Shure PE588 Brochure & Specs

A performer's number one enemy in using a microphone is "feedback." This is a harsh hum, howl or squeal which oc- curs when the microphone picks up sound from the loudspeakers, re-amplifies and rebroadcasts it over and over again. The key factor in the prevention of feedback is the posi- tion of the loudspeakers in relation to the microphone. Feedback occurs if the microphone picks up sound coming from the loudspeakers. Keep the loudspeakers as far to the sides as possible-so they do not point toward the micro- phone. Always keep the microphone pointed toward the performer and away from the loudspeakers. When stage monitor loudspeakers are used, make sure they are posi- tioned in front of the performers and face the rear of the microphone. If you are in a room with hard walls, floor, and ceiling, the sound from the loudspeakers may bounce back into the microphone and create feedback. Solve this problem by turning down the amplifier volume control and working closer to the microphone. (Important Note: If you cannot solve the feedback prob- lem with your UNISPHERE@ B microphone, a Shure Feedback Controller is suggested.) BASIC POINTS FOR PROFESSIONAL MICROPHONE TECHNIQUE Proper microphone technique will add to the overall ef- fectiveness with which you project yourself to your audience. Keep the following points in mind when using the microphone: I. Maintain the proper distance from the nlicrophone. When you wish to achieve an intimate tonal quality, get closer to the microphone and lower your voice. For wide-open "driving" effects, raise your voice and back away from the microphone so that you do not over- drive your amplifier to distortion. 2. Don't change your distance from the microphone needlessly, as this will affect the level of sound coming from the loudspeakers. 3. Consider the microphone as an instrument and prac- tice your technique to enhance your performance.

Your Shure Microphone is ruggedly built and should give you years of uninterrupted service; however, remember that it is a sensitive instrunlent. Avoid dropping the micro- phone, or subjecting it to unnecessarily rough treatment. Normal usage, of course. will not impair performance of the unit. Use the protective carrying case to prevent dam- age not only when traveling, but also when storing the n~icrophone. MICROPHONE CHECK-LIST I . Check microphone impedance-is it correct for the amplifier input being used? 1. Check nlicrophone cable connectors to nlicrophone, mixer and amplifier-are they tightly plugged in? 3. Check microphone, amplifier and/or mixer. a. Are they turned on? b. Are volume controls turned up? IF THE MICROPHONE DOES NOT WORK Check the above list. If the nlicrophone then does not appear to be operating, check it on a spare cable. If the microphone still does not appear to be operating, have the microphone and cable checked by your Shure Professional Entertainer Products Dealer, or write Service Department. Shure Brothers Inc.

phasing, connect them to an amplifier and talk or sing into them while holding them three or four inches apart. The sound from the speakers should be the same when talking into either microphone or directly between them if they are in phase with each other. If the sound drops drastically, or if a dead spot is found when talking between the two microphones, they are out of phase. All cables and micro- phones should be tested in this manner to insure that they are in phase with each other. To change the phase of a microphone, the microphone cartridge leads must be interchanged (see Figure 2). This should be performed by your dealer, the Shure Factory Service Department, or other qualified service personnel. IMPEDANCE Your Model PE588 is a high-impedance microphone. If cable lengths over 7.6 meters (25 feet) are required, or if the microphone is to be connected to a low-impedance input, it will be necessary to transform the microphone line to low impedance. Shure Model A95 Series Line Matching Transformers are available for use in those cases. These transformers provide a proper impedance match between a high-impedance microphone line and a low- impedance input, are fully reversible, and are supplied with various input and output connectors.

It is often desirable for a group to use a separate micro- phone for each individual performer. In this case, the following points should be remembered: 1. It is best if the microphones are individually controlled for volume through a separate Shure microphone mixer. If this is not possible, it is desirable that each performer use the sarne type and rnodel of microphone so that the group as a whole wjil1 he "halanced." 2. Check the placement of the microphones with relation to loudspeakers (as previously mentioned) so that feedback is minimized. 3. As additional microphones are added the possibility of feedback increases. Turn off, or down, unused micro- phones to help solve this problem. SHURE FEEDBACK CONTROLLER Lets you "tune" your sound system to the acoustics of the room. The result is more overall sound power without feedback. Eight linear-motion filter controls are infinitely variable from 0 to 12 dB cut. Below 63 Hz and Above 8 kHz roll-off switches attenuate low and high frequencies. Can be installed between mixer or console and amplifier for total system control, or following each microphone as a single-channel preamplifier with feedback control.

Open Circuit Voltage: Phasing: Switch: SPECIFICATIONS Dynamic, Cardioid (Unidirect~onai) FIGURE 1 M~clophone ~mpedarlce IS "H~gh" lor connection to h ~ g h - Impedance m~crophone inputs. -59 dB (1.11 mV) (0 dB = 1 volt per microbar) Positive pressure on diaphragm produces positive voltage on Pin 1 (see Figure 2 and Page 4). CARTRIDGEmlWSFORHER SWITCH CONNECTOR CABLE FIGURE 2 Built-in On-Off switch with lockplate installed in unlocked position. To lock sw~tch in On position, move to On posi- tion, loosen screw on lockplate and turn lockplate 180". Retighten screw. \ GUARANTEE This Shure product is guaranteed in normal use to be free from electrical and mechanical defects for a period of one year from date of purchase. Please re- rain proof of purchase date. This guarantee includes all parts and labor. This guarantee is in lieu of any and all other guarantees or warranties, express or implied, and there shall be no recovery for any consequentlal or incidental damages. SHIPPING INSTRUCTIONS Carefully repack the unit and return it prepaid to: Shure Brothers Incorporated Attention: Service Department 1501 West Shure Drive Prl~ngton Heights, Illinois 60004 If outs~de the United States, return the unit to your dealer or Authorized Shure Service Center for repair. The unit will be returned to you prepa~d. 7 J

stgned to mate w ~ t h furnished cable or Cannon XL serles, Switchcraft A3 (Q.G.) series or equivalent connectors. Internal rubber vibration-isolator. Stlver-f~nish dte cast~ng with steel mesh grllle. Adjustable through 90° from vert~cal to hor~zontal to f ~ t 5/,"-27 stand thread. 6.lm (20 ft), stngle-conductor, sh~elded cable. equipped with professlonal three-socket audio connector on m~crophone end and '/4 in phone plug des~gned to mate with htgh-impedance amplifier inputs. 340 grams (12 oz) less cable 1.26 kilograms (2 Ib 12% oz) FURNISHED ACCESSORIES Swivel Adapter: A256 Carrying Case: 90A1413 OPTIONAL ACCESSORIES Desk Stand: 5338, S37A, 5388, S39A, S40A Disconnect Adapter: A45 Line Transformer: A95 Series Windscreen: A61 WS REPLACEMENT PARTS Cartridge: R8 Switch: RK81S Screen and Grille Assembly: RK82G Cable: C5-X AREA CODE 312/866-2200 CABLE SHUREMICRO\ @ H H - 8 SHURE BROTHERS INC. 222 HARTREY AVENUE EVANSTON, ILLINOIS 60204 U.S.A. Copyright 1981 Printed in U.S.A. Shure Brothers Inc. U.S. Patents 3,132,713 27Al664 (UC) and 3,240,883 8