4 · 2 GPI specifications 6- · 3 GPI interface testing 4- · 10 grounding circuit 2- · 11 loss of 4- · 1 power 2- · 11 grounding 2- · 10 grouping 9300s 3- · 43 H HF Clipping 3- · 29 HF Curve frequency response 2- · 23 HF Curve control 3- · 20 HF Gain control 3- · 20 HF processing 3- · 6 High Frequency Enhancer 3- · 23 high frequency limiter threshold 3- · 34 highpass filter in user preset 3- · 23 quick setup 2- · 21 setting 1- · 16 highpass filter 1- · 16 hum 5- · 1 I I/O AES/EBU 2- · 10 connections 2- · 3 I/O board replacing 4- · 4 IC opamps troubleshooting 5- · 9

input analog, connecting 2- · 8 analog, specifications 6- · 2 digital, specifications 6- · 3 meters 2- · 12, 2 input level line-up 1- · 19 maximum 2- · 8 input meters 1- · 20 input selector I/O setup 2- · 20 input/output board removing 4- · 3 inspection of package contents 2- · 1 installation procedure 2- · 1 Internet cannot access 5- · 7 IP address 2- · 42 IP port 2- · 42 J J.17 and 9300 digital I/O 1- · 6 and NICAM 1- · 10 deemphasis applied to digital audio input 6- · 3 defined 1- · 6 preemphasis applied to digital audio output 6- · 3 L LEDs gate 2- · 12, 2 Less-More 3- · 24 level metering 1- · 20 setup 2- · 16 transmission 1- · 20 Limiting Defined 3- · 3 line voltage 2- · 2 line-up tones system will not pass at 100% modulation 5- · 5 line-up tones 1- · 20 location 1- · 7 location of 9300 optimum · 8 lock driven equipment cannot lock to 9300 output 5- · 5 lockout immediate 2- · 38 programming local 2- · 39 unlocking front panel 2- · 39 lossy data reduction in studio 1- · 17 NICAM 1- · 10 used in STLs · 10 loudness insufficient 5- · 5 insufficient due to poor peak control 5- · 1 judging 3- · 9 loudness 3- · 3 loudness/distortion tradeoff 3- · 29 lowpass filter in user preset 3- · 23 quick setup 2- · 22 setting 1- · 16 lowpass filter 1- · 16 M MAC address 5- · 6 main board reattaching 4 · 4 MB Clip control 3- · 28 measuring performance 4- · 5 meter circuit description 6- · 6 gain reduction 3- · 12 meters AGC 2- · 12, 2 circuit description 6- · 6 gain reduction 2- · 12, 2 input 2- · 12, 2 studio 1- · 18 modem setting up 2- · 43 specification for 2- · 45 Modem Preparing for connection 2- · 71 Recommended baud rate 2- · 72 Windows 2000 configuration 2- · 71 Windows XP Configuration 2- · 77 modify button 2- · 12, 1 modulation control troubleshooting poor 5- · 1

modulation monitors 1- · 21 monitor rolloff filter · 7 Monitor Rolloff Filter 1- · 21 monitor rolloff filter 2- · 5 multiband drive 3- · 30 N NAB Broadcast and Audio System Test CD 4- · 5 network timeserver 2- · 47 networking 2- · 41 NEXT button 2- · 12, 1 NICAM 1- · 10 noise troubleshooting 5- · 3 NRSC 3- · 3 NRSC deemphasis 1- · 24 NRSC standard 1- · 23 null modem cable communicating through 2- · 51 null modem cable 2- · 45 O output analog output level trim adjustment 4- · 7 analog, connecting 2- · 9 analog, specifications 6- · 2 compensating for 600 ohm load 2- · 24 digital, setting dither 2- · 24 digital, setting sync 2- · 25 digital, setting word length · 24 digital, specifications 6- · 3 output level I/O setup 2- · 24, 26 quick setup 2- · 17 output mix controls 3- · 34 overshoot in transmitter 1- · 12 overshoot excessive 5- · 1 P parts obtaining 6- · 13 parts list base board 6- · 13 display board 6- · 18, 19 I/O board 6- · 15 parts list 6- · 13 passcode and dial-up networking 2- · 39 creating 2- · 37 deleting 2- · 38 editing 2- · 38 programming 2- · 37 recovering from lost 2- · 40 PC Orban installer program 2- · 46 PC board locator diagram 6- · 21 PC control security 1- · 23 PC hardware requirements 2- · 45 PC Remote aliases 3- · 44 moving alias folders 3- · 45 multiple coexisting versions 3- · 44 upgrading versions 3- · 44 PC Remote Software 3- · 37 peak control criteria 1- · 7 performance measuring 4- · 5 phase-linear system group delay spec · 7 port, IP 2- · 42 Ports 2- · 46, 39 positive peak threshold 1- · 16 positive peaks cannot achieve desired 5- · 2 positive peaks 1- · 15 power cord 2- · 2, 7 power supply circuit description 6- · 10 Orban part # 6- · 10 transmitter 1- · 13 power supply board reattaching 4 · 4 preemphasis quick setup 2- · 14 preemphasis 1- · 23 preset restoring archived 3- · 41 presets backup 3- · 41 customizing 3- · 9

factory programming 3- · 13 saving user 3- · 5, 12 sharing between 9300s 3- · 42, 45 user presets 1- · 5 PREVIOUS button 2- · 12, 1 processing block diagram 6- · 42 Proof of Performance 1- · 3 Proof of Performance 3- · 20, 37 Q quick setup 2- · 13 R radio reference for processor adjustment 3- · 7, 20 ratio AGC 3- · 27 rear panel 2- · 7 RECALL button 2- · 12, 1 receiver HF rolloff 3- · 3 receiver equalizer 3- · 20 registration card 2- · 1 release fast 3- · 32 medium-fast 3- · 32 medium-slow 3- · 31 slow 3- · 31 remote PC Remote software 3- · 37 remote control bypass 1- · 22 connecting 2- · 3 GPI, specifications 6- · 3 wiring 2- · 3 remote control 2- · 7 remote interface functions controllable by 2- · 40 GPI 1- · 6 programming GPI 2- · 40 testing 4- · 10 wiring 2- · 3 remote interface connector 2- · 7 resolution specification 6- · 1 reveberation 3- · 9 RFI 5- · 1 ringing photo showing 2- · 31 reducing audible 3- · 22 testing for 2- · 27 RJ45 jack 2- · 43 routine maintenance 4- · 1 RS232 testing 4- · 10 RS-232 connector 2- · 7 RS-232 interface circuit description 6- · 6 S sample rate at digital output 6- · 3 internal, specification 6- · 1 setting output 2- · 17 sample rate converter testing 4- · 9 saving user presets 3- · 5, 12 screen display 2- · 11, 1 screens System Setup 2- · 13 Security lock immediately 2- · 38 security 1- · 23 security 2- · 37 Serial Communications setting up 2- · 51 serial connection setting up direct 2- · 44 serial connector 2- · 7 service 5- · 10 setup I/O 2- · 19 quick 2- · 13 setup button 2- · 12, 1 shipping instructions 5- · 11 shortwave processing 3- · 6 shrill sound troubleshooting 5- · 3 signal flow diagram 6- · 42 SNMP 2- · 83 soft buttons 2- · 11, 1 Software updating 9300 2- · 82 software updates 1- · 3 Sound Technology 4- · 5

specifications 6- · 1 spectrum analyzer 4- · 5 sports 3- · 32 Stanford Research Systems 4- · 5 station ID setting 2- · 19 STL compatibility with 32 kHz sample rate 2- · 10 overshoot in uncomressed digital 2- · 10 systems 1- · 9 studio AGC 2- · 13 studio chassis mode 2- · 15 studio-transmitter link 1- · 9 subassembly removal and replacement 4- · 2 subnet mask 2- · 42 system setup quick setup 2- · 13 System Setup screen 2- · 13 T talk 3- · 32 TCP/IP setting parameters 2- · 42 technical support 5- · 26, 10 telephone support 5- · 26, 10 test transmission facility · 27 test modes 3- · 20, 37 threshold control 3- · 32 tilt photo showing 2- · 29 testing for 2- · 27 tilt 1- · 13 time & date 2- · 14 timeserver 2- · 47 top cover reattaching 4 · 5 removing 4 · 2 transmission preset 1- · 15 transmitter pre-1965 1- · 14 transmitter equalization 2- · 28 transmitter equalizer 1- · 15 transmitter overshoot 1- · 12 troubleshooting installation 5- · 1 tv presets 3- · 15 U unlock front panel 2- · 39 unpacking 2- · 1 Updating software 2- · 82 user presets archiving 3- · 13 creating 3- · 5, 10, 12 user presets 1- · 5 V VPN, setting up 2- · 46, 39 W warranty 1- · 26 Warranty 1- · 26 warranty 6- · 4 window release control 3- · 26 window size control 3- · 26 Windows installing services 2- · 44 Windows 2000 adding direct serial connection 2- · 52, 56, 72 Adding direct serial connection 2- · 78 direct serial connection 2- · 51 Modem connection 2- · 71 Windows XP direct connect 5- · 8 Modem configuration 2- · 77 modem connect 5- · 9 word length at output, specification 6- · 3 setting output 2- · 24 X XLR connector wiring standard 2- · 9

The Adobe pdf form of this manual contains numerous hyperlinks and bookmarks. A reference to a numbered step or a page number (except in the Index) is a live hyper- link; click on it to go immediately to that reference. If the bookmarks are not visible, click the “Bookmarks” tab on the left side of the Acrobat Reader window. This manual has a table of contents and index. To search for a specific word or phrase, you can also use the Adobe Acrobat Reader’s text search function. The OPTIMOD-AM 9300 Digital Audio Processor Orban's all-digital 9300 OPTIMOD-AM Audio Processor can help you achieve the highest possible audio quality in monophonic AM shortwave, medium wave and long wave broadcasts. OPTIMOD-AM delivers louder, cleaner, brighter, FM-like audio with an open, fatigue-free quality that attracts listeners and holds them. Because all processing is performed by high-speed mathematical calculations within Motorola DSP56367 digital signal processing chips, the processing has cleanliness, quality, and stability over time and temperature that is unmatched by analog processors. OPTIMOD-AM 9300 is descended from the industry-standard 9100 and 9200 OPTIMOD-AM audio processors. Thousands of these processors are on the air all over the world. They have proven that the “OPTIMOD sound” attracts and keeps an audience even in the most competitive commercial environment. Because OPTIMOD-AM incorporates several audio processing innovations exclusive to Orban products, you should not assume that it can be operated in the same way as less sophisticated processors. If you do, you may get disappointing results. Take a little time now to familiarize yourself with OPTIMOD-AM. A small investment of your time now will yield large dividends in audio quality. OPTIMOD-AM was designed to deliver a high-quality FM-like sound to the listener's ear by pre-processing for the limitations of the average car or table radio (while

avoiding audible side effects and compromises in loudness or coverage). Because such processing can make audible many defects ordinarily lost in the usual sea of AM mud, it is very important that the source audio be as clean as possible. Orban's publication Maintaining Audio Quality in the Broadcast Facility (available in .pdf form from ftp.orban.com) contains valuable information and specific suggestions for improving the quality of your audio. The rest of Section 1 explains how OPTIMOD-AM fits into the AM broadcast facility. Section 2 explains how to install it and set it up. Section 3 tells how to operate OPTIMOD-AM. Sections 4 through 6 provide reference information. For best results, feed OPTIMOD-AM unprocessed audio. No other audio processing is necessary or desirable. If you wish to place level protection prior to your studio / transmitter link (STL), use an Orban studio level control system expressly designed for this purpose. (At the time of this writing, this is the Orban 6300 Multipurpose Digital audio Processor.) The 6300 can be set up so that it substitutes for the broadband AGC circuitry in OPTIMOD-AM, which is then defeated. Making the Most of the AM Channel  OPTIMOD-AM rides gain over an adjustable range of up to 25dB, compressing dynamic range and compensating for operator gain-riding errors and for gain in- consistencies in automated systems.  OPTIMOD-AM increases the density and loudness of the program mate- rial by multiband limiting and multiband distortion-canceling clipping, improv- ing the consistency of the station's sound and increasing loudness and definition without producing audible side effects.  OPTIMOD-AM precisely controls peak levels to prevent overmodulation.  OPTIMOD-AM compensates for the high- and low-frequency rolloffs of typical AM receivers with a fully adjustable program equalizer providing up to 20dB of high-frequency boost (at 5 kHz) without producing the side effects en- countered in conventional processors. This equalizer can thus produce extreme preemphasis that is appropriate for very narrow-band radios. OPTIMOD-AM's ful- ly parametric low- and mid-frequency equalizers allow you to tailor your air sound to your precise requirements and desires. OPTIMOD-AM also fully supports the NRSC standard preemphasis curve. Controllable and Adjustable  OPTIMOD-AM comes with a wide variety of factory presets to accommodate almost any user requirement. A single LESS-MORE control easily modifies any fac- tory preset. The user (via FULL CONTROL) can further customize the presets, and

from the PC Remote application) facilitates detailed sound design using the same controls that were available to the factory programmers.  An LCD and full-time LED meters make setup, adjustment and programming of OPTIMOD-AM easy — you can always see the metering while you’re adjusting the processor. Navigation is by dedicated buttons, soft buttons (whose functions are context-sensitive), and a large rotary knob. The LEDs show all metering func- tions of the processing structure (Two-Band or Five-Band) in use.  OPTIMOD-AM contains a versatile real-time clock, which allows automation of various events (including recalling presets) at pre-programmed times.  A Bypass Test Mode can be invoked locally, by remote control (from either the 9300’s GPI port or the 9300 PC Remote application), or by automation to permit broadcast system test and alignment or “proof of performance” tests.  OPTIMOD-AM contains a built-in line-up tone generator that offers sine, square, and triangle waves, facilitating quick and accurate level setting in any system.  OPTIMOD-AM's software can be upgraded by running Orban-supplied downloadable upgrade software on a PC. The upgrade can occur remotely through the 9300’s Ethernet port or serial port (connected to an external mo- dem), or locally (by connecting a Windows® computer to the 9300’s serial port through a null modem cable).  The 9300 can be remote-controlled by 5-12V pulses applied to eight pro- grammable, optically isolated “general-purpose interface” (GPI) ports.  9300 PC Remote software runs under Windows 2000 and XP. It communicates with a given 9300 via TCP/IP over modem, direct serial, and Ethernet con- nections. You can configure PC Remote to switch between many 9300s via a con- venient organizer that supports giving any 9300 an alias and grouping multiple 9300s into folders. Clicking a 9300’s icon causes PC Remote to connect to that 9300 through an Ethernet network, or initiates a Windows Dial-Up or Direct Ca- ble Connection if appropriate. The PC Remote software allows the user to access all 9300 features (including advanced controls not available from the 9300’s front panel), and allows the user to archive and restore presets, automation lists, and system setups (containing I/O levels, digital word lengths, GPI functional as- signments, etc.). Versatile Installation  OPTIMOD-AM controls the transmitter bandwidth as necessary to meet government regulations, regardless of program material or equalization. OPTIMOD-AM's high-frequency bandwidth can be switched instantly in 500Hz

increments between 4.5 kHz and 9.5 kHz. The lower cutoff frequencies meet the output power spectral density requirements of ITU-R 328-5 without further low- pass filtering at the transmitter, while the 9.5 kHz filter meets the requirements of the NRSC-1 standard (North America). The 5.0 kHz filter makes the analog AM bandwidth compatible with HD-AM transmission. The lowpass filters have para- metric cutoff shapes, allowing you to trade off filter ringing against frequency response flatness.  OPTIMOD-AM compensates for inaccuracies in the pulse response (tilt, overshoot, ringing) of transmitters and antenna systems with a powerful four-parameter transmitter equalizer. A built-in square-wave generator makes adjustment easy. Four sets of equalizer parameters can be stored and recalled, al- lowing you to program day and night variations for two transmitters.  Two mono analog outputs and one AES3 output accommodate as many as three transmitters.  OPTIMOD-AM is usually installed at the transmitter, replacing all processing normally employed at the transmitter site, including compressor, protection peak limiters, clippers, and high- and low-pass filters normally included within the transmitter. It can also be installed at the studio if an uncompressed digital STL is available.  OPTIMOD-AM comes with a Monitor Rolloff Filter for use in studio monitor- ing. This filter emulates the frequency response of an average receiver.  The 9300 includes analog and AES3 digital inputs and outputs. Both the digi- tal input and the digital output are equipped with sample-rate converters and can operate at 32 kHz, 44.1 kHz, 48, 88.2, and 96 kHz sample rates. The digital output can be pre-emphasized to the J.17 standard.  The analog inputs are transformerless, balanced 10k instrumentation- amplifier circuits, and the analog outputs are transformerless balanced, and floating (with 351  impedance) to ensure highest transparency and accurate pulse response.  All input, output, and power connections are rigorously RFI-suppressed to Orban’s traditional exacting standards, ensuring trouble-free installation.  The 9300 is designed and certified to meet all applicable international safe- ty and emissions standards. Presets in OPTIMOD-AM There are two distinct kinds of presets in OPTIMOD-AM: factory presets and user presets.

formats or types. The description indicates the processing structure and the type of processing. Each Factory Preset on the Preset list is really a library of more than 20 separate presets, selected by navigating to MODIFY PROCESSING > > BASIC CONTROLS > LESS-MORE and using the LESS-MORE control to adjust OPTIMOD-AM for less or more processing. The factory presets are listed and described on page 3-13. Factory Presets are stored in OPTIMOD-AM’s non-volatile memory and cannot be erased. You can change the settings of a Factory Preset, but you must then store those settings as a User Preset, which you are free to name as you wish. The Factory Preset remains unchanged. User Presets User Presets permit you to change a Factory Preset to suit your requirements and then store those changes. You can store more than 100 User Presets, limited only by available memory in your 9300 (which will vary depending on the version of your 9300’s software). You can give your preset a name up to 18 characters long. User Presets cannot be created from scratch. You must always start by recalling a Factory Preset. Make the changes, and then store your modified preset as a User Preset. You can also recall a previously created user preset, modify it, and save it again, either overwriting the old version or saving under a new name. In all cases, the original Factory Preset remains for you to return to if you wish. User Presets are stored in non-volatile memory that does not require battery back- up. To Create or Save a User Preset on page 3-12 has more about User Presets. Input/Output Configuration OPTIMOD-AM simultaneously accommodates:  A digital AES3 left/right input and an AES3 mono output.  A stereo analog left/right input and two mono outputs. Digital AES3 Input/Output The digital input and output conform to the professional AES3 standard. They have sample rate converters to allow operation at 32, 44.1, 48, 88.2, and 96 kHz sample frequency.

The left/right digital input is on one XLR-type female connector on the rear panel; the mono digital output is on an XLR-type male connector on the rear panel. You can select whether OPTIMOD-AM uses its digital or analog input either locally or by remote interface. If OPTIMOD-AM is set to accept a digital input and the feed fails, you can configure OPTIMOD-AM so that it automatically switches back to the analog input. The 9300 can process the signal from the left, right, or sum of the left and right channels of either the analog or the digital input. Level control of the AES3 input is accomplished via software control via System Set- up (see step 5 on page 2-21) or via PC Remote. Both analog and digital outputs are active continuously. The 9300’s output sample rate can be locked either to the 9300’s internal crystal clock or to the sample rate present at its AES3 input. The 9300 can apply J.17 deemphasis to signals applied to its digital input and J.17 preemphasis to the processed signal emitted from its digital output. J.17 is a 6 dB/octave shelving preemphasis/deemphasis standard with break points at 477 Hz and 4.13 kHz. It is primarily used in older studio/transmitter links that use NICAM technology. The 9300’s provisions for J.17 make it fully compatible with systems us- ing this standard. Analog Input/Outputs The left and right analog inputs are on XLR-type female connectors on the rear panel. Input impedance is greater than 10k; balanced and floating. Inputs can ac- commodate up to +27dBu (0dBu = 0.775Vrms). Although the 9300’s processing is monophonic, we have supplied stereo inputs so that the 9300 can process the L+R, L- only, or R-only signals without needing an external mixer. The two mono analog outputs are on XLR-type male connectors on the rear panel. Output impedance is 351 ; balanced and floating. The outputs can drive 600 or higher impedances, balanced or unbalanced. The peak output level is adjustable from –6 dBu to +20 dBu. Level control of the analog inputs and outputs is accomplished via software control through System Setup (see step 4 on page 2-20 and step 10 on page 2-26) or via PC Remote. Remote Control Interface The Remote Control Interface is a set of eight optically isolated GPI inputs on a DB- 25 connector, which can be activated by 5-12V DC. They can control various func- tions of the 9300. See page 2-40 for a list of functions and information on pro- gramming the remote control interface.

port for interfacing to IBM-compatible PCs either locally or through a TCP/IP net- work. These computer interfaces support remote control and metering, and allow downloading software upgrades. Each 9300 package ships with 9300 PC Remote software, an application for any IBM- compatible PC running Microsoft Windows 2000 (Service Pack 3 or higher) or XP. 9300 PC Remote permits you to adjust any 9300 preset by remote control or to do virtually anything else that you can do from the 9300’s front panel controls. The program displays all of the 9300’s LCD meters on the computer screen to aid remote adjustment. RS-232 Serial Port 9300 PC Remote can communicate at up to 115 kbps via modem or direct connection between the computer and the 9300 through their RS-232 serial ports. RJ45 Ethernet Connector The 9300 can be connected to any Ethernet network that supports the TCP/IP proto- col. See Networking and Remote Control on page 2-41 for more information. Location of OPTIMOD-AM Optimal Control of Peak Modulation Levels The audio processing circuitry in OPTIMOD-AM produces a waveform that is pre- cisely peak-controlled to prevent overmodulation, and is lowpass filtered to protect adjacent channels and to conform to government regulations. Severe changes in the shape of the waveform can be caused by passing it through a circuit with non- constant group delay and/or non-flat frequency response in the 30-9500Hz range. Deviation from flatness and phase linearity will cause spurious modulation peaks be- cause the shape of the peak-limited waveform is changed. Such peaks add nothing to average modulation. Thus, the average modulation must be lowered to accom- modate those peaks so that they do not overmodulate. Transformers can cause such problems. Landline equalizers, transformers, and low-pass filters in transmitters typically intro- duce frequency response errors and non-constant group delay. There are three crite- ria for preservation of peak levels through the audio system: 1) The system group delay must be essentially constant throughout the frequency range containing significant energy (30-9,500Hz). If low-pass filters are present, this may require the use of delay equalization. The deviation from linear-phase must not exceed 1 from 30-9,500Hz.

2) The low-frequency 3 dB point of the system must be placed at 0.15Hz or lower (this is not a misprint!). This is necessary to ensure less than 1% overshoot in a 50Hz square wave and essentially constant group delay to 30Hz. 3) Any preemphasis used in the audio transmission system prior to the transmitter (such as in an STL) must be canceled by a precisely complementary deemphasis: Every pole and zero in the preemphasis filter must be complemented by a zero and pole of identical complex frequency in the deemphasis network. An all-pole deemphasis network (like the classic series resistor feeding a grounded capaci- tor) is not appropriate. In this example, the network could be corrected by adding a second resis- tor between ground and the capacitor, which would introduce a zero. Low-pass filters (including anti-aliasing filters in digital links), high-pass filters, trans- formers, distribution amplifiers, and long transmission lines can all cause the above criteria to be violated, and must be tested and qualified. It is clear that the above criteria for optimal control of peak modulation levels are met most easily when the audio processor directly feeds the transmitter. While OPTIMOD-AM’s transmitter equalizer can mitigate the effects of group delay and frequency response errors in the signal path, an accurate path will still achieve the best results. Best Location for OPTIMOD-AM The best location for OPTIMOD-AM is as close as possible to the transmitter so that OPTIMOD-AM’s output can be connected to the transmitter through a circuit path that introduces the least possible change in the shape of OPTIMOD-AM’s carefully peak-limited waveform. This connection could be short lengths of shielded cable (for transmitters with analog inputs) or a direct AES3 connection (if the transmitter has a digital input available). If this is impossible, the next best arrangement is to feed the 9300’s AES3 digital output through an all-digital, uncompressed path to the trans- mitter's exciter. If the programming agency’s jurisdiction ends at the link connecting the audio facil- ity to the transmitter, a variety of problems can occur downstream. (The link might be telephone/post lines, analog microwave radio, or various types of digital paths.) The link, the transmitter, the transmitter peak limiters, or the transmitter itself can all introduce artifacts that a studio-located audio processor cannot control. If the transmitter is not accessible: All audio processing must be done at the studio and you must tolerate any damage that occurs later. If an uncompressed AES3 digital link is available to the transmitter, this is an excellent, accurate means of transmission. However, if the digital link em- ploys lossy compression, it will disturb peak levels by up to 4 dB. Lossy compression is also inappropriate for another reason: it cannot accommodate pre-emphasized au- dio (like OPTIMOD-AM‘s output) without introducing serious artifacts. Unlike FM, where the transmitter usually can be set up to provide pre- emphasis, AM transmitters are universally “flat.” Therefore, unlike FM, there is no option when using lossy compression to de-emphasize at the

transmitter. The best one can do is to use NRSC preemphasis, apply NRSC deemphasis before the lossy link’s input, and then re-apply NRSC preem- phasis at the link’s output. If only an analog link is available, use a 9300’s audio output and feed the audio di- rectly into the link. If possible, request that any transmitter protection limiters be adjusted for minimum possible action — OPTIMOD-AM does most of that work. Transmitter protection limiters should respond only to signals caused by faults or by spurious peaks introduced by imperfections in the link. To ensure maximum quality, all equipment in the signal path after the studio should be carefully aligned and qualified to meet the appropriate standards for bandwidth, distortion, group delay and gain stability, and such equipment should be re-qualified at reasonable inter- vals. (See Optimal Control of Peak Modulation Levels on page 1-7). If the transmitter is accessible: You can achieve the most accurate control of modulation peaks by locating OPTIMOD-AM at the transmitter site or by connecting it to the transmitter through an uncompressed digital STL. Because OPTIMOD-AM controls peaks, it is irrelevant whether the audio link feeding OPTIMOD-AM’s input terminals is phase-linear. However, the link should have low noise, the flattest possible frequency response from 30-9,500, and low nonlinear dis- tortion. Studio-Transmitter Link Transmission from Studio to Transmitter There are several types of studio-transmitter links (STLs) in common use in broadcast service: uncompressed digital, digital with lossy compression (like MPEG, Dolby ®, or APT-x ®), microwave, analog landline (telephone/post line), and audio subcarrier on a video microwave STL. STLs in AM service are used in two fundamentally different ways. They can either:  pass unprocessed audio for application to the 9300’s input, or  pass the 9300’s peak-controlled analog or digital audio outputs for application to the transmitter. These applications have different performance requirements. In general, a link that passes unprocessed audio should have very low noise and low nonlinear distortion, but its transient response is not important. A link passing processed audio does not need as low a noise floor as a link passing unprocessed audio. However, its transient response is critical. At the current state of the art, an uncompressed digital link using digital inputs and outputs to pass audio in left/right format achieves best results. We will elaborate below.

Digital Links Digital links may pass audio as straightforward PCM encoding or they may apply los- sy data reduction processing to the signal to reduce the number of bits per second required for transmission through the digital link. Such processing will almost in- variably distort peak levels; such links must therefore be carefully qualified before you use them to carry the peak-controlled output of the 9300 to the transmitter. For any lossy compression system the higher the data rate, the less the peak levels will be corrupted by added noise, so use the highest data rate practical in your system. As stated above, links using lossy data reduction cannot pass an OPTIMOD-AM– processed signal without distorting it. However, it is practical (though not ideal) to use lossy data reduction to pass unprocessed audio to the 9300’s input. The data rate should be at least of “contribution quality” — the higher, the better. If any part of the studio chain is analog, we recommend using at least 20-bit A/D conversion be- fore encoding. Because the 9300 uses multiband limiting, it can dynamically change the frequency response of the channel. This can violate the psychoacoustic masking assumptions made in designing the lossy data reduction algorithm. Therefore, you need to leave “headroom” in the algorithm so that the 9300’s multiband processing will not unmask quantization noise. This is also true of any lossy data reduction ap- plied in the studio (such as hard disk digital delivery systems). For MPEG Layer 2 encoding, we recommend 384 kB/second or higher. Some links may use straightforward PCM (pulse-code modulation) without lossy da- ta reduction. If you connect to these through an AES3 digital interface, these can be very transparent if they do not truncate the digital words produced by the devices driving their inputs. Because the 9300’s output is tightly band-limited to 9.5 kHz or lower (depending on the 9300’s lowpass filter setting), any link with 32 kHz or high- er sample frequency can pass either output without additional overshoot. Currently available sample rate converters use phase-linear filters. These have con- stant group delay at all frequencies. Sample rate conversion, whether upward or downward, will not add overshoot to the signal if it does not remove spectral en- ergy from the original signal. If the link does not have an AES3 input, you must drive its analog input from the 9300’s analog output. This is less desirable because the link’s analog input circuitry may not meet all requirements for passing processed audio without overshoot. NICAM is a sort of hybrid between PCM and lossy data reduction systems. It uses a block-companded floating-point representation of the signal with J.17 preemphasis. Older technology converters (including some older NICAM encoders) may exhibit quantization distortion unless they have been correctly dithered. Additionally, they can exhibit rapid changes in group delay around cutoff because their analog filters are ordinarily not group-delay equalized. The installing engineer should be aware of all of these potential problems when designing a transmission system. Any problems can be minimized by always driving a digital STL with an AES3 digital output, which will provide the most accurate interface to the STL. The 9300’s digital

and 96 kHz. Analog Microwave STLs Potential problems include overloads induced by preemphasis and requirements that the audio applied to the microwave transmitter be processed to prevent over- modulation of the microwave system. Lack of transparency in the path will cause overshoot. Unless carefully designed, an- alog microwave STLs can introduce non-constant group delay in the audio spectrum, distorting peak levels when used to pass processed audio. Nevertheless, in a system using a microwave STL, the 9300 is sometimes located at the studio and any over- shoots induced by the link are tolerated or removed by the transmitter’s protection limiter (if any). The 9300 can only be located at the transmitter if the signal-to-noise ratio of the STL is good enough to pass unprocessed audio. The signal-to-noise ratio of the STL can be used optimally if an Orban Optimod-PC 1101, Optimod 6300, 8200ST Compressor / Limiter / HF Limiter / Clipper or an 4000 Transmission Limiter protects the link from overload. Of these, the 1101 and 6300 are currently manufactured as of this writing and are the preferred choices because their AGCs are identical to the AGC in the 8500. If the 9300 is located at the transmitter and fed unprocessed audio from a micro- wave STL, it may be useful to use a companding-type noise reduction system (like dbx Type 2 or Dolby SR) around the link. This will minimize any audible noise buildup caused by compression within the 9300. Some microwave links can be modified such that the deviation from linear phase is less than +10 from 20 Hz to 9.5 kHz and frequency response is less than 3 dB down at 0.15Hz and less than 0.1 dB down at 20 kHz. This specification results in less than 1% overshoot with processed audio. Many such links have been designed to be eas- ily configured at the factory for composite operation, where an entire FM stereo baseband is passed. The requirements for maintaining stereo separation in compos- ite operation are similar to the requirements for high waveform fidelity with low overshoot. Therefore, most links have the potential for excellent waveform fidelity if they are configured for composite operation. Nevertheless, in an analog microwave system, the 9300 is usually located at the main AM transmitter and is driven by the microwave receiver. One of Orban’s studio level control systems (like our 6300) protects the microwave transmitter at the studio from overload. This unit also performs the gain riding function ordinarily executed by the AGC section of the 9300’s processing and it optimizes the signal-to-noise ratio obtainable from the dual-microwave link. If the STL microwave uses preemphasis, its input preemphasis filter will probably in- troduce overshoots that will increase peak modulation without increasing average modulation. If the studio level control system is capable of producing a pre- emphasized output, we strongly recommend that the microwave STL’s preemphasis be defeated and preemphasis performed in the studio level control system. This

frees the system from potential overshoot. (The Orban 6300 can be configured to produce a pre-emphasized output.) Further, it is common for a microwave STL to bounce because of a large infrasonic peak in its frequency response caused by an under-damped automatic frequency control (AFC) phase-locked loop. This bounce can increase the STL’s peak carrier de- viation by as much as 2dB, reducing average modulation. Many commercial STLs have this problem. Analog Landline (PTT/Post Office Line) Analog landline quality is extremely variable, ranging from excellent to poor. Whether landlines should be used or not depends upon the quality of the lines lo- cally available and upon the availability of other alternatives. Due to line equalizer characteristics and phase shifts, even the best landlines tend to veil audio quality slightly. Moreover, slight frequency response irregularities and non-constant group delay characteristics will alter the peak-to-average ratio, and will thus reduce the ef- fectiveness of any peak limiting performed prior to their inputs. AM Transmitters and Antennas The behavior of an FM station is more or less determined by the behavior of the ex- citer. Alas, this is not true in AM broadcast! The performance of an AM broadcast station is highly dependent upon the high-power sections of the transmitter and upon the behavior of the antenna system. The extremely high average power and the pre-emphasized high-frequency compo- nent of audio processed by OPTIMOD-AM put great demands upon the performance of the transmitter and antenna system. While improved results can be expected from most facilities, outstanding results can only be achieved by facilities having transmitters that can accurately reproduce OPTIMOD-AM's output without changing the shape of the waveform, and having wide-band, symmetrical antenna arrays. Any AGCs, compressors, limiters, and clippers that follow OPTIMOD-AM in the circuit should be bypassed. OPTIMOD-AM provides all of these functions itself. Bypassing the Transmitter's Internal Filters and Clippers Some AM transmitters, especially those supplied to stations outside of North or South America, contain built-in filters and clippers after their audio inputs. The fil- ters may have various purposes: A low-pass filter is often included to ensure that the transmitter's output spectrum adheres to the occupied bandwidth specifications of the governing authority. A high-pass filter may be present to protect the transmitter from damage. Safety clippers are often present to prevent the modulator from be- ing over-driven. As discussed in earlier sections, accurate reproduction of OPTIMOD-AM's output re- quires that the deviation from linear phase must be less than 10 degrees, 30-9500Hz. Frequency response must be less than 3dB down at 0.15Hz, and less than 0.1dB down at 9.5 kHz.

controlled. This output will often contain waveforms with flattops like square waves. If the transmitter has constant group delay above 30Hz, these difficult wave- forms will be transmitted intact and peak modulation will be accurately controlled. However, if low-frequency response is more than 3dB down at 0.15Hz, as would be true if a high-pass filter is present, the group delay above 30Hz will not be constant. For example, a typical 50Hz high-pass filter introduces significant non-constant group delay to 500Hz — ten times the cutoff frequency. This non-constant group de- lay will tilt the flattops produced by OPTIMOD-AM. The tilt increases the peak level of the audio waveform, but not the average level. This will force you to decrease the average modulation to prevent the spurious peaks from overmodulating. Similarly, a typical EBU 4.5 kHz filter will introduce significant non-constant group delay down to 1 kHz about one-fourth the cutoff frequency. This will cause over- shoot in the highly processed waveforms produced by OPTIMOD-AM. The overshoot increases the peak level of the audio waveform, but not the average level. This will force you to decrease average modulation even more. Alternatively, if you do not decrease the average modulation to accommodate the spurious peaks introduced by the filters, the transmitter’s safety clipper will clip the peaks. This will introduce out-of-band energy that will almost certainly violate the limits on occupied bandwidth specified by the governing authority and will greatly degrade the spectral control provided by OPTIMOD-AM. To achieve the full performance capability built into OPTIMOD-AM, any filters in the transmitter must be bypassed. This is essential! OPTIMOD-AM contains low-pass and high-pass filters that are fully capable of protecting the transmitter and controlling occupied bandwidth. Because of their location within OPTIMOD-AM, the internal filters do not introduce spurious modulation peaks. Any built-in peak clippers in the transmitter should be defeated. OPTIMOD-AM con- tains a clipping system that is fully capable of controlling transmitter modulation without introducing out-of-band energy. If the drive level to the transmitter is even slightly excessive, the transmitter clipper will be driven hard enough to create exces- sive spurious spectrum. Defeating any clippers in the transmitter prevents this possi- bility. This problem will be even worse if OPTIMOD-AM's transmitter equalizer is in use. OPTIMOD-AM's output level will frequently exceed 100% modulation because it is pre-distorted to complement the transmitter's pulse response. The transmitter's built-in safety clipper will surely clip this pre-distorted waveform. Power Supplies An AM transmitter is required to provide 150% of equivalent unmodulated carrier power when it is modulating 100%. High-voltage power supplies are subject to two major problems: sag and resonance.

Sag is a result of inadequate steady-state regulation. It causes the conventional car- rier shift that is seen on a modulation monitor. Good transmitter engineering prac- tice usually limits this shift to -5% (which corresponds to about 0.5dB — not a highly significant loudness loss). A more serious problem is dynamic carrier shift, or bounce. This has been known to cause up to 3dB loudness loss. Resonances in the power supply's LC filter network usually cause it. Any LC network has a resonant frequency. In order to achieve rea- sonable efficiency, the power supply filter network must be underdamped. There- fore, high modulation excites this resonance, which can cause overmodulation on the low-voltage peaks of the resonance. Curing bounce is not straightforward because of the requirement that the power supply filter smooth the DC sufficiently to achieve low hum. One approach that has been employed is use of a 12-phase power supply. Upon rectification, the ripple component of the DC is down about -40dB without filtering. A single-capacitor filter can thus be used, eliminating the filter inductor as a potential source of resonance with the capacitor. Other sources of resonance include the modulation reactor and modulation trans- former in conventional plate-modulated transmitters. Such transmitters will not greatly benefit from a 12-phase power supply. The newer generations of transmitters employ switching modulation techniques to control bounce far better than do older plate-modulated designs. The latest trans- mitters using digital modulation techniques have even better performance and most are essentially transparent. Pre-1965 Transmitters Some older transmitters were under-designed by today's standards because modern audio processing techniques to increase average modulation had not yet been de- veloped and because the designers of those transmitters assumed that average power demands on the modulator would be relatively small. If you have a transmit- ter designed before 1965, you should monitor it carefully to make sure that OPTIMOD-AM processing is not overheating the modulation transformer, the modu- lation reactor, or the power supply. The high-frequency boost performed by OPTIMOD-AM can cause unusually high voltages in the final amplifier, which could cause arcing and/or component breakdown (although the latter is very rare). There are no simple cures for such problems. Pre-1965 transmitters usually require substantial modification, including the addition of heavier-duty components and perhaps a completely new power supply for the modulator alone. Because of dra- matic improvements in transmitter design since these transmitters were built, we recommend that such transmitters be replaced. The latest solid-state transmitters sound audibly better on-air and their higher efficiency substantially reduces operat- ing power costs.

negative modulation limit of 100%, it is possible to modulate positive peaks as high as desired. In the United States, the FCC permits positive peaks of up to 125% modu- lation. Many countries have similar restrictions. However, many transmitters cannot achieve such modulation without substantial distortion, if they can achieve it at all. The transmitter's power supply can sometimes be strengthened to correct this. Sometimes, RF drive capability to the final power amplifier must be increased. Voice, by its nature, is substantially asymmetrical. Therefore, asymmetrical modula- tion was popular at one time in an attempt to increase the loudness of voice. Tradi- tionally, this was achieved by preserving the natural asymmetry of the voice signal. An asymmetry detector reversed the polarity of the signal to maintain greater posi- tive modulation. The peaks were then clipped to a level of -100%, +125%. OPTIMOD-AM takes a different approach: OPTIMOD-AM's input conditioning filter contains a time dispersion circuit (phase scrambler) that makes asymmetrical input material, like voice, substantially symmetrical. OPTIMOD-AM permits symmetrical or asymmetrical operation of both the safety clipper and multiband distortion-canceling clipper. Asymmetrical clipping slightly in- creases loudness and brightness, and can produce dense positive peaks up to 125%. However, such asymmetrical processing by its very nature produces both odd and even-order harmonic and IM distortion. While even-order harmonic distortion may sound pleasingly bright, IM distortion of any order sounds nasty. There is really nothing lost by not modulating asymmetrically: Listening tests easily demonstrate that modulating symmetrically, if time dispersion has been applied to the audio, produces a considerably louder and cleaner sound than does asymmetri- cal modulation that retains the natural asymmetry of its program material. Some of the newer transmitters of the pulse-width modulation type have circuitry for holding the carrier shift constant with modulation. Since artificial asymmetry can introduce short-term DC components (corresponding to dynamic upward carrier shift), such carrier shift cancellation circuitry can become confused, resulting in fur- ther distortion. System Presets and Transmitter Equalization OPTIMOD-AM's transmitter equalizer can cure linear problems caused by the trans- mitter or antenna system. However, the transmitter equalizer cannot cure nonlinear problems, particularly those caused by inadequate power supplies, modulation transformers, or reactors. If any of these components saturate or otherwise fail to perform under heavy power demands, no amount of small-signal equalization will solve their problems.

OPTIMOD-AM was designed with the assumption that one audio processor would be devoted to no more than two transmitters, usually called main and standby (or main and alternate). Each transmitter might be required to change power at night or to drive a different antenna array. Only one transmitter is assumed to be on the air at a given time. To drive two transmitters, OPTIMOD-AM provides two mono analog outputs (called Analog Output 1 and Analog Output 2) and one AES3 digital output, which can al- ternatively be used to drive the main transmitter if it has a digital input. OPTIMOD-AM provides four system presets for its transmitter equalizer controls and certain other controls. Only one preset can be active at a given time; all three out- puts receive the same transmitter equalization. This is consistent with the principle that only one transmitter will be on the air. Transmitter equalizer controls in a given system preset include:  LF Gain for the LF tilt equalizer [LF GAIN]  LF Breakpoint Frequency for the LF tilt equalizer [LF FREQ]  HF Shelf tuning [HF FREQ]  HF Delay equalization [HF DELAY] System presets also contain the following controls:  System Lowpass Filter Cutoff Frequency [LOW PASS]  System Lowpass Filter Cutoff Shape [LPF SHAPE]  System Highpass Filter Cutoff Frequency [HIGH PASS]  Positive Peak Threshold (Asymmetry) [POS PEAK] For convenience and to describe their most common application, the four transmit- ter equalizer presets are labeled TX1/DAY, TX1/NIGHT, TX2/DAY, and TX2/NIGHT, al- though they can be applied in a completely general way to the requirements of your transmission facility. For example, in countries observing NRSC standards you might want to transmit the full 9.5 kHz bandwidth during the day, and, in cooperation with other stations on first-adjacent channels, reduce audio bandwidth to 5 kHz at night. This will elimi- nate any skywave-induced monkey-chatter interference between first-adjacent channels. Alternatively, your nighttime directional antenna array might have poor VSWR performance at high modulating frequencies, so you might find that your transmitter works better and produces less distortion if you limit the audio band- width to those frequencies where the antenna is well behaved. Further, if you oper- ate a talk format during certain parts of the day, you will probably find that you can operate the processing for a louder on-air sound if you restrict the transmitted bandwidth below the maximum permitted by government regulation. (Bear in mind that most AM radios have an audio bandwidth of 2.5 to 3 kHz and changing trans-

ence on these radios.) Antenna System AM antenna systems, whether directional or non-directional, frequently exhibit in- adequate bandwidth or asymmetrical impedance. Often, a system will exhibit both problems simultaneously. An antenna with inadequate bandwidth couples RF energy into space with progres- sively less efficiency at higher sideband frequencies (corresponding to higher modu- lation frequencies). It reflects these higher-frequency sideband components back in- to the transmitter or dissipates them in the tuning networks. This not only causes dull sound on the air (and defeats OPTIMOD-AM's principal advantage: its ability to create a highly pre-emphasized signal without undesirable side effects), but it also wastes energy, can cause distortion, and can shorten the life of transmitter compo- nents. Asymmetrical impedance is the common point impedance's not being symmetrical on either side of the carrier frequency when plotted on a Smith Chart. This problem can cause transmitter misbehavior and sideband asymmetry, resulting in on-air dis- tortion in receivers with envelope detectors. Both of these limitations can cause severe problems in AM stereo and even worse ones in HD-AM installations. Neither problem is easily solved. Unless the radio station engineer is a knowledge- able antenna specialist, a reputable outside antenna consultant should be employed to design correction networks for the system. Note that many antenna systems are perfectly adequate, particularly for ordinary mono analog transmission. However, if the transmitter sounds significantly brighter and/or cleaner into a dummy load than it does into your antenna, the antenna sys- tem should be evaluated and corrected if necessary. As noted above, if your circumstances or budget precludes correcting your antenna's bandwidth and/or symmetry, you will often get lower on-air distortion if you set OPTIMOD-AM's low-pass filter to a lower frequency than the maximum permitted by the government. Because OPTIMOD-AM's output bandwidth is easily adjustable in real time, it is very easy to experiment to see which bandwidth gives the best au- dio quality on an average AM radio, given the quality of your transmitter and an- tenna. Using Lossy Data Reduction in the Studio Many stations are now using lossy data reduction algorithms like MPEG-1 Layer 2 to increase the storage time of digital playback media. In addition, source material has often been passed through a lossy data reduction algorithm, whether from satellite

or over landlines. Sometimes, several encode/decode cycles will be cascaded before the material is finally presented to OPTIMOD-AM’s input. All such algorithms operate by increasing the quantization noise in discrete fre- quency bands. If not psychoacoustically masked by the program material, this noise may be perceived as distortion, “gurgling,” or other interference. Psychoacoustic calculations are used to ensure that the added noise is masked by the desired pro- gram material and not heard. Cascading several stages of such processing can raise the added quantization noise above the threshold of masking into audibility. In ad- dition, at least one other mechanism can cause the noise to become audible at the radio. OPTIMOD-AM’s multiband limiter performs an “automatic equalization” function that can radically change the frequency balance of the program. This can cause noise that would otherwise have been masked to become unmasked because the psychoacoustic masking conditions under which the masking thresholds were originally computed have changed. Accordingly, if you use lossy data reduction in the studio, you should use the highest data rate possible. This maximizes the headroom between the added noise and the threshold where it will be heard. In addition, you should minimize the number of encode and decode cycles because each cycle moves the added noise closer to the threshold where the added noise is heard. About Transmission Levels and Metering Meters Studio engineers and transmission engineers consider audio levels and their meas- urements differently, so they typically use different methods of metering to monitor these levels. The VU meter is an average-responding meter (measuring the approxi- mate RMS level) with a 300ms rise time and decay time; the VU indication usually under-indicates the true peak level by 8 to 14dB. The Peak Program Meter (PPM) in- dicates a level between RMS and the actual peak. The PPM has an attack time of 10ms, slow enough to cause the meter to ignore narrow peaks and under-indicate the true peak level by 5 dB or more. The absolute peak-sensing meter or LED indica- tor shows the true peak level. It has an instantaneous attack time, and a release time slow enough to allow the engineer to read the peak level easily. Figure 1-1 shows the relative difference between the absolute peak level, and the indications of a VU meter and a PPM for a few seconds of music program.

Studio Line-up Levels and Headroom The studio engineer is primarily concerned with calibrating the equipment to pro- vide the required input level for proper operation of each device, and so that all de- vices operate with the same input and output levels. This facilitates patching devices in and out without recalibration. For line-up, the studio engineer uses a calibration tone at a studio standard level, commonly called line-up level, reference level, or operating level. Metering at the studio is by a VU meter or PPM (Peak Program Meter). As discussed above, the VU or PPM indication under-indicates the true peak level. Most modern studio audio de- vices have a clipping level of no less than +21dBu, and often +24dBu or more. So the studio standardizes on a maximum program indication on the meter that is lower than the clipping level, so peaks that the meter does not indicate will not be clipped. Line-up level is usually at this same maximum meter indication. In facilities that use VU meters, this level is usually at 0VU, which corresponds to the studio standard level, typically +4 or +8dBu. For facilities using +4dBu standard level, instantaneous peaks can reach +18dBu or higher (particularly if the operator overdrives the console or desk). Older facilities with +8dBu standard level and equipment that clips at +18 or +21dBu will experi- ence noticeable clipping on some program material. In facilities that use the BBC-standard PPM, maximum program level is usually PPM4 for music, PPM6 for speech. Line-up level is usually PPM4, which corresponds to +4dBu. Instantaneous peaks will reach +17dBu or more on voice. In facilities that use PPMs that indicate level directly in dBu, maximum program and line-up level is often +6dBu. Instantaneous peaks will reach +11dBu or more.

Transmission Levels The transmission engineer is primarily concerned with the peak level of a program to prevent overloading or overmodulation of the transmission system. This peak overload level is defined differently, system to system. In FM modulation, it is the maximum-permitted RF carrier frequency deviation. In AM modulation, it is negative carrier pinch-off. In analog telephone/post/PTT trans- mission, it is the level above which serious crosstalk into other channels occurs, or the level at which the amplifiers in the channel overload. In digital, it is the largest possible digital word. For metering, the transmission engineer uses an oscilloscope, absolute peak-sensing meter, calibrated peak-sensing LED indicator, or a modulation meter. A modulation meter usually has two components — a semi-peak reading meter (like a PPM), and a peak-indicating light, which is calibrated to turn on whenever the instantaneous peak modulation exceeds the overmodulation threshold. Line-Up Facilities Metering of Levels The meters on the 9300 show left/right input levels and both positive and negative output modulation. Input metering is stereo because the 9300 will most often be fed by a ste- reo source even though the 9300 processing is mono. Left and right input level is shown on a VU-type scale, while the metering indicates absolute instantaneous peak (much faster than a standard PPM or VU meter). The input meter is scaled so that 0 dB corresponds to the absolute maximum peak level that the 9300 can accept. If you are using the AES3 digital input, the maximum digi- tal word at the input corresponds to the 0 dB point on the 9300’s input meter. Built-in Calibrated Line-up Tones To facilitate matching the output level of the 9300 to the transmission system that it is driving, the 9300 contains an adjustable test tone oscillator that produces sine waves at 9300’s (analog or digital) left and right outputs. The frequency and modu- lation level of the line-up tones can be adjusted from the front panel (as described in Test Modes on page 3-37). You can adjust the frequency and modulation level of the built-in line-up tone. You can use the front panel, the PC Control software, or the opto-isolated remote con- trol interface ports to activate the Test Tone. Built-in Calibrated Bypass Test Mode A BYPASS Test Mode is available to pass line-up tones generated earlier in the sys- tem. This mode applies a DC servo, a highpass filter, a 15 kHz lowpass filter, a safety

105% modulation. The positive threshold is determined by the active transmission preset (see System Presets and Transmitter Equalization on page1-15), as are the set- tings of the highpass filter and transmitter equalizer. Monitoring Modulation Monitors and Their RF Amplifiers Many AM modulation monitors (particularly older ones) indicate dynamic modula- tion inaccurately even though they may accurately measure sine-wave modulation. This occurs producing overshoot and ringing. An incorrectly designed modulation monitor may indicate that modulation is as much as 3dB higher than it actually is. When modulation monitors are used at locations distant from the transmitter, they are driven from highly selective RF amplifiers. These sometimes suffer from similar problems. They can overshoot and ring if the passband filters are too sharp, causing the monitor to falsely indicate high modulation. If your modulation monitor does not agree with an oscilloscope monitoring the RF envelope at the common point, do not assume that the monitor is indicating fast peaks that your eye cannot see. A probable cause of the disparity is overshoot in the modulation monitor or its RF amplifier. If you observe this problem, we recommend that you assume that what you see on the oscilloscope is correct; oscilloscopes are designed to display pulse waveforms accurately. (Make sure the oscilloscope’s input is set for DC coupling.) Note also that modulation percentages will vary depending on where in the trans- mission system the RF sample is taken. Depending on the location observed, actual modulation can be either lower or higher than modulation observed at the common point. What is crucial is whether the carrier is actually pinched off at the final ampli- fier because this carrier pinch-off is what causes splatter. On the other hand, if the carrier appears is suppressed because of a particular choice of monitoring point within the system, negative peaks will fold around zero instead of cutting off. This causes no problem with out-of-band radiation, and far-field radiation is likely to show normal AM modulation envelopes. We therefore recommend that you use an RF sample from the final amplifier. Monitoring on Loudspeakers and Headphones Monitor Rolloff Filter The output of a loudspeaker fed from the modulation monitor typically sounds shrill and strident because, unlike virtually all real AM radios, the modulation monitor and loudspeaker have a flat response. Rolloff filtering can be used to supply moni- tors with audio that more closely resembles that heard over a typical receiver.

Orban offers the optional model MRF-023 Monitor Rolloff Filter for this purpose. This filter is a small passive unit designed to be installed between the modulation monitor and the monitor amplifier. (See step 8 on page 2-5 for installation instruc- tions). It provides complementary deemphasis and a 10 kHz notch for off-air moni- toring of NRSC standard audio. The output of the rolloff filter accurately simulates the sound of a standard NRSC receiver. Alternately, for use in non-NRSC countries, an adjustable 18dB/octave rolloff that complements the 9300's HF GAIN control can be selected with jumpers (see Figure 2-4 on page 2-4). Figure 2-5 on page 2-5 shows the frequency response of the Monitor Rolloff Filter for various settings of its ROLLOFF control. If a different tonal balance is desired for off-the-air monitoring, install a simple pro- gram equalizer after the Monitor Rolloff Filter and adjust the 5 kHz region to taste. EAS Test For stations participating in the Emergency Alert System (EAS) in the United States, broadcast of EAS tones and data can be accomplished in three different ways: 1. Run EAS tones and data through the 9300. Note that 9300 processing may not allow the full modulation level as required by EAS standards. It may therefore be necessary to temporarily defeat the 9300’s processing during the broadcast of EAS tones and data. Placing the 9300 in its BYPASS Test Mode can defeat the processing. The BYPASS GAIN control allows a fixed gain trim through the 9300. See “Test Modes,” on page 3-37 for more in- formation. 2. Place the 9300 in Bypass mode locally. A) Navigate to SETUP > TEST > MODE and set MODE to BYPASS. You can set the bypass gain with the BYPASS GAIN control located to the right of the MODE control. B) Begin EAS broadcast. After the EAS broadcast, resume normal processing: C) Set the MODE to OPERATE. This will restore the processing preset in use prior to the Test Mode. 3. Place the 9300 in Bypass mode by remote control. Then program any two Remote Interface inputs for “Bypass” and “Exit Test,” respectively. A) Connect two outputs from your station remote control system to the REMOTE INTERFACE connector on the rear panel of the 9300, according to the wiring diagram in Figure 2-2 on page 2-3. B) Program two GPI ports for BYPASS and EXIT TEST according to the instructions in Remote Control Interface Programming starting on page 2-40.

a) Switch the 9300 into BYPASS mode by a momentary command from your station’s remote control to the GPI port programmed as BYPASS. b) Begin EAS broadcast. c) When the EAS broadcast is finished, switch the 9300 from BYPASS mode by a momentary command from your station’s remote control to the GPI port programmed as EXIT TEST. You may also choose to insert EAS broadcast tones and data directly into the transmitter, thus bypassing the 9300 for the duration of the EAS tones and data broadcast. PC Control and Security Passcode PC software control provides access to OPTIMOD-AM via network, modem or direct (null modem cable) connection, with IBM PC-compatible computers running Win- dows. PC access is permitted only with a valid user-defined passcode. PC remote control can be ended from the front panel; this feature effectively pre- vents simultaneous remote and local control. See Security and Passcode Programming (starting on page 2-37) for more detail. Why the North American NRSC Standard? Over the years, as the North American air waves have become more crowded, inter- ference from first and second adjacent stations has become more and more of a problem. Receiver manufacturers responded by producing receivers with decreased audio bandwidth so that an adjacent station's modulation extremes would not be audible as interference. This cutting of the bandwidth had the effect of reducing the receiver's high-frequency response, but it was felt that lower fidelity would be less obnoxious than interference. As long ago as 1978, Orban proposed and imple- mented preemphasis and low-pass filtering for AM broadcast to provide brighter sound at the receiver while minimizing interference. This approach has become widely accepted. The NRSC-formalized standard is acceptable to all industry seg- ments, and when implemented, can result in a vast improvement in AM radio. AM Stereo Introduces a Preemphasis Dilemma Certain AM receivers manufactured since 1984 for sale in North America, particularly those designed for domestic AM stereo reception, have a frequency response that is substantially wider than that of the typical mono AM receiver. The frequency re- sponse was widened largely to enhance the sales potential of AM stereo by present- ing a dramatic, audible improvement in fidelity in the showroom. As these new re- ceivers became more prevalent, broadcasters had to choose whether the station's preemphasis would be optimized for the new AM stereo receivers or for the existing conventional receivers that form the vast majority of the market. If the choice was

for conventional receivers (which implies a relatively extreme preemphasis), the newer receivers might sound strident or exceptionally bright. If the choice favored the newer receivers (less preemphasis and probably less processing), the majority of receivers would be deprived of much high-end energy and would sound both qui- eter and duller. NRSC Standard Preemphasis and Low-pass Filtering In response to this dilemma, the National Radio Systems Committee (NRSC) under- took the difficult task of defining a voluntary recommended preemphasis curve for AM radio that would be acceptable to broadcasters (who want the highest quality sound on the majority of their listeners' radios) and to receiver manufacturers (who are primarily concerned with interference from first- and second-adjacent stations). After a year of deliberation, a modified 75-microsecond preemphasis/deemphasis standard was approved (See Figure 1-2). This provides a moderate amount of im- provement for existing narrowband radios while optimizing the sound of wideband radios. Most importantly, it generates substantially less first-adjacent interference than do steeper preemphasis curves. The second part of the NRSC standard calls for a sharp upper limit of 10 kHz (at –15dB) for the audio presented to the transmitter. (See Figure 1-3.) OPTIMOD-AM's NRSC low-pass setting is essentially flat to 9.5 kHz and substantially exceeds the NRSC standards above that frequency. This essentially eliminates inter- ference to second and higher adjacencies. While some have protested that this is in- adequate and that 15 kHz audio should be permitted, the unfortunate fact is that interference-free 15 kHz audio could only be achieved by a complete re-allocation of the AM band. On April 27, 1989, The FCC (U.S.A.) released a Report and Order that amended sec- tion 73.44 of the FCC Rules by requiring all U.S. AM stations to comply with the oc- Figure 1-2: NRSC Modified 75 µs Deemphasis

2 standard is an RF mask that was derived from the NRSC-1 audio standard. The purpose of the NRSC-2 RF mask is to provide a transmitted RF occupied bandwidth standard that any station with a properly operating transmitter will meet if NRSC-1 audio processing is used prior to the transmitter and if the station is not overmodu- lating. Audio Frequency (kHz) 10 11 12 13 14 15 Relative Amplitude (dB) -50 -40 -30 -20 -10 0 Stopband Area Modulation 10.5 1% 3.2% 0.32% 10% 31.6% 100% Figure 1-3: NRSC Lowpass Filter OPTIMOD-AM complies fully with the NRSC-1 standard when the 9.5 kHz NRSC low- pass filter is in use and the HF CURVE control is set to NRSC. Unfortunately, at this writing, the trend towards wider band receivers has reversed and most receivers are no wider than they were in the 1970s. For this reason, many engineers feel that using a third-order equalizer with 10 dB of ultimate boost pro- vides a more intelligible sound on the average radio than does the NRSC curve. The 9300’s HF shelving equalizer can provide such a boost. When a station is transmitting with 5 kHz audio bandwidth, the 9300’s 5 kHz low- pass filter can produce audible ringing that some find objectionable. Using the 9300’s bell-shaped HF parametric EQ tuned to 3 kHz can reduce the effects of this ringing by reducing the boost at 5 kHz by comparison to the 9300’s HF shelving EQ, which maintains full boost all the way to 5 kHz. Additionally, you can use the LPF SHAPE control to trade off brightness against ringing.

Warranty, User Feedback User Feedback We are very interested in your comments about this product. We will carefully re- view your suggestions for improvements to either the product or the manual. Please email us at [email protected]. LIMITED WARRANTY [Valid only for products purchased and used in the United States] Orban warrants Orban products against defects in material or workmanship for a period of five years from the date of original purchase for use, and agrees to repair or, at our option, replace any defective item without charge for either parts or labor. IMPORTANT: This warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts, or connecting the product to any but the specified recep- tacles. This warranty is void unless service or repairs are performed by an authorized service center. No responsibility is assumed for any special, incidental, or consequen- tial damages. However, the limitation of any right or remedy shall not be effective where such is prohibited or restricted by law. Simply take or ship your Orban products prepaid to our service department. Be sure to include a copy of your sales slip as proof of purchase date. We will not repair transit damage under the no-charge terms of this warranty. Orban will pay return shipping. (See Technical Support on page 5-10.) No other warranty, written or oral, is authorized for Orban Products. This warranty gives you specific legal rights and you may have other rights that vary from state to state. Some states do not allow the exclusion of limitations of inciden- tal or consequential damages or limitations on how long an implied warranty lasts, so the above exclusions and limitations may not apply to you. INTERNATIONAL WARRANTY Orban warrants Orban products against evident defects in material and workman- ship for a period of five years from the date of original purchase for use. This war- ranty does not cover damage resulting from misuse or abuse, or lack of reasonable care, or inadequate repairs performed by unauthorized service centers. Performance of repairs or replacements under this warranty is subject to submission of this War- ranty/Registration Card, completed and signed by the dealer on the day of purchase, and the sales slip. Shipment of the defective item is for repair under this warranty will be at the customer’s own risk and expense. This warranty is valid for the original purchaser only.

Allow about 2 hours for installation. Installation consists of: (1) unpacking and inspecting the 9300, (2) mounting the 9300 in a rack, (3) connecting inputs, outputs and power, (4) optional connecting of remote control leads and (5) optional connecting of computer interface control leads. When you have finished installing the 9300, proceed to “Quick Setup,” on page 2- 13. 1. Unpack and inspect. If you note obvious physical damage, contact the carrier immediately to make a damage claim. Packed with the 9300 are: 2ea. Line Cords (domestic, European) 4ea. Rack-mounting screws, 10-32 x ½ — with washers, #10 1ea. PC Remote Software and Operating Manual CD Save all packing materials! If you should ever have to ship the 9300 (e.g., for ser- vicing), it is best to ship it in the original carton with its packing materials be- cause both the carton and packing material have been carefully designed to pro- tect the unit. Complete the Registration Card and return it to Orban. (please) The Registration Card enables us to inform you of new applications, per- formance improvements, software updates, and service aids that may be developed, and it helps us respond promptly to claims under warranty without our having to request a copy of your bill of sale or other proof of purchase. Please fill in the Registration Card and send it to us today. Customer names and information are confidential and are not sold to anyone.

2. Install the appropriate power cord. CONDUCTOR WIRE COLOR L N E LINE NEUTRAL EARTH GND BROWN BLUE GREEN-YELLOW BLACK WHITE GREEN NORMAL ALT PLUG FOR 115 VAC (USA) CONDUCTOR WIRE COLOR L N E LINE NEUTRAL EARTH GND BROWN BLUE GREEN-YELLOW PLUG FOR 230 VAC (EUROPEAN) TYPE H05VV - F - 0.75 TYPE 18/3 SVT COR, TYP (3 x .82 mm 2) Figure 2-1: AC Line Cord Wire Standard) A) Check the power cord. AC power passes through an IEC-standard mains connector and an RF fil- ter designed to meet the standards of all international safety authorities. The power cord is terminated in a “U-ground” plug (USA standard), or CEE7/7 plug (Continental Europe), as appropriate to your 9300’s Model Number. The green/yellow wire is connected directly to the 9300 chassis. If you need to change the plug to meet your country’s standard and you are qualified to do so, see Figure 2-1. Otherwise, purchase a new mains cord with the correct line plug attached. The 9300 uses a universal switching power supply that will operate with- out readjustment from 95 to 264 volts AC, 50 or 60 Hz. 3. Mount the 9300 in a rack. The 9300 requires one standard rack unit (1¾ inches / 4.45 cm). There should be a good ground connection between the rack and the 9300 chas- sis — check this with an ohmmeter to verify that the resistance is less than 0.5. Mounting the unit over large heat-producing devices (such as a vacuum-tube power amplifier) may shorten component life and is not recommended. Ambient temperature should not exceed 45C (113F) when equipment is powered. Equipment life will be extended if the unit is mounted away from sources of vi- bration, such as large blowers and is operated as cool as possible.

REMOTE INTERFACE Figure 2-2: Wiring the 25-pin Remote Interface Connector 4. Connect inputs and outputs. See the hookup and grounding information on the following pages. TOPIC PAGE Audio Input and Audio Output Connections.............................................2-8 AES3 Digital Input and Output .................................................................2-10 Grounding ..................................................................................................2-10 5. Connect remote control interface. (optional) For a full listing of 9300’s extensive remote control provisions, refer to Remote Control Interface Programming on page 2-40. Optically isolated remote control connections are terminated in a type DB-25 male connector located on the rear panel. It is wired according to Figure 2-2 on page 2-3. To select the desired function, apply a 5-12V AC or DC pulse between the appropriate REMOTE INTERFACE terminals. The () terminals can be con- nected together and then connected to ground at pin 1 to create a Remote Common. A current-limited +12VDC source is available on pin 25. If you use 48V, connect a 2k 10%, 2-watt carbon composition resistor in series with the Re- mote Common or the (+) terminal to provide current limiting.

Figure 2-3: 9300 Serial Port Pin Identification In a high-RF environment, these wires should be short and should be run through foil-shielded cable, with the shield connected to CHASSIS GROUND at both ends. 6. Connect tally outputs (optional) See the schematic on page 6-26. The 9300 supports two hardware tally outputs, which are NPN open-collector and operate with respect to pin 1 (common). Therefore, the voltage applied to the load (such as a relay or opto-isolator) must be positive. You can use the 12 VDC source on pin 25 to drive the high side of the load, taking into account the fact that the voltage on pin 25 is current limited by a 310  resistor. The tally outputs are protected against reverse polarity. To avoid damaging the 6300, limit the current into a tally output to 30 mA. DO NOT connect a tally output directly to a low-impedance voltage source! The tally outputs are not protected against this abuse and the output transistors are likely to burn out. When driving a relay or other inductive load, connect a diode in re- Figure 2-4: Jumper Positions, Monitor Roll-Off Filter

voltage caused by inductive kickback. Note that the tally outputs have no special RFI protection. Therefore, it is wise to use shielded cable to make connections to them. See step 9 on page 2-25 for instructions on programming the tally outputs. 7. Connect to a computer You can connect to a computer via the 9300’s serial connector or via an Ethernet network. You must have the 9300 PC Remote application installed on your com- puter before you upgrade your 9300’s firmware because 9300 PC Remote manages the upgrade. See Networking and Remote Control on page 2-41, Appendix: Setting Up Serial Communications on page 2-51, Installing 9300 PC Remote Control Software on page 2-44, and Using the 9300 PC Remote Control Software on page 3-37 for more detail. 8. Install Monitor Rolloff Filter. (optional) Orban Monitor Rolloff Filters are accessories that can be ordered from your au- thorized Orban Broadcast Dealer. The Orban model number is MRF-023. The Orban Monitor Rolloff Filter alters the flat response typical of a modulation monitor's audio output to one that more closely resembles that of an actual AM Figure 2-5: Frequency Response Curves as Function of ROLLOFF Control, Monitor Rolloff Filter Strapped for 18 dB/Octave

receiver. It is a passive filter, requiring no power supply. It can be mounted to one rail of a standard rack. (See page 1-21 for more about studio monitoring.) A) Select rolloff response. The Monitor Rolloff Filter is supplied jumpered for NRSC WITH 10 KHZ NOTCH, unless otherwise noted. NRSC with 10 kHz notch: Accurately simulates the sound of a standard NRSC receiver. Also useful for remote off-air monitoring because it filters out the 10 kHz whistles caused by interfering first-adjacent stations (in countries with 10 kHz channel spacing). Intended to complement the HF CURVE NRSC setting in OPTIMOD-AM. Note that very few consumer radios have a frequency response resem- bling the NRSC standard. Therefore, the NRSC rolloff will result in sub- stantially brighter sound than most radios provide, and the 18dB/OCTAVE setting provides a more realistic simulation of a typical radio. NRSC: NRSC rolloff without 10 kHz notch. 18dB/OCTAVE: Simulates the sound of an average narrowband AM/MW receiver except that it shelves off above 6 kHz instead of continuing to rolloff as a real radio would. This rolloff complements an HF CURVE setting of 0 in OPTIMOD-AM. The amount of rolloff is adjustable with the filter's high frequency ROLLOFF control to complement the setting of the HF GAIN control on OPTIMOD-AM. B) Change the jumpers to the desired rolloff. See Figure 2-4. C) Connect the output of your modulation monitor to the Input terminals of the Monitor Rolloff Filter. If the output impedance of the source is between 0 and 35 ohms (such as the Figure 2-6: Monitor Rolloff Filter Schematic Diagram

and COM terminals on the rolloff filter chassis. If the output impedance of the source is 600 ohms, connect the source be- tween the 600-OHM SOURCE and COM terminals. If the output impedance is some value in between, connect a resistor be- tween the source's output and the Monitor Rolloff Filter's 600-OHM SOURCE terminal so that the total source impedance seen by the Moni- tor Rolloff Filter is 600Ω (external resistor + output impedance of source = 600Ω). If your console monitor or monitor amplifier input is bridging (like virtually all modern amplifiers), set the TERMINATION switches on the Rolloff Fil- ter to ON. If the console monitor or monitor amplifier input impedance is a true 600Ω, set the TERMINATION switch on the Rolloff Filter to OFF. D) Connect the input of your console monitor or monitor amplifier to the OUTPUT terminals on the Monitor Rolloff Filter. E) Connect the earth ground terminals on the Rolloff Filter to earth ground for shielding. To avoid potential ground loops, the earth ground is not connected to the COM terminals. F) Set the ROLLOFF control of the Rolloff Filter to taste. See Figure 2-5 on page 2- 5. 9300 Rear Panel The Power Cord is detachable and is terminated in a “U-ground” plug (USA stan- dard) or CEE7/7 plug (Continental Europe). An RS-232 (PC Remote) Computer Interface, labeled SERIAL PORT, is provided to connect the 9300 to IBM PC-compatible computers, directly or via modem, for re- mote control, metering and software downloads. A Remote Interface Connector allows you to connect the 9300 to your existing transmitter remote control or other simple contact-closure control devices. The 9300 remote control supports user-programmable selection of up to eight optically iso- lated inputs for any one of the following parameters: recalling any factory- or user presets, tone or bypass modes, selecting stereo input modes (mono-left, mono-right, mono-sum), selecting analog, digital or digital+J.17 input, and clock synchroniza- tion. (See Remote Control Interface Programming on page 2-40.) The 9300 remote control accepts a DB-25 connector. A valid signal is a momentary transition from no-current to current flowing through the particular remote signal pins. Current must flow for at least 50ms for the signal to be interpreted as valid. It is acceptable to apply current continuously to an input, DC or AC. Do not exceed 12 volts unless you use an external current-limiting resistor

that limits current to 10mA. Voltage is available at this connector to facilitate use of contact closures. The Ethernet Port accepts an Ethernet cable terminated with an RJ45 connector. Digital AES3 Input and Output are provided to support two-channel AES3- standard digital audio signals through XLR-type connectors. Analog Inputs and Outputs use XLR-type connectors The analog inputs support left and right audio signals (to allow the 9300 to mix these to mono or to choose one of the two channels as a mono source). There are two analog outputs for two transmitters. When the POLARITY CONTROL (located in the active System Preset) is set to POSITIVE, a positive-going signal at pin 2 of the XLR-type connector corresponds to positive modulation. Input and Output Connections Cable We recommend using two-conductor foil-shielded cable (such as Belden 8451 or equivalent) for the audio input and output connections because signal current flows through the two conductors only. The shield does not carry signal and is used only for shielding. Connectors  Input and output connectors are XLR-type connectors. In the XLR-type connectors, pin 1 is CHASSIS GROUND, while pin 2 and pin 3 are a balanced, floating pair. This wiring scheme is compatible with any studio-wiring standard: If pin 2 or 3 is considered LOW, the other pin is automatically HIGH. Analog Audio Input  Nominal input level between –14dBu and +8dBu will result in normal operation of the 9300. (0dBu = 0.775Vrms. For this application, the dBm @600 scale on voltme- ters can be read as if it were calibrated in dBu.)  The peak input level that causes overload is +27.0dBu.  The electronically balanced input uses an ultra low noise and distortion differen- tial amplifier for best common mode rejection, and is compatible with most pro-

ing a source impedance of 600 or less. The input is EMI suppressed.  Input connections are the same whether the driving source is balanced or unbal- anced.  Connect the red (or white) wire to the pin on the XLR-type connector (#2 or #3) that is considered HIGH by the standards of your organization. Connect the black wire to the pin on the XLR-type connector (#3 or #2) that is considered LOW by the standards of your organization.  In low RF fields (like a studio site), connect the cable shield at 9300 input only — it should not be connected at the source end. In high RF fields (like a transmitter site), also connect the shield to pin 1 of the male XLR-type connector at the 9300 input.  If the output of the driving unit is unbalanced and does not have separate CHASSIS GROUND and (–) (or LOW) output terminals, connect both the shield and the black wire to the common (–) or ground terminal of the driving unit. Analog Audio Outputs  There are two monophonic outputs (for two transmitters).  Electronically balanced and floating outputs simulate a true transformer output. Because of the built-in high-order EMI suppression filter, the source impedance is 351. The output is capable of driving loads of 600 or higher; the 100% modu- lation level is adjustable with the AO 100% control over a –6dBu to +24dBu range. Loading the output with 600 will decrease the output level by 4.0 dB compared to a high impedance (bridging) load and will reduce the maximum available output level by 4.0 dB. A software switch in Analog Output screen al- lows the output level calibration to be set for a bridging or 600 load.  If an unbalanced output is required (to drive unbalanced inputs of other equip- ment), it should be taken between pin 2 and pin 3 of the XLR-type connector. Connect the LOW pin of the XLR-type connector (#3 or #2, depending on your organization’s standards) to circuit ground; take the HIGH output from the re- maining pin. No special precautions are required even though one side of the output is grounded.  Use two-conductor foil-shielded cable (Belden 8451, or equivalent).  At the 9300’s output (and at the output of other equipment in the system), do not connect the cable’s shield to the CHASSIS GROUND terminal (pin 1) on the XLR-type connector. Instead, connect the shield to the input destination. Con- nect the red (or white) wire to the pin on the XLR-type connector (#2 or #3) that is considered HIGH by the standards of your organization. Connect the black wire

to the pin on the XLR-type connector (#3 or #2) that is considered LOW by the standards of your organization. AES3 Digital Input and Output There is one AES3 input and one AES3 output. The program input and output are both equipped with sample rate converters and can operate at 32, 44.1, 48, 88.2, and 96 kHz. Per the AES3 standard, each digital input or output line carries two channels. The input accepts stereo, which the 9300 can process as mono- from-left, mono-from-right, or mono-from-sum. The output carries two identical mono-processed channels. The connection is 110 balanced. The AES3 standard specifies a maxi- mum cable length of 100 meters. While almost any balanced, shielded cable will work for relatively short runs (5 meters or less), longer runs re- quire used of 110 balanced cable like Belden 1800B, 1801B (plenum rat- ed), multi-pair 180xF, 185xF, or 78xxA. Single-pair category 5, 5e, and 6 Ethernet cable will also work well if you do not require shielding. (In most cases, the tight balance of Category 5/5e/6 cable makes shielding unnecessary.) The AES3id standard is best for very long cable runs (up to 1000 meters). This specifies 75 unbalanced coaxial cable, terminated in BNC connec- tors. A 110/75 balun transformer is required to interface an AES3id connection to your Optimod’s digital input or output. The digital input clip level is fixed at 0 dB relative to the maximum digital word. The maximum digital input will make the 9300 input meters dis- play 0dB. The reference level is adjustable using the DI REF control. The 9300 is a “multirate” system; its internal sample rate is 32 kHz and multiples thereof (up to 128 kHz). The output is strictly band-limited to 16 kHz or less. Therefore, the output can pass through a 32 kHz uncom- pressed link with bit-for-bit transparency. Because sample rate conversion is a phase-linear process that does not add bandwidth, the 9300’s output signal will continue to be compatible with 32 kHz links even if it under- goes intermediate sample rate conversions (for example, 32 kHz to 48 kHz to 32 kHz). Grounding Very often, grounding is approached in a “hit or miss” manner. But with care it is possible to wire an audio studio so that it provides maximum protection from power faults and is free from ground loops (which induce hum and can cause oscillation). In an ideal system:  All units in the system should have balanced inputs. In a modern system with low output impedances and high input impedances, a balanced input will pro- vide common-mode rejection and prevent ground loops regardless of whether it is driven from a balanced or unbalanced source.

 All equipment circuit grounds must be connected to each other; all equipment chassis grounds must be connected together.  In a low RF field, cable shields should be connected at one end only — prefera- bly the source (output) end.  In a high RF field, audio cable shields should be connected to a solid earth ground at both ends to achieve best shielding against RFI. Power Ground  Ground the 9300 chassis through the third wire in the power cord. Proper grounding techniques never leave equipment chassis unconnected to pow- er/earth ground. A proper power ground is essential for safe operation. Lifting a chassis from power ground creates a potential safety hazard. Circuit Ground  To maintain the same potential in all equipment, the circuit (audio) grounds must be connected together.  In high RF fields, the system is usually grounded through the equipment rack in which the 9300 is mounted. The rack should be connected to a solid earth ground by a wide copper strap — wire is ineffective at RF frequencies because of the wire’s self-inductance.  The 9300’s chassis and circuit grounds are internally connected. There is no ground lift switch. A ground lift switch should never be necessary on any piece of equip- ment connected entirely via balanced I/O. 9300 Front Panel  Screen Display labels the four soft buttons and provides control-setting infor- mation.  Screen Contrast button adjusts the optimum viewing angle of the screen dis- play.  Four Soft buttons provide access to all 9300 functions and controls. The func- tions of the soft buttons change with each screen, following the labels at the bottom of each screen.

 Next and Prev ( and ) buttons scroll the screen horizontally to accommo- date menus that cannot fit in the available space. They also allow you to move from one character to the next when you enter data into your 9300. These flash when such a menu is in use. Otherwise, they are inactive.  Control Knob is used to change the setting that is selected by the soft buttons. To change a value, you ordinarily have to hold down a soft button while you are turning the control knob.  Recall button allows you recall a Factory or User Preset. Selecting the Recall button does not immediately recall a preset. See step 16 on page 2-18 for instructions on recalling a preset.  Modify button brings you to list of controls that you can use to edit a Factory or User Preset. If you edit a Factory Preset, you must save it as a new User Preset to retain your edit.  Setup button accesses the technical parameters necessary to match the 9300 to your transmission system.  Escape button provides an escape from the currently active screen, returning the user to the next higher-level screen. Repeatedly pressing Escape will always return you to the Idle screen, which is at the top level of the screen hierarchy.  Input meters show the peak input level applied to the 9300’s analog or digital inputs with reference to 0 = digital full-scale. If the input meter’s red segment lights up, you are overdriving the 9300’s analog to digital converter. This clips at +27 dBu.  AGC meter shows the gain reduction of the slow two-band AGC processing that precedes the separate analog and digital processing chains. Full-scale is 25 dB gain reduction. You can switch the meter so that it either reads the gain reduc- tion of the Master (above-200 Hz) band, the Bass (below-200 Hz) band, or the difference between the gain reduction in the Master and Bass bands. The latter reading is useful for assessing the dynamic bass equalization that the AGC produces and it helps you set the AGC BASS COUPLING con- trol.  Gate LED indicates gate activity, lighting when the input audio falls below the threshold set by the AGC gate threshold control (via the Full Control screen’s AGC GATE control). When this happens, the AGC’s recovery time is slowed to prevent noise rush-up during low-level passages. There is also an independent gate for the multiband compressor. You can only see its action from the Optimod PC Remote software.  Gain Reduction meters show the gain reduction in the multiband compressors. Full-scale is 25 dB gain reduction.

units of percentage modulation. The right-hand meter shows positive peaks and the left-hand meter shows negative peaks. Quick Setup Quick Setup guides you through 9300 setup for your primary transmitter. It is ap- propriate for users with modern transmitter facilities. Following this section, you can find more detailed information regarding setup beyond the Quick Setup screens. In most cases, you will not need this extra information. Quick Setup assumes that your transmission facility does not need to use the 9300’s Transmitter Equalizer. This should be true if you are using a modern solid-state transmitter and have a reasonably wideband antenna system. If you need to correct tilt, overshoot, or ringing in the RF envelope, adjust the Transmitter Equalizer after Quick Setup is completed. For the following adjustments, use the appropriately labeled soft button to choose the parameter you wish to adjust. To change a parameter (like an output level), you must usually hold down the soft button while turning the knob. However, if there is only one parameter on a screen, you can change this with the knob alone. (You do not have to hold down a button.) Let the text on the screen guide you through the process. 1. If your signal path includes a studio level controller, set it up. We recommend Orban’s 6300 Multipurpose Digital Audio Processor. The 6300 substitutes for the AGC in the 9300 at the transmitter and provides protection limiting for the STL. See Using OPTIMOD 6300 as a Studio Level Controller in the 6300’s operating manual. The 6300’s AGC uses the same dual-band, window-gated technology as the 9300’s AGC. It can therefore accurately substitute for this AGC and can help maintain an all-digital signal path throughout the facility. 2. Make sure that the transmitter is turned off. This avoids potential damage caused by overdriving it. You will set the modula- tion level later in Quick Setup. 3. Press the front-panel Setup button. 4. Press the Quick Setup soft button when its label appears on the display. Quick Setup presents a guided sequence of screens into which you must insert in- formation about your particular requirements. In general, the screens are self- explanatory. Use the NEXT and PREV buttons to navigate between screens. These buttons will flash to indicate that they are active.

5. Set the time, date, and Daylight Saving Time. [Skip this step if you will be using an Internet timeserver to set time, date, and Daylight Saving Time. See Synchronizing Optimod to a Network Timeserver on page 2-47. To skip this step, press the NEXT button four times.] The set time screen appears when you enter Quick Setup for the first time. A) Hold down the appropriate soft button while turning the knob to enter the hour, minute, and seconds. Enter seconds slightly ahead of the correct time. B) Wait until the entered time agrees with the correct time. Then press the ENTER TIME button to set the clock. C) After you press ENTER TIME, you will see the ENTER DATE screen. Hold down the appropriate soft button while turning the knob to enter the day, month, and year. D) After you press ENTER DATE, you will see the SET DAYLIGHT SAVING screen. Turn the knob to specify the month at which Daylight Saving Time (Summer Time) begins in your area. E) Press the NEXT button. F) Turn the knob to specify the week of the month when Daylight Saving Time begins. G) Press the NEXT button. H) Turn the knob to specify the month at which Standard Time begins in your area. I) Press the NEXT button. J) Turn the knob to specify the week of the month when Standard Time begins. 6. Set output bandwidth. This step sets the lowpass filter bandwidth in the default system preset (TX1/DAY). A) Press the NEXT button. B) Select the lowpass filter cutoff frequency you need by turning the knob. The setting of the lowpass filter controls your RF occupied bandwidth. It is very important to set it to meet the government standards in your country. OPTIMOD-AM can be readily programmed from its front panel or by re- mote control for any lowpass filter cutoff frequency from 4.5 kHz to 9.5 kHz (NRSC) in 0.5 kHz steps. Default is 9.5 kHz (NRSC). Quick Setup programs the filter so that it is down 0.1 dB at the assigned cutoff frequency. However, you can later edit any system preset to shape the transition region of the input section of the filter to trade off ringing against bright sound. This may be particularly useful when using a low cutoff frequency like 5.0 kHz. (See step 6.C) on page 2-23.)

set the cutoff frequency so that it is –0.1 dB, –3 dB, or –6 dB down. By making the transition between the passband and stopband progressively more rounded and gentle, each step trades off duller sound against less ringing. 7. Set highpass filter cutoff frequency. This step sets the highpass filter bandwidth in the default system preset (TX1/DAY). A) Press the NEXT button. B) Select the highpass filter cutoff frequency you need by turning the knob. OPTIMOD-AM can be programmed for any highpass filter cutoff fre- quency from 50 to 100Hz in 10Hz steps. Default is 50 Hz. The appropriate setting of the highpass filter is not determined by gov- ernment regulations, but instead depends on both your programming format and transmitter. Modern transmitters can accommodate frequen- cies below 50Hz without loss of performance due to bounce or tilt. How- ever, virtually no AM radio can satisfactorily reproduce frequencies be- low 50Hz. Many produce distortion when attempting to reproduce such frequencies because their RF AGC circuits are poorly designed and they mistake low-frequency modulation for changes in carrier level. Simulta- neously, 50Hz is a low enough cutoff frequency to retain significant bass punch and slam with music. We therefore recommend that you set the highpass filter to 50Hz unless you have a good reason for setting it dif- ferently. One reason to set it higher would be if you have an older- technology transmitter that cannot reproduce low frequencies without bounce or tilt. (You should experiment by setting the highpass filter to various frequencies higher than 50Hz to determine if you can get more average modulation from your transmitter by doing so.) Another reason would be if your format is predominantly talk, because talk does not re- quire frequencies below approximately 80Hz. All highpass filters have greater than 30dB/octave rolloff and have a notch at 25Hz to remove any cueing tones and to protect transmitters that might be adversely affected by modulating frequencies in this area. Technically, what you have just done is to set the highpass filter cutoff frequency in the TX1/DAY(default) system preset. 8. Set external AGC mode. Most of the processing structures in the 9300 control level with a preliminary AGC (Automatic Gain Control). If you are using a suitable automatic gain control at the studio, the AGC in the 9300 should be defeated. This is so that the two AGCs do not “fight” each other and so they do not simultaneously increase gain, resulting in increased noise. As of this writing, the currently manufactured Orban products that can be used as external AGCs are Optimod-PC 1101 and Optimod 6300. Their manuals contain instructions on how to use them in this application. They are the preferred choices because their AGCs are identical to the AGC in the 9300.

Discontinued Orban products usable as external AGCs include the 8200ST, 464A “Co-Operator,” 8100AST, and 1100 OPTIMOD-PC. In this manual, we do not pro- vide step-by-step instructions for setting up all of these older products A) Press the NEXT button. B) Set external AGC mode by turning the knob.  Set the field to YES if you have a external AGC installed at your studio feeding the studio-to-transmitter link. This setting appropriately defeats the 9300’s AGC for all presets.  Set the field to NO If you do not have an external AGC installed; this setting enables the 9300 AGC status to be determined by the selected preset. If you are using an Orban 4000 Transmission Limiter, set field to NO (so that the AGC function in the 9300 continues to work). The Orban 4000 is a transmission system overload protection device and is normally oper- ated below threshold. It is not designed to perform an AGC or gain- riding function, and it cannot substitute for the AGC function in the 9300. 9. Select your primary input (analog or digital). A) Press the NEXT button. B) If your main input source is digital, turn the knob to select DIGITAL or DIGITAL+J17. Otherwise, select ANALOG. The only digital encoding that typically uses J.17 preemphasis (of which we are aware) is NICAM. DIGITAL, not DIGITAL+J17, is appropriate for al- most anyone using the digital input. 10. Choose how the processing will be fed from the active input. A) Press the NEXT button. B) Choose either MONO L (mono sourced from the left input channel), MONO R (mono sourced from the right input channel), or MONO L+R (mono sourced from the sum of the left and right input channels. If you are sourcing the 9300 with stereo audio, choose MONO L+R. 11. Set input operating levels. In this step, you set the operating levels of the 9300 to match the input levels it is receiving so the 9300’s AGC can operate in the range for which it was designed. There are separate settings for the analog and digital inputs. If you provide both analog and digital inputs to the 9300, optimum adjustment is achieved when the AGC gain reduction meters show the same amount of processing when you switch between both analog and digital inputs. This will allow you to switch between analog and digital inputs without sudden level changes. A) Press the NEXT button.

C) Play program material from your studio, peaking at normal program levels (typically 0 VU if your console or mixing desk uses VU meters). D) [Skip this step if you are not using the analog input.] Hold down the ANALOG soft button and adjust the knob so that the AGC meter indicates an average of 10 dB gain reduction. E) [Skip this step if you are not using the digital input.] Hold down the DIGITAL soft button and adjust the knob so that the AGC meter indicates an average of 10 dB gain reduction. 12. Set the digital output sample rate. A) Press the NEXT button. B) [Skip this step if you will not be using the digital output(s).] Turn the knob to set the Digital OUTPUT SAMPLE RATE to 32, 44.1, 48, 88.2, or 96 kHz. The internal sample rate converter sets the rate at the 9300’s digital out- puts. This adjustment allows you to set the output sample rate to ensure compatibility with equipment requiring a fixed sample rate. In all cases, the 9300’s sample rate is 32 kHz and multiples thereof up to 128 kHz. 13. Prepare to set output levels. A) Press the NEXT button. The positive peak threshold for all outputs is now set to 100%. You can set asymmetry as desired after you have completed Quick Setup. The POSPEAKTHR control in the active system preset determines asymme- try. For Quick Setup, the active system preset is TX1/DAY. You can use either program material or tone to set the output level (and thus, the on-air modulation).  To use tone, press the YES button.  To use program material, press the NO button. We recommend using program material because it automatically takes into account any bounce, overshoot, and ringing in the transmission plant. A tone setup can cause overmodulation with program material un- less the modulation control in your facility is “textbook perfect.” 14. Set the digital output level. A) Press the NEXT button. B) [Skip this step if you are not using the digital output.] Turn the knob to set the desired digital output level corresponding to 100% modulation, in units of dB below full-scale.

If you plan to modulate asymmetrically, you must leave headroom for the positive peaks. For example, you must set the DO 100% control lower than –2.0 dBfs to support 125% modulation. The most accurate way to set this control is by observing a modulation monitor or oscilloscope connected to your transmitter’s common point. An oscilloscope is the most reliable method because it will unambigu- ously show negative carrier pinch-off, whereas some monitors have over- shoot that can cause them to under-indicate peak modulation. 15. Set the analog output level. A) Press the NEXT button. B) [Skip this step if you are not using the analog output.] This Quick Setup procedure adjusts Analog Output #1. If you are also us- ing Analog Output #2 (to drive a second transmitter, for example), you can adjust it after you complete Quick Setup. Turn the knob to set the desired analog output level corresponding to 100% modulation, in units of dBu (0 dBu = 0.776 Vrms). The most accurate way to set this control is by observing a modulation monitor or oscilloscope connected to your transmitter. C) Press the NEXT button. If you activated the modulation setup tone in step (13.A) on page 2-17, the tone will turn off automatically. D) Press the NEXT button. 16. Choose a processing preset. A) Turn the knob until your desired preset is visible in the lower line of the dis- play. B) Press the RECALL NEXT button to put your desired preset on-air. This step selects the processing to complement various program formats. After this step, you can always select a different processing preset, pro- gram the 9300 to automatically change presets on a time/date schedule, use a GPI input to trigger preset changes, modify presets to customize your sound, and store these presets as User Presets. Preset names are just suggestions. Feel free to audition different presets and to choose those whose sound you prefer. Your preferred preset might not be named for your format. You can easily modify a preset later with the 9300’s one-knob LESS-MORE feature. Refer to Section 3. Note that factory processing presets (but not user presets) change their sonic characteristics depending on the setting of the system lowpass fil- ter. The switch occurs between 7.0 and 7.5 kHz. The presets for band- widths of 7.5 kHz and above are oriented toward radios with higher au- dio bandwidth than are the presets for 7.0 kHz and below. In most cases,

shape of the equalizer. Congratulations! You are now on the air with your initial sound. Feel free to read the material in Section 3 of this manual, which describes the various presets and how you can customize them to achieve your desired signature sound. If your transmitter plant is not “textbook-perfect,” we recommend using the in- structions in the detailed setup procedure (following Quick Setup) to achieve highest average modulation by equalizing your transmitter and/or antenna sys- tem with the 9300’s Transmitter Equalizer. 17. Complete Station ID (optional). The Station ID is an optional setting that you can provide to associate the 9300 with the station providing the program material (e.g., “KABC”). The name can be up to eight characters long. It is used to identify your 9300 to Orban’s 9300 PC Remote application and appears on the Main Screen when the 9300 is being con- trolled by the PC Remote application. A) Navigate to SETUP > NEXT > TIME DATE AND ID > STATION ID. B) Use the knob to set the each character in the ID. Use the NEXT and PREV but- tons to control the cursor position. C) When finished entering your name, press the SAVE button. If you escape to the main screen from Setup, you can now see the station name toggle on the main screen. The following material provides detailed instructions on how to set up the 9300. If QUICK SETUP does not fully address your setup needs or if you wish to customize your system beyond those provided with QUICK SETUP, then you may need the addi- tional information in the sections below. However, for most users, this material is only for reference because QUICK SETUP has enabled them to set up the 9300 cor- rectly. Analog and Digital I/O Setup For the following adjustments, use the appropriately labeled soft button to choose the parameter to be adjusted. To change a parameter (like an output level), it is usually necessary to hold down the soft button while turning the knob. 1. Make sure that the transmitter is turned off. This avoids potential damage caused by overdriving it. You will set the modula- tion level later in this setup procedure.

2. Temporarily set the external AGC mode to “No.” Navigate to SETUP > NEXT > NEXT > EXT AGC and set EXT AGC to NO. If you are using a external AGC like the Orban 6300, you should restore this set- ting to YES after the setup procedure is complete. 3. Adjust Input selector. A) Navigate to SETUP > IO CALIB > INPUT > ANLG IN CALIB. B) Set the INPUT to ANALOG. The 9300 will automatically switch to its analog input if signal lock is un- available at its AES3 input. 4. Adjust Analog Input Reference Level. [9dBu to +13dBu (VU), or –2 to +20dBu (PPM)] in 0.5 dB steps [Skip this step if you will not be using the analog input.] The reference level VU and PPM (Peak) settings track each other with an offset of 7 dB. This compensates for the typical indications with program material of a VU meter versus the higher indications on a PPM. (See About Transmission Levels and Metering on page 1-18.) This step sets the center of the 9300’s gain reduction range to the level to which your studio operators peak their program material on the studio meters. This as- sures that the 9300’s processing presets will operate in their preferred range. You may adjust this level with a standard reference/line-up level tone from your studio or with program material. Note that in this step, you are calibrating to the normal indication of the studio meters; this is quite different from the actual peak level. If you know the reference VU or PPM level that will be presented to the 9300, set the reference level to this level, but please verify it with the steps shown directly below. A) Press the RECALL button. B) Turn the knob until GEN PURPOSE MEDIUM appears in the lower line of the display. C) Press the RECALL NEXT button. D) Navigate to SETUP > IO CALIB > INPUT > ANLG IN CALIB > AI REF (VU or PPM, de- pending on which metering system you use). E) Calibrate using Tone. [Skip to step (F) if you are using Program material to calibrate the 9300 to your standard studio level.] a) Verify EXT AGC is set to NO.

b) Feed a tone at your reference level to the 9300. If you are not using a studio level controller, feed a tone through your console at normal program levels (typically 0VU if your console uses VU meters). If you are using a studio level controller that performs an AGC function, such as an Orban 6300, adjust it for normal operation. c) Adjust the AI REF (VU or PPM) control to make the 9300’s AGC meter indicate 10 dB gain reduction. d) Skip to step (G). F) Calibrate using Program. [Skip this step if you are using Tone to calibrate the 9300 to your stan- dard studio level — see step (E) above.] a) Verify EXT AGC is set to NO. Refer to step 1 on page 2-19. b) Feed normal program material to the 9300 Play program material from your studio, peaking at the level to which you normally peak program material (typically 0VU if your console uses VU meters). c) Adjust the AI REF (VU or PPM) control to make the 9300’s AGC meters indicate an average of 10 dB gain reduction when the console’s VU meter or PPM is peaking at its normal level. If the AGC gain reduction meter averages less than 10 dB gain reduction (higher on the meter), re-adjust the AI REF (VU or PPM) to a lower level. If the AGC gain reduction meter averages more gain reduction (lower on the meter), re-adjust the AI REF (VU or PPM) to a higher level. G) When finished, reset EXT AGC to YES if required (e.g., if that was its setting prior to setting AI REF (VU or PPM) level). Refer to step 1 on page 2-19. 5. Adjust the Digital Input Reference Level control. [Skip this step if you will not be using the digital input.] A) Navigate to SETUP > IO CALIB > INPUT > DIGITAL INPUT CALIB > INPUT and set the input source to DIGITAL. B) Repeat steps 3 and 4 (starting on page 2-20), but use the DI REF (VU OR PPM) control. 6. Set output bandwidth and highpass filter cutoff frequency. A) Navigate to SETUP > MODIFY TX PRESET > TX1/DAY .

To describe their most common application, the four system presets are labeled TX1/DAY, TX1/NIGHT, TX2/DAY, and TX2/NIGHT, although they can be applied in a completely general way to the requirements of your transmission facility. System presets can be recalled by remote control (GPI or PC Remote) and/or at preset times by the 9300’s clock-based au- tomation. TX1/DAY is the default system preset and many stations will always use it once they have set it up. The controls within a given system preset include lowpass filter cutoff frequency, lowpass filter shape, highpass filter cutoff frequency, positive peak threshold (asymmetry), and four transmitter equalizer controls. Only one system preset can be active at a given time; that preset deter- mines the parameters applied to all outputs. Once you have selected a system preset, that preset will be active until you explicitly select another via the front panel, remote control, or clock- based automation. This is true even if AC power is interrupted. However, if clock-based automation was scheduled to recall a different preset dur- ing the period when the 9300 was powered down, upon power-up, the 9300 will automatically recall the preset that would have been on-air at that time if power had stayed on. B) Hold down the soft key under LOWPASS and Select the desired lowpass filter cutoff frequency by turning the knob. Lowpass filter cutoff frequencies range from 4.5 kHz to 9.5 kHz (NRSC) in 0.5 kHz steps. The setting of the lowpass filter controls your RF occupied bandwidth, so it is very important to set it to meet the government stan- dards in your country. Note that the user processing presets can only lower the low-pass cutoff frequency below its setting in active system preset. For example, if you have set the low-pass cutoff frequency in the active system preset to 6.5 kHz, this can be lowered to 6.0 kHz or below in a processing preset, but cannot be raised above 6.5 kHz. This is to prevent accidentally creating presets that violate the occupied bandwidth standards of your governing authority. In Region-2 countries, we recommend configuring the 9300 for 9.5 kHz NRSC-1 lowpass filtering (via the active system preset) and the 18dB/octave HF equalizer active with a GAIN of 10dB and a CURVE of 10 (via the active processing preset). This is similar in spirit to the NRSC pre- emphasis, which also has a maximum gain of 10dB. However, it provides more midrange boost than the NRSC preemphasis, which helps the vast majority of radios in the field. These are narrowband radios with 2 to 3 kHz audio bandwidth (3dB down). They do not meet the EIA's AMAX standard (or even come close to it). Of course, if you wish to broadcast with strict NRSC preemphasis, you can easily adjust the 9300's HF Equal- izer to do this by setting the HF curve to NRSC. Some broadcasters have now chosen to reduce their output bandwidth below the NRSC limit voluntarily. Setting the output bandwidth to 7.0 kHz or below in a system preset will automatically invoke the narrow- band versions of the factory presets. However, it will not change a user processing preset. It is wise to develop user presets while using the same lowpass filter cutoff frequency that you will employ when these presets are on air.

ommend setting OPTIMOD-AM’s lowpass filter to 6.0 kHz. This will meet the requirements of ITU-R 328-5 without further lowpass filtering in the transmitter. Any such lowpass filters already in the transmitter should be removed to prevent overmodulation caused by the filter's overshoot and ringing. For HF/international shortwave use, set the lowpass filter to 4.5 kHz. C) Hold down the soft key under LPF SHAPE and turn the knob to determine whether the input lowpass filter is down 0.1 dB, 3 dB, or 6 dB at the lowpass filter cutoff frequency. By making the transition between the passband and stopband progressively more rounded and gentle, each step trades off duller sound against less ringing. See Figure 2-7 on page 2-23. D) Hold down the soft key under HIGHPASS and Select the highpass filter cutoff frequency you need by turning the knob. OPTIMOD-AM can be programmed for any highpass filter cutoff fre- quency from 50 to 100Hz in 10Hz steps. Default is 50 Hz. See the text in step (7.B) on page 2-15 for guidance on where to set the frequency. Re- fer to the text in step (B) on page 2-22 regarding global system settings in the 9300’s Transmission Presets versus setting in user processing pre- sets. E) Set the lowpass and highpass filter cutoff frequencies for any other System Presets you will be using. Note that each preset has an independent setting for lowpass cutoff, lowpass shape, highpass cutoff, and asymmetry. Figure 2-7: Effect of Lowpass Filter Shape Control on 5 kHz Lowpass Filter

a) Press ESC. b) Press the soft key labeled with the system preset you wish to adjust. c) Adjust the filter frequencies as you did in the steps above. 7. Configure analog output(s). [Skip this step if you will not be using the analog output(s).] A) Navigate to SETUP > IO CALIB > OUTPUT > ANALOG1. If necessary, use the NEXT button to scroll horizontally. B) Set the LOAD control to BRIDGING or 600 OHMS. The normal setting is BRIDGING. Only set this control to 600 OHMS if your transmitter has been verified to have a 600-ohm input impedance. Functionally, the control increases the output level by 4.0 dB when the control is changed from BRIDGING to 600 OHM. This compensates for the 4 dB loss in the 9400’s EMI filtering network when this network is loaded by 600 ohms. If you are using Analog Output #2, navigate to Navigate to SETUP > IO CALIB > OUTPUT > ANALOG2 and repeat this step. 8. Configure digital output(s). [Skip this step if you will not be using the digital output(s).] A) Navigate to SETUP > IO CALIB > OUTPUT > DIGITAL. If necessary, use the NEXT button to scroll horizontally. B) Set the PRE-EMPH control to J.17 or FLAT. Almost all systems will require FLAT output. J.17 is only used if you are driving a STL employing J.17 preemphasis (like certain NICAM STLs) and you have bypassed the J.17 emphasis filter in the STL.) C) Set the DO RATE to 32, 44.1, 48, 88.2, or 96 kHz. The 9300’s fundamental sample rate is always 32 kHz. However, the in- ternal sample rate converter sets the rate at the 9300’s digital output. This adjustment allows you to set the output sample rate to ensure com- patibility with equipment requiring a fixed sample rate. D) Set FORMAT to AES3 or SPDIF. Professional equipment usually requires AES3. E) Set the desired output WORD LEN (word length). [14], [16], [18], [20], or [24], in bits The largest available word length is 24 bits. The 9300 can truncate its output word length to 20, 18, 16 or 14 bits. The 9300 can add dither for input material that is insufficiently dithered for these lower word lengths (see the next step). F) Adjust DITHER to IN or OUT, as desired.

When set to In, the 9300 adds “high-pass” dither before any truncation of the output word. The amount of dither automatically tracks the set- ting of the WORD LGTH control. This first-order noise shaped dither con- siderably reduces added noise in the midrange by comparison to white PDF dither. However, unlike extreme noise shaping, it adds a maximum of 3 dB of excess total noise power when compared to white PDF dither. Thus, it is a good compromise between white PDF dither and extreme noise shaping. If the source material has already been correctly dithered (as is true for virtually all commercially recorded material), you may set this control to OUT. However, particularly if you use the Noise Reduction feature, the processing can sometimes attenuate input dither so that it is insufficient to dither the output correctly. In this case, you should add dither within the 9300. G) Set the DO SYNC. You can choose INTERNAL (the output sample rate is synchronized to the 9300’s internal crystal-controlled clock) or EXTERNAL (the output sample rate is synchronized to the sample rate appearing at the 9300’s AES3 in- put). 9. Program Tally Outputs. [Skip this step if you do not wish to use the tally outputs.] See step 6 on page 2-4 for wiring instructions. You can program the two tally outputs to indicate several operational and fault conditions. A) Navigate to SETUP > TALLY > TALLY OUT1. B) Program tally output #1. To program a given tally output, press and hold the soft button associ- ated with the output you are programming. As you turn the control knob, the functions listed below will appear in the highlighted field.  Input: Analog: Indicates that the 6300 is processing audio from its analog input.  Input: Digital: Indicates that the 6300 is processing audio from its AES3 digital input.  AES Input Error: Indicates that the 6300's AES input receiver chip has de- tected that the input data is unusable. When the chip detects such an error, it automatically switches the in-put to ANALOG.  No Function: Tally output is disabled. C) Program tally output #2 if you wish, following the procedure in step (B) above with the TALLY OUT2 button.

10. Set output and configuration level. This is a preliminary level adjustment. Later in this installation procedure, you will set 9300 for the highest modulation level that your facility can produce. If your transmission facility proves to have overshoot, tilt, or ringing when you test it in step 11 on page 2-27, you will have to go through the Transmitter Equalizer adjustment procedure, which starts with step 12 on page 2-27. A) Make sure that the transmitter is turned off. B) Turn on the 400Hz calibration tone. To do this: a) Navigate to SETUP > TEST. b) Set the MODE to SINE. c) Press the NEXT key twice. d) Set SINE/TRNGL MOD to 50%. e) Press NEXT. f) Set SINE/TRNGL FREQ to 400 HZ. C) Set modulation. If you plan to modulate asymmetrically, you must leave headroom for the positive peaks. For example, you must set the DO 100% control lower than –2.0 dBFS to support 125% modulation. a) Set to its minimum level the AOX 100% or DO 100% control associated with the output you are using to drive the transmitter under adjustment. b) Turn the transmitter on. c) Set the control you adjusted in step (a) to produce 40% modulation. This leaves 2 dB of headroom to accommodate overshoot in the transmis- sion plant. This should suffice for most facilities. The most accurate way to set this control is by observing a modulation analyzer or oscilloscope connected to your transmitter. D) In SETUP > TEST, set the MODE to OPERATE. E) Drive the 9300 with program material and observe the negative modulation level. Trim the AOX 100% or DO 100% control associated with the output you are using to drive the transmitter under adjustment so that you observe 99% modulation on negative peaks. Spend time observing the modulation with different program material. If you see the peak modulation level vary significantly depending on pro- gram material, the 9300’s transmitter equalizer can often improve this situation. Note that if you set the processing up for asymmetrical modulation (which is done by editing the active System Preset) and you observe neg- ative peaks that are higher than positive peaks, you can correct this by changing the setting of the POLARITY control, located next to the AOX 100% or DO 100% control in the active System Preset.

Test the RF envelope at the transmitter’s output to determine if it exhibits tilt, overshoot, or ringing. If you observe these problems, you can often adequately equalize it them with the 9300’s transmitter equalizer, whose settings are de- termined by the on-air System Preset. Dealing with tilt and overshoot may seem fussy, but every dB of tilt or overshoot is a dB of loudness lost! Use the 9300's built-in square wave generator to make this test: A) Navigate to SETUP > TEST. B) Set the SQUARE MOD to 0%. C) Set the MODE to SQUARE. D) You may now turn the final amplifier on. Observe the RF envelope at the common point with a DC-coupled oscilloscope and advance the SQUARE MOD LVL control until you can easily see the shape of the square wave. Sweep the TONE FREQ control from 125 to 1000 Hz and observe the shape of the square wave as you do so. If you are driving more than one trans- mitter and/or your antenna load changes between day and night, test all combinations that you will be using. If the square wave is free from tilt and ringing at all frequencies in the sweep, you do not need to set up the transmitter equalizer in steps 12 through 13.H)a) below. Otherwise, you must do so to achieve the highest loudness and coverage that your facility can produce. If you observe problems with some combinations of transmitter and load but not others, record which combinations cause problems. You will only need to set up set up the Transmitter Equalizer for these combinations. You will dedicate one System Preset for each problematic combination so that each combination can be equalized independently. Figure 2-8 on page 2-29 shows what tilt looks like and Figure 2-10 on page 2-31 shows ringing. E) Caution: To avoid damaging the transmitter, do not exceed 50% modu- lation with square waves. Important: Do not place additional clipping devices after OPTIMOD-AM! The additional distortion introduced by these devices will totally nullify the advan- tages of OPTIMOD-AM's distortion-canceling clipper and will cause the out-of- band energy induced by clipping to violate FCC or ITU-R standards. In HD-AM installations, this energy will interfere with the HD digital carriers. 12. Equalize the transmitter’s low frequency square wave response. [Skip the Transmitter Equalizer adjustment steps [(steps 12 though 13.H)a)] if the RF envelope square wave test you preformed in step 11 above showed no sign of tilt, overshoot, or ringing.]

Overview of Transmitter Equalization The Transmitter Equalizer has a low frequency section to equalize tilt and a high frequency section to equalize overshoot and ringing. The Transmitter Equalizer setup parameters are stored independently in the four System Presets (See page 1-15). If you are driving two transmitters, you will usually dedicate either one or two System Presets to each transmitter. Using two system presets per transmitter allows you to equalize that transmitter and its antenna load independently for day and night operation. This may be desirable if the transmission parameters (power or antenna pattern) change between day and night. In addition to the Transmitter Equalizer controls, you must set the LOWPASS, HIGHPASS, and POS PEAK controls in each preset you use. If you are only driving one transmitter and the transmitter plant’s parameters do not change between day and night, then you only need to use and adjust the default TX1/DAY System Preset. Description of the TX EQ Controls LF FREQ: Determines the frequency at which the response of the Tilt Equalizer section of the Transmitter Equalizer is up approximately +3dB. LF GAIN: Determines the maximum amount of low frequency correction provided by the Tilt Equalizer section of the Transmitter Equalizer. HF DELAY: Determines the frequency at which the delay equalizer sec- tion of the Transmitter Equalizer begins to add phase shift to correct for non-constant delay in the transmitter and antenna system. HF GAIN: Determines the frequency at which the High Frequency Shelv- ing Equalizer section of the Transmitter Equalizer begins to roll off the high frequency response, compensating for overshoot in the transmitter and antenna system. Procedure for LF Equalization You will set up one 9300 System Preset at a time. A) Connect the vertical input of the oscilloscope to the transmitter’s sampling loop (or other convenient source of RF). B) Connect the sync (or external trigger) input of the oscilloscope to an available 9300 analog output. There are two analog outputs and you will be using one at most while adjusting any given System Preset. You may have to move the sync con- nection between outputs if you need to set up System Presets for two transmitters. C) Turn on the 9300's built-in square wave generator: a) Navigate to SETUP > TEST. b) Set the SQUARE MOD to 0%. c) Set the MODE to SQUARE. d) Set SQUARE FREQ to 125 HZ.

E) Observe the RF envelope at the common point with a DC-coupled oscilloscope and advance the SQUARE MOD control to produce 30% modulation. F) Navigate to SETUP > MODIFY SYS PST > TX1/DAY. G) If necessary, press NEXT until you see the screen containing the four transmit- ter equalizer controls. H) Review the RF envelope display. Many transmitters (particularly older designs) will produce an RF enve- lope resembling Figure 2-8. If the oscilloscope display looks like this, con- tinue to step (I). If the oscilloscope display looks like Figure 2-9, low frequency equaliza- tion is unnecessary. Skip to step 13 on page 2-30. I) Set the LF GAIN to 10.0 dB. Setting the LF GAIN control to maximum low-frequency boost ensures re- sponse that is closest to true DC-coupling, optimizing square wave re- sponse. Depending on the transmitter, this large amount of boost at sub-audible frequencies might cause bounce and/or distortion on heavy bass tran- sients in music. In step 14 on page 2-32, you will be instructed to turn the LF GAIN control down until these problems are no longer observed. This will make the measured square wave response poorer. However, engi- neering realities force a compromise between best small signal (i.e., square wave) response and best large signal (i.e., bounce and distortion) performance. This compromise is best made by careful experimentation with program material to find the setting of the LF GAIN control that gives the highest average modulation without audible distortion. J) Adjust the LF FREQ to make the square wave as flat as possible. Work quickly to avoid overheating the transmitter. Figure 2-9 shows the result of a successful adjustment. If a display like that in Figure 2-9 could Figure 2-8: Unequalized RF envelope (showing tilt) Figure 2-9: RF envelope requiring no tilt equalization

not be produced by adjusting the LF FREQ control, transmitter low- frequency response is inadequate and there is too much low-frequency rolloff. Because equalization occurs below the audible frequency range, a trans- mitter that cannot be fully equalized can cost up to 4dB average modula- tion even though audible frequency response measures essentially flat. This problem cannot be corrected without modifying the transmitter. In many cases, such modification is easy: it merely requires bypassing the highpass filter(s) in the input stage of the transmitter. It also may require replacing coupling capacitors with capacitors of a larger value. In other cases, fundamental inadequacies in the input, interstage transformers (if used), and/or modulation transformers (if used) are the cause. See the discussion on page 1-13. Unless the transmitter is of a relatively modern solid-state design, being unable to equalize it fully is a good reason to replace it with an up-to- date solid-state design using a switching or digital modulator. In most cases, this purchase will pay for itself in reduced power bills and the new transmitter will sound far better on the air. K) Turn off the transmitter and allow it to cool down for several minutes. 13. Equalize transmitter high-frequency response. A) Set the 9300's square wave controls to produce a 1 kHz square wave at 30% modulation: a) Navigate to SETUP > TEST. b) If necessary, set the MODE to SQUARE. c) Set SQUARE FREQ to 1000 HZ. Note: Because the 9300 is digital, its square wave generator cannot pro- duce any harmonics higher than 16 kHz (one-half of its 32 kHz sampling frequency). To prevent visible ringing of the square wave due to this sharp cutoff of its higher harmonics, we have applied an internal digital filter to the output of the 9300's square wave generator. This filter rounds off the edges and prevents significant ringing. You may want to look directly with the scope at the unequalized output of the 9300 to get a feel for what this waveform looks like before it is applied to your transmitter. B) Make sure that the oscilloscope is synchronized to the square wave. C) Turn on the carrier. Observe the RF envelope at the common point with a DC- coupled oscilloscope and trim the SQUARE LVL control (if necessary) to produce 30% modulation. D) Navigate to SETUP > MODIFY TX PST > TX1/DAY. E) If necessary, press NEXT until you see the screen containing the four transmit- ter equalizer controls. To avoid overheating the transmitter, perform steps (C) through (G) quickly.

into a dummy load because the transmitter will overshoot and ring differently when loaded by the reactance of your antenna system. F) Set the HF DELAY and HF GAIN controls to OFF. If no overshoot is observed, skip to step (H). G) Adjust the HF FREQ and HF DELAY controls to minimize ringing and overshoot. The HF FREQ and HF GAIN controls interact. First, adjust the HF FREQ con- trol until any ringing is reduced to the same level as the flat part of the square wave (you will still have ringing, but no overshoot). Then adjust the HF DELAY control (which will further reduce the amplitude of the ringing on the leading edge of the square wave while introducing a new ring on the trailing edge) until the amplitudes of the ringing at the lead- ing and trailing edges are equal. The peaks of the ringing at both edges should approach the flattop modulation level as closely as possible with- out exceeding it. Note that the HF GAIN control does most of the work. Note also that the HF DELAY control will produce little or no visible effect until you set it beyond 40. Adjusting the HF DELAY control like this usually reduces the level of the ringing to below the flattop modulation level. Reducing the setting of the HF FREQ control until the ringing is again at the flattop modulation level will unbalance the ringing at the leading and trailing edge of the square wave, and necessitate further adjustment of the HF DELAY con- trol. Alternate between these two interactive controls until the peaks of ringing at both the leading and trailing edges of the square wave are at the flattop modulation level. Figure 2-10 illustrates a typical waveform before adjustment and Figure 2-11 shows the result of a successful ad- justment. The waveform produced by your system may look quite differ- ent. H) Turn off the square wave generator and turn off the carrier to allow the transmitter to cool down for several minutes: Figure 2-10: Unequalized RF envelope (showing ringing) Figure 2-11: RF envelope showing successful HF equalization

a) Navigate to SETUP > TEST. b) Set the MODE to OPERATE. 14. Test the polarity and LF transmitter equalization settings under program conditions. A) Apply program material to OPTIMOD-AM's input at normal operating levels. B) Recall the GEN PURPOSE MEDIUM preset: a) Press the RECALL button. b) Turn the control knob until you see next: GEN PURPOSE MEDIUM. c) Press the RECALL NEXT soft key button to select the GEN PURPOSE MEDIUM preset. C) Turn on the carrier. D) Navigate to SETUP > MODIFY TX PRESET > TX1/DAY. E) Set the POS PEAK control to 125%: F) Check modulation asymmetry with the oscilloscope or with your modulation monitor. If negative peaks are modulating higher than positive peaks: a) Navigate to SETUP > I/O CALIB > OUTPUT. b) Press the button corresponding to the active output c) Change the setting of the POLARITY control. d) Navigate to SETUP > MODIFY TX PRESET > TX1/DAY. G) Set the POS PEAK control to 100%. The 100% setting yields the cleanest sound. (See page 1-15 for an expla- nation.) However, if absolute maximum loudness is desired at the expense of cleanest possible sound, the POS PEAK control may be set as high as your government regulations and transmitter performance will allow. In the U.S., FCC Rules limit this to 125%. Note too that the distortion of older transmitters and most receivers tends to increase radically when negative modulation of more than 85% is attempted. In the case of receivers, the major cause of this distortion is cheaply designed envelope detectors with incorrectly biased diodes. Con- sider reducing clipping in the processing so that the last 15% or so of modulation consists of low duty-cycle spikes that can be soft-clipped by the receiver’s detector. This trades off about 1.5dB loudness loss for sub- stantially cleaner sound. If you choose to modulate asymmetrically with a transmitter that com- presses peaks in the positive direction, do not attempt to modulate be- yond the performance limitations of your transmitter. Doing so would only cause distortion beyond the distortion intrinsic to asymmetrical op- eration.

I) Press the button corresponding to the active output. J) Observe the oscilloscope. Adjust the output level control (AO1 100%, AO2 100%, or DO 100%) to achieve as high negative peak modulation as possible without carrier pinch-off. If all is well, the negative peaks of the envelope modulation will usually hang close to 100% at all times except during pauses. If the correct ad- justment of the output level control seems dependent on the nature of the program material, the transmitter probably suffers from power sup- ply bounce. See the next step. To achieve highest possible modulation without carrier pinch-off (and therefore most efficient utilization of available transmitter power), the output level control must be adjusted with program material (not test tones), because the transmitter will usually behave somewhat differently with program material than with tone. For example, tone cannot excite power supply bounce. K) Adjust the LF GAIN control. (optional) Some transmitters cannot be corrected fully because the bass boost pro- duced by the equalizer exaggerates power supply bounce problems and/or causes actual saturation or clipping of modulator stages, trans- formers, reactors, etc. (see page 1-13). In some cases, a compromise be- tween full tilt correction and these other problems may have to be achieved by careful experimentation with program material. The 9300's LF GAIN control is designed to permit such a compromise. The preceding transmitter equalization adjustment (using square waves) was done using the maximum low-frequency boost to ensure response that is closest to true DC coupling, which optimizes square wave re- sponse. If this large amount of boost at sub-audible frequencies causes bounce and/or distortion on heavy bass transients in music, turn the LF GAIN control counterclockwise until these problems are no longer ob- served. This will make the measured square wave response poorer. How- ever, engineering realities force a compromise between best small signal (i.e., square wave) response and best large signal (i.e., bounce and distor- tion) performance. This compromise is best made by careful experimenta- tion with program material to find the setting of the LF GAIN control that gives the highest average modulation without audible distortion. If the tilt correction trips overload relays when program material is broadcast, it is often possible to readjust the trip point of these relays to avoid this problem but do this with the greatest care, because the trans- mitter will be endangered by an improperly adjusted overload relay. Orban accepts no responsibility for transmitter failures introduced by such re-adjustments, or by the high average power, bass and treble pre- emphasis, or by any other characteristics of OPTIMOD-AM audio process- ing. The care and feeding of your transmitter requires the application of sound engineering judgment: inadequate transmitters (typically of old vacuum-tube plate-modulated design) may fail, may have their tube life shortened, etc. Such transmitters are simply incapable of supplying the average power demands of OPTIMOD-AM processing regardless of

transmitter equalization. If the station is to achieve the full benefits of OPTIMOD-AM processing, these transmitters must be either repaired, modified, or replaced. 15. If you will be using other System Presets, repeat steps 11 through 14 to adjust them. Substitute the name of the System Preset under adjustment for “TX1/DAY” in these steps. Do not forget the set the LOWPASS, HIGHPASS, and POS PEAK controls for each Sys- tem Preset that you use. 16. End I/O setup. If you are using a external AGC and you temporarily set the EXT AGC to NO in step 1 on page 2-19, set the EXT AGC to YES. 17. Select a processing preset. See step 16 on page 2-18. Automation Using the 9300’s Internal Clock 1. If you have not already done so, set the system clock. [You can also set the clock automatically via PC Remote or the Internet. See Synchronizing Optimod to a Network Timeserver starting on page 2-47.] A) Navigate to SETUP > NEXT > TIME DATE AND ID > SET TIME. a) Set hours and minutes. b) Enter seconds slightly ahead of the correct time. c) Wait until the entered time agrees with the correct time. Then press the ENTER TIME button to set the clock. B) Press the SET DATE button. a) Set today’s date, using the days, month, and year buttons. b) Press the ENTER DATE button. C) Press the DAYLIGHT TIME button. a) Using the Daylight Saving (DT MONTH and DT WEEK) buttons, Set the month and week when Daylight Saving Time (Summer Time) begins, or OFF. b) Using the Standard Time (ST MONTH and ST WEEK) buttons, Set the month and week when Daylight Saving Time (Summer Time) ends. Note that setting DT MONTH, DT WEEK, ST MONTH, or ST WEEK to OFF will defeat Daylight Time functionality.

D) (Optional) Press the STATION ID button to specify your station’s identifier (call sign or call letters). a) Use the knob to select characters. Use the PREV and NEXT buttons to move the cursor. b) When you are finished, press SAVE. 2. Navigate to Setup > Next > Automation. If the AUTOMATION button reads DISABLED, hold it down and turn the knob to en- able automation. This button allows you to easily enable or disable all automation events without having to edit individual automation events. 3. To add an automation event: A) Push the ADD EVENT button. B) Choose whether you wish to program an event that occurs only once or an event that follows a daily or weekly schedule. C) For events that occur only once: a) Use the PREV and NEXT buttons to move the cursor over the word “DAILY:” and turn the knob so that is reads “DATE:” instead. b) Use the PREV and NEXT buttons to move the cursor to the day, month, and year when the automation event will occur. Set the desired values with the knob. c) Use the PREV and NEXT buttons to move the cursor set the hour, minute, and second (in 24-hour format) when the automation event is to occur. Set the desired values with the knob. D) For events that occur on a daily or weekly schedule: a) Use the PREV and NEXT buttons to move the cursor the each day of the week in turn, and use the rotary encoder to turn the day on or off. You can program the event to occur on as many days of the week as you wish. b) Use the PREV and NEXT buttons to move the cursor set the hour, minute, and second (in 24-hour format — e.g., 18:00:00 for 6:00 PM) when the automation event is to occur. Set the desired values with the knob. Automation events have a “start” time but no “stop” time. The 9300 will indefinitely remain in the state specified by an existing automation event until its state is changed by another automation event or by another ac- tion (such as a user’s interacting with the front panel or PC Remote soft- ware). E) For all events: a) Press the SELECT EVENT button.

b) Turn the knob to set the desired event. The available events are:  No function  Recall factory preset  Recall user preset  Recall System TX preset  Mono-from left-channel (MONO-L) mode  Mono-from right-channel (MONO-R) mode  Mono-from-sum-of-channels (MONO-SUM)  Bypass mode (Bypasses the processing except for highpass filtering and transmitter equalization, applying the signal at the 9300’s active input to all outputs with a gain set by the SETUP > TEST > BYPASS GAIN control. To protect the transmitter, applies a clipper set to 105% neg- ative modulation and the positive modulation set in the active System Preset.)  Exit test (restores the operating preset that was on-air before a test mode was invoked) F) When you have finished programmed an event, press the SAVE EVENT button. You will return to the automation menu. 4. To edit an existing event: A) Press the VIEW > EDIT EVENT button. B) Turn the knob until you see the event you wish to edit. C) Press the EDIT EVENT button. D) Edit the event as desired. Use the same technique as adding an event. See step 3 on page 2-35. E) Press the SAVE EVENT button to store your edits. 5. To delete an event: A) Press the DELETE EVENT button. B) Choose the event to delete with the knob. You can search by date or by event (i.e., recalling a given preset). Use the NEXT button to navigate from one type of search to the other type. C) When you have located the event you want to remove, press the DELETE EVENT button.

warning message. To abort the deletion, press the ESC button, not the DELETE EVENT button. Security and Passcode Programming [Skip this step if you do not plan to use PC Remote software or do not plan to lock out the front panel locally.] The 9300 has several levels of security to prevent unauthorized people from chang- ing its programming or operating state. Security controls access to the front panel and to anyone connecting to the 9300 through a direct serial connection, dial-up networking (through modems), or its Ethernet port. The security levels are: 1. All Access (i.e., administrator level) 2. All Access except SECURITY 3. All screens except MODIFY and SECURITY 4. RECALL PRESETS, MODIFY, and AUTOMATION 5. RECALL PRESETS and AUTOMATION 6. RECALL PRESETS There is no default passcode. The Optimod’s front panel cannot be locked out unless the Optimod has been assigned at least one All Access passcode. Your Optimod secures User Presets by encrypting them (using the Advanced Encryp- tion Standard algorithm with the session passcode as its key) when PC Remote fetches them. Hence, a packet sniffer cannot intercept User Presets in plaintext form. PC Remote then writes the fetched User Presets in encrypted form on your hard drive, where they remain for the duration of your PC Remote session. If PC Remote exits normally, it will erase these temporary User Preset files from your computer’s hard disk. If it does not exit normally, these files will remain in encrypted form. However, the next time that PC Remote starts up, it will automatically clean up any orphaned files. To Create a Passcode: A) Navigate to SETUP > SECURITY > ADD PASSCODES. If the front panel is already password protected, you can only access this screen by entering a passcode with All Access privileges. B) Use the four soft buttons, labeled“1,” “2,” “3,” and “4,” to create a passcode.

Passcodes can be up to eight characters long but can only contain the characters “1,” “2,” “3,” and “4.” This limitation makes it easy to enter a passcode using the four available soft buttons. C) When you have finished entering your new passcode, write it down so you do not forget it. Then press the NEXT button. If you wish to discard the passcode you just entered, press the ESC button instead. Then return to step (B). D) The PERMISSIONS screen appears. Turn the knob to choose the permission level for the passcode you just created. If you wish to discard the passcode you just entered, press the PREV but- ton to return to the Enter Passcode screen or ESC to return to the Secu- rity screen. E) Press the NEXT button to save your new passcode. To Edit a Passcode: A) Navigate to SETUP > SECURITY > VIEW-EDIT PASSCODES. If the front panel is already password protected, you can only access this screen by entering a passcode with ALL ACCESS privileges. B) Turn the knob until you see the passcode you want to edit. C) Press the NEXT button. The Permissions screen appears. D) Turn the knob to set the desired permission level for the passcode you are ed- iting. E) Press the NEXT button to confirm your choice. Your new permission level is stored and the Security menu appears. To Delete a Passcode: A) Navigate to SETUP > SECURITY > DELETE PASSCODES. If the front panel is already password protected, you can only access this screen by entering a passcode with All Access privileges. B) Turn the knob until you see the passcode you want to delete. C) Press the NEXT button. The Confirm Delete screen appears. D) Press the YES soft button to delete the passcode. Press the NO or ESCAPE buttons to abort deleting the passcode. To Lock the Front Panel Immediately: After you have adjusted the processor, to maximize security you will often want to lock it immediately without waiting for the timeout. To do so: A) Press the SETUP button.

it. C) Press the LOCK NOW soft button. To Program local lockout: A) Navigate to SETUP > SECURITY. If the front panel is already password protected, you can only access this screen by entering a passcode with ALL ACCESS privileges. B) Hold down the AUTOLOCK soft button and turn the knob to set the desired lockout time (if any). You can program the lockout delay time (in hours:minutes) from 1 min- ute to 8 hours, or OFF. This is the time delay between the last access to a local front panel control and when the front panel automatically locks it- self out, requiring entering a passcode to obtain front panel control of the 9300. Autolock can only be turned on if at least one passcode exists with ALL ACCESS privileges because an ALL ACCESS passcode is required to fully un- lock the panel or to turn off the Autolock function. C) Press the ESCAPE button to leave the Security menu. To Unlock the Front Panel: A) On the 9300 front panel, operate any button or the knob. The ENTER PASSCODE screen will appear. B) Enter a passcode using the four soft buttons. The 9300 functionality that you can access depends on the security level of the passcode that you entered. After you have finished working, the panel will automatically re-lock af- ter the time delay you set in SETUP > SECURITY > AUTOLOCK. (You can set a new delay at any time if you have an ALL ACCESS passcode.) Dial-up Networking and the Passcode When you make a Windows Dial-up Networking connection, Windows will ask you for your passcode. To allow the connection to occur, enter any passcode that you set at the 9300’s front panel. Once your PC is connected to the 9300, you will be able to access the 9300 functionality corresponding to the security level of your passcode. If you have not set a passcode, leave the Windows dialog box blank.

If You Have Forgotten Your Passcode You can reset factory defaults and wipe out security passcodes (in case you forgot your ALL ACCESS passcode). A) Remove power from the 9300. B) While pressing both the ESCAPE and SETUP buttons, restore power. The Restore Defaults screen appears. C) To gain access to the 9300, press the ERASE ALL PASSCODES soft button. D) Reprogram passcodes as necessary; see To Create a Passcode on page 2-37. The RESTORE DEFAULTS button (in the Restore Defaults screen) restores all System Setup and Input/Output parameters to their factory default settings. It also erases all passcodes. You should never need to use this button in an existing installation, although it is a convenient way to make the 9300 “factory fresh” if it is being installed in a different facility. The RESTORE DEFAULTS button takes you to a screen that allows you to keep or erase any user presets that exist in your unit. Remote Control Interface Programming [Skip this step if you do not wish to program the GPI (contact closure) remote con- trol interface.] 1. Navigate to SETUP > NEXT > NETWORK & REMOTE > REMOTE INTERFACE. 2. Program one or more remote control interfaces. A) Navigate to the desired Remote Contact button (1 through 8) by repeatedly pressing the NEXT button. B) Hold down the button while turning the knob to select the desired function for the interface. Use either button below the appropriate graphics; both work the same. A momentary pulse of voltage will switch most functions, except as not- ed.  Preset Name: switches the named preset on the air. The control interface can recall any factory or user preset.  Input: Analog: selects the analog inputs.  Input: Digital: selects the digital input and but does not apply deempha- sis to it.  Input: Digital+J.17: selects the digital input and applies J.17 deemphasis to it.

 Tone: switches the Tone Test Mode preset on the air.  Exit Test: If a test preset is presently on the air, EXIT TEST reverts to the previous processing preset.  AM Mono from Left, Mono from Right, or Mono from Sum: Applies the left channel, right channel, or sum (L+R) of the input audio channels to the processing chain, which is monophonic.  Reset Clock To Hour: resets the internal clock to the nearest hour. For example, 3:03:10 would be reset to 3:00:00, while 3:53:40 would be reset to 4:00:00. Use this function to periodically re-sync the 9300’s internal clock to your station’s master clock.  Reset Clock to Midnight: Resets the clock to 0:00:00. You can use this function to periodically re-sync the 9300’s internal clock to your station’s master clock.  Pass User Bits: Passes User Bits (as defined in the AES3 standard) from the AES digital input through to the AES digital output.  Block User Bits  TX1/DAY: Recalls the TX1/DAY transmission preset.  TX1/Night  TX2/Day  TX2/Night  No Function: remote input is disabled. 3. End remote control interface programming. When you are finished programming the remote control interface, press the Es- cape button to return to higher menu levels. Networking and Remote Control [Skip this step if you do not wish to connect to your 9300 remotely, either for down- loading software upgrades or for PC Remote Control.] The 9300 has a built-in Ethernet connector that can be used with 10 Mbps or 100 Mbps networks using the TCP/IP protocol. You can also connect a PC to the 9300 through the 9300’s RS-232 serial port, either by modem or directly through a null modem cable.

1. Prepare the 9300 for an Ethernet network connection: [Skip this step if you will not be using an Ethernet connection.] See your network administrator to get the data required in the following proce- dure. Note that if you wish to do this from the 9300 PC Remote software, you must first be able to connect to the 9300. Therefore, you will usually perform this procedure from the 9300’s front panel to prepare it for connection. A) Navigate to SETUP > NETWORK & REMOTE > NEXT. B) Press the SET IP ADDRESS soft button. The IP Address Screen appears. a) Use the NEXT and PREV keys to move the cursor in turn to each digit in the IP address. Use the knob to set the digit to the desired value. Repeat until you have selected all the numbers in the IP address assigned by your network administrator b) Press the SAVE soft button to confirm your setting. C) Set the Subnet Mask assigned by your network administrator if necessary: a) Press the SET SUBNET MASK soft button. b) Use the NEXT and PREV keys to move the cursor in turn to each digit in the subnet mask. Use the knob to set the digit to the desired value. Repeat until you have selected all the numbers in the subnet mask assigned by your network administrator c) Press the SAVE soft button to confirm your setting. D) Set the Gateway Address assigned by your network administrator if necessary: a) Press the GATEWAY ADDRESS soft button. b) Use the NEXT and PREV keys to move the cursor in turn to each digit in the gateway address. Use the knob to set the digit to the desired value. Repeat until you have selected all the numbers in the gateway address assigned by your network administrator c) Press the SAVE soft button to confirm your setting. E) Set the IP Port assigned by your network administrator if necessary: a) Press the IP PORT soft button. b) Use the NEXT and PREV keys to move the cursor in turn to each digit in the IP port. Use the knob to set the digit to the desired value. Repeat until you have selected all the numbers in the IP port assigned by your network administrator c) Press the SAVE soft button to confirm your setting.

9300.  If you are connecting to a hub or router, use a standard Ethernet cable.  If you are connecting directly to the Ethernet jack on a computer, use a “crossover” or “reverse” Ethernet cable. G) Press the NEXT button. 2. Prepare the 9300 for modem connection through the serial port: [Skip this step if you will not be using a modem connection.] A) Navigate to SETUP > NETWORK & REMOTE. B) Hold down the PC CONNECT soft button and turn the knob until you see MODEM on the display. C) Press the MODEM INIT soft button. D) If the string that appears in the display is S0=4, this is correct. Press the ESCAPE button and skip steps (E) and (F) below. S0=4 is the 9300 default setting. This activates auto-answer functionality in the modem. E) Set the InIT STRING to S0=4. Use the NEXT and PREV KEYs to move the cursor in turn to each character in the modem initialization string. Use the knob to set the character to the desired value. Repeat until you have set all the characters in the initialization string. F) Press the SAVE soft button to confirm your setting. 3. Modem setup: You will need two modems and two available phone lines, one of each for your PC and your 9300. Orban Customer Service supports only the 3Com / U.S. Robot- ics® 56kbps fax modem EXT on the 9300 side of your connection, although other 56kbps modems will usually work OK. You can use either an internal or an external modem with your PC. A) Connect the telephone line from the wall phone jack to the wall connection icon on the back of the modem (modem in). B) Connect the modem to the 9300’s serial port with a standard (not null) mo- dem cable. C) Set the modem to AUTO ANSWER and turn it on. For 3Com / U.S. Robotics® 56kbps fax modem EXT, set dipswitches 3, 5, and 8 in the down position to activate the AUTO ANSWER setting. All other dipswitches should be set to the up position.

4. Prepare the 9300 for direct serial connection through the serial port: [Skip this step if you will not be using a modem connection.] A) Navigate to SETUP > NETWORK & REMOTE. B) Hold down the PC CONNECT soft button and turn the knob until you see DIRECT on the display. You are now ready to connect your computer to your 9300 through a null modem cable connected to your computer’s serial port. Refer to Installing 9300 PC Remote Control Software on page 2-44. Installing 9300 PC Remote Control Software This section briefly summarizes the procedure for installing 9300 PC Remote soft- ware on existing 9300s. If required, you will find more detailed instructions in the .pdf file automatically installed on your computer by Orban’s installer program, Setup9300_x.x.x.x.exe, where “x.x.x.x” represents the software version you are installing. (For example, for version 1.0 software, this would be 1.0.0.0.) The PC Remote software is supplied on a CD shipped with your 9300. You can also download it from ftp.orban.com/9300. Instructions for using the PC Remote software are found in Section 3 of this manual. Installing the Necessary Windows Services The 9300 PC Remote application uses Windows’ built-in communications and net- working services to deal with the low-level details necessary to communicate with the 9300’s serial port. (These services are also used to upgrade your 9300’s firmware when updates are available from Orban.) The exact process will vary, depending on how you wish to set up the communications. That is: If you want to communicate through a local PC without using an Ethernet network, you have two choices:  Establish a connection between a serial (COM) port of the PC and the COM port of your 9300 through a null modem cable and use Windows Direct Se- rial Connect to make the basic connection.  Use a crossover Ethernet cable to communicate directly to your PC through its Ethernet port. In this case, you must set your computer’s Windows networking to pro- vide a static IP address for your computer because your Optimod does not contain a DHCP server.

networking service to make the connection. You must install the appropriate communications services in Windows (if they are not already installed) before you can run 9300 Remote software. You may therefore need to have access to the Windows install disk(s) — or have their im- age copied onto your computer’s hard drive — before you attempt to use the 9300 PC Remote application. Regardless of whether your PC communicates to the 9300 through its se- rial port or Ethernet connector, it uses the ppp and the TCP/IP protocols to communicate with the 9300. Check Hardware Requirements To connect your PC to your 9300, regardless of the method you choose, you will need the following: Orban 9300 OPTIMOD-AM. If connecting by serial cable: a null modem cable (also called a “reverse” cable). This cable has DB9 female connectors at both ends for connecting the 9300 to the se- rial port on your computer. If your computer has a DB25 connector, you will need to obtain an adapter. If connecting by modem: a 3Com / U.S. Robotics® 56kbps fax modem EXT and nor- mal (not null) modem cable for the 9300 side of the connection. Note that Orban Customer Service does not support any other type of modem for connecting to the 9300. If connecting by network: a standard Ethernet cable (with RJ45 connectors) to con- nect to a network hub or router, or a crossover Ethernet cable to connect directly to your PC’s Ethernet jack. PC running Windows 2000 (SP3 or higher)/XP/Vista/7. 9300 PC Remote will not run on older Windows versions. Recommended Components Computer.................................................................... Pentium II or higher Available Disk Space .......................................................................... 25MB RAM .................................................................................................. 256MB Display.................................................................................SVGA or higher Microsoft Windows.................................. 2000 (SP3 or higher)/XP/Vista/7 COM Port ...................................................... 16550 (or compatible) UART WARNING! When connecting your 9300, use shielded cable to protect the pins in the RS-232 connector from electrostatic discharge.

The following subsections provide steps for connecting to your 9300 OPTIMOD-AM software using the Windows 2000/XP Direct Cable Connect or via modem connec- tion. Running the Orban Installer Program Insert the installer CD into your computer’s CD drive. The installer should start up and ask you if you wish to install the PC Remote appli- cation on your computer. If it fails to do so, navigate to Start \ Run on your com- puter, and type X:setup (where “X” is the drive letter of your CD drive). Follow the prompts on your screen to install the PC Remote software automatically on your computer.  You might have obtained the automatic installer application from some other source than Orban’s CD, like Orban’s ftp site or another computer on your net- work. If so, just run the application and follow the on-screen instructions.  This program installs the necessary files and adds an Orban / Optimod 9300 fold- er to your computer’s Start Menu. This folder contains shortcuts to the PC Re- mote application and to the documentation. If you accepted the option during installation, there is also a shortcut to the PC Remote application on your desk- top. You have now installed all files necessary to use the PC Remote software. If you are using a direct serial or a modem connection, the next step is to install and configure the Windows communications services that allow your computer to communicate with your 9300. Appendix: Setting Up Serial Communications on page 2-51 provides details. Setting Up Ethernet, LAN, and VPN Connections If you are using an Ethernet connection and your computer can successfully connect to the Internet through its Ethernet port, it already has the correct (TCP/IP) network- ing set up to communicate with the 9300. In most cases, all you need is your 9300’s IP address, Port, and Gateway number, as set in step 1 on page 2-42. You will enter these when you create a “connection” to your 9300 from the 9300 PC Remote appli- cation — see step (E) on page 3-38. If your computer does not have a working Ethernet port, you will need to add one and then following the instructions pro- vided by Microsoft to set it up to enable TCP/IP networking. If you are using a crossover Ethernet cable to connect your Optimod directly to your computer, you must set your computer’s Windows networking to provide a static IP address for your computer because your Optimod does not contain a DHCP server. If you wish to connect to your 9300 through your LAN or VPN (through a WAN or the Internet), consult your network administrator. Note that to cross subnets, you

essary to specify a gateway. If you are behind a firewall, you must open the port you specified in step (1.E) on page 2-42. If the gateway, port, and firewall (if used) are configured correctly, it is possible to connect 9300 PC Remote to a 9300 via a VPN. Conclusion By carefully following the instructions in the Appendix, you should have successfully installed the necessary Windows services and connected to your 9300. However, if you experience any problems with this process, or have any other 9300 questions, please contact Orban Customer Service. Contact information is found at http://www.orban.com/contact/ For details on your new 9300 software, from new features to operational sugges- tions, refer to our FTP site (ftp.orban.com/9300). Synchronizing Optimod to a Network Timeserver [Skip this section if you do not wish to automatically synchronize your Optimod’s in- ternal clock to a network timeserver, which may be part of your local network or lo- cated on the Internet.] 1. Navigate to SETUP > NEXT > TIME DATE AND ID > NEXT > TIME SYNC. A) Use the PROTOCOL control to choose either TIME PROT or SNTP.  Select TIME PROT if the Optimod is behind a firewall that does not pass UPD packets. TIME PROT selects the Time Protocol as described in the standard RFC868. This method uses TCP on port 37.  Select SNTP if your network timeserver supports the Simple Network Time Protocol as described in standard RFC1769. This method uses UDP on port 123. Ask your network administrator which protocols are available. SNTP is slightly more accurate. B) Using SYNC PERIOD, choose how often your Optimod will automatically update its internal clock to the timeserver you selected. The choices are OFF, 8 HOURS, and 24 HOURS. If the connection to the timeserver fails (due to network overload or other problems), your Optimod will try once per hour to synchronize un- til it is successful.

C) Set the OFFSET to the difference (in hours) between your time zone and Uni- versal Time (UTC). UTC is also known as GMT, or Greenwich Mean Time.  The value can range between –12 and +12 hours. If this value is set to 0, your Optimod’s time will be the same as UTC.  You can empirically adjust this value until the correct time for your location is displayed after you synchronize your Optimod to a timeserver. 2. Choose a timeserver. As of August 2011, http://tf.nist.gov/tf-cgi/servers.cgi# provides a current list of timeservers available on the Internet. You network may also have a local time- server; ask your network administrator. 3. Press the NEXT button to set up timeserver parameters. The TIME SERVER button is located on the second page of the TIME SYNC func- tions. (You can access this function from anywhere in the Optimod menu tree by navigating to SETUP > NEXT > TIME DATE AND ID > NEXT > TIME SYNC > NEXT > TIMESERVER.) You can specify the timeserver either from your Optimod’s front panel or from its PC Remote software. From the front panel, you can only enter the time- server’s IP address (for example, 192.43.244.18). If you specify the timeserver from PC Remote, you can specify either its named address (for example, time.nist.gov) or its IP address. 4. Specify the time sync parameters from your Optimod’s front panel: [Skip this step if you wish to specify the timeserver and time sync parameters from your Windows XP computer.] A) Press the TIME SERVER button. The timeserver IP Address Screen appears. a) Use the NEXT and PREV keys to move the cursor in turn to each digit in the IP address. Use the knob to set the digit to the desired value. Repeat until you have selected all the numbers in the desired IP address. b) Press the SAVE soft button to confirm your setting. B) Press the SYNC NOW soft button to test your settings. Your Optimod’s display should indicate that it is connecting to the IP address that you specified. When the connection is successful, the Optimod’s clock will automatically synchro- nize to the timeserver.  If the connection is not successful within five seconds, the display will indi- cate that the connection failed. This means either that the timeserver is too busy or that your setup cannot connect to the timeserver. Double-check the IP address. If you are behind a firewall, make sure that port 123 is open.

on your Optimod. The gateway address for the timeserver connection is the same gateway address that you set in step (1.D) on page 2-42. If you do not know the correct gateway address, you can often discover it by connecting a Windows computer to the same Ethernet cable that is ordinarily plugged into your Optimod. Ascertain that the computer can connect to the Inter- net. At the command prompt, type ipconfig. The computer will return the “Default Gateway.” 5. Specify the time sync from the Optimod PC Remote software: [Skip this step if you wish to specify the timeserver and time sync parameters from your Optimod’s front panel.] Optimod PC Remote software can automatically set your Optimod’s local time, OFFSET, and TIME SERVER to reflect the Windows settings in the machine running PC Remote software. If you are running Windows 2000, you cannot specify the timeserver from your computer. However, you can still set your Optimod’s clock and off- set. A) In Windows, navigate to the CONTROL PANEL > DATE AND TIME > TIME ZONE tab. B) Set time zone to correspond to your local time zone. C) In Windows, navigate to the CONTROL PANEL > DATE AND TIME > INTERNET TIME tab. D) If you are running Windows XP: a) Check “Automatically synchronize with an Internet time server” to set your Optimod’s SYNC PERIOD to “24.” b) Set “Server” to the desired timeserver. c) Click the “Update Now” button to synchronize your computer’s clock to the selected timeserver. If this is successful, this means that you can connect to the selected timeserver over your network.  The INTERNET TIME tab is not available in Windows 2000. If you are running Optimod PC Remote on Windows 2000, you must enter the timeserver from your Optimod’s front panel as an IP address (step 4 on page 2-48).  If the timeserver you selected in Windows is a named address (not a nu- merical IP address), the 9300 will resolve it correctly but the IP address that appears in your Optimod’s display will be 0.0.0.0.  To use PC Remote to turn off your Optimod’s automatic synchronization, uncheck “Automatically synchronize with an Internet time server” on your PC. Then click the “Update Now” button on PC Remote. E) Navigate to Optimod PC Remote’s I/O SETUP > UTILITY tab and click the SET 9300 CLOCK button.

 If you are running Windows XP, PC Remote will download your computer’s currently specified timeserver into your Optimod.  PC Remote will adjust your Optimod’s OFFSET setting to correspond to your computer’s time zone setting.  PC Remote will synchronize your Optimod’s clock with your computer’s clock. F) It is wise to disconnect from PC Remote and then to press the SYNC NOW but- ton on your Optimod [step (4.B) on page 2-48]. This is to test the ability of your Optimod to synchronize to the selected timeserver and to ensure that your Optimod’s clock is set accurately. NOTE: Manually setting your Optimod’s clock via Set Time, Set Date, Daylight Time, and the remote contact closure Reset to Hour and Reset to Midnight will not work when the automatic synchronization function is active. To inactivate this function (thereby permitting manual setting to work), set the SYNC PERIOD to OFF.

This appendix provides instructions for setting up both direct serial and modem connections from your 9300 to your PC. You must do this when you define a new connection from the 9300 PC Remote application. The appendix provides Direct Se- rial Connect and Modem Connect procedures for the Windows 2000 and Windows XP operating systems and the Direct Serial Connect procedure for Windows 7. To set up modem communications with Windows 7, use the instructions that Microsoft provides for this operating system. (Note that the screen shots were prepared for Orban’s Optimod-FM 8300 and refer to that product. They are directly applicable to the 9300 too.) Preparing for Communication through Null Modem Cable 1. Configure your 9300. A) On your 9300’s front panel, navigate to SETUP > NETWORK & REMOTE. B) Hold down the PC CONNECT soft button and turn the knob until you see DIRECT on the display. 2. Connect the cable. A) Connect one end of a null modem cable to the DB9 serial connector on the 9300’s rear panel. Be sure to use a null modem cable. A normal serial cable will not work. B) Connect the other end of the cable to your computer’s COM port. Connecting Using Windows 2000 Direct Serial Connection: Ordinarily, a direct serial connection through a null modem cable is used only when you are controlling one 9300 per available COM port on your computer. If you wish to control multiple local 9300s, it is better to use an Ethernet network connection. However, in principle you could control multiple 9300s serially from one COM port, using a hardware serial switch to select the 9300 you wish to control. In this case, you should set up a separate 9300 “connection” for each 9300 to be controlled, fol- lowing the instructions below. All connections should reference the same COM port. This connection is used both for upgrading your 9300 and for connecting the 9300 PC Remote application to your 9300. Important: The Direct Serial Connection must have exclusive access to the PC COM port that connects to your 9300. Make sure than any software that monitors this COM port (such as HotSync manager, etc) is disabled before running Direct Serial Connection. If you have already configured your direct serial cable connection, skip to step 2 on page 2-56.

If you cannot access the Internet after making a Direct or Modem connection, you will have to reconfigure certain networking parameters in Windows. Please see You Cannot Access the Internet After Making a Direct or Modem Connection of the 9300 on page 5-7. 1. Add and configure a Direct Connection for Windows 2000: A) Create a New Windows 2000 Direct Connection: a) Launch 9300 PC Remote. b) Choose “Connect / New 9300” c) Give your 9300 a name (e.g., “KABC”) by en- tering this name in the “9300 Alias” field. d) If you wish to have 9300 PC Remote remember the password for this Optimod, enter the pass-word in the “Password“ field. e) Select “Serial Connec- tion.” f) Click “Add.” g) Select “Connect Directly to another computer.” h) Click “Next.”

port you will be using to make the connection. j) Click “Next.” k) Select either “For all users” or “Only for myself.” The correct setting depends on how your net- work and security are configured. Your wizard may not display this field if your computer is set up for a single user only. l) Click “Next.” m)Enter a name for your Connection such as: “Connection to 9300.” n) Click “Finish.”

o) Click “Yes.” B) Edit your new Direct Connection properties: a) Click “Settings.” b) Click the “General” tab. c) Select the device you set up in step (i) on page 2-53. This will usually be “Communications cable between two computers (COM1).” d) Click “Configure.”