Roland VS-2000 Appendices

fig.08-30 Parameter (full name) Setting Function NS (Noise Suppressor): Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off. Thresh (Threshold) 0–100 Sets the level to start muting noise. Release (Release) 0–100 Sets the time over which the volume will drop to 0 after the noise starts being muted. Lmt (Limiter / De-esser): Suppresses signals at High levels to control distortion / Suppresses the annoying s-consonant. Sw (Switch) On, Off Turns the limiter/de-esser on or off. Mode (Mode) Limiter, De-esser Selects limiter or de-esser. Thresh (Limiter Threshold) 0–100 Sets the volume at which sound distortion starts being suppressed. Release (Limiter Release) 0–100 Sets the time until when the limiter will turn off after the input level falls the limiter Threshold (Thresh). Level (Limiter Level) 0–100 Sets the volume of the limiter sound. ENH (Enhancer): Accentuates the sound and push the sound forward. Sw (Switch) On, Off Turns the enhancer on or off. Sens (Sense) 0–100 Sets the degree of the enhancer effect desired. Freq (Frequency) 1.0–10.0 kHz Sets the frequency at which the enhancer effect starts working. MixLvl (Mix Level) 0–100 Sets the amount of the enhancer sound should be mixed into the direct sound. Level (Level) 0–100 Sets the volume of the enhancer sound. EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings. *1 Low Type Shlv, Peak Sets the type of the low frequency band equalizer (Shlving type or peaking type). Mid Gain (Middle Gain) -12– +12 dB Sets the boost/cut amount in the middle frequency band. Mid Freq (Middle Frequency) 200–8000 Hz Sets the center frequency in the middle frequency band. Mid Q (Middle Q) 0.3–10.0 Sets the width of the area around the middle frequency that will be affected by the gain settings. High Gain -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.4–20.0 kHz Sets the center frequency in the High frequency band. High Q 0.3–10.0 Sets the width of the area around the High frequency that will be affected by the gain settings. *1 Hi Type (High Type) Shlv, Peak Sets the type of the High frequency band equalizer (Shlving type or peaking type). Level (Output Level) 0–100 Sets the volume after passing through the equalizer. Pshift (Pitch shifter): shifts the pitch. Sw (Switch) On, Off Turns the pitch shifter on or off. Chromatic Pitch -12–12 Pitch variation (by semitone) Fine Pitch -100–100 Pitch variation (by cent) FX Lvl (Effect Level) -100–100 Sets the volume of the pitch shift sound. DirLvl (Direct Level) -100–100 Sets the volume of the direct sound. Input L Input R Output L Output R Noise Suppressor Limiter/ De-esser Enhancer 3BAND EQ Delay Chorus Pitch Shifter Cutting distortion in vocals Limiter can be used to suppress signals at a High level to prevent sound distortion. To do this, follow the steps below: Mode (Mode): Limiter Limiter Threshold (Thresh): Sets the volume at which sound distortion starts being suppressed. Limiter Release (Release): Determines the time that elapses before the input level becomes off after it drops below the Limiter Threshold. Limiter Level (Level): Decides the volume after passing through Limiter. Cutting the sibilant sounds of a voice. De-esser can be used to cut off sibilant sounds contained in vocal sounds to achieve softer sound quality. To do this, follow the steps below: Mode (Mode): De-esser De-esser Sense (Sens): Sets the degree of the De-esser effect. De-esser Frequency (Freq): Sets the frequency at which De-esser effect starts working.

Sw (Switch) On, Off Turns the delay on or off. Time (Delay Time) 0–1000 ms Sets the time from direct sound until when the delay sound is heard. FBLvl (Feedback Level) -100–100 Sets the amount of the delay sound should be returned to the delay input. FX Lvl (Effect Level) -100–100 Sets the volume of the delay sound. DirLvl (Direct Level) -100–100 Sets the volume of the direct sound. Cho (Chorus): Adds spaciousness and thickness to the sound. Sw (Switch) On, Off Turns the chorus on or off. Rate (Rate) 0.1–10.0 Hz Sets the rate of modulation. Depth (Depth) 0–100 Sets the depth of modulation. PreDLY (Pre-Delay) 0–50 ms Sets the time delay from when the direct sound begins until the processed sound is heard. FX Lvl (Effect Level) -100–100 Sets the volume of the chorus sound. DirLvl (Direct Level) -100–100 Sets the volume of the direct sound. *1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. Voice Transformer You can convert male voice into female voice, female voice into male voice, and human voice into mechanical voice to create sounds of various qualities by controlling the base pitch and the formant separately. fig.08-63 • When inputting voice, use voice of one person only. Inputting voices of more than one person disables normal operation. • Be sure that sound from a speaker does not enter the microphone you are using. This will have the same effect as if several voices were input to the unit. • A undirectional microphone is recommended for use. It is also recommended that the person should speak standing as close to the microphone as possible. • “Voice Transformer” cannot be used on EFFECT2, 4, and 6 (even-numbered effects). • When “Voice Transformer” is used on EFFECT1, 3, and 5 (odd-numbered effects), EFFECT2, 4, and 6 (even-numbered effects) cannot be used. Parameter (full name) Setting Function VT (Voice Transformer): Creates various voice characters. Sw (Switch) On, Off Turns Vocal the transformer on or off. Robot (Robot) On, Off When this is on, the audio will be output at a fixed pitch regardless of the pitch that is input. Chromatic Pitch -12– +36 Sets the pitch variation of the voice to be output (by semitone). Fine Pitch -100–100 Sets the pitch variation of the voice to be output (by cent). Chromatic Formant -12– +12 Sets the formant variation of the voice to be output (by semitone). Fine Formant -100– +100 Sets the formant variation of the voice to be output (by cent). MixBal (Mix Balance) 0–100 Sets the volume balance between the output voice and the input voice. REV (Reverb): Adds reverberation. Sw (Switch) On, Off Turns the reverb on or off. Time (Reverb Time) 0.1–32.0 sec Sets the length (time) of the reverb sound. PreDLY (Pre-Delay) 0–200 ms Sets the time until the reverberation appears. Densty (Density) 0–100 Sets the density of the reverb sound. FX Lvl (Effect Level). 0–100 Sets the volume of the reverb sound. Formants (p.12) Voice Transformer Reverb Input L Input R Output R Output L

as the vocal or bass. fig.08-61 Depending on the music source, sounds that you do not wish to be canceled may be canceled as well. In particular if the musical source has heavy reverb or if the sound that you wish to delete is not located in the center, the vocal canceler may not produce the desired result. Parameter (full name) Setting Function VC (Vocal Canceler): Cancels sounds located in the center such as vocals and the bass. Sw (Switch) On, Off Turns the vocal canceler on or off. Balance (Balance) 0–100 If the sound that you wish to cancel is not located in the center, find the point at which it is most effectively cancelled. RangeLo (Range Low) Unlimit, 20 - 2000 Hz Sets the lower limit of the frequency band to be canceled. *1 RangeHi (Range High) 1.0 - 20.0 kHz, Unlimit Sets the upper limit of the frequency band to be canceled. *2 EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings. *3 Low Type Shlv, Peak Sets the type of the low frequency band equalizer (Shlving type or peaking type). Mid Gain (Middle Gain) -12– +12 dB Sets the boost/cut amount in the middle frequency band. Mid Freq (Middle Frequency) 200–8000 Hz Sets the center frequency in the middle frequency band. Mid Q (Middle Q) 0.3–10.0 Sets the width of the area around the middle frequency that will be affected by the gain settings. High Gain -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.4–20.0 kHz Sets the center frequency in the High frequency band. High Q 0.3–10.0 Sets the width of the area around the High frequency that will be affected by the gain settings. *3 Hi Type (High Type) Shlv, Peak Sets the type of the High frequency band equalizer (Shlving type or peaking type). Level (Output Level) 0–100 Sets the volume after passing through the equalizer. *1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit. *2: Setting to “Unlimit” means that the frequency that can be played back on this unit is the upper limit. *3: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. Vocal Canceler 3BAND EQ 3BAND EQ Input L Input R Output L Output R Canceling the vocals alone Vocal Canceler cancels the sound located in the center. That means it cancels sounds such as the bass and sounds of the lead instrument along with vocal sounds. To cancel vocals only to create music for karaoke, for example, set Range Lo to around 100 Hz and Range Hi to around 1 kHz.

sound into the right channel. The instrumental sound is split into ten frequency bands to be processed according to its frequency components. fig.08-14 Instrumental sounds are input into the L-channel side of the effect. Therefore, it is required to insert and connect “Lch” of the effect to the channel handling instrumental sounds. Similarly, vocal sounds are input into the R-channel side of the effect. Insert and connect “Rch” of the effect to the channel handling vocal sounds. Parameter (full name) Setting Function Voc (Vocoder): The pitch is specified with the instrumental sound while the tone is output in vocals. Char 1–10 (Voice Characters) 0–100 Sets the volume by frequency band. These are used to change the vocoder tone. CHO (Chorus): Adds spaciousness and depth to the sound. Sw (Switch) On, Off Turns the chorus on or off. Rate (Rate) 0.1–10.0 Hz Sets the rate of modulation. Depth (Depth) 0–100 Sets the depth of modulation. PreDLY (Pre-Delay) 0–50 ms Sets the time delay from when the direct sound begins until the processed sound is heard. FBLvl (Feedback Level) -100–100 Sets the amount of the chorus sound should be returned to the chorus input. FX Lvl (Effect Level) -100–100 Sets the volume of the chorus sound. DirLvl (Direct Level) -100–100 Sets the volume of the direct sound. Input L (Instrument) Input R (Mic) Output L Output R Chorus 10 Band Vocoder Tips for using Vocoder It is a good idea to choose instrumental sounds containing a lot of overtones. Recommended sounds include those with saw- tooth waveforms such as strings and distorted guitar sounds.

fig.08-65 • Instrumental sounds are input into the L channel side of Effect. Therefore, it is required to insert-connect “Lch” of Effect to the channel handling instrumental sounds. Similarly, vocal sounds are input into the R channel side of Effect. Insert-connect “Rch” of Effect to the channel handling vocal sounds. • “Vocoder2 (19)” cannot be used on EFFECT2, 4, and 6 (even-numbered effects). • When “Vocoder2 (19)” is used on EFFECT1, 3, and 5 (odd-numbered effects), EFFECT2, 4, and 6 (even-numbered effects) cannot be used. Parameter (full name) Setting Function Voc (Vocoder 2): The pitch is specified as in the instrumental sound while the tone is output in the human voice. Envelope (Envelope) Sharp, Soft, Long Defines characteristics of the sound. PanMode (Pan Mode) Mono, Stereo, L→R, R→L Defines how the sound is located. Hold (Hold) On, MIDI Specifies that an instrumental sound is or is not issued with the formant fixed. MicSens (Microphone Sensitivity) 0–100 Sets the input sensitivity of the microphone. SynInLvl (Synthesizer In Level) 0–100 Sets the input level of the instrumental sound. Character Ch1 – 19 (Voice Character Channels 1 - 19) 0–100 Sets the tone of the vocoder. Mic (Microphone Mix) 0–100 Sets the amount of the sound after passing through the microphone HPF should be mixed into the Vocoder output. MicHPF (Microphone HPF) Thru, 1.0–20.0 kHz Sets the frequency at which HPF on the vocal sounds through the microphone starts taking effect. Sets this to “Thru” if HPF is not desired. MicPan (Microphone Pan) L63–R63 Sets the panning of vocal sounds through the microphone. NSThresh (Noise Suppressor Threshold)0–100 Sets the volume to start muting noise on the instrumental sound input. Cho (Chorus): Adds spaciousness and depth to the sound. Sw (Switch) On, Off Turns the chorus on or off. Rate (Rate) 0.1–10.0 Hz Sets the rate of modulation. Depth (Depth) 0–100 Sets the depth of modulation. PreDly (Pre-Delay) 0–50 ms Sets the time delay from when the direct sound begins until the chorus sound is heard. MixBal (Mix Balance) 0–100 Sets the volume balance between the chorus sound and the direct sound. VOCODER Chorus Input L (Instrument) Input R(Mic) Output L Output R Noise Suppressor + + Difference between Vocoder and Vocoder 2 Compared to Vocoder, Vocoder 2 has a significant number of frequency bands as points. It also makes it possible to make fine adjustment including adjustment of the input sensitivity of the microphone and location of sounds as well as setting the input level for instrumental sounds and removing noise. All this yields clear human voices. “Envelope” for defining sound characteristics Each sound has its own envelope. An envelope gives characteristics to the sound and functions as a significant factor for the human ear to distinguish different sound types. On Vocoder 2, you can use Envelope to give the following characteristics. Sharp: Enhances human voice. Soft: Enhances instrumental sound. Long: Vintage sound with long reverberation. Sound location Pan Mode (PanMode) can be used to specify how Vocoder sounds should be located. Mono: Locating in the middle. Stereo: Stereo (Odd-number frequencies are located to the left and even-number frequencies to the right.) L→R: Lower frequencies are located to the left and upper frequencies to the right. R→L: Lower frequencies are located to the right and upper frequencies to the left. Sounding instrumental sounds with the formant fixed While inputting voice through the microphone, instrumental sounds can be sounded at the same vocal formant. For example, when saying “a-i-u-e-o” into the microphone, set “Hold” On at the moment the speaker is on the “i” sound to issue an instrumental sound with the formant of the “i” sound.

fig.08-53Parameter (full name)SettingFunction Lo-Fi (Lo-Fi Processor): Creates lo-fi sounds. Sw (Switch) On, Off Turns the lo-fi processor on or off. Pre Filter (Pre Filter Switch) On, Off Turns the filter to reduce digital distortion on or off. Rate (Rate) Off, 1/2 - 1/32 Sets the sample rate. Set Rate to “Off” if no change is desired. Bit (Bit) Off, 15 bits - 1 bit Sets the number of bits in data. Set Bit to “Off” if no change is desired. Post Filter (Post Filter Switch) On, Off Turns the filter to reduce digital distortion due to modification to lo-fi sounds on or off. FX Lvl (Effect Level). 0–100 Sets the volume of the lo-fi sound. DirLvl (Direct Level) 0–100 Sets the volume of the direct sound. RMF (Real time Modify Filter): Creates sounds with a twist. Sw (Switch) On, Off Turns the real time modify filter on or off. Type (Type) LPF, BPF, HPF Sets the filter type. CutOff (Cutoff Frequency) 0–100 Sets the cutoff frequency. Reso (Resonance) 0–100 Enhances the frequency components around cutoff frequency. Gain (Gain) 0–24 dB Sets the volume of the real time modify filter. NS (Noise Suppressor): Mutes noise in the silent mode. Thresh (Threshold) 0–100 Sets the level to start muting noise. Release (Release) 0–100 Sets the time over which the volume will drop to 0 after the noise starts being muted. Lo-Fi Processor Lo-Fi Processor Realtime Modify Filter Realtime Modify Filter Noise Suppressor Noise Suppressor Input L Input R Output L Output R Creating lo-fi sounds Follow the steps below to create lo-fi sounds essential to dance music including hip-hop and DJ music. ●Lo-fi Processor • Turn Pre Filter and Post Filter off. This provides powerful lo-fi sounds containing digital distortion. • Set Rate and Bit to relatively low values. Note, however, an excessively low value for Bit may cause big noise even in the silent mode. In that case, increase Threshold (Thresh) of Noise Suppressor. ●Real time Modify Filter • Increase resonance to add a twist to the sound. Note that excessive resonance may cause oscillation.

only specific sounds from a CD. Isolator can make sounds completely perish, unlike ordinary equalizers that leave some sounds even with the gains of the respective frequency bands set to the minimum. fig.08-69 Parameter (full name) Setting Function Iso (3-band Isolator): Divides the input sound into three frequency bands to abstract or eliminate the sound. Sw (Switch) On, Off Turns the 3-band isolator on or off. AntiPhase LoLev (Anti-phase Low Level) 0–100 Sets the amount of the low frequency band sound should be muted. AntiPhase MidLev (Anti-phase Middle Level) 0–100 Sets how much of the middle frequency band sound should be muted. LoMixSw (Anti-phase Low Mix Switch) On, Off Mutes or leaves the low frequency band sound. MidMixSw (Anti-phase Middle Mix Switch) On, Off Mutes or leaves the middle frequency band sound. LowLvl (Low Level) -60– +4 dB Increases or decreases frequency bands in the low frequency band. MidLvl (Middle Level) -60– +4 dB Increases or decreases frequency bands in the middle frequency band. HiLvl (High Level) -60– +4 dB Increases or decreases frequency bands in the High frequency band. 3 Band Isolator L 3 Band Isolator R Input L Input R Output L Output R Muting the bass Set up as follows to eliminate low frequency band sounds such as bass sounds. Anti-phase Low Mix Switch (AntiPhase LoMixSw):On Anti-phase Low Level (AntiPhase LoLev):Relatively High Muting vocals Set up as follows to eliminate middle frequency band sounds such as vocal sounds. Anti-phase Middle Mix Switch (AntiPhase MidMixSw):On Anti-phase Middle Level (AntiPhase MidLev):Relatively High Muting noise Identify the frequency band of the noise and set the relevant Level (LowLvl, MidLvl or HiLvl) to -60 dB.

distortion or to control dynamics. fig.08-40 Input A is input into the L-channel side of the effect. Therefore, it is required to insert and connect “Lch” of the effect to the channel handling Input A. Similarly, Input B is input into the R-channel side of the effect. Insert and connect “Rch” of the effect to the channel handling Input B. Parameter (full name) Setting Function CmpA, CmpB (Compressor): Compresses the entire output signals when the input volume has exceeded a preset value. (Limiter): Suppresses the volume of the section where the input volume has exceeded the preset value. Sw (Switch) On, Off Turns the compressor/limiter on or off. Thrsh (Threshold Level) -60 - 0 dB Sets the level at which the compressor/limiter starts taking effect. Ratio (Ratio) 1.5:1, 2:1, 4:1, 100:1 Sets the compression ratio applied when threshold level (Thresh) is exceeded. Attack (Attack Time) 0–100 Sets the time from when the input level exceeds the threshold level to when the effect begins to apply. Release (Release Time) 0–100 Sets the time from when the input level drops below the threshold level to when the effect ceases to apply. Level (Output Level) -60–12 dB Sets the volume of the compressor/limiter sound. Detect (Detect In) A, B, Link Selects Input A or B for controlling compressor/limiter. Set this to “Link” for controlling by the input at a greater level. NS (Noise Suppressor): Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off. Thresh (Threshold) 0–100 Sets the level to start muting noise. Release (Release) 0–100 Sets the time over which the volume will drop to 0 after the noise starts being muted. Detect (Detect In) A, B, Link Selects the input (Input A/Input B) for controlling Noise Suppressor. Set this to “Link” for controlling by the input at a greater level. Input A Input B Compressor/Limiter A Output L Output R Noise Suppressor A Noise Suppressor B Compressor/Limiter B Detector in Detector in Detector in Detector in Difference between Compressor and Limiter Behaviors of Compressor and Limiter are very similar. Both of them compress the entire output signals if input signals exceed a certain level (threshold level), according to the input level. Compressor automatically drops the amplitude to suppress all levels in the exceeding section. Limiter suppresses only the maximum level of input signals. ●Using as Limiter • Threshold Level (Thresh): Relatively High • Ratio (Ratio): 100:1 • Attack Time (Attack): Relatively short • Release Time (Release): Relatively short ●Using as Compressor • Threshold Level (Thresh): A level that does not cause distortion of output sounds. • Ratio (Ratio): 1.5:1, 2:1, 4:1 • Attack Time (Attack): Adjusted according to the input sound type. • Release Time (Release): Adjusted according to the input sound type.

This is an equalizer that can freely change the cutoff frequency or the band width (Q). With this equalizer, you can create sounds with subtlety. fig.08-55 Parameter (full name) Setting Function Lnk (Link): Makes Channel B follow the settings for Channel A. Link (Link Switch) On, Off Specifies if Channel B follows or does not follow the settings for Channel A. PEQA, PEQB (4 Band Parametric Equalizer): Parametric equalizer with four bands. Sw (Switch) On, Off Turns the parametric equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q (Low Q) 0.3–10 Sets the width of the area around the low frequency that will be affected by the gain settings.*1 Low Type Shlv, Peak Sets the type of the low frequency band equalizer (Shlving type or peaking type). LowMid Gain (Low Middle Gain) -12– +12 dB Sets the boost/cut amount in the low middle frequency band. LoMid Freq (Low Middle Frequency) 200–8000 Hz Sets the center frequency in the low middle frequency band. LoMid Q (Low Middle Q) 0.3–10 Sets the width of the area around the Low middle frequency that ill be affected by the gain settings. HiMid Gain (High Middle Gain) -12– +12 dB Sets the boost/cut amount in the High middle frequency band. HiMid Freq (High Middle Frequency) 200–8000 Hz Sets the center frequency in the High middle frequency band. HiMid Q (High Middle Q) 0.3–10 Sets the width of the area around the High middle frequency that will be affected by the gain settings. Hi Type (High Type) Shlv, Peak Sets the type of the High frequency band equalizer (Shlving type or peaking type). High Gain (High Gain) -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.4–20.0 kHz Sets the center frequency in the High frequency band. High Q (High Q) 0.3–10 Sets the width of the area around the High frequency that will be affected by the gain settings.*1 InputG (Input Gain) -60– +12 dB Sets the overall volume before passing through the equalizer. Level (Output Level) -60– +12 dB Sets the overall volume after passing through the equalizer. *1: If Low Type (Low Type) or High Type (High Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. 4Band EQ A 4Band EQ B Input A Input B Output A Output B Link Cutting noise. 4-Band Parametric Equalizer can freely change the cutoff frequency or the band width (Q) at four points, that is, in the High, High middle, low middle and low frequency bands. Capitalizing on this feature, you can precisely capture the point where any noise or howling is occurring. To find such point, the first step is to increase the gain for easier identification of sound variation and move the cutoff frequency little by little. Then, perform filtering by sharpening “Q.” Controlling Channels A and B separately Setting Link On enables simultaneous control on the 4-Band Parametric Equalizer via Channel B according to the settings on the Channel A side. To control Channels A and B separately, turn Link off.

This Equalizer sets the boost/cut amount by each segment of the frequency divided into ten bands. In performing PA at a live, this feature is useful to prevent howling by cutting the site-specific resonance frequency. fig.08-57 Parameter (full name) Setting Function Lnk (Link): Makes Channel B follow the settings for Channel A. Link (Link Switch) On, Off Specifies if Channel B follows or does not follow the settings for Channel A. GEQA, GEQB (10-Band Graphic Equalizer): Models a 10-band graphic equalizer. Sw (Switch) On, Off Turns the parametric equalizer on or off. 31.2 – 16 k (Gain) -12– +12 dB Sets the boost/cut amount at the respective frequencies. InputG (Input Gain) -60– +12 dB Sets the overall volume before passing through the equalizer. Level (Output Level) -60– +12 dB Sets the overall volume after passing through the equalizer. Hum Canceler Eliminates annoying hum (or “surge” sounding “boon”). fig.08-59 Parameter (full name) Setting Function HC (Hum Canceler): Removes hum. Sw (Switch) On, Off Turns the hum canceler on or off. Freq (Frequency) 20.0–800.0 Hz Sets the frequency of hum to be removed. Width (Width) 10–40% Sets the width of the filter which will remove the hum. Depth (Depth) 0–100 Sets the depth of the filter which will remove the hum. Thresh (Threshold) 0–100 Sets the level at which the hum is to be removed. RangeLo (Range Low) Unlimit, 20 - 2000 Hz Sets the lower limit of the frequency of hum to be removed. *1 RangeHi (Range High) 1.0 - 20.0 kHz, Unlimit Sets the upper limit of the frequency of hum to be removed. *2 NS (Noise Suppressor): Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off. Thresh (Threshold) 0–100 Sets the level to start muting noise. Release (Release) 0–100 Sets the time over which the volume will drop to 0 after the noise starts being muted. *1: Setting to “Unlimit” means that the frequency that can be played back on this unit is the lower limit. *2: Setting to “Unlimit” means that the frequency that can be played back on this unit is the upper limit. 10BAND EQ A 10BAND EQ B Input A Input B Output A Output B Link Preventing howling While performing PA at a live, follow the steps below to prevent howling. First, identify the site-specific resonance frequency to cut its gain. Controlling Channels A and B separately Setting Link On enables simultaneous control on the 10-Band Parametric Equalizer via Channel B according to the settings on the Channel A side. To control Channels A and B separately, turn Link Off. Hum Canceler Hum Canceler Noise Suppressor Noise Suppressor Input A Input B Output A Output B Removing hum Hum is a noise with a certain low frequency. Hum is generated mostly due to ingression of part of alternating current into signals as alternating current is converted into direct current in the power circuit. Sets Frequency (Freq) to that according with the frequency of the power source (50 Hz/60 Hz), and hum with that frequency and frequencies of its multiples can be removed. Range Lo and Rage Hi can be used to specify the frequency band of hum to be removed.

Setting Function NS (Noise Suppressor): Mutes noise in the silent mode. Sw (Switch) On, Off Turns the noise suppressor on or off. Thresh (Threshold) 0–100 Sets the level to start muting noise. Release (Release) 0–100 Sets the time over which the volume will drop to 0 after the noise starts being muted. Cmp (Compressor/Limiter): Compresses the entire output signals when the input volume exceeds a specified value. Sw (Switch) On, Off Turns the compressor on or off. Thrsh (Threshold Level) -60–0 dB Sets the level at which the compressor starts taking effect. Ratio (Ratio) 1.5:1, 2:1, 4:1, 100:1 Sets the compression ratio applied when the threshold level is exceeded. Attack (Attack Time) 0–100 Sets the time from when the input level exceeds the threshold level to when the effect begins to apply. Release (Release Time) 0–100 Sets the time from when the input level drops below the threshold level to when the effect ceases to apply. Level (Output Level) -60–12 dB Sets the volume of the compressor sound. Enh (Enhancer): Accentuates the sound and push the sound forward. Sw (Switch) On, Off Turns the enhancer on or off. Sens (Sense) 0–100 Sets the degree of the enhancer effect desired. Freq (Frequency) 1.0–10.0 kHz Sets the frequency at which the enhancer effect starts working. MixLvl (Mix Level) 0–100 Sets the amount of the enhancer sound should be mixed into the direct sound. Level (Level) 0–100 Sets the volume of the enhancer sound. EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20 - 2000 Hz Sets the center frequency in the low frequency band. Low Q 0.3–10.0 Sets the width of the area around the low frequency that will be affected by the gain settings. *1 Low Type Shlv, Peak Sets the type of the low frequency band equalizer (Shlving type or peaking type). Mid Gain (Middle Gain) -12– +12 dB Sets the boost/cut amount in the middle frequency band. Mid Freq (Middle Frequency) 200–8000 Hz Sets the center frequency in the middle frequency band. Mid Q (Middle Q) 0.3–10.0 Sets the width of the area around the middle frequency that will be affected by the gain settings. High Gain -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.4–20.0 kHz Sets the center frequency in the High frequency band. High Q 0.3–10.0 Sets the width of the area around the High frequency that will be affected by the gain settings. *1 Hi Type (High Type) Shlv, Peak Sets the type of the High frequency band equalizer (Shlving type or peaking type). Level (Output Level) 0–100 Sets the volume after passing through the equalizer. *1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. Input L Input R Output L Output R Noise Suppressor Noise Suppressor 3BAND EQ 3BAND EQ Enhancer Enhancer Compressor/ Limiter Compressor/ Limiter

studios around the world to those of speakers of small-sized TV sets and portable radios. fig.08-81 Speaker Modeling is adjusted so that its optimal effect is achieved when a Roland Powered Monitor DS-90 is used in digital connection. Its effect may not be fully achieved with other types of speakers. Parameter (full name) Setting Function SpMod (Speaker Modeling): Selects the speaker subject to characteristics modeling. Sw (Switch) Off, On Turns the Speaker Modeling on or off. Model (Model) See the column on the previous page. Specifies the speaker actually generating sounds. Output Speakers (Output Speakers) DS-90/DS-90A, DS-50A Phase (Phase) NRM, INV Sets the phase of the speaker. “NRM” for the same phase, and “INV” for the inverted phase. BCut (Bass Cut Filter): Cuts off undesired low sounds such as pop noise. Sw (Switch) On, Off Turns the bass cut filter on or off. Freq (Frequency) Thru, 20 - 2000 Hz Sets the frequency for cutting off undesired low frequency band sounds such as pop noise. LFT (Low Frequency Trimmer): Adjusts the low frequency band sounds. Sw (Switch) On, Off Turns the low frequency trimmer on or off. Gain (Gain) -12– +12dB Sets the boost/cut amount. Freq (Frequency) 20–2000 Hz Sets the center frequency of the trimmer. HFT (High Frequency Trimmer): Adjusts the High frequency band sounds. Sw (Switch) On, Off Turns the High frequency trimmer on or off. Gain (Gain) -12– +12dB Sets the boost/cut amount. Freq (Frequency) 1.0–20.0 kHz Sets the center frequency. Lmt (Limiter): Prevents distortion by suppressing signals at High levels. Sw (Switch) On, Off Turns the limiter on or off. Thresh (Threshold) -60–0 dB Sets the volume at which the limiter starts working. Release (Release) 0–100 Sets the time from when the input level drops below the threshold level to when the effect ceases to apply. Level (Level) -60– +24 dB Sets the volume after passing through the limiter. Input L Input R Output L Output R Hi Freq Tim Limiter Limiter SP Modeling SP Modeling BassCut Freq BassCut Freq Lo Freq Trim Lo Freq Trim Hi Freq Trim Speaker types applicable for modeling The characteristics of the following types of speakers can be modeled. Set the desired type for Model. THRU: No modeling is to be performed. Super FLAT: DS-90 is corrected by modeling to produce wider-range and untwisted sounds. Powered GenBlk: Typical model of powered monitor (two-way type, the woofer diameter = 170 mm (6-1/2 inches)) Powered E-Bas: Powered monitor characterized in delightful sound quality Powered Mack: Powered monitor characterized in well-extended low frequency band sounds Small Cube: Small-sized full-range speaker widely used in recording studios White Cone: Enclosed-type two-way speaker widely used in recording studios, characterized in white woofers. White C +tissue: Mild sounds from “White Cone” Tweeter covered with tissue paper Small Radio: Pocket-type small-sized radio Small TV: Speaker attached to the 14-inch TV set Boom Box: Radio cassette recorder BoomBox LoBoost: Radio cassette recorder with the low frequency band enhanced Use “THRU” for clear compa]rison between sounds with and without modeling.

This Kit is a compressor that splits sounds into different frequency band to unify their volumes. With this feature, you can perform mastering at the optimized level when mixing down into an MD or a CD or when producing your original audio CD using the CD-R disk. fig.08-78 Parameter (full name) Setting Function EQ (Equalizer) Sw (Switch) On, Off Turns the equalizer on or off. InputG (Input Gain) -24– +12 dB Sets the overall volume before passing through the equalizer. Low Gain (Low Gain) -12– +12 dB Sets the boost/cut amount in the low frequency band. Low Freq (Low Frequency) 20–2000 Hz Sets the center frequency in the low frequency band. Low Q (Low Q) 0.3–16.0 Sets the width of the area around the low frequency that will be affected by the gain settings.*1 Low Type Shlv, Peak Sets the type of the low frequency band equalizer (Shlving type or peaking type). LoMid Gain (Low Middle Gain) -12– +12 dB Sets the boost/cut amount in the low middle frequency band. LoMid Freq (Low Middle Frequency) 20–8000 Hz Sets the center frequency in the low middle frequency band. LoMid Q (Low Middle Q) 0.3–16.0 Sets the width of the area around the low middle frequency that will be affected by the gain settings. HiMid Gain (High Middle Gain) -12– +12 dB Sets the boost/cut amount in the High frequency band. HiMid Freq (High Middle Frequency) 20–8000 Hz Sets the center frequency in the High middle frequency band. HiMid Q (High Middle Q) 0.3–16.0 Sets the width of the area around the High middle frequency that will be affected by the gain settings. High Gain (High Gain) -12– +12 dB Sets the boost/cut amount in the High frequency band. High Freq (High Frequency) 1.40–20.0 kHz Sets the center frequency in the High frequency band. High Q (High Q) 0.3–16.0 Sets the width of the area around the High frequency that will be affected by the gain settings.*1 Hi Type (High Type) Shlv, Peak Sets the type of the High frequency band equalizer (Shlving type or peaking type). Level (Level) -24– +12 dB Sets the overall volume after passing through the equalizer. BCut (Bass Cut Filter): Cuts off undesired low frequency band sounds such as pop noise. Sw (Switch) On, Off Turns the bass cut filter on or off. Freq (Frequency) Thru, 20 - 2000 Hz Sets the frequency for cutting off undesired low frequency band sounds such as pop noise. Enh (Enhancer): Accentuates the sound and push the sound forward. Sw (Switch) On, Off Turns the enhancer on or off. Sens (Sensitivity) 0–100 Sets the degree of the enhancer effect desired. Freq (Frequency) 1.00–10.0 kHz Sets the frequency at which the enhancer effect starts working. MixLvl (Mix Level) -24– +12dB Set the amount of the enhancer sound to be added to the direct sound. In (Input): Splits the direct sound into three frequency bands, that is, low, middle and High frequency bands. InGain (Input Gain) -24– +12dB Sets the overall volume before entering expander/compressor. D-Time (Detect Time) 0–10 ms Sets the length of delay to add to the direct sound input. Split Point Low (Low Split Point) 20–800 Hz Sets the frequency at which the direct sound is split into three bands (on the low frequency band side). Split Point High (High Split Point) 1.60–16.0 kHz Sets the frequency at which the direct sound is split into three bands (on the High frequency band side). Input L Input R Output L Output R 4Band EQ 4Band EQ Bass Cut Bass Cut Enhancer Enhancer Input Expander Expander Expander Compressor Compressor Compressor Limiter Limiter Output Output H M L Mixer Input Expander Expander Expander Compressor Compressor Compressor H M L Mixer Effect of “Detect Time” under Input With ordinary compressors, a moment of delay occurs to suppress a level over instance after it has been detected. With this algorithm, this problem is bypassed by using the input sound only for level detection and adding a specified length of delay to the sound for processing and output. “Detect Time” under Input is the setting of the delay time for this purpose. Note that supplying Detect Time causes time difference between input and output of audio signals, requiring due considerations if used for operations other than mastering (ex. channel insertion). Splitting into frequency bands To split into High, middle and low frequency bands, Low Split Point (LoSplit Point) and High Split Point (HiSplit Point) under Input are used to specify frequencies. fig.08-79 Freq L-SplitP H-SplitP Level Low Mid High

Sw (Switch) On, Off Turns the expander on or off. Low Thre (Low Threshold) -80–0 dB Sets the volume at which the expander for the low frequency band starts working. Low Ratio (Low Raito) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the low frequency band is increased when the input level has exceeded below the low threshold level. Low Atck (Low Attack) 0–100 ms Sets the time until when the low frequency band expander starts working after the input level dropps below the low threshold level. Low Rel (Low Release) 50 ms–5.000 s Sets the time until when the High frequency band expander stops working after the input level exceeds the low threshold level. Mid Thre (Middle Threshold) -80–0 dB Sets the volume at which the expander for the middle frequency band starts working. Mid Ratio (Middle Ratio) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the middle frequency band is increased when the input level has exceeded below the middle threshold level. Mid Atck (Middle Attack) 0–100 ms Sets the time until when the middle frequency band expander starts working after the input level dropps below the middle threshold level. Mid Rel (Middle Release) 50 ms–5.000 s Sets the time until when the middle frequency band expander stops working after the input level exceeds the middle threshold level. High Thre (High Threshold) -80–0 dB Sets the volume at which the expander for the High frequency band starts working. High Ratio (High Ratio) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the High frequency band is increased when the input level has exceeded below the High threshold level. High Atck (High Attack) 0–100 ms Sets the time until when the High frequency band expander starts working after the input level dropps below the High threshold level. High Rel (High Release) 50 ms–5.000 s Sets the time until when the High frequency band expander stops working after the input level exceeds the High threshold level. Cmp (Compressor):Compresses the entire output signals when the input volume exceeds a specified value. SW (Switch) On, Off Turns the compressor on or off. Low Thre (Low Threshold) -24–0 dB Sets the volume at which the compressor for the low frequency band starts working. Low Ratio (Low Raito) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the low frequency band is suppressed when the input level has exceeded the low threshold level. Low Atck (Low Attack) 0–100 ms Sets the time until when the low frequency band compressor starts working after the input level has exceeded the low threshold level. Low Rel (Low Release) 50 ms–5.000 s Sets the time until when the low frequency band compressor stops working after the input level has dropped below the low threshold level. Mid Thre (Middle Threshold) -24–0 dB Sets the volume at which the compressor in the middle frequency band starts working. Mid Ratio (Middle Ratio) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the middle frequency band is suppressed when the input level has exceeded the middle threshold level. Mid Atck (Middle Attack) 0–100 ms Sets the time until when the middle frequency band compressor starts working after the input level has exceeded the middle threshold level. Mid Rel (Middle Release) 50 ms–5.000 s Sets the time until when the middle frequency band compressor stops working after the input level has dropped below the middle threshold level. High Thre (High Threshold) -24–0 dB Sets the volume at which the compressor for the High frequency band starts working. High Raito (High Ratio) 1:1.0–1:16, 1:INF Sets the ratio at which the output in the High frequency band is suppressed when the input level has exceeded the High threshold level. High Atck (High Attack) 0–100 ms Sets the time until when the High frequency band compressor starts working after the input level has exceeded the High threshold level. High Rel (High Release) 50 ms–5.000 s Sets the time until when the High frequency band compressor stops working after the input level has dropped below the High threshold level. Mix (Mixer): Adjusts the volume by frequency band. Low Level (Low Level) -80– +6 dB Sets the volume in the low frequency band after passing through the expander and compressor. Mid Level (Middle Level) -80– +6 dB Sets the middle frequency band volume after passing through the expander and compressor. High Level (High Level) -80– +6 dB Sets the volume in the High frequency band after passing through the expander and compressor. Lmt (Limiter): Prevents distortion by suppressing signals at High levels. Sw (Switch) On, Off Turns the limiter on or off. Thresh (Threshold) -24–0 dB Sets the volume at which the limiter starts working. Attack (Attack) 0–100 ms Sets the time until when the limiter starts working after the input level has exceeded threshold level. Release (Release) 50 ms–5.000 s Sets the time until when the limiter stops working after the input level drops below the threshold level. Out (Output): Provides settings concerning overall output. SoftClip (Soft Clip) On, Off Suppresses conspicuous distortion that may occur when the effect of compressor/limiter has been applied excessively. Level (Level) -80– +6 dB Sets the overall volume after passing through the limiter. *1: If Low Type (Lo Type) or High Type (Hi Type) is set to “Shlv (Shlving Type),” the setting for Lo Q or High Q is invalid. * With Compressor, the level is automatically adjusted to the optimal with the settings for Threshold (Thres) and Raito (Ratio). Setting Attack (Atck) to a relatively long time may cause distortion. For this reason, a margin of -6 dB is provided. Adjust the Mixer (Mix) level as required. * “Mastering Tool Kit” cannot be used on EFFECT2, 4, and 6 (even-numbered effects). * When “Mastering Tool Kit” is used on EFFECT1, 3, and 5 (odd-numbered effects), EFFECT2, 4, and 6 (even-numbered effects) cannot be used.

Oct. 31, 2003 1. TRANSMITTED DATA AND RECOGNIZED RECEIVE DATA ■Channel Voice message ●Note On/Off If the UTILITY mode METRONOME screen's METRONOME OUT setting is set to MIDI, the metronome will be output as the specified note number and velocity on the specified MIDI channel. Note on/off messages are received if the Voice Transformer (algorithm 27) patch is selected for effect 1,3, or 5, and the MIDI Control SW is On. If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, note on/off messages will be received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. If the RHYTHM TRACK MIDI transmit channel is specified, messages will be transmitted when you press [TRACK/STATUS] in the RHYTHM TRACK PATTERN EDIT screen, or when the RHYTHM TRACK is played back. Status Second Third 9nH mmH llH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) (*1, *3, *4) 0H - 5H (ch.1-ch.6) (*2) mm = Note No.: 0CH - 7FH (12 - 127) (*1) 24H - 54H (38 - 84) (*2, *3) 00H - 7FH (0 - 127) (*4) ll = Velocity: 01H - 7FH (1 - 127) / 00H = NOTE OFF (*1) Only when transmitting Metronome. (*2) Only when receiving with MIDI CONTROL Sw of Voice Transformer is On. n = 0,2,4 (FX1,3,5) : Voice Transformer : Chromatic Pitch mm = 24H - 54H (C2 - C6) ll = Ignored n = 1,3,5 (FX1,3,5) : Voice Transformer : Chromatic Formant mm = 24H - 3CH (C2 - C4) ll = Ignored (*3) Only if the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, and the receive channel is specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. (*4) Only if tracks 17/18 are assigned to RHYTHM TRACK and the RHYTHM TRACK MIDI transmit/receive channel is specified. ●Control Change Parameters on the Mixer section can be received and transmitted by the control change messages when MIXER CONTROL TYPE in the UTILITY-MIDI screen is set to C.C. If V-LINK function is enable, see “5.V-LINK.” Status Second Third BnH mmH llH n = MIDI Channel No.: 0H - FH (ch.1-ch.16: see below) mm = Mixer Parameter No. : (see below) ll = Mixer Parameter Value.: 00H - 7FH (0 - 127) (*1) ------------------------------------------------------------------- Mixer Parameter and MIDI Channel/Control Change No. ------------------------------------------------------------------- INPUT MIX CH. 1 2 3 4 5 6 7 8 9 10 MIDI ch. -> 1 2 3 4 5 6 7 8 9 10 ------------------------------------------------------------------- FADER LEVEL 7 -> -> -> -> -> -> -> -> -> PAN 10 -> -> -> -> -> -> -> -> -> AUX1 SEND LEVEL 12 -> -> -> -> -> -> -> -> -> AUX2 SEND LEVEL 13 -> -> -> -> -> -> -> -> -> FX1 SEND LEVEL 14 -> -> -> -> -> -> -> -> -> FX2 SEND LEVEL 15 -> -> -> -> -> -> -> -> -> FX3 SEND LEVEL 16 -> -> -> -> -> -> -> -> -> FX4 SEND LEVEL 17 -> -> -> -> -> -> -> -> -> FX5 SEND LEVEL 18 -> -> -> -> -> -> -> -> -> FX6 SEND LEVEL 19 -> -> -> -> -> -> -> -> -> AUX1/2 SEND PAN 20 -> -> -> -> -> -> -> -> -> FX1/2 SEND PAN 21 -> -> -> -> -> -> -> -> -> FX3/4 SEND PAN 22 -> -> -> -> -> -> -> -> -> FX5/6 SEND PAN 23 -> -> -> -> -> -> -> -> -> OFFSET FADER LEVEL 24 -- -> -- -> -- -> -- -> -- OFFSET PAN 25 -- -> -- -> -- -> -- -> -- TRACK MIX CH. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 MIDI ch. -> 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ------------------------------------------------------------------- TRACK STATUS(*2) 35 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FADER LEVEL 39 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> PAN 42 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX1 SEND LEVEL 44 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX2 SEND LEVEL 45 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX1 SEND LEVEL 46 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX2 SEND LEVEL 47 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX3 SEND LEVEL 48 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX4 SEND LEVEL 49 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX5 SEND LEVEL 50 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX6 SEND LEVEL 51 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> AUX1/2 SEND PAN 52 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX1/2 SEND PAN 53 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX3/4 SEND PAN 54 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> FX5/6 SEND PAN 55 -> -> -> -> -> -> -> -> -> -> -> -> -> -> -> OFFSET FADER LEVEL 56 -- -> -- -> -- -> -- -> -- -> -- -> -- -> -- OFFSET PAN 57 -- -> -- -> -- -> -- -> -- -> -- -> -- -> -- TRACK MIX CH. 17 18 MIDI ch. -> 9 10 ------------------------------------------------------------------- TRACK STATUS(*2) 67 -> FADER LEVEL 71 -> PAN 74 -> AUX1 SEND LEVEL 76 -> AUX2 SEND LEVEL 77 -> FX1 SEND LEVEL 78 -> FX2 SEND LEVEL 79 -> FX3 SEND LEVEL 80 -> FX4 SEND LEVEL 81 -> FX5 SEND LEVEL 82 -> FX6 SEND LEVEL 83 -> AUX1/2 SEND PAN 84 -> FX1/2 SEND PAN 85 -> FX3/4 SEND PAN 86 -> FX5/6 SEND PAN 87 -> OFFSET FADER LEVEL 88 -- OFFSET PAN 89 -- RETURN MIX CH. 1 2 3 4 5 6 MIDI ch. -> 1 2 3 4 5 6 ------------------------------------------------------------------- FADER LEVEL 102 -> -> -> -> -> BALANCE 103 -> -> -> -> -> AUX1 SEND LEVEL 104 -> -> -> -> -> AUX2 SEND LEVEL 105 -> -> -> -> -> FX1 SEND LEVEL 106 -> -> -> -> -> FX2 SEND LEVEL 107 -> -> -> -> -> FX3 SEND LEVEL 108 -> -> -> -> -> FX4 SEND LEVEL 109 -> -> -> -> -> FX5 SEND LEVEL 110 -> -> -> -> -> FX6 SEND LEVEL 111 -> -> -> -> -> AUX1/2 SEND Bal 112 -> -> -> -> -> FX1/2 SEND Bal 113 -> -> -> -> -> FX3/4 SEND Bal 114 -> -> -> -> -> FX5/6 SEND Bal 115 -> -> -> -> -> ------------------------------------------------------------------- MASTER BLOCK MIDI ch.=14 ------------------------------------------------------------------- DIR1 LEVEL 104 DIR2 LEVEL 105 DIR3 LEVEL 106 DIR4 LEVEL 107 DIR5 LEVEL 108 DIR6 LEVEL 109 DIR7 LEVEL 110 DIR8 LEVEL 111 DIR1/2 Bal 112 DIR3/4 Bal 113 DIR5/6 Bal 114 DIR7/8 Bal 115 MIDI ch.=15 ------------------------------------------------------------------- AUX1 LEVEL 104 AUX2 LEVEL 105 FX1 LEVEL 106 FX2 LEVEL 107 FX3 LEVEL 108 FX4 LEVEL 109 FX5 LEVEL 110 FX6 LEVEL 111 AUX1/2 Bal 112 FX1/2 Bal 113 FX3/4 Bal 114 FX5/6 Bal 115 MIDI ch.=16 ------------------------------------------------------------------- MASTER LEVEL 102 MASTER BAL 103 MONITOR BAL 104 -------------------------------------------------------------------

+—————+————————++—————+————————++—————+————————++—————+————————+ |Data | Lev(dB)||Data | Lev(dB)||Data | Lev(dB)||Data | Lev(dB)| +—————+————————++—————+————————++—————+————————++—————+————————+ | 0 | — Inf || 32 | —21.2 || 64 | — 9.3 || 96 | — 0.8 | | 1 | —80.0 || 33 | —20.8 || 65 | — 9.0 || 97 | — 0.6 | | 2 | —68.0 || 34 | —20.4 || 66 | — 8.8 || 98 | — 0.4 | | 3 | —60.0 || 35 | —20.0 || 67 | — 8.6 || 99 | — 0.2 | | 4 | —56.0 || 36 | —19.6 || 68 | — 8.4 || 100 | 0.0 | | 5 | —53.0 || 37 | —19.2 || 69 | — 8.2 || 101 | 0.2 | | 6 | —50.0 || 38 | —18.8 || 70 | — 8.0 || 102 | 0.4 | | 7 | —48.0 || 39 | —18.4 || 71 | — 7.6 || 103 | 0.6 | | 8 | —46.0 || 40 | —18.0 || 72 | — 7.3 || 104 | 0.8 | | 9 | —44.0 || 41 | —17.6 || 73 | — 7.0 || 105 | 1.0 | | 10 | —42.0 || 42 | —17.2 || 74 | — 6.6 || 106 | 1.3 | | 11 | —40.0 || 43 | —16.8 || 75 | — 6.3 || 107 | 1.5 | | 12 | —38.0 || 44 | —16.4 || 76 | — 6.0 || 108 | 1.8 | | 13 | —36.0 || 45 | —16.0 || 77 | — 5.8 || 109 | 2.0 | | 14 | —34.5 || 46 | —15.6 || 78 | — 5.5 || 110 | 2.3 | | 15 | —33.0 || 47 | —15.2 || 79 | — 5.3 || 111 | 2.5 | | 16 | —32.0 || 48 | —14.8 || 80 | — 5.0 || 112 | 2.8 | | 17 | —31.0 || 49 | —14.4 || 81 | — 4.8 || 113 | 3.0 | | 18 | —30.0 || 50 | —14.0 || 82 | — 4.6 || 114 | 3.3 | | 19 | —29.0 || 51 | —13.6 || 83 | — 4.4 || 115 | 3.5 | | 20 | —28.0 || 52 | —13.2 || 84 | — 4.2 || 116 | 3.8 | | 21 | —27.2 || 53 | —12.8 || 85 | — 4.0 || 117 | 4.0 | | 22 | —26.4 || 54 | —12.4 || 86 | — 3.6 || 118 | 4.2 | | 23 | —25.6 || 55 | —12.0 || 87 | — 3.3 || 119 | 4.4 | | 24 | —24.8 || 56 | —11.6 || 88 | — 3.0 || 120 | 4.6 | | 25 | —24.0 || 57 | —11.3 || 89 | — 2.6 || 121 | 4.8 | | 26 | —23.6 || 58 | —11.0 || 90 | — 2.3 || 122 | 5.0 | | 27 | —23.2 || 59 | —10.6 || 91 | — 2.0 || 123 | 5.2 | | 28 | —22.8 || 60 | —10.3 || 92 | — 1.8 || 124 | 5.4 | | 29 | —22.4 || 61 | —10.0 || 93 | — 1.5 || 125 | 5.6 | | 30 | —22.0 || 62 | — 9.8 || 94 | — 1.3 || 126 | 5.8 | | 31 | —21.6 || 63 | — 9.5 || 95 | — 1.0 || 127 | 6.0 | +—————+————————++—————+————————++—————+————————++—————+————————+ (*2) Value and switching Track status corresponds as follows. (1) While VS-2000 stops Value: 0-41 42-83 84-127 -------------------------------------------------------------------------------------------------------------------------- Status: OFF -> OFF OFF -> REC OFF -> PLAY PLAY -> OFF PLAY -> REC PLAY -> PLAY REC -> OFF REC -> REC REC -> PLAY (2) While play back/recording Value: 0-41 42-83 84-127 -------------------------------------------------------------------------------------------------------------------------- Status: OFF -> X OFF -> X OFF -> PLAY PLAY -> OFF PLAY -> X PLAY -> PLAY REC -> X REC -> REC REC -> X (*) X = Ignored ❍Bank Select (MSB/LSB) Switches the effect bank. Status Second Third BnH 00H mmH BnH 20H llH n = MIDI Channel No.: 0H - 5H (ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6) mm = upper byte of bank number : 00H ll = lower byte of bank number : 00H - 04H (0 - 4) Bank Select | Program Change | Patch Number MSB | LSB | | ------+-----+--------------------+--------------------- 00H | 00H | 00H - 63H (0 - 99) | Preset #000 - #099 00H | 01H | 00H - 63H (0 - 99) | Preset #100 - #199 00H | 02H | 00H - 31H (0 - 49) | Preset #200 - #249 00H | 03H | 00H - 63H (0 - 99) | User #000 - #099 00H | 04H | 00H - 63H (0 - 99) | User #100 - #199 ❍Prtamento Time If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. Status Second Third BnH 05H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Prtament Time : 0H - 7FH (0 - 127) ❍General Purpose Controller 1 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the formant value for HARMONY PART 1. Status Second Third BnH 10H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = PART1 Formant: 1H - 40H - 7FH (-63 - 0 - +63) ❍General Purpose Controller 2 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the formant value for HARMONY PART 2. Status Second Third BnH 11H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = PART2 Formant: 1H - 40H - 7FH (-63 - 0 - +63) ❍General Purpose Controller 3 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the formant value for HARMONY PART 3. Status Second Third BnH 2H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = PART3 Formant: 1H - 40H - 7FH (-63 - 0 - +63) ❍General Purpose Controller 4 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the formant value for HARMONY PART 4. Status Second Third BnH 13H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = PART4 Formant : 1H - 40H - 7FH (-63 - 0 - +63) ❍Hold1 VS-2000 can receive when EFFECT C.C. Rx Sw in the UTILITY condition MIDI screen is “On”, effect patch Vocoder2 effect (algorithm 28) is selected, and Vocoder2’s Hold parameter is “MIDI.” Status Second Third BnH 40H llH n = MIDI Channel No.: 0,2,4H (ch.1 = FX1 ch.3 = FX3 ch.5 = FX5) ll = Control Value : 00H - 7FH (0 - 127) ❍Prtamento If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. Status Second Third BnH 41H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Control Value : 0H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127, = ON ❍Vibrato Rate If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. Status Second Third BnH 4CH mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Vibrato Rate : 0H - 7FH (0 - 127) ❍Vibrato Depth If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. Status Second Third BnH 4DH mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Vibrato Depth : 0H - 7FH (0 - 127) ❍Vibrato Delay If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. Status Second Third BnH 4EH mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Vibrato Delay : 0H - 7FH (0 - 127)

If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the formant value for HARMONY PART 5. Status Second Third BnH 50H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = PART5 Formant: 1H - 40H - 7FH (-63 - 0 - +63) ❍General Purpose Controller 6 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the formant value for HARMONY PART 6. Status Second Third BnH 51H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = PART6 Formant: : 1H - 40H - 7FH (-63 - 0 - +63) ❍General Purpose Controller 7 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the vibrato switch. Status Second Third BnH 52H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Virato Switch : 0H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127, = ON ❍General Purpose Controller 8 If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel number specified by the HARMONY ALGORITHM VIEW screen's MIDI setting, and will control the vibrato detune. Status Second Third BnH 53H mmH n = MIDI Channel No.: 0H - FH (ch.1-ch.16) mm = Virato Detune : 0H - 7FH (0 - 127) ❍NRPN(MSB/LSB) Parameters on the Mixer/Effect section can be changed when UTILITY-MIDI screens EFFECT C.C. Rx Sw is “On.” Status Second Third BnH 62H llH BnH 63H mmH n = MIDI Channel No.: 0H - 5H (ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6) 8H - 9H (ch.9 = Input Mixer, ch.10 = Track Mixer) mm = upper byte of the parameter number to be assigned with NRPN. : 00H n = 0H - 3H 00H - 17H (1 - 24) n = 8H - 9H ll =lower byte of the parameter number to be assigned with NRPN.: 00H - 3EH (0 - 62) ❍Data Entry (MSB/LSB) When UTILITY-MIDI screens EFFECT C.C. Rx Sw is “On,” controls effect parameter assigned with NRPN. Status Second Third BnH 06H mmH BnH 26H llH n = MIDI Channel No.: 0H - 5H (ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6) 8H - 9H (ch.9 = Input Mixer, ch.10 = Track Mixer) mm = upper byte of the parameter number to be assigned with NRPN. ll =lower byte of the parameter number to be assigned with NRPN. mmH llH = 40H 00H = -8192 = 7FH 7FH = -1 = 00H 00H = 0 = 3FH 7FH = +8191 ❍Data Increment When UTILITY-MIDI screens EFFECT C.C. Rx Sw is “On,” increments the effect parameter assigned with NRPN. Status Second Third BnH 60H 00H n = MIDI Channel No.: 0H - 5H (ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6) 8H - 9H (ch.9 = Input Mixer, ch.10 = Track Mixer) Increment the effect parameter selected with NRPN. ❍Data Decrement When UTILITY-MIDI screens EFFECT C.C. Rx Sw is “On,” decrements the effect parameter assigned with NRPN. Status Second Third BnH 61H 00H n = MIDI Channel No.: 0H - 5H (ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6) 8H - 9H (ch.9 = Input Mixer, ch.10 = Track Mixer) Decrement the effect parameter selected with NRPN. -------------------------------------------------------------------------------------------------------------------------- NRPN Parameters Number Map -------------------------------------------------------------------------------------------------------------------------- +—————————————————————————————————————————————————————————————————+ | Ch | NRPN | | | | MSB LSB | | |====+=========+==================================================| | 0 | 00H 00H | EFFECT 1 Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 1 | 00H 00H | EFFECT 2 Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 2 | 00H 00H | EFFECT 3 Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 3 | 00H 00H | EFFECT 4 Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 4 | 00H 00H | EFFECT 5 Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 5 | 00H 00H | EFFECT 6 Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 6 | 00H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 7 | 00H 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 8 | 00H 00H | Input Mixer Channel 1 EQ Parameter | | +—————————+——————————————————————————————————————————————————| | | 01H 00H | Input Mixer Channel 2 EQ Parameter | | : : | | 09H 00H | Input Mixer Channel 10 EQ Parameter | | +—————————+——————————————————————————————————————————————————| | | 0AH 00H | (Reserved) | | : : | | 7FH 7FH | | |————+—————————+——————————————————————————————————————————————————| | 9 | 00H 00H | Track Mixer Channel 1 EQ Parameter | —————————+———————————————————————————————————————————————————| | | 01H 00H | Track Mixer Channel 2 EQ Parameter | : : | | 11H 00H | Track Mixer Channel 18 EQ Parameter | | +—————————+——————————————————————————————————————————————————| | | 12H 00H | (Reserved) | | : : | | 7FH 7FH | | +—————————————————————————————————————————————————————————————————+

-------------------------------------------------------------------------------------------------------------------------- +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | ccH 00H | mmH llH | EQ SWITCH | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | ccH 01H | mmH llH | EQ LOW GAIN | | | | —150,,,150 = —15.0,,,15.0dB| |—————————+—————————+—————————————————————————————————————————————| | ccH 02H | mmH llH | EQ LOW FREQUENCY | | | | 20,,,88 = 20Hz,,,1.00kHz(*1)| |—————————+—————————+—————————————————————————————————————————————| | ccH 03H | mmH llH | EQ LOWMID GAIN | | | | —150,,,150 = —15.0,,,15.0dB| |—————————+—————————+—————————————————————————————————————————————| | ccH 04H | mmH llH | EQ LOWMID FREQUENCY | | | | 20,,,140 = 20Hz,,,20.0kHz(*1)| |—————————+—————————+—————————————————————————————————————————————| | ccH 05H | mmH llH | EQ LOWMID Q | | | | 30,,,96 = 0.36,,,16.0(*2)| |—————————+—————————+—————————————————————————————————————————————| | ccH 06H | mmH llH | EQ HIGHMID GAIN | | | | —150,,,150 = —15.0,,,15.0dB| |—————————+—————————+—————————————————————————————————————————————| | ccH 07H | mmH llH | EQ HIGHMID FREQUENCY | | | | 20,,,140 = 20Hz,,,20.0kHz(*1)| |—————————+—————————+—————————————————————————————————————————————| | ccH 08H | mmH llH | EQ HIGHMID Q | | | | 30,,,96 = 0.36,,,16.0(*2)| |—————————+—————————+—————————————————————————————————————————————| | ccH 09H | mmH llH | EQ HIGH GAIN | | | | —150,,,150 = —15.0,,,15.0dB| |—————————+—————————+—————————————————————————————————————————————| | ccH 0AH | mmH llH | EQ HIGH FREQUENCY | | | | 88,,,140 = 1.00kHz ,,,20.0kHz(*1)| +—————————————————————————————————————————————————————————————————+ * The Mixer Channel number is specified in NRPN’s MSB (avove ccH). (*1) Mixer Frequency Table +——————+————————++——————+————————++——————+————————+ | Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)| +——————+————————++——————+————————++——————+————————+ | 20 | 20 || 62 | 224 || 104 | 2.50k | | 21 | 21 || 63 | 237 || 105 | 2.66k | | 22 | 22 || 64 | 250 || 106 | 2.80k | | 23 | 24 || 65 | 266 || 107 | 3.00k | | 24 | 25 || 66 | 280 || 108 | 3.15k | | 25 | 27 || 67 | 300 || 109 | 3.35k | | 26 | 28 || 68 | 315 || 110 | 3.55k | | 27 | 30 || 69 | 335 || 111 | 3.76k | | 28 | 32 || 70 | 355 || 112 | 4.00k | | 29 | 33 || 71 | 376 || 113 | 4.22k | | 30 | 36 || 72 | 400 || 114 | 4.50k | | 31 | 38 || 73 | 422 || 115 | 4.73k | | 32 | 40 || 74 | 450 || 116 | 5.00k | | 33 | 42 || 75 | 473 || 117 | 5.30k | | 34 | 45 || 76 | 500 || 118 | 5.60k | | 35 | 47 || 77 | 530 || 119 | 6.00k | | 36 | 50 || 78 | 560 || 120 | 6.30k | | 37 | 53 || 79 | 600 || 121 | 6.70k | | 38 | 56 || 80 | 630 || 122 | 7.10k | | 39 | 60 || 81 | 670 || 123 | 7.50k | | 40 | 63 || 82 | 710 || 124 | 8.00k | | 41 | 67 || 83 | 750 || 125 | 8.40k | | 42 | 71 || 84 | 800 || 126 | 9.00k | | 43 | 75 || 85 | 840 || 127 | 9.44k | | 44 | 80 || 86 | 900 || 128 | 10.0k | | 45 | 84 || 87 | 944 || 129 | 10.6k | | 46 | 90 || 88 | 1.00k || 130 | 11.2k | | 47 | 94 || 89 | 1.06k || 131 | 12.0k | | 48 | 100 || 90 | 1.12k || 132 | 12.5k | | 49 | 106 || 91 | 1.20k || 133 | 13.3k | | 50 | 112 || 92 | 1.25k || 134 | 14.0k | | 51 | 120 || 93 | 1.33k || 135 | 15.0k | | 52 | 125 || 94 | 1.40k || 136 | 16.0k | | 53 | 133 || 95 | 1.50k || 137 | 17.0k | | 54 | 140 || 96 | 1.60k || 138 | 18.0k | | 55 | 150 || 97 | 1.70k || 139 | 19.0k | | 56 | 160 || 98 | 1.80k || 140 | 20.0k | | 57 | 170 || 99 | 1.90k |+——————+————————+ | 58 | 180 || 100 | 2.00k | | 59 | 190 || 101 | 2.10k | | 60 | 200 || 102 | 2.24k | | 61 | 210 || 103 | 2.37k | +——————+————————++——————+————————+ (*2) Mixer Q Table +——————+————————++——————+————————++——————+————————++——————+———————+ | Data | Q || Data | Q || Data | Q || Data | Q | +——————+————————++——————+————————++——————+————————++——————+———————+ | 30 | 0.36 || 50 | 1.12 || 70 | 3.55 || 90 | 11.2 | | 31 | 0.38 || 51 | 1.20 || 71 | 3.76 || 91 | 12.0 | | 32 | 0.40 || 52 | 1.25 || 72 | 4.00 || 92 | 12.5 | | 33 | 0.42 || 53 | 1.33 || 73 | 4.22 || 93 | 13.3 | | 34 | 0.45 || 54 | 1.40 || 74 | 4.50 || 94 | 14.0 | | 35 | 0.47 || 55 | 1.50 || 75 | 4.73 || 95 | 15.0 | | 36 | 0.50 || 56 | 1.60 || 76 | 5.00 || 96 | 16.0 | | 37 | 0.53 || 57 | 1.70 || 77 | 5.30 |+——————+———————+ | 38 | 0.56 || 58 | 1.80 || 78 | 5.60 | | 39 | 0.60 || 59 | 1.90 || 79 | 6.00 | | 40 | 0.63 || 60 | 2.00 || 80 | 6.30 | | 41 | 0.67 || 61 | 2.10 || 81 | 6.70 | | 42 | 0.71 || 62 | 2.24 || 82 | 7.10 | | 43 | 0.75 || 63 | 2.37 || 83 | 7.50 | | 44 | 0.80 || 64 | 2.50 || 84 | 8.00 | | 45 | 0.84 || 65 | 2.66 || 85 | 8.40 | | 46 | 0.90 || 66 | 2.80 || 86 | 9.00 | | 47 | 0.94 || 67 | 3.00 || 87 | 9.44 | | 48 | 1.00 || 68 | 3.15 || 88 | 10.0 | | 49 | 1.06 || 69 | 3.35 || 89 | 10.6 | +——————+————————++——————+————————++——————+————————+ -------------------------------------------------------------------------------------------------------------------------- NRPN and Effect Parameters -------------------------------------------------------------------------------------------------------------------------- ❍Algorithm 0 Reverb (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb: Room Size | | | | 5,,,40m| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Reverb: Reverb Time | | | | 1,,,320 = 0.1,,,32.0s| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Reverb: Pre Delay | | | | 0,,,200 = 0,,,200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Reverb: Diffusion | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Reverb: Density | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Reverb: Early Reflection Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Reverb: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Reverb: LF Damp Gain | | | | —36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Reverb: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Reverb: HF Damp Gain | | | | —36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Reverb: HI Cut Frequency | | | | 2,,,200 = 0.2,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Reverb: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Reverb: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 1 Delay +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Delay: Delay Time | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay: Shift | | | | —1200,,,1200 = L1200,,,R1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay: Lch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay: Rch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay: Lch Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay: Rch Level | | | | —100,,,100|

| | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay: LF Damp Gain | | | | —36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Delay: HF Damp Gain | | | | —36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Delay: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute value of Shift) should be 1200 or less. ❍Algorithm 2 Stereo Delay Chorus +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay: Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay: Shift | | | | —500,,,500 = L500,,,R500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay: Lch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay: Rch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay: Lch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay: Rch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Chorus: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Chorus: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Chorus: Pre Delay | | | | 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Chorus: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Chorus: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Chorus: Lch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Chorus: Rch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Chorus: Lch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Chorus: Rch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute value of Shift) should be 500 or less. ❍Algorithm 3 Stereo Pitch Shifter Delay +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | P.ShifterDelay SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | P.ShifterDelay: Lch Chromatic Pitch | | | | —12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | P.ShifterDelay: Lch Fine Pitch | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | P.ShifterDelay: Lch Pre Delay | | | | 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | P.ShifterDelay: Lch Feedback Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | P.ShifterDelay: Lch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | P.ShifterDelay: Lch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | P.ShifterDelay: Rch Chromatic Pitch | | | | —12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | P.ShifterDelay: Rch Fine Pitch | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | P.ShifterDelay: Rch Pre Delay | | | | 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | P.ShifterDelay: Rch Feedback Delay Time | | | | 0,,,500ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | P.ShifterDelay: Rch Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | P.ShifterDelay: Rch Cross Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | P.ShifterDelay: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | P.ShifterDelay: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking|

| | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 4 Vocoder +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Vocoder: Voice Character 1 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Vocoder: Voice Character 2 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocoder: Voice Character 3 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocoder: Voice Character 4 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Vocoder: Voice Character 5 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Vocoder: Voice Character 6 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Vocoder: Voice Character 7 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Vocoder: Voice Character 8 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Vocoder: Voice Character 9 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Vocoder: Voice Character 10 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Chorus: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Chorus: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Chorus: Pre Delay | | | | 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Chorus: Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Chorus: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Chorus: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 5 2CH RSS +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | 2CH RSS: Ach Azimuth | | | | —30,,,30 = —180,,,180| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | 2CH RSS: Ach Elevation | | | | —15,,,15 = —90,,,90| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | 2CH RSS: Bch Azimuth | | | | —30,,,30 = —180,,,180| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | 2CH RSS: Bch Elevation | | | | —15,,,15 = —90,,,90| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | 2CH RSS: Phones SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | 2CH RSS: RSS Type | | | | 0,1 = Type A,Type B| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 6 Delay RSS +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Delay RSS: Delay Time | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Delay RSS: Shift | | | | —1200,,,1200 = L1200,,,R1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Delay RSS: Center Delay Time | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Delay RSS: RSS Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Delay RSS: Center Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay RSS: Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Delay RSS: LF Damp Frequency | | | | 5,,,400 = 50,,,4000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Delay RSS: LF Damp Gain | | | | —36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Delay RSS: HF Damp Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Delay RSS: HF Damp Gain | | | | —36,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Delay RSS: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Delay RSS: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Delay RSS: Phones SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute value of Shift) should be 1200 or less. ❍Algorithm 7 Chorus RSS +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus RSS: Chorus Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus RSS: Chorus Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Chorus RSS: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Chorus RSS: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Chorus RSS: Phones SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3 +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Compressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Metal/Distortion/Over Drive SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Auto Wah SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Guitar Amp Modeling SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Flanger SW | | | | 0,1 = Off,On| ————+—————————+———————————————————————————————————————————————————| | 00H 06H | mmH llH | Delay SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Compressor: Attack | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Compressor: Level | | | | 0,,,100| ————+—————————+———————————————————————————————————————————————————| | 00H 09H | mmH llH | Compressor: Sustain | | | | 0,,,100| ————+—————————+———————————————————————————————————————————————————| | 00H 0AH | mmH llH | Compressor: Tone | | | | —50,,,—50| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Auto Wah: Mode | | | | 0,1 = LPF,BPF| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Auto Wah: Polarity | | | | 0,1 = Down,Up| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Auto Wah: Frequency | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————— | 00H 10H | mmH llH | Auto Wah: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Auto Wah: Peak | | | | 0,,,100|

| | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Auto Wah: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Auto Wah: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Guitar Amp Modeling: Mode | | | | 0,,,3 = Small,BultIn,2Stack,3Stack| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Flanger: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Flanger: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Flanger: Manual | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Flanger: Resonance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Delay: Delay Time | | | | 0,,,1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Delay: Shift | | | | —1000,,,1000 = L1000,,,R1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Delay: Feedback Time | | | | 0,,,1000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Delay: Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Delay: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | Delay: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| * (Delay Time) + (Absolute value of Shift) should be 1000 or less. ❍ Individual for Algorithm 8 Guitar Multi 1 |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Metal: Gain | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Metal: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Metal: Hi Gain | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Metal: Mid Gain | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Metal: Low Gain | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍ Individual for Algorithm 9 Guitar Multi 2 |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Distortion: Gain | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Distortion: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Distortion: Tone | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————— | 00H 23H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍ Individual for Algorithm 10 Guitar Multi 3 |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Over Drive: Gain | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Over Drive: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Over Drive: Tone | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 11 Vocal Multi +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Limiter/De—esser SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Enhancer SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | P.Shifter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Delay SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Chorus SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Limiter/De—esser Mode | | | | 0,1 = Limiter,De—esser| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Limiter: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Limiter: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Limiter: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | De—esser: Sens | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | De—esser: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Enhancer: Sens | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Enhancer: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Enhancer: MIX Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Enhancer: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | P.Shifter: Chromatic Pitch | | | | —12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | P.Shifter: Fine Pitch | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | P.Shifter: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | P.Shifter: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Delay: Delay Time | | | | 0,,,1000| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Delay: Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | mmH llH | Delay: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 26H | mmH llH | Delay: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 27H | mmH llH | Chorus: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 28H | mmH llH | Chorus: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 29H | mmH llH | Chorus: Pre Delay | | | | 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 2AH | mmH llH | Chorus: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2BH | mmH llH | Chorus: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2CH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+

+—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Over Drive SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Over Drive: Gain | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Over Drive: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Rotary: Low Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Rotary: Hi Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 13 Guitar AMP Modeling +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Pre Amp SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Speaker SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Pre Amp: Mode | | | |0,,,13 = JC—120,Clean Twin,Match Drive, | | | | BG Lead,|MS1959(I), MS1959(II), | | | | MS1959(I+II),SLDN Lead, Metal 5150, | | | | Metal Lead, OD—1, OD—2Turbo, | | | | Distortion, Fuzz | |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Pre Amp: Volume | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Pre Amp: Bass | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Pre Amp: Middle | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Pre Amp: Treble | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Pre Amp: Presence | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Pre Amp: Master | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Pre Amp: Bright | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Pre Amp: Gain | | | | 0,1,2 = Low,Middle,High| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Speaker: Type | | | | 0,,,11 = Small, Middle, JC—120, Built In 1, | | | | Built In 2,Built In 3, Built In 4, | | | | BG Stack 1, BG Stack 2, | | | | MS Stack 1, MS Stack 2, Metal Stack| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Speaker: MIC Setting | | | | 0,1,2 = 1,2,3| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Speaker: MIC Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Speaker: Direct Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * Pre Amp Middle is invalid when the Mode = Match Drive. * When the Mode = Match Drive, Pre Amp Presence works counter to the value (-100,,,0). * Pre Amp Bright is available only when the Mode = JC-120, Clean Twin, BG Lead. ❍Algorithm 14 Stereo Phaser +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Phaser SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Phaser: Mode | | | | 0,,,3 = 4,8,12,16stage| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Phaser: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Phaser: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Phaser: Polarity | | | | 0,1 = Inverse,Synchro| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Phaser: Manual | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Phaser: Resonance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Phaser: Cross Feedback | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Phaser: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Phaser: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 15 Stereo Flanger +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Flanger SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Flanger: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Flanger: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Flanger: Polarity | | | | 0,1 = Inverse,Synchro| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Flanger: Manual | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Flanger: Resonance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Flanger: Cross Feedback Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Flanger: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Flanger: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz|

| | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 16 Dual Compressor/Limiter +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Comp/Limit A SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Noise Suppressor A SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Comp/Limit B SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Noise Suppressor B SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Comp/Limit A: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Comp/Limit A: Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Comp/Limit A: Thresh | | | | —60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Comp/Limit A: Attack | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Comp/Limit A: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Comp/Limit A: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Noise Suppressor A: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Noise Suppressor A: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor A: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Comp/Limit B: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Comp/Limit B: Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Comp/Limit B: Thresh | | | | —60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Comp/Limit B: Attack | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Comp/Limit B: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Comp/Limit B: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Noise Suppressor B: Detect | | | | 0,1,2 = A,B,Link| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Noise Suppressor B: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Noise Suppressor B: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 17 Gate Reverb (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | G.Reverb SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | G.Reverb: Gate Time | | | | 10,,,400ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | G.Reverb: Pre Delay | | | | 0,,,300ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | G.Reverb: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | G.Reverb: Mode | | | | 0,,,4 = Normal,L—>R,R—>L,Reverse1,Reverse2| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | G.Reverb: Thickness | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | G.Reverb: Density | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | G.Reverb: Accent Delay | | | | 0,,,200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | G.Reverb: Accent Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | G.Reverb: Accent Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | G.Reverb: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————— | 00H 15H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 18 Multi Tap Delay +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | M.Tap Delay: Time 1 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | M.Tap Delay: Level 1 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | M.Tap Delay: Pan 1 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | M.Tap Delay: Time 2 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | M.Tap Delay: Level 2 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | M.Tap Delay: Pan 2 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | M.Tap Delay: Time 3 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | M.Tap Delay: Level 3 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | M.Tap Delay: Pan 3 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | M.Tap Delay: Time 4 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | M.Tap Delay: Level 4 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | M.Tap Delay: Pan 4 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | M.Tap Delay: Time 5 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | M.Tap Delay: Level 5 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | M.Tap Delay: Pan 5 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | M.Tap Delay: Time 6 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | M.Tap Delay: Level 6 | | | | 0,,,100|

| | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | M.Tap Delay: Time 7 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | M.Tap Delay: Level 7 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | M.Tap Delay: Pan 7 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | M.Tap Delay: Time 8 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | M.Tap Delay: Level 8 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | M.Tap Delay: Pan 8 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | M.Tap Delay: Time 9 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | M.Tap Delay: Level 9 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | M.Tap Delay: Pan 9 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | M.Tap Delay: Time 10 | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | M.Tap Delay: Level 10 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | M.Tap Delay: Pan 10 | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | M.Tap Delay: Feedback Delay Time | | | | 0,,,1200ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | M.Tap Delay: Feedback Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | M.Tap Delay: Effect Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | M.Tap Delay: Direct Level | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 26H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 27H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 28H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 29H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 2AH | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 2BH | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 2CH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 2DH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 2EH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 2FH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 19 Stereo Multi +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Comp/Limit SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Enhancer SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Comp/Limit: Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Comp/Limit: Thresh | | | | —60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Comp/Limit: Attack | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Comp/Limit: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Comp/Limit: Ratio | | | | 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Enhancer: Sens | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Enhancer: Frequency | | | | 10,,,100 = 1.0,,,10.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Enhancer: MIX Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Enhancer: Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 20 Reverb 2 +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Reverb SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |————+—————————+——————————————————————————————————————————————————| | 00H 02H | mmH llH | Reverb 2: Reverb Type | | | | 0,,,4 = Room1,Room2,Hall1,Hall2,Plate| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Reverb 2: Reverb Time | | | | 1,,,100 = 0.1,,,10.0sec| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Reverb 2: Pre Delay | | | | 0,,,200msec| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Reverb 2: Density | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Reverb 2: High Pass Filter | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Reverb 2: Low Pass Filter | | | | 10,,,201 = 1.0,,,20,0kHz,Thru| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Reverb 2: Effect Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Reverb 2: Direct Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Reverb 2: Gate SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Reverb 2: Gate Mode | | | | 0,1 = Gate,Ducking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Reverb 2: Gate Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb 2: Gate Attack Time | | | | 1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Reverb 2: Gate Release Time | | | | 1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Reverb 2: Gate Hold Time | | | | 1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB|

| | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 21 Space Chorus +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Chorus: Input Mode | | | | 0,1 = Mono,Stereo| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Chorus: Mode | | | | 0,,,6 = 1,2,3,4,1+4,2+4,3+4| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Chorus: Mix Balance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 22 Lo-Fi Processor +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Lo—Fi Processor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Realtime Modify Filter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Lo—Fi Processor: Pre Filter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Lo—Fi Processor: Rate | | | | 0,,,31 = 0ff,1/2,,,1/32| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Lo—Fi Processor: Number of Bit | | | | 0,,,15 = Off,15,,,1bit| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Lo—Fi Processor: Post Filter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Lo—Fi Processor: Effect Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Lo—Fi Processor: Direct Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Realtime Modify Filter: Filter Type | | | | 0,,,2 = LPF,BPF,HPF| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Realtime Modify Filter: Cut Off | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Realtime Modify Filter: Resonance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Realtime Modify Filter: Gain | | | | 0,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 23 4 Band Parametric EQ +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Parametric EQ Link SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Parametric EQ Ach SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Parametric EQ Bch SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | EQ Ach: Input Gain | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ Ach: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ Ach: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ Ach: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ Ach: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ Ach: Low Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ Ach: Low Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ Ach: Low Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ Ach: High Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ Ach: High Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ Ach: High Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ Ach: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ Ach: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ Ach: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ Ach: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ Ach: Output Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ Bch: Input Gain | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ Bch: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ Bch: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ Bch: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ Bch: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ Bch: Low Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ Bch: Low Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ Bch: Low Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | EQ Bch: High Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | EQ Bch: High Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | EQ Bch: High Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | EQ Bch: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | EQ Bch: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | EQ Bch: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | EQ Bch: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | EQ Bch: Output Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * When Link SW = On, Bch corresponds to Ach. ❍Algorithm 24 10 Band Graphic EQ +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Graphic EQ Link SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Graphic EQ Ach SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Graphic EQ Bch SW | | | | 0,1 = Off,On|

| | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | EQ Ach: 31.25Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ Ach: 62.5Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ Ach: 125Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ Ach: 250Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ Ach: 500Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ Ach: 1.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ Ach: 2.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ Ach: 4.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ Ach: 8.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ Ach: 16.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ Ach: Output Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ Bch: Input Gain | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ Bch: 31.25Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ Bch: 62.5Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ Bch: 125Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ Bch: 250Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ Bch: 500Hz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ Bch: 1.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | EQ Bch: 2.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | EQ Bch: 4.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | EQ Bch: 8.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | EQ Bch: 16.0kHz Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | EQ Bch: Output Level | | | | —60,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * When Link SW = On, Bch corresponds to Ach. ❍Algorithm 25 Hum Canceler +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Hum Canceler SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Noise Suppressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Hum Canceler: Freq | | | | 200,,,8000 = 20.0,,,800.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Hum Canceler: Width | | | | 10,,,40%| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Hum Canceler: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Hum Canceler: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Hum Canceler: Range Low | | | | 1,,,200 = Unlimit,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Hum Canceler: Range High | | | | 10,,,201 = 1.0,,,20,0kHz,Unlimit| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Noise Suppressor: Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Noise Suppressor: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 26 Vocal Canceler +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Vocal Canceler SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Vocal Canceler: Balance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocal Canceler: Range Low | | | | 1,,,200 = Unlimit,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocal Canceler: Range High | | | | 10,,,201 = 1.0,,,20,0kHz,Unlimit| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ: Low EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ: Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: Mid EQ Frequency | | | | 20,,,800 = 200,,,8000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | EQ: Mid EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: High EQ Frequency | | | | 14,,,200 = 1.4,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: High EQ Q | | | | 3,,,100 = 0.3,,,10.0| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: Out Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 27 Voice Transformer (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Voice Transformer SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Reverb SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | (Reserved) | | | | | |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | MIDI Control SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Voice Transformer: Robot SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Voice Transformer: Chromatic Pitch | | | | —12,,,36| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Voice Transformer: Fine Pitch | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Voice Transformer: Chromatic Formant | | | | —12,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Voice Transformer: Fine Formant | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Voice Transformer: Mix Balance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Reverb: Reverb Time | | | | 1,,,100 = 0.1,,,10.0sec| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Reverb: Pre Delay | | | | 0,,,200msec| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Reverb: Density | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Reverb: Effect Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | MIDI Control: Bend Range | | | | 0,,,12 = 0ff,1,,,12| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | MIDI Control: Portamento | | | | 0...100 = Off,1,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+

+—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Chorus SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Vocoder: Envelope Mode | | | | 0,,,2 = Sharp,Soft,Long| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Vocoder: Pan Mode | | | | 0,,,3 = Mono,Stereo,L—>R,R—>L| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Vocoder: Hold | | | | 0,1 = Off,MIDI| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Vocoder: Mic Sens | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Vocoder: Synth Input Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Vocoder: Voice Char Level 1 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Vocoder: Voice Char Level 2 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Vocoder: Voice Char Level 3 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Vocoder: Voice Char Level 4 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Vocoder: Voice Char Level 5 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Vocoder: Voice Char Level 6 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Vocoder: Voice Char Level 7 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Vocoder: Voice Char Level 8 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Vocoder: Voice Char Level 9 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Vocoder: Voice Char Level 10 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Vocoder: Voice Char Level 11 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Vocoder: Voice Char Level 12 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Vocoder: Voice Char Level 13 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Vocoder: Voice Char Level 14 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Vocoder: Voice Char Level 15 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Vocoder: Voice Char Level 16 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Vocoder: Voice Char Level 17 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Vocoder: Voice Char Level 18 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Vocoder: Voice Char Level 19 | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Vocoder: Mic High Pass Filter | | | | 9,,,200 = Thru,1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Vocoder: Mic High Pass Filter Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Vocoder: Mic Mix | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Vocoder: Noise Suppressor Threshold | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Chorus: Rate | | | | 1,,,100 = 0.1,,,10.0Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Chorus: Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | Chorus: Pre Delay | | | | 0,,,50ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Chorus: Mix Balance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 29 Mic Modeling +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Link SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Mic Converter Ach SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Bass Cut Ach SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Distance Ach SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Limiter Ach SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Mic Converter Bch SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Bass Cut Bch SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Distance Bch SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Limiter Bch SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Mic Converter Ach: Input | | | | 0,,,4 = DR—20,SmlDy,HedDy,MinCn,Flat| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Mic Converter Ach: Output | | | | 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn, | | | | VntCn,Flat | |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Mic Converter Ach: Phase | | | | 0,1 = Normal,Inverse| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Bass Cut Ach: Bass Cut Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Distance Ach: Proximity Effect | | | | —12,,,+12| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Distance Ach: Timelag | | | | 0,,,1000 = 0,,,3000cm| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Limiter Ach: Detect HPF Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | Limiter Ach: Level | | | | —60,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | Limiter Ach: Threshold | | | | —60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | Limiter Ach: Attack | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | Limiter Ach: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | Mic Converter Bch: Input | | | | 0,,,4 = DR—20,SmlDy,HedDy,MinCn,Flat| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | Mic Converter Bch: Output | | | | 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn, | | | | VntCn,Flat | |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Mic Converter Bch: Phase | | | | 0,1 = Normal,Inverse| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Bass Cut Bch: Bass Cut Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Distance Bch: Proximity Effect | | | | —12,,,+12| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Distance Bch: Timelag | | | | 0,,,1000 = 0,,,3000cm| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Limiter Bch: Detect HPF Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Limiter Bch: Level | | | | —60,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Limiter Bch: Threshold | | | | —60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Limiter Bch: Attack | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Limiter Bch: Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * When Mic converter Input = MinCn, Output is fixed to SmlDy,LrgCn. * When Link SW = On, Bch corresponds to Ach. ❍Algorithm 30 3 Band Isolator +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Isolator SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Isolator High Volume | | | | —60,,,+4dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Isolator Middle Volume | | | | —60,,,+4dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Isolator Low Volume | | | | —60,,,+4dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Isolator Anti Phase Middle Switch | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Isolator Anti Phase Middle Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Isolator Anti Phase Low Switch | | | | 0,1 = Off,On|

| | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 31 Tape Echo 201 +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Tape Echo SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Tape Echo Mode Select | | | | 0,,,6 = 1,,,7| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Tape Echo Repeat Rate | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Tape Echo Intensity | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Tape Echo Effect Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Tape Echo Direct Level | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Tape Echo Tone Bass | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Tape Echo Tone Treble | | | | —100,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Tape Echo Tape Head S Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Tape Echo Tape Head M Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Tape Echo Tape Head L Pan | | | | 1,,,127 = L63,,,R63| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | Tape Echo Tape Distortion | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | Tape Echo Wah Flutter Rate | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Tape Echo Wah Flutter Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 32 Analog Flanger +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Analog Flanger SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Analog Flanger Mode | | | | 0,,,3 = FL1,FL2,FL3,CHO| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Analog Flanger Feedback | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Analog Flanger Modulation Rate | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Analog Flanger Modulation Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Analog Flanger Modulation Frequency | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Analog Flanger Channel B Modulation | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Analog Flanger Channel A Phase | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Analog Flanger Channel B Phase | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 33 Analog Phaser +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Analog Phaser SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Analog Phaser Mode | | | | 0,1 = 4STAGE,8STAGE| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Analog Phaser Frequency | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Analog Phaser Resonance | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Analog Phaser LFO 1 Rate | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Analog Phaser LFO 1 Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Analog Phaser LFO 1 Channel B Mod | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Analog Phaser LFO 2 Rate | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Analog Phaser LFO 2 Depth | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Analog Phaser LFO 2 Channel B Mod | | | | 0,1 = Nor,Inv| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 34 Speaker Modeling +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | Speaker Modeling SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Bass Cut SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Low Frequency Trimmer SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | High Frequency Trimmer SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Limiter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Output Speakers | | | | 0,1 = DS—90/DS—90A,DS—50A | |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | Speaker Modeling Model | | | | 0,,,11 = THRU,Super Flat,Powered GenBlk, | | | | Powered E—Bas,Powered Mack, | | | | Small Cube,White Cone, | | | | White C +tissue,Small Radio, | | | | Small TV,Boom Box, BoomBox LoBoost | |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | Speaker Modeling Phase | | | | 0,1 = NRM,INV| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | Bass Cut Frequency | | | | 1,,,200 = Thru,20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | Low Frequency Trimmer Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | Low Frequency Trimmer Frequency | | | | 2,,,200 = 20,,,2000Hz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0BH | mmH llH | High Frequency Trimmer Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | High Frequency Trimmer Frequency | | | | 10,,,200 = 1.0,,,20.0kHz| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | Limiter Threshold | | | | —60,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | Limiter Release | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | Limiter Level | | | | —60,,,24dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 35 Mastering Tool Kit (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | NRPN | Data | | | | Entry | | |=========+=========+=============================================| | 00H 00H | mmH llH | EQ SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 01H | mmH llH | Bass Cut SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 02H | mmH llH | Enhancer SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 03H | mmH llH | Expander SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 04H | mmH llH | Compressor SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 05H | mmH llH | Limiter SW | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 06H | mmH llH | EQ: Input Gain | | | | —24,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 07H | mmH llH | EQ: Low EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 08H | mmH llH | EQ: Low EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 09H | mmH llH | EQ: Low EQ Frequency | | | | 2,,,42 = 20,,,2000Hz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 0AH | mmH llH | EQ: Low EQ Q | | | | 0,,,31 = 0.3,,,16.0(*2 Q Table)|

| | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0CH | mmH llH | EQ: Low Mid EQ Frequency | | | | 2,,,54 = 20,,,8000Hz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 0DH | mmH llH | EQ: Low Mid EQ Q | | | | 0,,,31 = 0.3,,,16.0(*2 Q Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 0EH | mmH llH | EQ: High Mid EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 0FH | mmH llH | EQ: High Mid EQ Frequency | | | | 2,,,54 = 20,,,8000Hz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 10H | mmH llH | EQ: High Mid EQ Q | | | | 0,,,31 = 0.3,,,16.0(*2 Q Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 11H | mmH llH | EQ: High EQ Type | | | | 0,1 = Shelving, Peaking| |—————————+—————————+—————————————————————————————————————————————| | 00H 12H | mmH llH | EQ: High EQ Gain | | | | —12,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 13H | mmH llH | EQ: High EQ Frequency | | | | 39,,,62 = 1.4,,,20.0kHz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 14H | mmH llH | EQ: High EQ Q | | | | 0,,,31 = 0.3,,,16.0(*2 Q Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 15H | mmH llH | EQ: Level | | | | —24,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 16H | mmH llH | Bass Cut Frequency | | | | 1,,,42 = Off,20,,,2000Hz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 17H | mmH llH | Enhancer Sens | | | | 0,,,100| |—————————+—————————+—————————————————————————————————————————————| | 00H 18H | mmH llH | Enhancer Frequency | | | | 36,,,56 = 1.0,,,10.0kHz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 19H | mmH llH | Enhancer Mix Level | | | | —24,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1AH | mmH llH | Input Gain | | | | —24,,,12dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1BH | mmH llH | Input Detect Time | | | | 0,,,10ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 1CH | mmH llH | Input Low Split Point | | | | 2,,,34 = 20,,,800Hz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 1DH | mmH llH | Input High Split Point | | | | 40,,,60 = 1.6,,,16.0kHz(*1 Frequency Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 1EH | mmH llH | Expander Low Threshold | | | | 0,,,80 = —80,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 1FH | mmH llH | Expander Mid Threshold | | | | 0,,,80 = —80,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 20H | mmH llH | Expander High Threshold | | | | 0,,,80 = —80,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 21H | mmH llH | Expander Low Ratio | | | | 0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 22H | mmH llH | Expander Mid Ratio | | | | 0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 23H | mmH llH | Expander High Ratio | | | | 0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 24H | mmH llH | Expander Low Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 25H | mmH llH | Expander Mid Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 26H | mmH llH | Expander High Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 27H | mmH llH | Expander Low Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 28H | mmH llH | Expander Mid Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 29H | mmH llH | Expander High Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 2AH | mmH llH | Compressor Low Threshold | | | | —24,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 2BH | mmH llH | Compressor Mid Threshold | | | | —24,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 2CH | mmH llH | Compressor High Threshold | | | | —24,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 2DH | mmH llH | Compressor Low Ratio | | | | 0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 2EH | mmH llH | Compressor Mid Ratio | | | | 0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 2FH | mmH llH | Compressor High Ratio | | | | 0,,,13 = 1:1.0,,,1:INF(*3 Ratio Table)| |—————————+—————————+—————————————————————————————————————————————| | 00H 30H | mmH llH | Compressor Low Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 31H | mmH llH | Compressor Mid Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 32H | mmH llH | Compressor High Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 33H | mmH llH | Compressor Low Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 34H | mmH llH | Compressor Mid Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 35H | mmH llH | Compressor High Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 36H | mmH llH | Mixer Low Level | | | | 0,,,86 = —80,,,6dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 37H | mmH llH | Mixer Mid Level | | | | 0,,,86 = —80,,,6dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 38H | mmH llH | Mixer High Level | | | | 0,,,86 = —80,,,6dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 39H | mmH llH | Limiter Threshold | | | | —24,,,0dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 3AH | mmH llH | Limiter Attack | | | | 0,,,100ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 3BH | mmH llH | Limiter Release | | | | 0,,,100 = 50,,,5000ms| |—————————+—————————+—————————————————————————————————————————————| | 00H 3CH | mmH llH | Output Level | | | | 0,,,86 = —80,,,6dB| |—————————+—————————+—————————————————————————————————————————————| | 00H 3DH | mmH llH | Output Soft Clip | | | | 0,1 = Off,On| |—————————+—————————+—————————————————————————————————————————————| | 00H 3EH | 00H 00H | (Reserved) | : : | 00H 7FH | 00H 00H | | +—————————————————————————————————————————————————————————————————+ * 1 Effect Frequency Table +——————+————————++——————+————————++——————+————————++—————+————————+ | Data |Freq(Hz)|| Data |Freq(Hz)|| Data |Freq(Hz)|| Date|Freq(Hz)| +——————+————————++——————+————————++——————+————————++—————+————————+ | 0 | THRU || 16 | 100 || 32 | 630 || 48 | 4.00k | | 1 | THRU || 17 | 112 || 33 | 710 || 49 | 4.50k | | 2 | 20.0 || 18 | 125 || 34 | 800 || 50 | 5.00k | | 3 | 22.4 || 19 | 140 || 35 | 900 || 51 | 5.60k | | 4 | 25.0 || 20 | 160 || 36 | 1.00k || 52 | 6.30k | | 5 | 28.0 || 21 | 180 || 37 | 1.12k || 53 | 7.10k | | 6 | 31.5 || 22 | 200 || 38 | 1.25k || 54 | 8.00k | | 7 | 35.5 || 23 | 224 || 39 | 1.40k || 55 | 9.00k | | 8 | 40.0 || 24 | 250 || 40 | 1.60k || 56 | 10.0k | | 9 | 45.0 || 25 | 280 || 41 | 1.80k || 57 | 11.2k | | 10 | 50.0 || 26 | 315 || 42 | 2.00k || 58 | 12.5k | | 11 | 56.0 || 27 | 355 || 43 | 2.24k || 59 | 14.0k | | 12 | 63.0 || 28 | 400 || 44 | 2.50k || 60 | 16.0k | | 13 | 71.0 || 29 | 450 || 45 | 2.80k || 61 | 18.0k | | 14 | 80.0 || 30 | 500 || 46 | 3.15k || 62 | 20.0k | | 15 | 90.0 || 31 | 560 || 47 | 3.55k || 63 | 22.4k | +——————+————————++——————+————————++——————+————————++—————+————————+ * 2 Effect Q Table +——————+————————++——————+————————+ | Data | Q || Data | Q | +——————+————————++——————+————————+ | 0 | 0.3 || 16 | 2.8 | | 1 | 0.4 || 17 | 3.1 | | 2 | 0.5 || 18 | 3.5 | | 3 | 0.6 || 19 | 4.0 | | 4 | 0.7 || 20 | 4.5 | | 5 | 0.8 || 21 | 5.0 | | 6 | 0.9 || 22 | 5.6 | | 7 | 1.0 || 23 | 6.3 | | 8 | 1.1 || 24 | 7.1 | | 9 | 1.2 || 25 | 8.0 | | 10 | 1.4 || 26 | 9.0 | | 11 | 1.6 || 27 | 10.0 | | 12 | 1.8 || 28 | 11.2 | | 13 | 2.0 || 29 | 12.5 | | 14 | 2.2 || 30 | 14.0 | | 15 | 2.5 || 31 | 16.0 | +——————+————————++——————+————————+ * 3 Ratio Table +——————+————————+ | Data | RATIO | +——————+————————+ | 0 | 1:1.0 | (OFF) | 1 | 1:1.1 | | 2 | 1:1.2 | | 3 | 1:1.4 | | 4 | 1:1.6 | | 5 | 1:1.8 | | 6 | 1:2.0 | | 7 | 1:2.5 | | 8 | 1:3.1 | | 9 | 1:4.0 | | 10 | 1:5.6 | | 11 | 1:8.0 | | 12 | 1:16 | | 13 | 1:INF | +——————+————————+

EFFECT P.C.Rx Sw is “On.” When UTILITY-MIDI screens EFFECT P.C. Rx Sw is “On,” 00H-03H is received if it operates as the Effect Program Change. When UTILITY-MIDI screens SCENE P.C. Rx Sw is “On,” MIDI Channel No. FH is received if it operates as the Scene Change. If V-LINK function is enable, see “5.V-LINK. ” If tracks 17/18 are assigned as RHYTHM TRACK, these messages are received on the MIDI channel specified by the RHYTHM TRACK MIDI receive channel setting, and will change drum kits. Status Second CnH ppH n = MIDI Channel No.: 0H - 5H (ch.1 = FX1 ch.2 = FX2 ch.3 = FX3 ch.4 = FX4 ch.5 = FX5 ch.6 = FX6) FH (ch.16 = Scene Memory (*1)) 0H - FH (ch.1-ch.16) (*2) pp = Program No. : 00H - 63H (0 - 99) n = 0H - 3H pp = Program No. : 00H - 5FH (0 - 95) n = FH pp = Program No. : 00H - 8H (0 - 8) (*2) (*1) If received while VS-2000 is playing, play back stops, and then restarts after the scene switched. Never receives while recording. (*2) Only if tracks 17/18 are assigned as RHYTHM TRACK and the RHYTHM TRACK MIDI transmit/receive channel is specified. ●Pitch Bend Change Receives when effect Algorithm 27 (Voice Transformer) is selected and MIDI control Sw is On. If the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, this message is received on the MIDI channel specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. Status Second Third EnH llH mmH n = MIDI Channel No.: 0H - 5H (ch.1-ch.6) n = 0,2,4 (ch.1 = FX1, ch.3 = FX3, ch.5 = FX5) : Voice Transformer : Fine Pitch n = 1,3,5 (ch.2 = FX1, ch.4 = FX3, ch.6 = FX5) : Voice Transformer : Fine Formant n = MIDI Channel No.: 0H - FH (ch.1-ch.16) (*1) mm,ll = Value: 00H,00H - 40H,00H - 7FH,7FH (-8192 - 0 - +8191) (*1) Only if the HARMONY ASSIGN screen's USE EFFECT BOARD setting is On, and the receive channel is specified by the HARMONY ALGORITHM VIEW screen's MIDI setting. ■System Common Messages ●MIDI Time Code Quarter Frame Messages MIDI Time Code Quarter Frame Messages can be transmitted while the VS-2000 is running (Playing or Recording) if the UTILITY-SYNC screens SYNC MODE is “INT” and SYNC Gen. is “MTC.” The transmitted time counts are summed to “SYNC OFF SET TIME” as the project top is “00:00:00:00.” The VS-2000 synchronizes with the time counts which are summed to “SYNC OFFSET TIME” as the project top is “00:00:00:00” if the SYNC screens SYNC MODE is “EXT.” Status Second F1H mmH (= 0nnndddd) nnn = Message type : 0 = Frame count LS nibble 1 = Frame count MS nibble 2 = Seconds count LS nibble 3 = Seconds count MS nibble 4 = Minutes count LS nibble 5 = Minutes count MS nibble 6 = Hours count LS nibble 7 = Hours count MS nibble dddd = 4bit nibble data : 0H - FH (0 - 15) If the upper and lower 4 bits of the count are combined, these bit fields are assigned as follows. Frame Count xxxyyyyy xxx Reserved (000) yyyyy Frame No. (0-29) Seconds Count xxyyyyyy xx Reserved (00) yyyyyy Seconds Count (0-59) Minutes Count xxyyyyyy xx Reserved (00) yyyyyy Minutes Count (0-59) Hour Count xyyzzzzz x Reserved (00) yy Time Code Type 0 = 24 Frame/Sec 1 = 25 Frame/Sec 2 = 30 Frame/Sec (Drop Frame) 3 = 30 Frame/Sec (Non Drop Frame) zzzzz Hour Count ●Song Position Pointer The current position is transmitted with the Song Position Pointer Message before the VS-2000 starts top run or after the locate operation when UTILITY-SYNC screens SYNC MODE is “INT” and SYNC Gen. is “MIDIclk” or “SyncTr.” Status Second Third F2H mmH nnH mm,nn = Song Position Point : 00H 00H - 7FH 7FH ■System Real time Message Transmitted when UTILITY-SYNC screens SYNC MODE is “INT” and SYNC Gen. is “MIDIclk” or “SyncTr.” ●Timing Clock Status F8H ●Start Status FAH ●Continue Status FBH ●Stop Status FCH ■System Exclusive Message Status Data Byte Status F0H iiH,ddH, ..., eeH F7H Byte Description F0H Status of System Exclusive Message iiH Manufacturer ID 41H Roland’s Manufacturer ID 7EH Universal Non Real-time Message 7FH Universal Real-time Message ddH Data: 00H - 7FH(0 - 127) : : eeH Data F7H EOX (End of System Exclusive message) The VS-2000 can transfer and receive the internal parameters information using system exclusive messages, and also can be controlled by the external devices using system exclusive message. The VS-2000 can transmit and receive Universal System Exclusive messages, Data Request (RQ1) and Data set (DT1) as the System Exclusive Message. ❍About Model ID The Model ID of the VS-2000 is 00H,61H as for Data Request (RQ1) and Data set (DT1). The VS-2000 also can receive 00H,61H (VS-2000) and 00,36H (VE-7000). ❍About Device ID System Exclusive messages are not assigned to any particular MIDI channel. Instead, they have their own special control parameter called device ID. The roland system exclusive messages use device IDs to specify multiple VS-2000 units. The VS-2000 sends system exclusive messages using 00H-1FH, and receives the system exclusive messages whose device ID is same as its device ID and 7FH. the value of the device ID is the value set on the UTILITY-MIDI screens DEVICE ID minus one.

❍Identity Request Status Data Byte Status F0H 7EH,Dev,06H,01H F7H Byte Description F0H Status of System Exclusive Message 7EH Universal System Exclusive message Non Real-time header Dev Device ID (or 7FH) 06H General Information (sub-ID #1) 01H Identify Request (sub-ID #2) F7H EOX (End of System Exclusive message) The message is used to request the particular information of the VS-2000. The VS-2000 does not transmit the message. If the VS-2000 received the message and the device ID of the message is same as its device. ID or 7FH, the VS-2000 transmits the following Identify Reply message. ❍Identity Reply Status Data Byte Status F0H 7EH,Dev,06H,02H,41H,mmH,mmH, F7H 00H,00H,00H,00H,ssH,ssH Byte Description F0H Status of System Exclusive Message 7EH Universal System Exclusive Non Real-time Header Dev Device ID 06H General Information (sub-ID #1) 02H Identify Request (sub-ID #2) 41H Manufacturer ID (Roland) mmH mmH Device Family Code (VS-2000) 00H 00H Device Family No. 00H 00H ssH ssH Software Revision Level F7H EOX (End of System Exclusive message) When VS-2000, the value of the device family code is 70H 01H. ❍MIDI Time Code Status Data Byte Status F0H 7EH,Dev,01H,01H,hr,mn,sc,fr F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID 01H MIDI Time Code 01H MIDI Time Code Full Message hr hr Type/Hour(0yyzzzzz) yy: Time Code Type 0=24 Frame/Sec 1=25 Frame/Sec 2=30 Frame/Sec (Drop) 3=30 Frame/Sec (Non-Drop) mn Minutes (0–59) sc Second (0–59) fr Frame (0–59) F7H EOX (End of System Exclusive message) ❍MIDI Machine Control Commands Status Data Byte Status F0H FH,Dev,06H,aaH, ..., bbH F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message aaH Command : : bbH Command F7H EOX (End of System Exclusive message) (*) see “3. MIDI Machine Control.” ●Data Transfer (RQ1,DT1) ❍Data Request (RQ1) Status Data Byte Status F0H 41H,Dev,00H,70H,11H,aaH,bbH, F7H ccH,ddH,ssH,ssH,ssH,ssh,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) Dev Device ID 00H 70H Model ID (VS-2000) 11H Command ID (RQ1) aaH Address MSB bbH Address ccH Address ddH Address LSB ssH Size MSB ssH Size ssH Size ssH Size LSB Sum Check Sum F7H EOX (End of System Exclusive message) This message is used to request parameters from the VS-2000. The VS-2000 does not transmit this message. When this message is received, the requested data will be transmitted if the following conditions are satisfied. 1. The address specified by RQ1 corresponds to one of the applicable parameter base addresses of the VS-2000. 2. The requested size is 1 or greater. If the above conditions are satisfied, the corresponding parameters will be transmitted in the form described in Data Set (DT1). ❍Data Set (DT1) Status Data Byte Status F0H 41H,Dev,00H,70H,12H,aaH,bbH, F7H ccH,ddH, ..., eeH,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) Dev Device ID 00H 70H Model ID (VS-2000) 12H Command ID (DT1) aaH Address MSB bbH Address ccH Address ddH Address LSB eeH Data Sum Check Sum F7H EOX (End of System Exclusive message) Status Data Byte Status F0H 41H,Dev,00H,36H,12H,aaH,bbH,F7H ccH,ddH, ..., eeH,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) Dev Device ID 00H 36H Model ID (VE-7000) 12H Command ID (DT1) aaH Address MSB bbH Address ccH Address LSB ddH Data Sum Check Sum F7H EOX (End of System Exclusive message) ❍The message is transmitted under the following condition. If the device ID on the message is same as that of the receive device, and the address on the message correspond to the specified parameter base address, the received data are stored form the specified parameter base address. If the interval of received messages is shorter than 25 msec, the VS-2000 can not work the receive message procedure correctly.

■Address Block Address are expressed in 7bit hexadecimal values. +———————————————————————————————————————————————————————————————+ | Address | MSB | | | LSB | |———————————————+———————————+———————————+———————————+———————————+ | Binary | 0aaa aaaa | 0bbb bbbb | 0ccc cccc | 0ddd dddd | | 7 Bit Hex | AA | BB | CC | DD | +———————————————————————————————————————————————————————————————+ +—————————————————————————————————————————————————————————————————+ | Start | | | address | Contents and remarks | |=============+===================================================| | 00 00 00 00 | (Reserved) | |—————————————+———————————————————————————————————————————————————| | 02 00 00 00 | Utility Parameter | |—————————————+———————————————————————————————————————————————————| | 03 00 00 00 | Project Parameter | |—————————————+———————————————————————————————————————————————————| | 04 00 00 00 | Mixer Parameter | |—————————————+———————————————————————————————————————————————————| | 05 00 00 00 | Effect Parameter | |—————————————+———————————————————————————————————————————————————| | 06 00 00 00 | Sync Track Data | +—————————————————————————————————————————————————————————————————+ ●Utility Parameter +—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |=============+=========+=========================================| | 02 00 00 00 | | (Reserved) | : : | 02 00 00 0B | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 0C | 00 — 01 | VGA OUT Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 0D | 00 — 03 | VGA REFRESH RATE 60,66,70,75Hz | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 0E | 01 — 0B | VGA H.POSITION +5,,,0,,,—5 | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 0F | | VGA V.POSITION | | | 01 — 2C | —21,,,0,,,+22 (VGA REFRESH RATE = 60 Hz)| | | 01 — 20 | —15,,,0,,,+16 (VGA REFRESH RATE = 65 Hz)| | | 01 — 4B | —37,,,0,,,+37 (VGA REFRESH RATE = 70 Hz)| | | 01 — 17 | —11,,,0,,,+11 (VGA REFRESH RATE = 75 Hz)| |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 10 | 00 — 01 | PS/2 MOUSE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 11 | 00 — 04 | PS/2 MOUSE POINTER SPEED 0,,,4 | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 12 | 00 — 01 | PS/2 KEYBOARD Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 00 00 13 | 00 — 05 | PS/2 KEYBOARD TYPE | | | | 104,106/109,French,Germany, | | | | 1Itarian,Spanish | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 00 | 00 — 02 | INPUT PEAK LEVEL 0,—3,—6dB | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 01 | 00 — 05 | FOOT SWITCH ASSIGN Play/Stop,Record, | | | | TapMarker,Next,Previous,GPI | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 02 | 00 — 01 | CD DIGITAL REC Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 03 | 00 — 02 | SHIFT LOCK Off,On,Once | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 04 | 03 — 14 | SWITCHING TIME 0.3,,,2.0sec | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 05 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 06 | 00 — 01 | PREVIOUS/NEXT SWITCH Phrase,Marker | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 07 | 00 — 01 | LOCATOR/SCENE TYPE Safe,Quick | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 08 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 09 | 00 — 01 | UNDO MESSAGE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 0A | 00 — 01 | EDIT MESSAGE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 0B | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 0C | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 0D | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 0E | 00 — 01 | DATE/REMAIN SWITCH Date,Remain | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 0F | 00 — 03 | REMAIN DISPLAY TYPE | | | | Time,CapaMB,Capa %,Event | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 10 | 00 — 01 | RETURN TO Tr STATUS SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 11 | 00 — 01 | EDIT POINT SWITCH TYPE | | | | Same LOCATOR,OVERWRITE | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 12 | 00 — 1E | SCREEN SAVER Off,1,,,30min | |—————————————+—————————+—————————————————————————————————————————| | 02 01 00 13 | 00 — 01 | FADER MATCH Null,Jump | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 00 | 00 — 02 | MASTER CLOCK | | | | INT,DIGITAL IN,EXT TIME CODE | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 01 | 00 — 7F | DITHER 127,24,,,8 = Off,24,,,8bit | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 02 | 00 — 01 | DIGITAL COPY PROTECT Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 03 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 04 | 0000aaaa| DISPLAY OFFSET TIME (*1,2,3) | | 02 02 00 05#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 02 00 06#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 02 00 07#| 0000dddd| | | 02 02 00 08#| 0000eeee| | | 02 02 00 09#| 0000ffff| | | 02 02 00 0A#| 0000gggg| | | 02 02 00 0B#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 0C | 00 — 01 | TIME DISPLAY FORMAT ABS,REL | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 0D | 00 — 01 | PEAK HOLD SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 0E | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 0F | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 02 00 10 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 00 | 00 — 01 | RECORD MONITOR Auto,Source | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 01 | 00 — 01 | MARKER STOP Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 02 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 03 | 00 — 05 | FADE LENGTH 2,10,20,30,40,50ms | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 04 | | (Reserved) | : : | 02 03 00 09 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 0A | 00 — 01 | SOLO/MUTE TYPE | | | | All BUS Send,MIX BUS Send | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 0B | 00 — 4B | SCRUB LENGTH 25,,,100ms | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 0C | 0A — 64 | PREVIEW TO LENGTH 1.0,,,10,0sec | |—————————————+—————————+—————————————————————————————————————————| | 02 03 00 0D | 0A — 64 | PREVIEW FROM LENGTH 1.0,,,10,0sec | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 00 | 00 — 01 | MIDI OUT/THRU SWITCH Out,Thru | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 01 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 02 | 00 — 02 | MMC MODE Off,Master,Slave | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 03 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 04 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 05 | 00 — 01 | MIDI SYSTEM EXCLUSIVE TX SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 06 | 00 — 02 | MIXER CONTROL TYPE Off,C.C.,SysEx | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 07 | 00 — 01 | SCENE CHANGE BY PROGRAM CHANGE SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 08 | 00 — 01 | FX CHANGE BY PROGRAM CHANGE SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 04 00 09 | 00 — 01 | FX CONTROL BY CONTROL CHANGE SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 00 | 00 — 01 | SYNC Mode INT,EXT | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 01 | 00 — 01 | SYNC with Gap Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 02 | 00 — 01 | EXT SYNC SOURCE MIDI IN,R—BUS | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 03 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 04 | 0000aaaa| SYNC OFFSET TIME (*1,2,3) | | 02 05 00 05#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 05 00 06#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 05 00 07#| 0000dddd| | | 02 05 00 08#| 0000eeee| | | 02 05 00 09#| 0000ffff| | | 02 05 00 0A#| 0000gggg| | | 02 05 00 0B#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 0C | 00 — 04 | FRAME RATE 24,25,29D,29N,30 | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 0D | 00 — 0A | SYNC ERROR LEVEL 0,,,10 | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 0E | 00 — 03 | MIDI OUT SYNC GENERATE | | | | Off,MTC,MIDIclk,SyncTr | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 0F | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 10 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 11 | 00 — 01 | SYNC TRACK ENABLE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 05 00 12 | 00 — 01 | SYNC AUTO Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 06 00 00 | | TEMPO MAP—1 (Reserved) | : : | 02 06 00 0F | | TEMPO MAP—1 (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 06 00 10 | 0aaaaaaa| TEMPO MAP—1 TEMPO | | 02 06 00 11#| 0bbbbbbb| 250 — 2500 = 25.0 — 250.0 | |—————————————+—————————+—————————————————————————————————————————| | 02 06 00 12 | 0aaaaaaa| TEMPO MAP—1 MEASURE | | 02 06 00 13#| 0bbbbbbb| 1,,,999 | |—————————————+—————————+—————————————————————————————————————————| | 02 06 00 14 | 00 — 4F | TEMPO MAP—1 Beat | | 02 06 00 15#| | 0 — 79 = 1/1,2/1,3/1,,,15/16,16/16 | |—————————————+—————————+—————————————————————————————————————————| | 02 06 00 16 | 00 | TEMPO MAP—1 (Reserved) | | 02 06 00 1F#| 00 | | |—————————————+—————————+—————————————————————————————————————————| | 02 06 00 20 | | TEMPO MAP—2 | | | | (See TEMPO MAP—1, 32bytes each) | : : | 02 06 0C 3F#| | TEMPO MAP—50 | |—————————————+—————————+—————————————————————————————————————————| | 02 06 0C 40 | 01 — 32 | Total TEMPO MAP NUMBER 1,,,50 | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 00 | 00 — 02 | METRONOME OUT Off,INT,MIDI | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 01 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 02 | 0aaaaaaa| METRONOME INT LEVEL | | 02 07 00 03#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 04 | 00 — 01 | METRONOME MODE Rec Only,Rec&Play |

| | | CLICK2(Note) | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 06 | 00 — 0F | METRONOME MIDI CHANNEL 1,,,16 | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 07 | 0C — 7F | METRONOME MIDI ACCENT NOTE C_0,,,G_9 | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 08 | 01 — 7F | METRONOME MIDI ACCENT VELOCITY 1,,,127 | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 09 | 0C — 7F | METRONOME MIDI NORMAL NOTE C_0,,,G_9 | |—————————————+—————————+—————————————————————————————————————————| | 02 07 00 0A | 01 — 7F | METRONOME MIDI NORMAL VELOCITY 1,,,127 | |—————————————+—————————+—————————————————————————————————————————| | 02 08 00 00 | 0000aaaa| AUTO PUNCH IN (*1,2,3) | | 02 08 00 01#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 08 00 02#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 08 00 03#| 0000dddd| | | 02 08 00 04#| 0000eeee| | | 02 08 00 05#| 0000ffff| | | 02 08 00 06#| 0000gggg| | | 02 08 00 07#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 08 00 08 | 0000aaaa| AUTO PUNCH OUT (*1,2,3) | | 02 08 00 09#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 08 00 0A#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 08 00 0B#| 0000dddd| | | 02 08 00 0C#| 0000eeee| | | 02 08 00 0D#| 0000ffff| | | 02 08 00 0E#| 0000gggg| | | 02 08 00 0F#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 08 00 10 | 0000aaaa| LOOP FROM (*1,2,3) | | 02 08 00 11#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 08 00 12#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 08 00 13#| 0000dddd| | | 02 08 00 14#| 0000eeee| | | 02 08 00 15#| 0000ffff| | | 02 08 00 16#| 0000gggg| | | 02 08 00 17#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 08 00 18 | 0000aaaa| LOOP TO (*1,2,3) | | 02 08 00 19#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 08 00 1A#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 08 00 1B#| 0000dddd| | | 02 08 00 1C#| 0000eeee| | | 02 08 00 1D#| 0000ffff| | | 02 08 00 1E#| 0000gggg| | | 02 08 00 1F#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 08 00 20 | 00 — 01 | AUTO PUNCH SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 08 00 21 | 00 — 01 | LOOP SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 09 00 00 | 0000aaaa| MARKER TIME or MARKER NUMBER (*1,2,4) | | 02 09 00 01#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 09 00 02#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 09 00 03#| 0000dddd| 0,,,999 Marker Number, >=1000 All | | 02 09 00 04#| 0000eeee| | | 02 09 00 05#| 0000ffff| | | 02 09 00 06#| 0000gggg| | | 02 09 00 07#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 09 00 08 | 20 — 7F | MARKER NAME —1 (ASCII) | : : : | 02 09 00 13 | 20 — 7F | MARKER NAME —12 | |—————————————+—————————+—————————————————————————————————————————| | 02 09 01 00 | 00 — 04 | MARKER COMMAND (*4) | | | | 00=MARKER READ | | | | 01=MARKER WRITE | | | | 02=MARKER CLEAR | | | | 03=MARKER NAME READ | | | | 04=MARKER NAME WRITE | |—————————————+—————————+—————————————————————————————————————————| | 02 0A 00 00 | 0000aaaa| LOCATOR— 00 TIME (*1,2) | | 02 0A 00 01#| 0000bbbb| aaaabbbbccccddddeeeeffffgggghhhh = | | 02 0A 00 02#| 0000cccc| 0,,,4294967295block (1block=16sample) | | 02 0A 00 03#| 0000dddd| | | 02 0A 00 04#| 0000eeee| | | 02 0A 00 05#| 0000ffff| | | 02 0A 00 06#| 0000gggg| | | 02 0A 00 07#| 0000hhhh| | |—————————————+—————————+—————————————————————————————————————————| | 02 0A 00 08 | 20 — 7F | LOCATOR— 00 NAME —1 (ASCII) | : : : | 02 0A 00 13 | 20 — 7F | LOCATOR— 00 NAME —12 | |—————————————+—————————+—————————————————————————————————————————| | 02 0A 00 14 | 00 — | LOCATOR— 01 | | | | (similar to 02 0A 00 00 — 02 0A 00 13)| : : : | 02 0A 00 27 | 00 — | | |—————————————+—————————+—————————————————————————————————————————| : : : | 02 0A 07 6C | 00 — | LOCATOR— 96 | | | | (similar to 02 0A 00 00 — 02 0A 00 13)| : : : | 02 0A 07 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 00 | 00 — 01 | SCENE INPUT MIXER 1 Valid,Ignore | : : | 02 0C 00 09 | 00 — 01 | SCENE INPUT MIXER 10 Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 0A | | (Reserved) | : : | 02 0C 00 17 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 18 | 00 — 01 | SCENE TRACK MIXER 1 Valid,Ignore | : : | 02 0C 00 29 | 00 — 01 | SCENE TRACK MIXER 18 Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 2A | | (Reserved) | : : | 02 0C 00 2F | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 30 | 00 — 01 | SCENE FX RETURN 1 Valid,Ignore | : : | 02 0C 00 35 | 00 — 01 | SCENE FX RETURN 6 Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 36 | | (Reserved) | : : | 02 0C 00 37 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 38 | 00 — 01 | SCENE AUX MASTER 1 Valid,Ignore | : : | 02 0C 00 3F | 00 — 01 | SCENE AUX MASTER 8 Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 40 | 00 — 01 | SCENE DIR MIXER 1 Valid,Ignore | : : | 02 0C 00 47 | 00 — 01 | SCENE DIR MIXER 8 Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 48 | 00 — 01 | SCENE EFFECT 1 Valid,Ignore | : : | 02 0C 00 4D | 00 — 01 | SCENE EFFECT 6 Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 4E | | (Reserved) | : : | 02 0C 00 4F | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0C 00 50 | 00 — 01 | SCENE MASTER Valid,Ignore | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 00 | 00 — 02 | AUTOMIX STATUS INPUT MIXER 1 | | | | Manual,Write,Read | : : | 02 0D 00 09 | 00 — 02 | AUTOMIX STATUS INPUT MIXER 10 | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 0A | | (Reserved) | : : | 02 0D 00 17 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 18 | 00 — 02 | AUTOMIX STATUS TRACK MIXER 1 | | | | Manual,Write,Read | : : | 02 0D 00 29 | 00 — 02 | AUTOMIX STATUS TRACK MIXER 18 | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 2A | | (Reserved) | : : | 02 0D 00 2F | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 30 | 00 — 02 | AUTOMIX STATUS FX RETURN 1 | | | | Manual,Write,Read | : : | 02 0D 00 35 | 00 — 02 | AUTOMIX STATUS FX RETURN 6 | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 36 | | (Reserved) | : : | 02 0D 00 37 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 38 | 00 — 02 | AUTOMIX STATUS AUX MASTER 1 | | | | Manual,Write,Read | : : | 02 0D 00 3F | 00 — 02 | AUTOMIX STATUS AUX MASTER 8 | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 40 | 00 — 02 | AUTOMIX STATUS DIR 1 | | | | Manual,Write,Read | : : | 02 0D 00 47 | 00 — 02 | AUTOMIX STATUS DIR 8 | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 48 | 00 — 02 | AUTOMIX STATUS EFFECT 1 | | | | Manual,Write,Read | : : | 02 0D 00 4D | 00 — 02 | AUTOMIX STATUS EFFECT 6 | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 4E | | (Reserved) | : : | 02 0D 00 4F | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 50 | 00 — 02 | AUTOMIX STATUS MASTER | | | | Manual,Write,Read | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 51 | 00 — 01 | AUTOMIX WRITING PARAMETER LEVEL Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 52 | 00 — 01 | AUTOMIX WRITING PARAMETER PAN/Bal | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 53 | 00 — 01 | AUTOMIX WRITING PARAMETER EQ Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 54 | 00 — 01 | AUTOMIX WRITING PARAMETER MUTE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 55 | 00 — 01 | AUTOMIX WRITING PARAMETER AUX Send | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 56 | 00 — 01 | AUTOMIX WRITING PARAMETER InsFXLev | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 57 | | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 58 | 00 — 01 | AUTOMIX AFTER PUNCH OUT Return,Keep | |—————————————+—————————+—————————————————————————————————————————| | 02 0D 00 59 | 00 — 0A | AUTOMIX RETURN TIME 0,,,10 = 0,,,1000ms | |—————————————+—————————+—————————————————————————————————————————| | 02 10 00 00 | 00 — 04 | DATE FORMAT | | | | mm/dd/yyyy,dd/mm/yyyy,yyyy/mm/dd,| | | | MMM.dd,'YY,dd MMM 'YY | |—————————————+—————————+—————————————————————————————————————————| | 02 30 00 00 | 00 — 01 | MASTERING ROOM Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 30 00 01 | 00 — 01 | MASTERING STATUS Play,Rec | |—————————————+—————————+—————————————————————————————————————————| | 02 30 00 02 | 00 — 01 | MASTERING CDR Rec MODE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 30 00 03 | 00 — 01 | MASTERING Auto Marker Off,On | |—————————————+—————————+—————————————————————————————————————————| | 02 30 00 04 | 00 — 0F | MASTERING V.Track 1,,,16 | |—————————————+—————————+—————————————————————————————————————————| | 02 30 00 05 | 00 — 04 | MASTERING After Rec to ZERO, | | | | to Last Phrs:0s, | | | | to Last Phrs:2s, | | | | to Last Phrs:4s, | | | | Stay HERE | +—————————————————————————————————————————————————————————————————+ (*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the Data Set (DT1) or Data Request (RQ1) message with the specified size to the address without “#” mark. (*1) Time parameters are set to the relocated time (REL) that the time of project top is “00h00m00s00f00.”

parameter cannot be set to over 24 hours. Ex.1) Set the time 00h01m00s00f00(FRAME RATE = 30Non-Drop) 2646000 sample = 165375 block = 00 00 00 02 08 05 0F 0F (4bit nibble) Ex.2) 23h59m59s29f00(FRAME RATE = 30 Non-Drop) Sampling Frequency is 44.1kHz: 3810238530 sample = 238139908 block = 00 0E 03 01 0B 0A 00 04 (4bit nibble) (*3) The Loop Start point must be before the Loop Stop point. The Auto Puunch In point must be before the Auto Punch Out point. If the interval of each point is shorter than 1 sec, the VS-2000 does not work correctly. (*4) Read/Write/Erase of the Mark points are done by writing operation mode to the marker command.Set the value of the Marker time and marker Number, before setting the value of the Marker command. Ex.1) Delete all mark points (Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 0F 0F 0F 0F 0F 0F 0F 0F 7D F7 => (VS-2000) (HOST) => F0 41 10 00 61 12 02 09 01 00 02 72 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 00 00 00 00 00 00 00 00 75 F7 <= (VS-2000) The MARKER CLEAR command is issued with specifying time “FFFFFFFF.” The return value “0” is a sum of mark points. Ex.2) Write the mark point (Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7 => (VS-2000) aaaaaaaa = time of Marker, ss = check sum (HOST) => F0 41 10 00 61 12 02 09 01 00 01 73 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2000) nnnnnnnn = total Marker number, ss = check sum If the total of mark point is over 1000, the VS-2000 ignores the writing and returns the total numbers of the mark points. If the mark point already exists 0.1 msec near the new mark point, the VS-2000 ignores the writing and returns the total numbers of the mark points. Ex.3) Read the mark point #3 (Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 00 00 00 00 00 00 00 03 72 F7 => (VS-2000) (HOST) => F0 41 10 00 61 12 02 09 01 00 00 74 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2000) nnnnnnnn = total Marker number, ss = check sum (HOST) <= F0 41 10 00 61 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7 <= (VS-2000) aaaaaaaa = time of Marker #3, ss = check sum If the mark point is less than 3, the VS-2000 does not return the block of “aaaaaaaa.” Ex.4) Read all mark points (Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 0F 0F 0F 0F 0F 0F 0F 0F 7D F7 => (VS-2000) FFFFFFFF(>= 1000) means All Marker (HOST) => F0 41 10 00 61 12 02 09 01 00 00 74 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2000) nnnnnnnn = total Marker number, ss = check sum (HOST) <= F0 41 10 00 61 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7 <= (VS-2000) aaaaaaaa = time of Marker #1, ss = check sum (HOST) <= F0 41 10 00 61 12 02 09 00 00 0b 0b 0b 0b 0b 0b 0b 0b ss F7 <= (VS-2000) bbbbbbbb = time of Marker #2, ss = check sum : (HOST) <= F0 41 10 00 61 12 02 09 00 00 0x 0x 0x 0x 0x 0x 0x 0x ss F7 <= (VS-2000) xxxxxxxx = time of the last Marker#, ss = check sum If the mark point does not exist, the VS-2000 does not return blocks under “aaaaaaaa.” Ex.5) Delete the mark point (Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 0a 0a 0a 0a 0a 0a 0a 0a ss F7 => (VS-2000) aaaaaaaa = time of Marker, ss = check sum (HOST) => F0 41 10 00 61 12 02 09 01 00 02 72 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2000) nnnnnnnn = total marker number, ss = check sum The VS-2000 deletes the mark point which includes specified time, and returns the total numbers of the mark point. Ex.6) Read the name of mark point #3 (Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 00 00 00 00 00 00 00 03 72 F7 => (VS-2000) (HOST) => F0 41 10 00 61 12 02 09 01 00 03 71 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2000) nnnnnnnn = total Marker number, ss = check sum (HOST) <= F0 41 10 00 61 12 02 09 00 08 aa bb cc dd ee ff gg hh ii jj kk ll ss F7 <= (VS-2000) abcdefghijkl = name of Marker #3, ss = check sum If the mark point is less than 3, the VS-2000 does not return the block of “abcdefghijkl.” Ex.7) Write the name to the mark point #3(Device ID = 10) (HOST) => F0 41 10 00 61 12 02 09 00 00 00 00 00 00 00 00 00 03 72 F7 => (VS-2000) (HOST) => F0 41 10 00 61 12 02 09 00 08 aa bb cc dd ee ff gg hh ii jj kk ll ss F7 => (VS-2000) abcdefghijkl = name of Marker #3, ss = check sum (HOST) => F0 41 10 00 61 12 02 09 01 00 04 70 F7 => (VS-2000) (HOST) <= F0 41 10 00 61 12 02 09 00 00 0n 0n 0n 0n 0n 0n 0n 0n ss F7 <= (VS-2000) nnnnnnnn = total Marker number, ss = check sum If the mark point is less than 3, the VS-2000 ignores the writing and returns the total numbers of the mark points. ●Project Parameter +—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |=============+=========+=========================================| | 03 00 00 00 | 20 — 7F | CURRENT PROJECT NAME —1 (ASCII) | : : : | 03 00 00 0B | 20 — 7F | CURRENT PROJECT NAME —12 | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 0C | 01 | CURRENT PROJECT SAMPLE RATE | | | | 44.1k(1) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 0D | 03,08 | CURRENT PROJECT RECORDING MODE | | | | M16(3), M24(8) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 0E | 00 — 3B | CURRENT PROJECT CREATED (second) | | 03 00 00 0F | 00 — 3B | (minute) | | 03 00 00 10 | 00 — 17 | (hour) | | 03 00 00 11 | 01 — 07 | (a day of week) | | 03 00 00 12 | 01 — 1F | (day) | | 03 00 00 13 | 01 — 0C | (month) | | 03 00 00 14 | 0aaaaaaa| | | 03 00 00 15#| 0bbbbbbb| (year) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 16 | 00 — 3B | CURRENT PROJECT SAVED (second) | | 03 00 00 17 | 00 — 3B | (minute) | | 03 00 00 18 | 00 — 17 | (hour) | | 03 00 00 19 | 01 — 07 | (a day of week) | | 03 00 00 1A | 01 — 1F | (day) | | 03 00 00 1B | 01 — 0C | (month) | | 03 00 00 1C | 0aaaaaaa| | | 03 00 00 1D#| 0bbbbbbb| (year) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 1E | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 1F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 20 | 00 — 01 | CURRENT PROJECT PROTECT Off, On | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 21 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 22 | 0000000a| PROJECT LIST LENGTH abbbbbbb = 1,,,200 | | 03 00 00 23#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 03 00 00 24 | 00 | (Reserved) | : : : | 03 00 00 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 01 00 | 20 — 7F | CURRENT PROJECT COMMENT — 1 (ASCII)| : : : | 03 00 01 63 | 20 — 7F | CURRENT PROJECT COMMENT —100 (ASCII)| |—————————————+—————————+—————————————————————————————————————————| | 03 00 01 64 | 00 | (Reserved) | : : : | 03 00 01 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 03 00 02 00 | 00 — | PROJECT— 1 | | | | (similar to 03 00 00 00 — 03 00 00 1F)| : : : | 03 00 02 1F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| : : : | 03 00 33 60 | 00 — | PROJECT—200 | | | | (similar to 03 00 00 00 — 03 00 00 1F)| : : : | 03 00 33 7F | 00 — | | +—————————————————————————————————————————————————————————————————+ (*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the Data Set (DT1) message with the specified size to the address without “#” mark. (*) Only the Data Set (DT1) message to the project name and project comment is acceptable. ●Mixer Parameter +—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |=============+=========+=========================================| | 04 00 00 00 | 0aaaaaaa| INPUT CHANNEL 1 ATT | | | | —420,,,60 = —42.0,,,+6.0dB | | 04 00 00 01#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 02 | 00 — 01 | INPUT CHANNEL 1 PHASE NRM,INV | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 03 | 00 — 7F | INPUT CHANNEL 1 GROUP | | | | 127,0,,,11 = Off,1,,,12 |

|—————————————+—————————+—————————————————————————————————————————| | 04 00 00 05 | 00 — 01 | INPUT CHANNEL 1 FADER LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 06 | 0aaaaaaa| INPUT CHANNEL 1 FADER LEVEL | | 04 00 00 07#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 08 | 0aaaaaaa| INPUT CHANNEL 1 OFFSET FADER LEVEL | | 04 00 00 09#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 0A | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 0B | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 0C | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 0D | 01 — 7F | INPUT CHANNEL 1 PAN L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 0E | 01 — 7F | INPUT CHANNEL 1 OFFSET PAN L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 0F | 00 — 01 | INPUT CHANNEL 1 SOLO Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 10 | 00 — 01 | INPUT CHANNEL 1 MUTE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 11 | 00 — 7F | INPUT CHANNEL 1 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 12 | 00 — 01 | INPUT CHANNEL 1 AUX1 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 13 | 00 — 01 | INPUT CHANNEL 1 AUX2 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 14 | 00 — 01 | INPUT CHANNEL 1 FX1 SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 15 | 00 — 01 | INPUT CHANNEL 1 FX2 SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 16 | 00 — 01 | INPUT CHANNEL 1 FX3 SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 17 | 00 — 01 | INPUT CHANNEL 1 FX4 SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 18 | 00 — 01 | INPUT CHANNEL 1 FX5 SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 19 | 00 — 01 | INPUT CHANNEL 1 FX6 SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 1A | 0aaaaaaa| INPUT CHANNEL 1 AUX1 SEND LEVEL | | 04 00 00 1B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 1C | 0aaaaaaa| INPUT CHANNEL 1 AUX2 SEND LEVEL | | 04 00 00 1D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 1E | 0aaaaaaa| INPUT CHANNEL 1 FX1 SEND LEVEL | | 04 00 00 1F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 20 | 0aaaaaaa| INPUT CHANNEL 1 FX2 SEND LEVEL | | 04 00 00 21#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 22 | 0aaaaaaa| INPUT CHANNEL 1 FX3 SEND LEVEL | | 04 00 00 23#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 24 | 0aaaaaaa| INPUT CHANNEL 1 FX4 SEND LEVEL | | 04 00 00 25#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 26 | 0aaaaaaa| INPUT CHANNEL 1 FX5 SEND LEVEL | | 04 00 00 27#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 28 | 0aaaaaaa| INPUT CHANNEL 1 FX6 SEND LEVEL | | 04 00 00 29#| 0bbbbbbb| less than —905,—905,,,60 = | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 2A | 01 — 7F | INPUT CHANNEL 1 AUX1/2 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 2B | 01 — 7F | INPUT CHANNEL 1 FX1/2 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 2C | 01 — 7F | INPUT CHANNEL 1 FX3/4 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 2D | 01 — 7F | INPUT CHANNEL 1 FX5/6 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 2E | 00 — 04 | INPUT CHANNEL 1 FX1 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 2F | 00 — 04 | INPUT CHANNEL 1 FX2 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 30 | 00 — 04 | INPUT CHANNEL 1 FX3 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 31 | 00 — 04 | INPUT CHANNEL 1 FX4 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 32 | 00 — 04 | INPUT CHANNEL 1 FX5 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 33 | 00 — 04 | INPUT CHANNEL 1 FX6 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 34 | 00 | (Reserved) | : : : | 04 00 00 35 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 36 | 0aaaaaaa| INPUT CHANNEL 1 FX1 INSERT SEND LEVEL | | 04 00 00 37#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 38 | 0aaaaaaa| INPUT CHANNEL 1 FX2 INSERT SEND LEVEL | | 04 00 00 39#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 3A | 0aaaaaaa| INPUT CHANNEL 1 FX3 INSERT SEND LEVEL | | 04 00 00 3B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 3C | 0aaaaaaa| INPUT CHANNEL 1 FX4 INSERT SEND LEVEL | | 04 00 00 3D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 3E | 0aaaaaaa| INPUT CHANNEL 1 FX5 INSERT SEND LEVEL | | 04 00 00 3F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 40 | 0aaaaaaa| INPUT CHANNEL 1 FX5 INSERT SEND LEVEL | | 04 00 00 41#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 42 | 00 | (Reserved) | : : : | 04 00 00 45 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 46 | 0aaaaaaa| INPUT CHANNEL 1 FX1 INSERT RETURN LEVEL| | 04 00 00 47#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 48 | 0aaaaaaa| INPUT CHANNEL 1 FX2 INSERT RETURN LEVEL| | 04 00 00 49#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 4A | 0aaaaaaa| INPUT CHANNEL 1 FX3 INSERT RETURN LEVEL| | 04 00 00 4B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 4C | 0aaaaaaa| INPUT CHANNEL 1 FX4 INSERT RETURN LEVEL| | 04 00 00 4D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 4E | 0aaaaaaa| INPUT CHANNEL 1 FX5 INSERT RETURN LEVEL| | 04 00 00 4F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 50 | 0aaaaaaa| INPUT CHANNEL 1 FX6 INSERT RETURN LEVEL| | 04 00 00 51#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 52 | 00 | (Reserved) | : : : | 04 00 00 5B | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 5C | 00 — 01 | INPUT CHANNEL 1 DYNAMICS SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 5D | 00 — 01 | INPUT CHANNEL 1 DYNAMICS TYPE CMP,EXP | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 5E | 00 — 0F | INPUT CHANNEL 1 DYNAMICS CMP KEYIN | | | CH1,,,CH10 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 5F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 60 | 0aaaaaaa| INPUT CHANNEL 1 DYNAMICS CMP THRESHOLD | | 04 00 00 61#| 0bbbbbbb| —240,,,0 = —24.0,,,0.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 62 | 00 — 0D | INPUT CHANNEL 1 DYNAMICS CMP RATIO | | | | 1.00:1,,,Inf:1(*1) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 63 | 00 | Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 64 | 00 — 7C | INPUT CHANNEL 1 DYNAMICS CMP ATTACK | | | | 0.0,,,800.0ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 65 | 00 — 7C | INPUT CHANNEL 1 DYNAMICS CMP RELEASE | | | | 0,,,8000ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 66 | 0aaaaaaa| INPUT CHANNEL 1 DYNAMICS CMP LEVEL | | 04 00 00 67#| 0bbbbbbb| —240,,,240 = —24.0,,,+24.0dB | | | | —240,,,60 = | | | | —24.0,,,+6.0dB when AUTO GAIN is On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 68 | 00 — 01 | INPUT CHANNEL 1 DYNAMICS CMP AUTO GAIN | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 69 | 00 — 0F | INPUT CHANNEL 1 DYNAMICS EXP KEYIN | | | | CH1,,,CH10 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 6A | 0aaaaaaa| INPUT CHANNEL 1 DYNAMICS EXP THRESHOLD | | 04 00 00 6B#| 0bbbbbbb| —800,,,0 = —80.0,,,0.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 6C | 00 — 0D | INPUT CHANNEL 1 DYNAMICS EXP RATIO | | | | 1.00:1,,,Inf:1(*1) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 6D | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 6E | 00 — 7C | INPUT CHANNEL 1 DYNAMICS EXP ATTACK | | | | 0.0,,,800.0ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 6F | 00 — 7C | INPUT CHANNEL 1 DYNAMICS EXP RELEASE | | | | 0,,,8000ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 70 | 00 — 01 | INPUT CHANNEL 1 EQ SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 71 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 72 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOW GAIN | | 04 00 00 73#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 74 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOW FREQUENCY | | 04 00 00 75#| 0bbbbbbb| 20,,,88 = 20Hz,,,1.00kHz(*3) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 76 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOWMID GAIN | | 04 00 00 77#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 78 | 0aaaaaaa| INPUT CHANNEL 1 EQ LOWMID FREQUENCY | | 04 00 00 79#| 0bbbbbbb| 20,,,140 = 20Hz,,,20.0kHz(*3) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 7A | 0aaaaaaa| INPUT CHANNEL 1 EQ LOWMID Q | | 04 00 00 7B#| 0bbbbbbb| 30,,,96 = 0.36,,,16.0(*4) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 7C | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGHMID GAIN | | 04 00 00 7D#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 00 7E | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGHMID FREQUENCY | | 04 00 00 7F#| 0bbbbbbb| 20,,,140 = 20Hz,,,20.0kHz(*3) |

| 04 00 01 01#| 0bbbbbbb| 30,,,96 = 0.36,,,16.0(*4) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 02 | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGH GAIN | | 04 00 01 03#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 04 | 0aaaaaaa| INPUT CHANNEL 1 EQ HIGH FREQUENCY | | 04 00 01 05#| 0bbbbbbb| 88,,,140 = 1.00kHz,,,20.0kHz(*3) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 06 | 00 | (Reserved) | : : : | 04 00 01 0F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 10 | 00 — 01 | INPUT CHANNEL 1 MIX SEND SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 11 | 00 — 01 | INPUT CHANNEL 1 DIR1 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 12 | 00 — 01 | INPUT CHANNEL 1 DIR2 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 13 | 00 — 01 | INPUT CHANNEL 1 DIR3 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 14 | 00 — 01 | INPUT CHANNEL 1 DIR4 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 15 | 00 — 01 | INPUT CHANNEL 1 DIR5 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 16 | 00 — 01 | INPUT CHANNEL 1 DIR6 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 17 | 00 — 01 | INPUT CHANNEL 1 DIR7 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 18 | 00 — 01 | INPUT CHANNEL 1 DIR8 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 19 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 1A | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 1B | 00 — 01 | INPUT CHANNEL 1 PAN MODE NRM,RSS | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 1C | 00 — 77 | INPUT CHANNEL 1 RSS PAN | | | | 0,1,,,59,60,61,,,119 = | | | | 0,R3,,,R177,180,L177,,,L3 | |—————————————+—————————+—————————————————————————————————————————| | 04 00 01 1D | 00 | (Reserved) | : : : | 04 00 7F 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 01 00 00 | 00 — | INPUT CHANNEL 2 | | | | similar to 04 00 00 00 — 04 00 7F 7F) | : : : | 04 01 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| : : : | 04 09 00 00 | 00 — | INPUT CHANNEL 10 | | | | (similar to 04 00 00 00 — 04 00 7F 7F) | : : : | 04 09 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 04 0A 00 00 | 00 | (Reserved) | : : : | 04 1F 7F 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 00 | 0aaaaaaa| TRACK CHANNEL 1 ATT | | 04 20 00 01#| 0bbbbbbb| —420,,,60 = —42.0,,,+6.0dB | |———+—————————+———————————————————————————————————————————————————| | 04 20 00 02 | 00 — 01 | TRACK CHANNEL 1 PHASE NRM,INV | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 03 | 00 — 7F | TRACK CHANNEL 1 GROUP | | | | 127,0,,,11 = Off,1,,,12 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 04 | 00 — 01 | TRACK CHANNEL 1 LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 05 | 00 — 01 | TRACK CHANNEL 1 FADER LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 06 | 0aaaaaaa| TRACK CHANNEL 1 FADER LEVEL | | 04 20 00 07#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 08 | 0aaaaaaa| TRACK CHANNEL 1 OFFSET FADER LEVEL | | 04 20 00 09#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 0A | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 0B | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 0C | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 0D | 01 — 7F | TRACK CHANNEL 1 PAN L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 0E | 01 — 7F | TRACK CHANNEL 1 OFFSET PAN L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 0F | 00 — 01 | TRACK CHANNEL 1 SOLO Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 10 | 00 — 01 | TRACK CHANNEL 1 MUTE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 11 | 00 — 7F | TRACK CHANNEL 1 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 12 | 00 — 01 | TRACK CHANNEL 1 AUX1 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 13 | 00 — 01 | TRACK CHANNEL 1 AUX2 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 14 | 00 — 01 | TRACK CHANNEL 1 FX1 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 15 | 00 — 01 | TRACK CHANNEL 1 FX2 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 16 | 00 — 01 | TRACK CHANNEL 1 FX3 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 17 | 00 — 01 | TRACK CHANNEL 1 FX4 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 18 | 00 — 01 | TRACK CHANNEL 1 FX5 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 19 | 00 — 01 | TRACK CHANNEL 1 FX6 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 1A | 0aaaaaaa| TRACK CHANNEL 1 AUX1 SEND LEVEL | | 04 20 00 1B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 1C | 0aaaaaaa| TRACK CHANNEL 1 AUX2 SEND LEVEL | | 04 20 00 1D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 1E | 0aaaaaaa| TRACK CHANNEL 1 FX1 SEND LEVEL | | 04 20 00 1F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 20 | 0aaaaaaa| TRACK CHANNEL 1 FX2 SEND LEVEL | | 04 20 00 21#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 22 | 0aaaaaaa| TRACK CHANNEL 1 FX3 SEND LEVEL | | 04 20 00 23#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 24 | 0aaaaaaa| TRACK CHANNEL 1 FX4 SEND LEVEL | | 04 20 00 25#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 26 | 0aaaaaaa| TRACK CHANNEL 1 FX5 SEND LEVEL | | 04 20 00 27#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 28 | 0aaaaaaa| TRACK CHANNEL 1 FX6 SEND LEVEL | | 04 20 00 29#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 2A | 01 — 7F | TRACK CHANNEL 1 AUX1/2 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 2B | 01 — 7F | TRACK CHANNEL 1 FX1/2 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 2C | 01 — 7F | TRACK CHANNEL 1 FX3/4 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 2D | 01 — 7F | TRACK CHANNEL 1 FX5/6 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 2E | 00 — 04 | TRACK CHANNEL 1 FX1 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 2F | 00 — 04 | TRACK CHANNEL 1 FX2 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 30 | 00 — 04 | TRACK CHANNEL 1 FX3 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 31 | 00 — 04 | TRACK CHANNEL 1 FX4 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 32 | 00 — 04 | TRACK CHANNEL 1 FX5 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 33 | 00 — 04 | TRACK CHANNEL 1 FX6 INSERT SWITCH | | | | Off,Ins,InsL,InsR,InsS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 34 | 00 | (Reserved) | : : : | 04 20 00 35 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 36 | 0aaaaaaa| TRACK CHANNEL 1 FX1 INSERT SEND LEVEL | | 04 20 00 37#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 38 | 0aaaaaaa| TRACK CHANNEL 1 FX2 INSERT SEND LEVEL | | 04 20 00 39#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 3A | 0aaaaaaa| TRACK CHANNEL 1 FX3 INSERT SEND LEVEL | | 04 20 00 3B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 3C | 0aaaaaaa| TRACK CHANNEL 1 FX4 INSERT SEND LEVEL | | 04 20 00 3D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 3E | 0aaaaaaa| TRACK CHANNEL 1 FX5 INSERT SEND LEVEL | | 04 20 00 3F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 40 | 0aaaaaaa| TRACK CHANNEL 1 FX5 INSERT SEND LEVEL | | 04 20 00 41#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 42 | 00 | (Reserved) | : : : | 04 20 00 45 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 46 | 0aaaaaaa| TRACK CHANNEL 1 FX1 INSERT RETURN LEVEL| | 04 20 00 47#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 48 | 0aaaaaaa| TRACK CHANNEL 1 FX2 INSERT RETURN LEVEL| | 04 20 00 49#| 0bbbbbbb| less than —905,—905,,,60 = | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 4A | 0aaaaaaa| TRACK CHANNEL 1 FX3 INSERT RETURN LEVEL| | 04 20 00 4B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 4C | 0aaaaaaa| TRACK CHANNEL 1 FX4 INSERT RETURN LEVEL| | 04 20 00 4D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 4E | 0aaaaaaa| TRACK CHANNEL 1 FX5 INSERT RETURN LEVEL| | 04 20 00 4F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 50 | 0aaaaaaa| TRACK CHANNEL 1 FX6 INSERT RETURN LEVEL| | 04 20 00 51#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB |

: : : | 04 20 00 5B | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 5C | 00 — 01 | TRACK CHANNEL 1 DYNAMICS SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 5D | 00 — 01 | TRACK CHANNEL 1 DYNAMICS TYPE CMP,EXP | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 5E | 00 — 17 | TRACK CHANNEL 1 DYNAMICS CMP KEYIN | | | | CH1,,,CH18 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 5F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 60 | 0aaaaaaa| TRACK CHANNEL 1 DYNAMICS CMP THRESHOLD | | 04 20 00 61#| 0bbbbbbb| —240,,,0 = —24.0,,,0.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 62 | 00 — 0D | TRACK CHANNEL 1 DYNAMICS CMP RATIO | | | | 1.00:1,,,Inf:1(*1) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 63 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 64 | 00 — 7C | TRACK CHANNEL 1 DYNAMICS CMP ATTACK | | | | 0.0,,,800.0ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 65 | 00 — 7C | TRACK CHANNEL 1 DYNAMICS CMP RELEASE | | | | 0,,,8000ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 66 | 0aaaaaaa| TRACK CHANNEL 1 DYNAMICS CMP LEVEL | | 04 20 00 67#| 0bbbbbbb| —240,,,240 = —24.0,,,+24.0dB | | | | —240,,,60 = —24.0,,,+6.0dB | | | | when AUTO GAIN is On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 68 | 00 — 01 | TRACK CHANNEL 1 DYNAMICS CMP AUTO GAIN | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 69 | 00 — 17 | TRACK CHANNEL 1 DYNAMICS EXP KEYIN | | | | CH1,,,CH24 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 6A | 0aaaaaaa| TRACK CHANNEL 1 DYNAMICS EXP THRESHOLD | | 4 20 00 6B# | 0bbbbbbb| —800,,,0 = —80.0,,,0.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 6C | 00 — 0D | TRACK CHANNEL 1 DYNAMICS EXP RATIO | | | | 1.00:1,,,Inf:1(*1) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 6D | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 6E | 00 — 7C | TRACK CHANNEL 1 DYNAMICS EXP ATTACK | | | | 0.0,,,800.0ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 6F | 00 — 7C | TRACK CHANNEL 1 DYNAMICS EXP RELEASE | | | | 0,,,8000ms(*2) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 70 | 00 — 01 | TRACK CHANNEL 1 EQ SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 71 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 72 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOW GAIN | | 04 20 00 73#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 74 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOW FREQUENCY | | 04 20 00 75#| 0bbbbbbb| 20,,,88 = 20Hz,,,1.00kHz(*3) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 76 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOWMID GAIN | | 04 20 00 77#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 78 | 0aaaaaaa| TRACK CHANNEL 1 EQ LOWMID FREQUENCY | | 04 20 00 79#| 0bbbbbbb| 20,,,140 = 20Hz,,,20.0kHz(*3) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 7A | 0aaaaaaa| TRACK CHANNEL 1 EQ LOWMID Q | | 04 20 00 7B#| 0bbbbbbb| 30,,,96 = 0.36,,,16.0(*4) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 7C | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGHMID GAIN | | 04 20 00 7D#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 00 7E | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGHMID FREQUENCY | | 04 20 00 7F#| 0bbbbbbb| 20,,,140 = 20Hz,,,20.0kHz(*3) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 00 | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGHMID Q | | 04 20 01 01#| 0bbbbbbb| 30,,,96 = 0.36,,,16.0(*4) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 02 | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGH GAIN | | 04 20 01 03#| 0bbbbbbb| —150,,,150 = —15.0,,,+15.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 04 | 0aaaaaaa| TRACK CHANNEL 1 EQ HIGH FREQUENCY | | 04 20 01 05#| 0bbbbbbb| 88,,,140 = 1.00kHz,,,20.0kHz(*3)| |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 06 | 00 | (Reserved) | : : : | 04 20 01 0C | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 0D | 01 — 03 | TRACK STATUS PLAY,REC,OFF | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 0E | 00 — 0F | V.TRACK SELECT 1,,,16 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 0F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 10 | 00 — 01 | TRACK CHANNEL 1 MIX SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 11 | 00 — 01 | TRACK CHANNEL 1 DIR1 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 12 | 00 — 01 | TRACK CHANNEL 1 DIR2 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 13 | 00 — 01 | TRACK CHANNEL 1 DIR3 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 14 | 00 — 01 | TRACK CHANNEL 1 DIR4 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 15 | 00 — 01 | TRACK CHANNEL 1 DIR5 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 16 | 00 — 01 | TRACK CHANNEL 1 DIR6 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 17 | 00 — 01 | TRACK CHANNEL 1 DIR7 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 18 | 00 — 01 | TRACK CHANNEL 1 DIR8 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 19 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 1A | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 1B | 00 — 01 | TRACK CHANNEL 1 PAN MODE NRM,RSS | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 1C | 00 — 77 | TRACK CHANNEL 1 RSS PAN | | | | 0,1,,,59,60,61,,,119 = | | | | 0,R3,,,R177,180,L177,,,L3 | |—————————————+—————————+—————————————————————————————————————————| | 04 20 01 1D | 00 | (Reserved) | : : : | 04 20 7F 7F | 00 | (Reserved) | |—————————————+—————————+————————————————————————————————————————— |] | 04 21 00 00 | 00 — | TRACK CHANNEL 2 | | | | (similar to 04 20 00 00 — 04 20 7F 7F) | : : : | 04 21 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| : : : | 04 31 00 00 | 00 — | TRACK CHANNEL 18 | | | | (similar to 04 20 00 00 — 04 20 7F 7F) | : : : | 04 31 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 04 32 00 00 | 00 | (Reserved) | : : : | 04 3F 7F 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 00 | 00 | (Reserved) | : : : | 04 40 00 03 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 04 | 00 — 7F | RETURN CHANNEL 1 GROUP | | | | 127,0,,,11 = Off,1,,,12 | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 05 | 00 — 01 | RETURN CHANNEL 1 MONO SWITCH Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 06 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 07 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 08 | 0aaaaaaa| RETURN CHANNEL 1 FADER LEVEL | | 04 40 00 09#| 0bbbbbbb| less than —905,—905,,,60 = | | | |—Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 0A | 00 | (Reserved) | : : : | 04 40 00 0C | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 0D | 01 — 7F | RETURN CHANNEL 1 BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 0E | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 0F | 00 — 01 | RETURN CHANNEL 1 SOLO Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 10 | 00 — 01 | RETURN CHANNEL 1 MUTE Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 11 | 00 — 7F | RETURN CHANNEL 1 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 12 | 00 — 01 | RETURN CHANNEL 1 AUX1 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 13 | 00 — 01 | RETURN CHANNEL 1 AUX2 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 14 | 00 — 01 | RETURN CHANNEL 1 FX1 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 15 | 00 — 01 | RETURN CHANNEL 1 FX2 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 16 | 00 — 01 | RETURN CHANNEL 1 FX3 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 17 | 00 — 01 | RETURN CHANNEL 1 FX4 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 18 | 00 — 01 | RETURN CHANNEL 1 FX5 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 19 | 00 — 01 | RETURN CHANNEL 1 FX6 SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 1A | 0aaaaaaa| RETURN CHANNEL 1 AUX1 SEND LEVEL | | 04 40 00 1B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 1C | 0aaaaaaa| RETURN CHANNEL 1 AUX2 SEND LEVEL | | 04 40 00 1D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 1E | 0aaaaaaa| RETURN CHANNEL 1 FX1 SEND LEVEL | | 04 40 00 1F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 20 | 0aaaaaaa| RETURN CHANNEL 1 FX2 SEND LEVEL | | 04 40 00 21#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 22 | 0aaaaaaa| RETURN CHANNEL 1 FX3 SEND LEVEL | | 04 40 00 23#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 24 | 0aaaaaaa| RETURN CHANNEL 1 FX4 SEND LEVEL | | 04 40 00 25#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 26 | 0aaaaaaa| RETURN CHANNEL 1 FX5 SEND LEVEL | | 04 40 00 27#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 28 | 0aaaaaaa| RETURN CHANNEL 1 FX6 SEND LEVEL | | 04 40 00 29#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 2A | 01 — 7F | RETURN CHANNEL 1 AUX1/2 SEND PAN | | | | L63,,,R63 |

| | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 2C | 01 — 7F | RETURN CHANNEL 1 FX3/4 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 2D | 01 — 7F | RETURN CHANNEL 1 FX5/6 SEND PAN | | | | L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 40 00 2E | 00 | (Reserved) | : : : | 04 40 01 0F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 10 | 00 — 01 | RETURN CHANNEL 1 MIX SEND SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 11 | 00 — 01 | RETURN CHANNEL 1 DIR1 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 12 | 00 — 01 | RETURN CHANNEL 1 DIR2 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 13 | 00 — 01 | RETURN CHANNEL 1 DIR3 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 14 | 00 — 01 | RETURN CHANNEL 1 DIR4 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 15 | 00 — 01 | RETURN CHANNEL 1 DIR5 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 16 | 00 — 01 | RETURN CHANNEL 1 DIR6 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 17 | 00 — 01 | RETURN CHANNEL 1 DIR7 SELECT SWITCH | | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 18 | 00 — 01 | RETURN CHANNEL 1 DIR8 SELECT SWITCH | | | Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 40 01 19 | 00 | (Reserved) | : : : | 04 40 7F 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 41 00 00 | 00 — | RETURN CHANNEL 2 | | | | (similar to 04 40 00 00 — 04 40 7F 7F) | : : : | 04 41 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| : : : | 04 45 00 00 | 00 — | RETURN CHANNEL 6 | | | | (similar to 04 40 00 00 — 04 40 7F 7F) | : : : | 04 45 7F 7F | 00 — | | |—————————————————————————————————————————————————————————————————| | 04 46 00 00 | 00 | (Reserved) | : : : | 04 4F 7F 7F | 00 | (Reserved) | |—————————————————————————————————————————————————————————————————| | 04 50 00 00 | 0aaaaaaa| MASTER LEVEL | | 04 50 00 01#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 02 | 01 — 7F | MASTER BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 03 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 04 | 0aaaaaaa| MONITOR LEVEL (*5) | | 04 50 00 05#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 06 | 01 — 7F | MONITOR BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 07 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 08 | 00 — 01 | AUX1 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 09 | 00 — 01 | AUX2 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 0A | 00 — 01 | FX1 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 0B | 00 — 01 | FX2 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 0C | 00 — 01 | FX3 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 0D | 00 — 01 | FX4 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 0E | 00 — 01 | FX5 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 0F | 00 — 01 | FX6 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 10 | 0aaaaaaa| AUX1 MASTER SEND LEVEL | | 04 50 00 11#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 12 | 0aaaaaaa| AUX2 MASTER SEND LEVEL | | 04 50 00 13#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 14 | 0aaaaaaa| FX1 MASTER SEND LEVEL | | 04 50 00 15#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 16 | 0aaaaaaa| FX2 MASTER SEND LEVEL | | 04 50 00 17#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 18 | 0aaaaaaa| FX3 MASTER SEND LEVEL | | 04 50 00 19#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 1A | 0aaaaaaa| FX4 MASTER SEND LEVEL | | 04 50 00 1B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 1C | 0aaaaaaa| FX5 MASTER SEND LEVEL | | 04 50 00 1D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 1E | 0aaaaaaa| FX6 MASTER SEND LEVEL | | 04 50 00 1F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 20 | 00 — 01 | AUX1/2 BUS LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 21 | 00 — 01 | FX1/2 BUS LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 22 | 00 — 01 | FX3/4 BUS LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 23 | 00 — 01 | FX5/6 BUS LINK Off,On | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 24 | 01 — 7F | AUX1/2 MASTER SEND BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 25 | 01 — 7F | FX1/2 MASTER SEND BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 26 | 01 — 7F | FX3/4 MASTER SEND BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 27 | 01 — 7F | FX5/6 MASTER SEND BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 28 | 00 — 7F | AUX1 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 29 | 00 — 7F | AUX2 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 2A | 00 — 7F | FX1 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 2B | 00 — 7F | FX2 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 2C | 00 — 7F | FX3 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 2D | 00 — 7F | FX4 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 2E | 00 — 7F | FX5 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 2F | 00 — 7F | FX6 BUS ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 30 | 00 — 01 | DIR1 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 31 | 00 — 01 | DIR2 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 32 | 00 — 01 | DIR3 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 33 | 00 — 01 | DIR4 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 34 | 00 — 01 | DIR5 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 35 | 00 — 01 | DIR6 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 36 | 00 — 01 | DIR7 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 37 | 00 — 01 | DIR8 MASTER POSITION Pre,Pst | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 38 | 0aaaaaaa| DIR1 MASTER LEVEL | | 04 50 00 39#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 3A | 0aaaaaaa| DIR2 MASTER LEVEL | | 04 50 00 3B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 3C | 0aaaaaaa| DIR3 MASTER LEVEL | | 04 50 00 3D#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 3E | 0aaaaaaa| DIR4 MASTER LEVEL | | 04 50 00 3F#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 40 | 0aaaaaaa| DIR5 MASTER LEVEL | | 04 50 00 41#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 42 | 0aaaaaaa| DIR6 MASTER LEVEL | | 04 50 00 43#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 44 | 0aaaaaaa| DIR7 MASTER LEVEL | | 04 50 00 45#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 46 | 0aaaaaaa| DIR8 MASTER LEVEL | | 04 50 00 47#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 48 | 01 — 7F | DIR1/2 MASTER BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 49 | 01 — 7F | DIR3/4 MASTER BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 4A | 01 — 7F | DIR5/6 MASTER BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 4B | 01 — 7F | DIR7/8 MASTER BALANCE L63,,,R63 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 4C | 00 — 7F | DIR1 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 4D | 00 — 7F | DIR2 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 4E | 00 — 7F | DIR3 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 4F | 00 — 7F | DIR4 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 50 | 00 — 7F | DIR5 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 51 | 00 — 7F | DIR6 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 52 | 00 — 7F | DIR7 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 53 | 00 — 7F | DIR8 ASSIGN TRACK SELECT | | | | 127,0,,,17 = Off,Tr1,,,Tr18 |

: : : | 04 50 00 57 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 58 | 00 — 01 | MASTER FX1 INSERT SWITCH Off,Ins | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 59 | 00 — 01 | MASTER FX2 INSERT SWITCH Off,Ins | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 5A | 00 — 01 | MASTER FX3 INSERT SWITCH Off,Ins | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 5B | 00 — 01 | MASTER FX4 INSERT SWITCH Off,Ins | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 5C | 00 — 01 | MASTER FX5 INSERT SWITCH Off,Ins | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 5D | 00 — 01 | MASTER FX6 INSERT SWITCH Off,Ins | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 5E | 00 | (Reserved) | : : : | 04 50 00 5F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 60 | 0aaaaaaa| MASTER FX1 INSERT SEND LEVEL | | 04 50 00 61#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 62 | 0aaaaaaa| MASTER FX2 INSERT SEND LEVEL | | 04 50 00 63#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 64 | 0aaaaaaa| MASTER FX3 INSERT SEND LEVEL | | 04 50 00 65#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 66 | 0aaaaaaa| MASTER FX4 INSERT SEND LEVEL | | 04 50 00 67#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 68 | 0aaaaaaa| MASTER FX5 INSERT SEND LEVEL | | 04 50 00 69#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 6A | 0aaaaaaa| MASTER FX6 INSERT SEND LEVEL | | 04 50 00 6B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 6C | 00 | (Reserved) | : : : | 04 50 00 6F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 70 | 0aaaaaaa| MASTER FX1 INSERT RETURN LEVEL | | 04 50 00 71#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 72 | 0aaaaaaa| MASTER FX2 INSERT RETURN LEVEL | | 04 50 00 73#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 74 | 0aaaaaaa| MASTER FX3 INSERT RETURN LEVEL | | 04 50 00 75#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 76 | 0aaaaaaa| MASTER FX4 INSERT RETURN LEVEL | | 04 50 00 77#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 78 | 0aaaaaaa| MASTER FX5 INSERT RETURN LEVEL | | 04 50 00 79#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 7A | 0aaaaaaa| MASTER FX6 INSERT RETURN LEVEL | | 04 50 00 7B#| 0bbbbbbb| less than —905,—905,,,60 = | | | | —Inf,—90.5,,,+6.0dB | |—————————————+—————————+—————————————————————————————————————————| | 04 50 00 7C | 00 | (Reserved) | : : : | 04 50 00 7F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 00 | 00 — 11 | MONITOR SOURCE | | | | MASTER,REC BUS,AUX1,AUX2, | | | | FXSND1,,,FXSND6,DIR1,,,DIR8 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 01 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 02 | 00 — 09 | PHONES OUTPUT SOURCE | | | | MASTER,MONITOR,AUX1/2, | | | | FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 03 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 04 | 00 — 09 | MASTER OUTPUT SOURCE | | | | MASTER,MONITOR,AUX1/2, | | | | FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 05 | 00 — 09 | AUX OUTPUT SOURCE | | | | MASTER,MONITOR,AUX1/2, | | | | FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 06 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 07 | 00 — 09 | MONITOR OUTPUT SOURCE | | | | MASTER,MONITOR,AUX1/2, | | | | FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 08 | 00 | (Reserved) | : : : | 04 50 01 0F | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 10 | 00 — 09 | DIGITAL L/R OUTPUT SOURCE | | | | MASTER,MONITOR,AUX1/2, | | | | FXSND1/2,,,FXSND5/6,DIR1/2,,,DIR7/8 | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 11 | 00 | (Reserved) | : : : | 04 50 01 23 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 04 50 01 24 | 0aaaaaaa| REC BUS MIX ATT | | | | —42.0,,,+0.0dB(—420,,,0) | | 04 50 01 25#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| (*) Addresses with a “#” are ignored, even when sent as the Start Address. Transmit the Data Set (DT1) or Data Request (RQ1) message with the specified size to the address without “#” mark. (*1) Dynamics Ratio Table +——————+————————+ | Data | RATIO | +——————+————————+ | 0 | 1.00:1 | | 1 | 1.12:1 | | 2 | 1.25:1 | | 3 | 1.40:1 | | 4 | 1.60:1 | | 5 | 1.80:1 | | 6 | 2.00:1 | | 7 | 2.50:1 | | 8 | 3.20:1 | | 9 | 4.00:1 | | 10 | 5.60:1 | | 11 | 8.00:1 | | 12 | 16.0:1 | | 13 | Inf:1 | +——————+————————+ (*2) Dynamics Attack/Release time Table +—————+———————+——————++—————+———————+——————++—————+———————+———————+ | |Atk |Rel || |Atk |Rel ||Data |Atk |Rel | |Data | (ms)| (ms)||Data | (ms)| (ms)|| | (ms)| (ms)| +—————+———————+——————++—————+———————+——————++—————+———————+———————+ | 0 | 0.0 | 0 || 42 | 7.1 | 71 || 84 | 80.0 | 800 | | 1 | 0.1 | 1 || 43 | 7.5 | 75 || 85 | 84.0 | 840 | | 2 | 0.2 | 2 || 44 | 8.0 | 80 || 86 | 90.0 | 900 | | 3 | 0.3 | 3 || 45 | 8.4 | 84 || 87 | 94.4 | 944 | | 4 | 0.4 | 4 || 46 | 9.0 | 90 || 88 | 100.0 | 1000 | | 5 | 0.5 | 5 || 47 | 9.4 | 94 || 89 | 106.0 | 1060 | | 6 | 0.6 | 6 || 48 | 10.0 | 100 || 90 | 112.0 | 1120 | | 7 | 0.7 | 7 || 49 | 10.6 | 106 || 91 | 120.0 | 1200 | | 8 | 0.8 | 8 || 50 | 11.2 | 112 || 92 | 125.0 | 1250 | | 9 | 0.9 | 9 || 51 | 12.0 | 120 || 93 | 133.0 | 1330 | | 10 | 1.0 | 10 || 52 | 12.5 | 125 || 94 | 140.0 | 1400 | | 11 | 1.1 | 11 || 53 | 13.3 | 133 || 95 | 150.0 | 1500 | | 12 | 1.2 | 12 || 54 | 14.0 | 140 || 96 | 160.0 | 1600 | | 13 | 1.3 | 13 || 55 | 15.0 | 150 || 97 | 170.0 | 1700 | | 14 | 1.4 | 14 || 56 | 16.0 | 160 || 98 | 180.0 | 1800 | | 15 | 1.5 | 15 || 57 | 17.0 | 170 || 99 | 190.0 | 1900 | | 16 | 1.6 | 16 || 58 | 18.0 | 180 || 100 | 200.0 | 2000 | | 17 | 1.7 | 17 || 59 | 19.0 | 190 || 101 | 210.0 | 2100 | | 18 | 1.8 | 18 || 60 | 20.0 | 200 || 102 | 224.0 | 2240 | | 19 | 1.9 | 19 || 61 | 21.0 | 210 || 103 | 237.0 | 2370 | | 20 | 2.0 | 20 || 62 | 22.4 | 224 || 104 | 250.0 | 2500 | | 21 | 2.1 | 21 || 63 | 23.7 | 237 || 105 | 266.0 | 2660 | | 22 | 2.2 | 22 || 64 | 25.0 | 250 || 106 | 280.0 | 2800 | | 23 | 2.4 | 24 || 65 | 26.6 | 266 || 107 | 300.0 | 3000 | | 24 | 2.5 | 25 || 66 | 28.0 | 280 || 108 | 315.0 | 3150 | | 25 | 2.7 | 27 || 67 | 30.0 | 300 || 109 | 335.0 | 3350 | | 26 | 2.8 | 28 || 68 | 31.5 | 315 || 110 | 355.0 | 3550 | | 27 | 3.0 | 30 || 69 | 33.5 | 335 || 111 | 376.0 | 3760 | | 28 | 3.2 | 32 || 70 | 35.5 | 355 || 112 | 400.0 | 4000 | | 29 | 3.3 | 33 || 71 | 37.6 | 376 || 113 | 422.0 | 4220 | | 30 | 3.6 | 36 || 72 | 40.0 | 400 || 114 | 450.0 | 4500 | | 31 | 3.8 | 38 || 73 | 42.2 | 422 || 115 | 473.0 | 4730 | | 32 | 4.0 | 40 || 74 | 45.0 | 450 || 116 | 500.0 | 5000 | | 33 | 4.2 | 42 || 75 | 47.3 | 473 || 117 | 530.0 | 5300 | | 34 | 4.5 | 45 || 76 | 50.0 | 500 || 118 | 560.0 | 5600 | | 35 | 4.7 | 47 || 77 | 53.0 | 530 || 119 | 600.0 | 6000 | | 36 | 5.0 | 50 || 78 | 56.0 | 560 || 120 | 630.0 | 6300 | | 37 | 5.3 | 53 || 79 | 60.0 | 600 || 121 | 670.0 | 6700 | | 38 | 5.6 | 56 || 80 | 63.0 | 630 || 122 | 710.0 | 7100 | | 39 | 6.0 | 60 || 81 | 67.0 | 670 || 123 | 750.0 | 7500 | | 40 | 6.3 | 63 || 82 | 71.0 | 710 || 124 | 800.0 | 8000 | | 41 | 6.7 | 67 || 83 | 75.0 | 750 |+—————+———————+———————+ +—————+———————+——————++—————+———————+——————+ (*3) See Mixer Frequency Table of NRPN and Mixer Parameter. (*4) See Mixer Q Table of NRPN and Mixer Parameter. (*5) This is read-only. Settings can only be made from the panel. ●Effect Parameter ❍Basic Address +—————————————————————————————————————————————————————————————————+ | Start | | | address | Contents and remarks | |=============+===================================================| | 05 00 00 00 | 0aaaaaaa| EFFECTOR — 1 Algorithm | | | | aaaaaaabbbbbbb = | | 05 00 00 01#| 0bbbbbbb| ( 0:Reverb *1) | | | | 1:Delay | | | | 2:Stereo Delay Chorus | | | | 3:Stereo Pitch Shifter Delay | | | | 4:Vocoder | | | | 5:2ch RSS | | | | 6:Delay RSS | | | | 7:Chorus RSS | | | | 8:Guitar Multi 1 | | | | 9:Guitar Multi 2 | | | | 10:Guitar Multi 3 | | | | 11:Vocal Multi | | | | 12:Rotary | | | | 13:Guitar Amp Modeling | | | | 14:Stereo Phaser | | | | 15:Stereo Flanger | | | | 16:Dual Comp/Limiter | | | | (17:Gate Reverb *1) | | | | 18:Multi Tap Delay | | | | 19:Stereo Multi | | | | 20:Reverb 2 | | | | 21:Space Chorus | | | | 22:Lo—Fi Processor | | | | 23:4Band Parametric Equalizer | | | | 24:10Band Graphic Equalizer | | | | 25:Hum Canceler | | | | 26:Vocal Canceler | | | | (27:Voice Transformer *1,*2) | | | | (28:Vocoder 2 *1,*2) | | | | 29:Mic Modeling | | | | 30:3Band Isolator | | | | 31:Tape Echo 201 | | | | 32:Analog Flanger | | | | 33:Analog Phaser | | | | 34:Speaker Modeling | | | | (35:Mastering Tool Kit *1,*2) |

: : : | 05 00 00 0D | 20 — 7F | EFFECTOR — 1 Name —12 | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 0E | 00 — 7F | EFFECTOR — 1 Parameter Area (See Below) | : : : | 05 00 7F 7F | 00 — 7F | | |—————————————+—————————+—————————————————————————————————————————| | 05 01 00 00 | 00 — | EFFECTOR — 2 | | | | (similar to 05 00 00 00 — 05 00 7F 7F) | : : : | 05 01 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 05 02 00 00 | 00 — | EFFECTOR — 3 | | | | (similar to 05 00 00 00 — 05 00 7F 7F) | : : : | 05 02 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 05 03 00 00 | 00 — | EFFECTOR — 4 | | | | (similar to 05 00 00 00 — 05 00 7F 7F) | : : : | 05 03 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 05 04 00 00 | 00 — | EFFECTOR — 5 | | | | (similar to 05 00 00 00 — 05 00 7F 7F) | : : : | 05 04 7F 7F | 00 — | | |—————————————+—————————+—————————————————————————————————————————| | 05 05 00 00 | 00 — | EFFECTOR — 6 | | | | (similar to 05 00 00 00 — 05 00 7F 7F) | : : : | 05 05 7F 7F | 00 — | | +—————————————————————————————————————————————————————————————————+ (*1) Cannot select “0:Reverb,” “17:Gate Reverb,” “27:Voice Transformer,” “28:Vocoder2,” or “35:Mastering Tool Kit” on Effect 2, 4, and 6. (*2) If “27:Voice Transformer,” “28:Vocoder2,” or “35:Mastering Tool Kit” is selected at Effect 1, 3, or 5, Effect 2, 4, or 6 is invalid. * A meaning of the parameter area changes correspond with the top of parameter of Effect Algorithm. See the following tables. The address shows at Effect 1. * If select the different Algorithm type from current one, all parameters will be copied from the preset patch data which selected Algorithm. ❍Algorithm 0 Reverb (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| EQ SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 11#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 13#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 15#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 17#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 19#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 1B#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 1F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 21#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 23#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ: Out Level | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Reverb: Room Size | | 05 00 00 29#| 0bbbbbbb| 5,,,40m| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Reverb: Reverb Time | | 05 00 00 2B#| 0bbbbbbb| 1,,,320 = 0.1,,,32.0s| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Reverb: Pre Delay | | 05 00 00 2D#| 0bbbbbbb| 0,,,200 = 0,,,200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Reverb: Diffusion | | 05 00 00 2F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Reverb: Density | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Reverb: Early Reflection Level | | 05 00 00 33#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| Reverb: LF Damp Frequency | | 05 00 00 35#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| Reverb: LF Damp Gain | | 05 00 00 37#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| Reverb: HF Damp Frequency | | 05 00 00 39#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| Reverb: HF Damp Gain | | 05 00 00 3B#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| Reverb: HI Cut Frequency | | 05 00 00 3D#| 0bbbbbbb| 2,,,200 = 0.2,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| Reverb: Effect Level | | 05 00 00 3F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| Reverb: Direct Level | | 05 00 00 41#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 1 Delay +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Delay SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Delay: Delay Time | | 05 00 00 13#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Delay: Shift | | 05 00 00 15#| 0bbbbbbb| —1200,,,1200 = L1200,,,R1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Delay: Lch Feedback Level | | 05 00 00 17#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Delay: Rch Feedback Level | | 05 00 00 19#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Delay: Lch Level | | 05 00 00 1B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Delay: Rch Level | | 05 00 00 1D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Delay: LF Damp Frequency | | 05 00 00 1F#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Delay: LF Damp Gain | | 05 00 00 21#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Delay: HF Damp Frequency | | 05 00 00 23#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Delay: HF Damp Gain | | 05 00 00 25#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Delay: Direct Level | | 05 00 00 27#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 29#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 2B#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 2D#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 2F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 31#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 33#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 39#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 3B#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ: Out Level | | 05 00 00 3F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute Shift) should be 1200 or less. ❍Algorithm 2 Stereo Delay Chorus +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Delay SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Chorus SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| EQ SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Delay: Delay Time | | 05 00 00 15#| 0bbbbbbb| 0,,,500ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Delay: Shift | | 05 00 00 17#| 0bbbbbbb| —500,,,500 = L500,,,R500ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Delay: Lch Feedback Level | | 05 00 00 19#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Delay: Rch Feedback Level | | 05 00 00 1B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Delay: Lch Cross Feedback Level | | 05 00 00 1D#| 0bbbbbbb| —100,,,100|

| 05 00 00 1F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Delay: Effect Level | | 05 00 00 21#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Delay: Direct Level | | 05 00 00 23#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Chorus: Rate | | 05 00 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Chorus: Depth | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Chorus: Pre Delay | | 05 00 00 29#| 0bbbbbbb| 0,,,50ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Chorus: Effect Level | | 05 00 00 2B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Chorus: Direct Level | | 05 00 00 2D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Chorus: Lch Feedback Level | | 05 00 00 2F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Chorus: Rch Feedback Level | | 05 00 00 31#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Chorus: Lch Cross Feedback Level | | 05 00 00 33#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| Chorus: Rch Cross Feedback Level | | 05 00 00 35#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 39#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 3B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 3F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 41#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 45#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 47#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 49#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 4B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| EQ: Out Level | | 05 00 00 4D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute Shift) should be 500 or less. ❍Algorithm 3 Stereo Pitch Shifter Delay +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| P.ShifterDelay SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| P.ShifterDelay: Lch Chromatic Pitch | | 05 00 00 13#| 0bbbbbbb| —12,,,12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| P.ShifterDelay: Lch Fine Pitch | | 05 00 00 15#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| P.ShifterDelay: Lch Pre Delay | | 05 00 00 17#| 0bbbbbbb| 0,,,50ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| P.ShifterDelay: Lch Feedback Delay Time | | 05 00 00 19#| 0bbbbbbb| 0,,,500ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| P.ShifterDelay: Lch Feedback Level | | 05 00 00 1B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| P.ShifterDelay: Lch Cross Feedback Level| | 05 00 00 1D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| P.ShifterDelay: Rch Chromatic Pitch | | 05 00 00 1F#| 0bbbbbbb| —12,,,12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| P.ShifterDelay: Rch Fine Pitch | | 05 00 00 21#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| P.ShifterDelay: Rch Pre Delay | | 05 00 00 23#| 0bbbbbbb| 0,,,50ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Delay Time | | 05 00 00 25#| 0bbbbbbb| 0,,,500ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| P.ShifterDelay: Rch Feedback Level | | 05 00 00 27#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| P.ShifterDelay: Rch Cross Feedback Level| | 05 00 00 29#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| P.ShifterDelay: Effect Level | | 05 00 00 2B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| P.ShifterDelay: Direct Level | | 05 00 00 2D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 2F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 31#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 33#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 37#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 39#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 3D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 3F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 41#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| EQ: Out Level | | 05 00 00 45#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 4 Vocoder +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Chorus SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Vocoder: Voice Character 1 | | 05 00 00 11#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Vocoder: Voice Character 2 | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Vocoder: Voice Character 3 | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Vocoder: Voice Character 4 | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Vocoder: Voice Character 5 | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Vocoder: Voice Character 6 | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Vocoder: Voice Character 7 | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Vocoder: Voice Character 8 | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Vocoder: Voice Character 9 | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Vocoder: Voice Character 10 | | 05 00 00 23#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Chorus: Rate | | 05 00 00 25#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Chorus: Depth | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Chorus: Pre Delay | | 05 00 00 29#| 0bbbbbbb| 0,,,50ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Chorus: Feedback Level | | 05 00 00 2B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Chorus: Effect Level | | 05 00 00 2D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Chorus: Direct Level | | 05 00 00 2F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 5 2CH RSS +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| 2CH RSS: Ach Azimuth | | 05 00 00 0F#| 0bbbbbbb| —30,,,30 = —180,,,180| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| 2CH RSS: Ach Elevation | | 05 00 00 11#| 0bbbbbbb| —15,,,15 = —90,,,90| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| 2CH RSS: Bch Azimuth | | 05 00 00 13#| 0bbbbbbb| —30,,,30 = —180,,,180|

| 05 00 00 15#| 0bbbbbbb| —15,,,15 = —90,,,90| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| 2CH RSS: Phones SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| 2CH RSS: RSS Type | | 05 00 00 19#| 0bbbbbbb| 0,1 = Type A,Type B| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 6 Delay RSS +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Delay RSS: Delay Time | | 05 00 00 0F#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Delay RSS: Shift | | 05 00 00 11#| 0bbbbbbb| —1200,,,1200 = L1200,,,R1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Delay RSS: Center Delay Time | | 05 00 00 13#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Delay RSS: RSS Level | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Delay RSS: Center Level | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Delay RSS: Feedback Level | | 05 00 00 19#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Delay RSS: LF Damp Frequency | | 05 00 00 1B#| 0bbbbbbb| 5,,,400 = 50,,,4000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Delay RSS: LF Damp Gain | | 05 00 00 1D#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Delay RSS: HF Damp Frequency | | 05 00 00 1F#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Delay RSS: HF Damp Gain | | 05 00 00 21#| 0bbbbbbb| —36,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Delay RSS: Effect Level | | 05 00 00 23#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Delay RSS: Direct Level | | 05 00 00 25#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Delay RSS: Phones SW | | 05 00 00 27#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * (Delay Time) + (Absolute Shift) should be 1200 or less. ❍Algorithm 7 Chorus RSS +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Chorus RSS: Chorus Rate | | 05 00 00 0F#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Chorus RSS: Chorus Depth | | 05 00 00 11#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Chorus RSS: Effect Level | | 05 00 00 13#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Chorus RSS: Direct Level | | 05 00 00 15#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Chorus RSS: Phones SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Common for Algorithm 8,9,10 Guitar Multi 1, 2, 3 +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Compressor SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Metal/Distortion/Over Drive SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Noise Suppressor SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Auto Wah SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Guitar Amp Modeling SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Flanger SW | | 05 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Delay SW | | 05 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Compressor: Attack | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Compressor: Level | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Compressor: Sustain | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Compressor: Tone | | 05 00 00 23#| 0bbbbbbb| —50,,,—50| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Auto Wah: Mode | | 05 00 00 29#| 0bbbbbbb| 0,1 = LPF,BPF| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Auto Wah: Polarity | | 05 00 00 2B#| 0bbbbbbb| 0,1 = Down,Up| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Auto Wah: Frequency | | 05 00 00 2D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Auto Wah: Level | | 05 00 00 2F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Auto Wah: Peak | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Auto Wah: Sens | | 05 00 00 33#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| Auto Wah: Rate | | 05 00 00 35#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| Auto Wah: Depth | | 05 00 00 37#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| Guitar Amp Modeling: Mode | | 05 00 00 39#| 0bbbbbbb| 0,,,3 = Small,BultIn,2Stack,3Stack| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| Flanger: Rate | | 05 00 00 3B#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| Flanger: Depth | | 05 00 00 3D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| Flanger: Manual | | 05 00 00 3F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| Flanger: Resonance | | 05 00 00 41#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| Delay: Delay Time | | 05 00 00 43#| 0bbbbbbb| 0,,,1000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| Delay: Shift | | 05 00 00 45#| 0bbbbbbb| —1000,,,1000 = L1000,,,R1000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| Delay: Feedback Time | | 05 00 00 47#| 0bbbbbbb| 0,,,1000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| Delay: Feedback Level | | 05 00 00 49#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| Delay: Effect Level | | 05 00 00 4B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| Delay: Direct Level | | 05 00 00 4D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| * (Delay Time) + (Absolute Shift) should be 1000 or less. ❍Individual Algorithm 8 Guitar Multi 1 |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| Metal: Gain | | 05 00 00 4F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| Metal: Level | | 05 00 00 51#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| Metal: Hi Gain | | 05 00 00 53#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 0aaaaaaa| Metal: Mid Gain | | 05 00 00 55#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 56 | 0aaaaaaa| Metal: Low Gain | | 05 00 00 57#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 58 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Individual Algorithm 9 Guitar Multi 2 |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| Distortion: Gain | | 05 00 00 4F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| Distortion: Level | | 05 00 00 51#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| Distortion: Tone | | 05 00 00 53#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Individual Algorithm 10 Guitar Multi 3 |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| Over Drive: Gain | | 05 00 00 4F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| Over Drive: Level | | 05 00 00 51#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| Over Drive: Tone | | 05 00 00 53#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+

+—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Limiter/De—esser SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Enhancer SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| EQ SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| P.Shifter SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Delay SW | | 05 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Chorus SW | | 05 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Limiter/De—esser Mode | | 05 00 00 1D#| 0bbbbbbb| 0,1 = Limiter,De—esser| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Limiter: Threshold | | 05 00 00 23#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Limiter: Release | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Limiter: Level | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| De—esser: Sens | | 05 00 00 29#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| De—esser: Frequency | | 05 00 00 2B#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Enhancer: Sens | | 05 00 00 2D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Enhancer: Frequency | | 05 00 00 2F#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Enhancer: MIX Level | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Enhancer: Level | | 05 00 00 33#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 35#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 37#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 39#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 3D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 3F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 41#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 43#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 45#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 47#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 49#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| EQ: Out Level | | 05 00 00 4B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| P.Shifter: Chromatic Pitch | | 05 00 00 4D#| 0bbbbbbb| —12,,,12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| P.Shifter: Fine Pitch | | 05 00 00 4F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| P.Shifter: Effect Level | | 05 00 00 51#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| P.Shifter: Direct Level | | 05 00 00 53#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 0aaaaaaa| Delay: Delay Time | | 05 00 00 55#| 0bbbbbbb| 0,,,1000| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 56 | 0aaaaaaa| Delay: Feedback Level | | 05 00 00 57#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 58 | 0aaaaaaa| Delay: Effect Level | | 05 00 00 59#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5A | 0aaaaaaa| Delay: Direct Level | | 05 00 00 5B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5C | 0aaaaaaa| Chorus: Rate | | 05 00 00 5D#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5E | 0aaaaaaa| Chorus: Depth | | 05 00 00 5F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 60 | 0aaaaaaa| Chorus: Pre Delay | | 05 00 00 61#| 0bbbbbbb| 0,,,50ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 62 | 0aaaaaaa| Chorus: Effect Level | | 05 00 00 63#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 64 | 0aaaaaaa| Chorus: Direct Level | | 05 00 00 65#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 66 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 12 Rotary +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Over Drive SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Over Drive: Gain | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Over Drive: Level | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Rotary: Low Rate | | 05 00 00 1B#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Rotary: Hi Rate | | 05 00 00 1D#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 13 Guitar AMP Modeling +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Pre Amp SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Speaker SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Pre Amp: Mode | | 05 00 00 19#| 0bbbbbbb| 0,,,13 = JC—120,Clean Twin, | | | | Match Drive,BG Lead, | | | | MS1959(I), MS1959(II), | | | | MS1959(I)+II), SLDN Lead, | | | | Metal 5150, Metal Lead, | | | | OD—1,OD—2Turbo, Distortion, | | | | Fuzz | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Pre Amp: Volume | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Pre Amp: Bass | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Pre Amp: Middle | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Pre Amp: Treble | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Pre Amp: Presence | | 05 00 00 23#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Pre Amp: Master | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Pre Amp: Bright | | 05 00 00 27#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Pre Amp: Gain | | 05 00 00 29#| 0bbbbbbb| 0,1,2 = Low,Middle,High| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Speaker: Type | | 05 00 00 2B#| 0bbbbbbb| 0,,,11 = Small, Middle, JC—120, | | | | Built In 1, Built In 2, | | | | Built In 3, Built In 4, | | | | BG Stack 1, BG Stack 2, | | | | MS Stack 1, MS Stack 2, | | | | Metal Stack | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Speaker: MIC Setting | | 05 00 00 2D#| 0bbbbbbb| 0,1,2 = 1,2,3| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Speaker: MIC Level | | 05 00 00 2F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Speaker: Direct Level | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * The Pre Amp Middle is invalid when Mode = Match Drive. * The Pre Amp Presence works counter to the Value (-100,,,0) when Mode = Match Drive. * The Pre Amp Bright is valid when Mode = JC-120, Clean Twin, or BG Lead.

+—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Phaser SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Phaser: Mode | | 05 00 00 13#| 0bbbbbbb| 0,,,3 = 4,8,12,16stage| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Phaser: Rate | | 05 00 00 15#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Phaser: Depth | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Phaser: Polarity | | 05 00 00 19#| 0bbbbbbb| 0,1 = Inverse,Synchro| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Phaser: Manual | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Phaser: Resonance | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Phaser: Cross Feedback | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Phaser: Effect Level | | 05 00 00 21#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Phaser: Direct Level | | 05 00 00 23#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 25#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 27#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 29#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 2B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 2D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 2F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 31#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 33#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 35#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 37#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 39#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: Out Level | | 05 00 00 3B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 15 Stereo Flanger +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Flanger SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Flanger: Rate | | 05 00 00 13#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Flanger: Depth | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Flanger: Polarity | | 05 00 00 17#| 0bbbbbbb| 0,1 = Inverse,Synchro| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Flanger: Manual | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Flanger: Resonace | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Flanger: Cross Feedback Level | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Flanger: Effect Level | | 05 00 00 1F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Flanger: Direct Level | | 05 00 00 21#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 23#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 25#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 27#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 29#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 2B#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 2D#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 2F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 31#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 33#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 35#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 37#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Out Level | | 05 00 00 39#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 16 Dual Compressor/Limiter +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Comp/Limit A SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Noise Suppressor A SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Comp/Limit B SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Noise Suppressor B SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Comp/Limit A: Detect | | 05 00 00 17#| 0bbbbbbb| 0,1,2 = A,B,Link| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Comp/Limit A: Level | | 05 00 00 19#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Comp/Limit A: Thresh | | 05 00 00 1B#| 0bbbbbbb| —60,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Comp/Limit A: Attack | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Comp/Limit A: Release | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Comp/Limit A: Ratio | | 05 00 00 21#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Noise Suppressor A: Detect | | 05 00 00 23#| 0bbbbbbb| 0,1,2 = A,B,Link| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Noise Suppressor A: Threshold | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Noise Suppressor A: Release | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Comp/Limit B: Detect | | 05 00 00 29#| 0bbbbbbb| 0,1,2 = A,B,Link| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Comp/Limit B: Level | | 05 00 00 2B#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Comp/Limit B: Thresh | | 05 00 00 2D#| 0bbbbbbb| —60,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Comp/Limit B: Attack | | 05 00 00 2F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Comp/Limit B: Release | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Comp/Limit B: Ratio | | 05 00 00 33#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| Noise Suppressor B: Detect | | 05 00 00 35#| 0bbbbbbb| 0,1,2 = A,B,Link| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| Noise Suppressor B: Threshold | | 05 00 00 37#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| Noise Suppressor B: Release | | 05 00 00 39#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 17 Gate Reverb (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| G.Reverb SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| G.Reverb: Gate Time | | 05 00 00 13#| 0bbbbbbb| 10,,,400ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| G.Reverb: Pre Delay | | 05 00 00 15#| 0bbbbbbb| 0,,,300ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| G.Reverb: Effect Level | | 05 00 00 17#| 0bbbbbbb| —100,,,100|

| 05 00 00 19#| 0bbbbbbb| 0,,,4 = Normal,L—>R,R—>L, | | | | Reverse1,Reverse2| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| G.Reverb: Thickness | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| G.Reverb: Density | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| G.Reverb: Accent Delay | | 05 00 00 1F#| 0bbbbbbb| 0,,,200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| G.Reverb: Accent Level | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| G.Reverb: Accent Pan | | 05 00 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| G.Reverb: Direct Level | | 05 00 00 25#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 27#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 29#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 2B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 2D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 2F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 31#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 33#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 35#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 37#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 39#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: Out Level | | 05 00 00 3D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 18 Multi Tap Delay +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| EQ SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| M.Tap Delay: Time 1 | | 05 00 00 11#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| M.Tap Delay: Level 1 | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| M.Tap Delay: Pan 1 | | 05 00 00 15#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| M.Tap Delay: Time 2 | | 05 00 00 17#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| M.Tap Delay: Level 2 | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| M.Tap Delay: Pan 2 | | 05 00 00 1B#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| M.Tap Delay: Time 3 | | 05 00 00 1D#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| M.Tap Delay: Level 3 | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| M.Tap Delay: Pan 3 | | 05 00 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| M.Tap Delay: Time 4 | | 05 00 00 23#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| M.Tap Delay: Level 4 | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| M.Tap Delay: Pan 4 | | 05 00 00 27#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| M.Tap Delay: Time 5 | | 05 00 00 29#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| M.Tap Delay: Level 5 | | 05 00 00 2B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| M.Tap Delay: Pan 5 | | 05 00 00 2D#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| M.Tap Delay: Time 6 | | 05 00 00 2F#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| M.Tap Delay: Level 6 | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| M.Tap Delay: Pan 6 | | 05 00 00 33#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| M.Tap Delay: Time 7 | | 05 00 00 35#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| M.Tap Delay: Level 7 | | 05 00 00 37#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| M.Tap Delay: Pan 7 | | 05 00 00 39#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| M.Tap Delay: Time 8 | | 05 00 00 3B#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| M.Tap Delay: Level 8 | | 05 00 00 3D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| M.Tap Delay: Pan 8 | | 05 00 00 3F#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| M.Tap Delay: Time 9 | | 05 00 00 41#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| M.Tap Delay: Level 9 | | 05 00 00 43#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| M.Tap Delay: Pan 9 | | 05 00 00 45#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| M.Tap Delay: Time 10 | | 05 00 00 47#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| M.Tap Delay: Level 10 | | 05 00 00 49#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| M.Tap Delay: Pan 10 | | 05 00 00 4B#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| M.Tap Delay: Feedback Delay Time | | 05 00 00 4D#| 0bbbbbbb| 0,,,1200ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| M.Tap Delay: Feedback Level | | 05 00 00 4F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| M.Tap Delay: Effect Level | | 05 00 00 51#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| M.Tap Delay: Direct Level | | 05 00 00 53#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 55#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 56 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 57#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 58 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 59#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5A | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 5B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5C | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 5D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5E | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 5F#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 60 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 61#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 62 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 63#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 64 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 65#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 66 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 67#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 68 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 69#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 6A | 0aaaaaaa| EQ: Out Level | | 05 00 00 6B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 6C | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 19 Stereo Multi |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 0E | 0aaaaaaa| Noise Suppressor SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Comp/Limit SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Enhancer SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| EQ SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Comp/Limit: Level | | 05 00 00 1B#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Comp/Limit: Thresh | | 05 00 00 1D#| 0bbbbbbb| —60,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Comp/Limit: Attack | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Comp/Limit: Release | | 05 00 00 21#| 0bbbbbbb| 0,,,100|

| 05 00 00 23#| 0bbbbbbb| 0,,,3 = 1.5:1,2:1,4:1,100:1| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Enhancer: Sens | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Enhancer: Frequency | | 05 00 00 27#| 0bbbbbbb| 10,,,100 = 1.0,,,10.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Enhancer: MIX Level | | 05 00 00 29#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Enhancer: Level | | 05 00 00 2B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 2D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 2F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 31#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 33#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 35#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 37#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 39#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 3B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 3D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 3F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 41#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ: Out Level | | 05 00 00 43#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 20 Reverb 2 +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Reverb SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Reverb 2: Reverb Type | | 05 00 00 13#| 0bbbbbbb| 0,,,4 = Room1,Room2,Hall1,Hall2,Plate| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Reverb 2: Reverb Time | | 05 00 00 15#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0sec| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Reverb 2: Pre Delay | | 05 00 00 17#| 0bbbbbbb| 0,,,200msec| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Reverb 2: Density | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Reverb 2: High Pass Filter | | 05 00 00 1B#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Reverb 2: Low Pass Filter | | 05 00 00 1D#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Thru| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Reverb 2: Effect Level | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Reverb 2: Direct Level | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Reverb 2: Gate SW | | 05 00 00 23#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Reverb 2: Gate Mode | | 05 00 00 25#| 0bbbbbbb| 0,1 = Gate,Ducking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Reverb 2: Gate Threshold | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Reverb 2: Gate Attack Time | | 05 00 00 29#| 0bbbbbbb| 1,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Reverb 2: Gate Release Time | | 05 00 00 2B#| 0bbbbbbb| 1,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Reverb 2: Gate Hold Time | | 05 00 00 2D#| 0bbbbbbb| 1,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 2F#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 31#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 33#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 35#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 37#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 39#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 3B#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 3D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 3F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 41#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| EQ: Out Level | | 05 00 00 45#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 21 Space Chorus +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Chorus SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Chorus: Input Mode | | 05 00 00 11#| 0bbbbbbb| 0,1 = Mono,Stereo| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Chorus: Mode | | 05 00 00 13#| 0bbbbbbb| 0,,,6 = 1,2,3,4,1+4,2+4,3+4| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Chorus: Mix Balance | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ Algorithm 22 Lo-Fi Processor +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Lo—Fi Processor SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Realtime Modify Filter SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Lo—Fi Processor: Pre Filter SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Lo—Fi Processor: Rate | | 05 00 00 15#| 0bbbbbbb| 0,,,31 = 0ff,1/2,,,1/32| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Lo—Fi Processor: Number of Bit | | 05 00 00 17#| 0bbbbbbb| 0,,,15 = Off,15,,,1bit| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Lo—Fi Processor: Post Filter SW | | 05 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Lo—Fi Processor: Effect Level | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Lo—Fi Processor: Direct Level | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Realtime Modify Filter: Filter Type | | 05 00 00 1F#| 0bbbbbbb| 0,,,2 = LPF,BPF,HPF| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Realtime Modify Filter: Cut Off | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Realtime Modify Filter: Resonance | | 05 00 00 23#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Realtime Modify Filter: Gain | | 05 00 00 25#| 0bbbbbbb| 0,,,24dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 29#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 23 4 Band Parametric EQ +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Parametric EQ Link SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Parametric EQ Ach SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Parametric EQ Bch SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| EQ Ach: Input Gain | | 05 00 00 15#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| EQ Ach: Low EQ Type | | 05 00 00 17#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| EQ Ach: Low EQ Gain | | 05 00 00 19#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| EQ Ach: Low EQ Frequency | | 05 00 00 1B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz|

| 05 00 00 1D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| EQ Ach: Low Mid EQ Gain | | 05 00 00 1F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| EQ Ach: Low Mid EQ Frequency | | 05 00 00 21#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ Ach: Low Mid EQ Q | | 05 00 00 23#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ Ach: High Mid EQ Gain | | 05 00 00 25#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ Ach: High Mid EQ Frequency | | 05 00 00 27#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ Ach: High Mid EQ Q | | 05 00 00 29#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ Ach: High EQ Type | | 05 00 00 2B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ Ach: High EQ Gain | | 05 00 00 2D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ Ach: High EQ Frequency | | 05 00 00 2F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ Ach: High EQ Q | | 05 00 00 31#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ Ach: Output Level | | 05 00 00 33#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ Bch: Input Gain | | 05 00 00 35#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ Bch: Low EQ Type | | 05 00 00 37#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ Bch: Low EQ Gain | | 05 00 00 39#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ Bch: Low EQ Frequency | | 05 00 00 3B#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ Bch: Low EQ Q | | 05 00 00 3D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ Bch: Low Mid EQ Gain | | 05 00 00 3F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ Bch: Low Mid EQ Frequency | | 05 00 00 41#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ Bch: Low Mid EQ Q | | 05 00 00 43#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| EQ Bch: High Mid EQ Gain | | 05 00 00 45#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| EQ Bch: High Mid EQ Frequency | | 05 00 00 47#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| EQ Bch: High Mid EQ Q | | 05 00 00 49#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| EQ Bch: High EQ Type | | 05 00 00 4B#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| EQ Bch: High EQ Gain | | 05 00 00 4D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| EQ Bch: High EQ Frequency | | 05 00 00 4F#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| EQ Bch: High EQ Q | | 05 00 00 51#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| EQ Bch: Output Level | | 05 00 00 53#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * When Link Sw = On, Bch corresponds to Ach. ❍Algorithm 24 10 Band Graphic EQ +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Graphic EQ Link SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Graphic EQ Ach SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Graphic EQ Bch SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| EQ Ach: Input Gain | | 05 00 00 15#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| EQ Ach: 31.25Hz Gain | | 05 00 00 17#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| EQ Ach: 62.5Hz Gain | | 05 00 00 19#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| EQ Ach: 125Hz Gain | | 05 00 00 1B#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| EQ Ach: 250Hz Gain | | 05 00 00 1D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| EQ Ach: 500Hz Gain | | 05 00 00 1F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| EQ Ach: 1.0kHz Gain | | 05 00 00 21#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ Ach: 2.0kHz Gain | | 05 00 00 23#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ Ach: 4.0kHz Gain | | 05 00 00 25#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ Ach: 8.0kHz Gain | | 05 00 00 27#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ Ach: 16.0kHz Gain | | 05 00 00 29#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ Ach: Output Level | | 05 00 00 2B#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ Bch: Input Gain | | 05 00 00 2D#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ Bch: 31.25Hz Gain | | 05 00 00 2F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ Bch: 62.5Hz Gain | | 05 00 00 31#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ Bch: 125Hz Gain | | 05 00 00 33#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ Bch: 250Hz Gain | | 05 00 00 35#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ Bch: 500Hz Gain | | 05 00 00 37#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ Bch: 1.0kHz Gain | | 05 00 00 39#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| EQ Bch: 2.0kHz Gain | | 05 00 00 3B#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| EQ Bch: 4.0kHz Gain | | 05 00 00 3D#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| EQ Bch: 8.0kHz Gain | | 05 00 00 3F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| EQ Bch: 16.0kHz Gain | | 05 00 00 41#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| EQ Bch: Output Level | | 05 00 00 43#| 0bbbbbbb| —60,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * When Link Sw = On, Bch corresponds to Ach. ❍Algorithm 25 Hum Canceler +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Hum Canceler SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Noise Suppressor SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Hum Canceler: Freq | | 05 00 00 13#| 0bbbbbbb| 200,,,8000 = 20.0,,,800.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Hum Canceler: Width | | 05 00 00 15#| 0bbbbbbb| 10,,,40%| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Hum Canceler: Depth | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Hum Canceler: Threshold | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Hum Canceler: Range Low | | 05 00 00 1B#| 0bbbbbbb| 1,,,200 = Unlimit,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Hum Canceler: Range High | | 05 00 00 1D#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Unlimit| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Noise Suppressor: Threshold | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Noise Suppressor: Release | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 26 Vocal Canceler +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Vocal Canceler SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| EQ SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Vocal Canceler: Balance | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Vocal Canceler: Range Low | | 05 00 00 15#| 0bbbbbbb| 1,,,200 = Unlimit,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Vocal Canceler: Range High | | 05 00 00 17#| 0bbbbbbb| 10,,,201 = 1.0,,,20,0kHz,Unlimit| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 19#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 1B#| 0bbbbbbb| —12,,,12dB|

| 05 00 00 1D#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 1F#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| EQ: Mid EQ Gain | | 05 00 00 21#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ: Mid EQ Frequency | | 05 00 00 23#| 0bbbbbbb| 20,,,800 = 200,,,8000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ: Mid EQ Q | | 05 00 00 25#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 27#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 29#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 2B#| 0bbbbbbb| 14,,,200 = 1.4,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 2D#| 0bbbbbbb| 3,,,100 = 0.3,,,10.0| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: Out Level | | 05 00 00 2F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 27 Voice Transformer (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Voice Transformer SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Reverb SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 13 | 00 | (Reserved) | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| MIDI Control SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Voice Transformer: Robot SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Voice Transformer: Chromatic Pitch | | 05 00 00 19#| 0bbbbbbb| —12,,,36| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Voice Transformer: Fine Pitch | | 05 00 00 1B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Voice Transformer: Chromatic Formant | | 05 00 00 1D#| 0bbbbbbb| —12,,,12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Voice Transformer: Fine Formant | | 05 00 00 1F#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Voice Transformer: Mix Balance | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Reverb: Reverb Time | | 05 00 00 23#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0sec| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Reverb: Pre Delay | | 05 00 00 25#| 0bbbbbbb| 0,,,200msec| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Reverb: Density | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Reverb: Effect Level | | 05 00 00 29#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| MIDI Control: Bend Range | | 05 00 00 2B#| 0bbbbbbb| 0,,,12 = 0ff,1,,,12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| MIDI Control: Portamento | | 05 00 00 2D#| 0bbbbbbb| 0...100 = Off,1,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 28 Vocoder 2 (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Chorus SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Vocoder: Envelope Mode | | 05 00 00 11#| 0bbbbbbb| 0,,,2 = Sharp,Soft,Long| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Vocoder: Pan Mode | | 05 00 00 13#| 0bbbbbbb| 0,,,3 = Mono,Stereo,L—>R,R—>L| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Vocoder: Hold | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,MIDI| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Vocoder: Mic Sens | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Vocoder: Synth Input Level | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Vocoder: Voice Char Level 1 | | 05 00 00 1B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Vocoder: Voice Char Level 2 | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Vocoder: Voice Char Level 3 | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Vocoder: Voice Char Level 4 | | 05 00 00 21#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Vocoder: Voice Char Level 5 | | 05 00 00 23#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Vocoder: Voice Char Level 6 | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Vocoder: Voice Char Level 7 | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Vocoder: Voice Char Level 8 | | 05 00 00 29#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Vocoder: Voice Char Level 9 | | 05 00 00 2B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Vocoder: Voice Char Level 10 | | 05 00 00 2D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Vocoder: Voice Char Level 11 | | 05 00 00 2F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Vocoder: Voice Char Level 12 | | 05 00 00 31#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Vocoder: Voice Char Level 13 | | 05 00 00 33#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| Vocoder: Voice Char Level 14 | | 05 00 00 35#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| Vocoder: Voice Char Level 15 | | 05 00 00 37#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| Vocoder: Voice Char Level 16 | | 05 00 00 39#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| Vocoder: Voice Char Level 17 | | 05 00 00 3B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| Vocoder: Voice Char Level 18 | | 05 00 00 3D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| Vocoder: Voice Char Level 19 | | 05 00 00 3F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| Vocoder: Mic High Pass Filter | | 05 00 00 41#| 0bbbbbbb| 9,,,200 = Thru,1.0,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| Vocoder: Mic High Pass Filter Pan | | 05 00 00 43#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| Vocoder: Mic Mix | | 05 00 00 45#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| Vocoder: Noise Suppressor Threshold | | 05 00 00 47#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| Chorus: Rate | | 05 00 00 49#| 0bbbbbbb| 1,,,100 = 0.1,,,10.0Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| Chorus: Depth | | 05 00 00 4B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| Chorus: Pre Delay | | 05 00 00 4D#| 0bbbbbbb| 0,,,50ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| Chorus: Mix Balance | | 05 00 00 4F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 29 Mic Modeling +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Link SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Mic Converter Ach SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Bass Cut Ach SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Distance Ach SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Limiter Ach SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Mic Converter Bch SW | | 05 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Bass Cut Bch SW | | 05 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Distance Bch SW | | 05 00 00 1D#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Limiter Bch SW | | 05 00 00 1F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Mic Converter Ach: Input | | 05 00 00 21#| 0bbbbbbb| 0,,,5 = DR—20,SmlDy,HedDy, | | | | MinCn,Flat,C3000B| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Mic Converter Ach: Output | | 05 00 00 23#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn, | | | | LrgCn,VntCn,Flat| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Mic Converter Ach: Phase | | 05 00 00 25#| 0bbbbbbb| 0,1 = Normal,Inverse| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Bass Cut Ach: Bass Cut Frequency | | 05 00 00 27#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz|

| 05 00 00 29#| 0bbbbbbb| —12,,,+12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Distance Ach: Timelag | | 05 00 00 2B#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Limiter Ach: Detect HPF Frequency | | 05 00 00 2D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| Limiter Ach: Level | | 05 00 00 2F#| 0bbbbbbb| —60,,,24dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| Limiter Ach: Threshold | | 05 00 00 31#| 0bbbbbbb| —60,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| Limiter Ach: Attack | | 05 00 00 33#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| Limiter Ach: Release | | 05 00 00 35#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| Mic Converter Bch: Input | | 05 00 00 37#| 0bbbbbbb| 0,,,5 = DR—20,SmlDy,HedDy,MinCn, | | | | Flat,C3000B| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| Mic Converter Bch: Output | | 05 00 00 39#| 0bbbbbbb| 0,,,6 = SmlDy,VocDy,LrgDy,SmlCn, | | | | LrgCn,VntCn,Flat| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| Mic Converter Bch: Phase | | 05 00 00 3B#| 0bbbbbbb| 0,1 = Normal,Inverse| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| Bass Cut Bch: Bass Cut Frequency | | 05 00 00 3D#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| Distance Bch: Proximity Effect | | 05 00 00 3F#| 0bbbbbbb| —12,,,+12| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| Distance Bch: Timelag | | 05 00 00 41#| 0bbbbbbb| 0,,,1000 = 0,,,3000cm| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| Limiter Bch: Detect HPF Frequency | | 05 00 00 43#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| Limiter Bch: Level | | 05 00 00 45#| 0bbbbbbb| —60,,,24dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| Limiter Bch: Threshold | | 05 00 00 47#| 0bbbbbbb| —60,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| Limiter Bch: Attack | | 05 00 00 49#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| Limiter Bch: Release | | 05 00 00 4B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ * When Mic Converter Input = MinCn, output is fixed to SmlDy or LrgCn. * When Link Sw = On, Bch corresponds to Ach. ❍Algorithm 30 3 Band Isolator +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Isolator SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Isolator High Volume | | 05 00 00 11#| 0bbbbbbb| —60,,,+4dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Isolator Middle Volume | | 05 00 00 13#| 0bbbbbbb| —60,,,+4dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Isolator Low Volume | | 05 00 00 15#| 0bbbbbbb| —60,,,+4dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Isolator Anti Phase Middle Switch | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Isolator Anti Phase Middle Level | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Isolator Anti Phase Low Switch | | 05 00 00 1B#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Isolator Anti Phase Low Level | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 31 Tape Echo 201 +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Tape Echo SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Tape Echo Mode Select | | 05 00 00 11#| 0bbbbbbb| 0,,,6 = 1,,,7| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Tape Echo Repeat Rate | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Tape Echo Intensity | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Tape Echo Effect Level | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Tape Echo Direct Level | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Tape Echo Tone Bass | | 05 00 00 1B#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Tape Echo Tone Treble | | 05 00 00 1D#| 0bbbbbbb| —100,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Tape Echo Tape Head S Pan | | 05 00 00 1F#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Tape Echo Tape Head M Pan | | 05 00 00 21#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Tape Echo Tape Head L Pan | | 05 00 00 23#| 0bbbbbbb| 1,,,127 = L63,,,R63| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| Tape Echo Tape Distortion | | 05 00 00 25#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| Tape Echo Wah Flutter Rate | | 05 00 00 27#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Tape Echo Wah Flutter Depth | | 05 00 00 29#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 32 Analog Flanger +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Analog Flanger SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Analog Flanger Mode | | 05 00 00 11#| 0bbbbbbb| 0,,,3 = FL1,FL2,FL3,CHO| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Analog Flanger Feedback | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Analog Flanger Modulation Rate | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Analog Flanger Modulation Depth | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Analog Flanger Modulation Frequency | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Analog Flanger Channel B Modulation | | 05 00 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Analog Flanger Channel A Phase | | 05 00 00 1D#| 0bbbbbbb| 0,1 = Nor,Inv| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Analog Flanger Channel B Phase | | 05 00 00 1F#| 0bbbbbbb| 0,1 = Nor,Inv| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 33 Analog Phaser +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Analog Phaser SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Analog Phaser Mode | | 05 00 00 11#| 0bbbbbbb| 0,1 = 4STAGE,8STAGE| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Analog Phaser Frequency | | 05 00 00 13#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Analog Phaser Resonance | | 05 00 00 15#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Analog Phaser LFO 1 Rate | | 05 00 00 17#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Analog Phaser LFO 1 Depth | | 05 00 00 19#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Analog Phaser LFO 1 Channel B Mod | | 05 00 00 1B#| 0bbbbbbb| 0,1 = Nor,Inv| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| Analog Phaser LFO 2 Rate | | 05 00 00 1D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Analog Phaser LFO 2 Depth | | 05 00 00 1F#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Analog Phaser LFO 2 Channel B Mod | | 05 00 00 21#| 0bbbbbbb| 0,1 = Nor,Inv| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 34 Speaker Modeling +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| Speaker Modeling SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Bass Cut SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Low Frequency Trimmer SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| High Frequency Trimmer SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Limiter SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Output Speakers | | 05 00 00 19#| 0bbbbbbb| 0,1 = DS—90/DS—90A,DS—50A| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| Speaker Modeling Model | | 05 00 00 1B#| 0bbbbbbb| 0,,,11 = THRU,Super Flat,Powered GenBlk,| | | | Powered E—Bas,Powered Mack,Small Cube,| | | | White Cone,White C +tissue,Small Radio,| | | | Small TV,Boom Box,BoomBox LoBoost|

| 05 00 00 1D#| 0bbbbbbb| 0,1 = NRM,INV| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| Bass Cut Frequency | | 05 00 00 1F#| 0bbbbbbb| 1,,,200 = Thru,20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| Low Frequency Trimmer Gain | | 05 00 00 21#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| Low Frequency Trimmer Frequency | | 05 00 00 23#| 0bbbbbbb| 2,,,200 = 20,,,2000Hz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| High Frequency Trimmer Gain | | 05 00 00 25#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| High Frequency Trimmer Frequency | | 05 00 00 27#| 0bbbbbbb| 10,,,200 = 1.0,,,20.0kHz| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| Limiter Threshold | | 05 00 00 29#| 0bbbbbbb| —60,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| Limiter Release | | 05 00 00 2B#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| Limiter Level | | 05 00 00 2D#| 0bbbbbbb| —60,,,24dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ ❍Algorithm 35 Mastering Tool Kit (FX1,FX3,FX5) +—————————————————————————————————————————————————————————————————+ | 05 00 00 0E | 0aaaaaaa| EQ SW | | 05 00 00 0F#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 10 | 0aaaaaaa| Bass Cut SW | | 05 00 00 11#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 12 | 0aaaaaaa| Enhancer SW | | 05 00 00 13#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 14 | 0aaaaaaa| Expander SW | | 05 00 00 15#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 16 | 0aaaaaaa| Compressor SW | | 05 00 00 17#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 18 | 0aaaaaaa| Limiter SW | | 05 00 00 19#| 0bbbbbbb| 0,1 = Off,On| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1A | 0aaaaaaa| EQ: Input Gain | | 05 00 00 1B#| 0bbbbbbb| —24,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1C | 0aaaaaaa| EQ: Low EQ Type | | 05 00 00 1D#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 1E | 0aaaaaaa| EQ: Low EQ Gain | | 05 00 00 1F#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 20 | 0aaaaaaa| EQ: Low EQ Frequency | | 05 00 00 21#| 0bbbbbbb| 2,,,42 = 20,,,2000Hz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 22 | 0aaaaaaa| EQ: Low EQ Q | | 05 00 00 23#| 0bbbbbbb| 0,,,31 = 0.3,,,16.0(*2)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 24 | 0aaaaaaa| EQ: Low Mid EQ Gain | | 05 00 00 25#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 26 | 0aaaaaaa| EQ: Low Mid EQ Frequency | | 05 00 00 27#| 0bbbbbbb| 2,,,54 = 20,,,8000Hz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 28 | 0aaaaaaa| EQ: Low Mid EQ Q | | 05 00 00 29#| 0bbbbbbb| 0,,,31 = 0.3,,,16.0(*2)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2A | 0aaaaaaa| EQ: High Mid EQ Gain | | 05 00 00 2B#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2C | 0aaaaaaa| EQ: High Mid EQ Frequency | | 05 00 00 2D#| 0bbbbbbb| 2,,,54 = 20,,,8000Hz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 2E | 0aaaaaaa| EQ: High Mid EQ Q | | 05 00 00 2F#| 0bbbbbbb| 0,,,31 = 0.3,,,16.0(*2)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 30 | 0aaaaaaa| EQ: High EQ Type | | 05 00 00 31#| 0bbbbbbb| 0,1 = Shelving, Peaking| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 32 | 0aaaaaaa| EQ: High EQ Gain | | 05 00 00 33#| 0bbbbbbb| —12,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 34 | 0aaaaaaa| EQ: High EQ Frequency | | 05 00 00 35#| 0bbbbbbb| 39,,,62 = 1.4,,,20.0kHz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 36 | 0aaaaaaa| EQ: High EQ Q | | 05 00 00 37#| 0bbbbbbb| 0,,,31 = 0.3,,,16.0(*2)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 38 | 0aaaaaaa| EQ: Level | | 05 00 00 39#| 0bbbbbbb| —24,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3A | 0aaaaaaa| Bass Cut Frequency | | 05 00 00 3B#| 0bbbbbbb| 1,,,42 = Off,20,,,2000Hz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3C | 0aaaaaaa| Enhancer Sens | | 05 00 00 3D#| 0bbbbbbb| 0,,,100| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 3E | 0aaaaaaa| Enhancer Frequency | | 05 00 00 3F#| 0bbbbbbb| 36,,,56 = 1.0,,,10.0kHz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 40 | 0aaaaaaa| Enhancer Mix Level | | 05 00 00 41#| 0bbbbbbb| —24,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 42 | 0aaaaaaa| Input Gain | | 05 00 00 43#| 0bbbbbbb| —24,,,12dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 44 | 0aaaaaaa| Input Detect Time | | 05 00 00 45#| 0bbbbbbb| 0,,,10ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 46 | 0aaaaaaa| Input Low Split Point | | 05 00 00 47#| 0bbbbbbb| 2,,,34 = 20,,,800Hz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 48 | 0aaaaaaa| Input High Split Point | | 05 00 00 49#| 0bbbbbbb| 40,,,60 = 1.6,,,16.0kHz(*1)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4A | 0aaaaaaa| Expander Low Threshold | | 05 00 00 4B#| 0bbbbbbb| 0,,,80 = —80,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4C | 0aaaaaaa| Expander Mid Threshold | | 05 00 00 4D#| 0bbbbbbb| 0,,,80 = —80,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 4E | 0aaaaaaa| Expander High Threshold | | 05 00 00 4F#| 0bbbbbbb| 0,,,80 = —80,,,0dB| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 50 | 0aaaaaaa| Expander Low Ratio | | 05 00 00 51#| 0bbbbbbb| 0,,,13 = 1:1.0,,,1:INF(*3)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 52 | 0aaaaaaa| Expander Mid Ratio | | 05 00 00 53#| 0bbbbbbb| 0,,,13 = 1:1.0,,,1:INF(*3)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 54 | 0aaaaaaa| Expander High Ratio | | 05 00 00 55#| 0bbbbbbb| 0,,,13 = 1:1.0,,,1:INF(*3)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 56 | 0aaaaaaa| Expander Low Attack 0,,,100ms| | 05 00 00 57#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 58 | 0aaaaaaa| Expander Mid Attack 0,,,100ms| | 05 00 00 59#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5A | 0aaaaaaa| Expander High Attack 0,,,100ms| | 05 00 00 5B#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5C | 0aaaaaaa| Expander Low Release | | 05 00 00 5D#| 0bbbbbbb| 0,,,100 = 50,,,5000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 5E | 0aaaaaaa| Expander Mid Release | | 05 00 00 5F#| 0bbbbbbb| 0,,,100 = 50,,,5000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 60 | 0aaaaaaa| Expander High Release | | 05 00 00 61#| 0bbbbbbb| 0,,,100 = 50,,,5000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 62 | 0aaaaaaa| Compressor Low Threshold —24,,,0dB| | 05 00 00 63#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 64 | 0aaaaaaa| Compressor Mid Threshold —24,,,0dB| | 05 00 00 65#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 66 | 0aaaaaaa| Compressor High Threshold —24,,,0dB| | 05 00 00 67#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 68 | 0aaaaaaa| Compressor Low Ratio | | 05 00 00 69#| 0bbbbbbb| 0,,,13 = 1:1.0,,,1:INF(*3)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 6A | 0aaaaaaa| Compressor Mid Ratio | | 05 00 00 6B#| 0bbbbbbb| 0,,,13 = 1:1.0,,,1:INF(*3)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 6C | 0aaaaaaa| Compressor High Ratio | | 05 00 00 6D#| 0bbbbbbb| 0,,,13 = 1:1.0,,,1:INF(*3)| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 6E | 0aaaaaaa| Compressor Low Attack 0,,,100ms| | 05 00 00 6F#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 70 | 0aaaaaaa| Compressor Mid Attack 0,,,100ms| | 05 00 00 71#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 72 | 0aaaaaaa| Compressor High Attack 0,,,100ms| | 05 00 00 73#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 74 | 0aaaaaaa| Compressor Low Release | | 05 00 00 75#| 0bbbbbbb| 0,,,100 = 50,,,5000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 76 | 0aaaaaaa| Compressor Mid Release | | 05 00 00 77#| 0bbbbbbb| 0,,,100 = 50,,,5000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 78 | 0aaaaaaa| Compressor High Release | | 05 00 00 79#| 0bbbbbbb| 0,,,100 = 50,,,5000ms| |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 7A | 0aaaaaaa| Mixer Low Level 0,,,86 = —80,,,6dB| | 05 00 00 7B#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 7C#| 0aaaaaaa| Mixer Mid Level 0,,,86 = —80,,,6dB| | 05 00 00 7D#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 00 7E | 0aaaaaaa| Mixer High Level 0,,,86 = —80,,,6dB| | 05 00 00 7F#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 01 00#| 0aaaaaaa| Limiter Threshold —24,,,0dB| | 05 00 01 01#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 01 02 | 0aaaaaaa| Limiter Attack 0,,,100ms| | 05 00 01 03#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 01 04 | 0aaaaaaa| Limiter Release 0,,,100 = 50,,,5000ms| | 05 00 01 05#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 01 06 | 0aaaaaaa| Output Level 0,,,86 = —80,,,6dB| | 05 00 01 07#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 01 08 | 0aaaaaaa| Output Soft Cl 0,1 = Off,On| | 05 00 01 09#| 0bbbbbbb| | |—————————————+—————————+—————————————————————————————————————————| | 05 00 01 0A | 00 | (Reserved) | : : | 05 00 7F 7F | 00 | | +—————————————————————————————————————————————————————————————————+ (*1) See the Frequency Table of NRPN and Effect Parameters “Algorithm 35 Mastering Tool Kit.” (*2) See the Q Table of NRPN and Effect Parameters “Algorithm 35 Mastering Tool Kit.” (*3) See the Ratio Table of NRPN and Effect Parameters “Algorithm 35 Mastering Tool Kit.”

+—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |=============+=========+=========================================| | 06 00 00 00 | 0000aaaa| Sync Track Data 1 | | 06 00 00 01#| 0000bbbb| aaaabbbbccccdddd | | 06 00 00 02#| 0000cccc| | | 06 00 00 03#| 0000dddd| | |—————————————+—————————+—————————————————————————————————————————| | 06 00 00 04 | 0000aaaa| Sync Track Data 2 | | 06 00 00 05#| 0000bbbb| aaaabbbbccccdddd | | 06 00 00 06#| 0000cccc| | | 06 00 00 07#| 0000dddd| | |—————————————+—————————+—————————————————————————————————————————| | 06 00 00 08 | 0000aaaa| Sync Track Data 3 | : : : | 06 07 7F 7B | 0000dddd| Sync Track Data 32767 | |—————————————+—————————+—————————————————————————————————————————| | 06 07 7F 7C | 0000aaaa| Sync Track Data 32768 | | 06 07 7F 7D#| 0000bbbb| aaaabbbbccccdddd | | 06 07 7F 7E#| 0000cccc| | | 06 07 7F 7F#| 0000dddd| | +—————————————————————————————————————————————————————————————————+ Address are expressed in 7bit hexadecimal values. +———————————+———————————+———————————+———————————+ | Address | MSB | | LSB | |———————————+———————————+———————————+———————————+ | Binary | 0aaa aaaa | 0bbb bbbb | 0ccc cccc | | 7 Bit Hex | AA | BB | CC | +———————————+———————————+———————————+———————————+ +—————————————————————————————————————————————————————————————————+ | Start | | | | address | Data | Contents and remarks | |==========+=========+============================================| | 00 00 00 | 01 | CH_COM_PHASE | |——————————+—————————+————————————————————————————————————————————| | 00 00 01 | 01 | VIEW SCREEN (ATT) | |——————————+—————————+————————————————————————————————————————————| | 00 00 02 | 01 | DYNAMICS SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 03 | 01 | DYNAMICS SCREEN | |——————————+—————————+————————————————————————————————————————————| | 00 00 04 | 01 | AUX1 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 05 | 01 | AUX2 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 06 | 01 | FX1 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 07 | 01 | FX2 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 08 | 01 | FX3 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 09 | 01 | FX4 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 0A | 01 | FX5 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 0B | 01 | FX6 SEND SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 10 | 01 | VIEW SCREEN (AUX SEND) | |——————————+—————————+————————————————————————————————————————————| | 00 00 11 | | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 00 12 | 01 | EQ SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 13 | 01 | EQ SCREEN | |——————————+—————————+————————————————————————————————————————————| | 00 00 14 | | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 00 15 | 01 | VIEW SCREEN | |——————————+—————————+————————————————————————————————————————————| | 00 00 16 | 01 — 02 | SHIFT | |——————————+—————————+————————————————————————————————————————————| | 00 00 17 | 01 | MIX SWITCH | |——————————+—————————+————————————————————————————————————————————| | 00 00 18 | 01 | VIEW SCREEN (PAN) | |——————————+—————————+————————————————————————————————————————————| | 00 01 00 |00—7F(*1)| ATT | |——————————+—————————+————————————————————————————————————————————| | 00 01 01 |00—7F(*1)| THRESHOLD | |——————————+—————————+————————————————————————————————————————————| | 00 01 02 |00—7F(*1)| RATIO | |——————————+—————————+————————————————————————————————————————————| | 00 01 03 |00—7F(*1)| ATTACK | |——————————+—————————+————————————————————————————————————————————| | 00 01 04 |00—7F(*1)| RELEASE | |——————————+—————————+————————————————————————————————————————————| | 00 01 05 |00—7F(*1)| AUX1 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 06 |00—7F(*1)| AUX2 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 07 |00—7F(*1)| FX1 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 08 |00—7F(*1)| FX2 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 09 |00—7F(*1)| FX3 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 0A |00—7F(*1)| FX4 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 0B |00—7F(*1)| FX5 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 0C |00—7F(*1)| FX6 SEND LEVEL | |——————————+—————————+————————————————————————————————————————————| | 00 01 11 |00—7F(*1)| EQ HIGH GAIN | |——————————+—————————+————————————————————————————————————————————| | 00 01 12 |00—7F(*1)| EQ HIGH FREQ | |——————————+—————————+————————————————————————————————————————————| | 00 01 13 |00—7F(*1)| EQ HIGH—MID GAIN | |——————————+—————————+————————————————————————————————————————————| | 00 01 14 |00—7F(*1)| EQ HIGH—MID FREQ | |——————————+—————————+————————————————————————————————————————————| | 00 01 15 |00—7F(*1)| EQ HIGH—MID Q | |——————————+—————————+————————————————————————————————————————————| | 00 01 16 |00—7F(*1)| EQ LO—MID GAIN | |——————————+—————————+————————————————————————————————————————————| | 00 01 17 |00—7F(*1)| EQ LO—MID FREQ | |——————————+—————————+————————————————————————————————————————————| | 00 01 18 |00—7F(*1)| EQ LO—MID Q | |——————————+—————————+————————————————————————————————————————————| | 00 01 19 |00—7F(*1)| EQ LOW GAIN | |——————————+—————————+————————————————————————————————————————————| | 00 01 1A |00—7F(*1)| EQ LOW FREQ | |——————————+—————————+————————————————————————————————————————————| | 00 01 1B | | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 01 1C |00—7F(*1)| PAN | |——————————+—————————+————————————————————————————————————————————| | 00 02 00 | | (Reserved) | |——————————+—————————+————————————————————————————————————————————| | 00 02 01 | | (Reserved) | +—————————————————————————————————————————————————————————————————+ (*1) 7-bit binary complement

■MIDI Machine Control Details ●STOP(MCS) Status Data Byte Status F0H 7FH,Dev,06H,01H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 01H STOP(MCS) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 stops immediately. If the transport switch [STOP] was pressed, the VS-2000 transmits as the device ID 7FH. ●PLAY(MCS) Status Data Byte Status F0H 7FH,Dev,06H,02H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 02H PLAY(MCS) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 goes into the play back condition. The VS-2000 does not transmit this message. ●DEFERRED PLAY(MCS) Status Data Byte Status F0H 7FH,Dev,06H,03H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 03H DEFERRED PLAY(MCS) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 goes into the play back condition after the locate operation. If the transport switch [PLAY] was pressed, the VS-2000 transmits as the device ID 7FH. ●FAST FORWARD(MCS) Status Data Byte Status F0H 7FH,Dev,06H,04H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real time Header Dev Device ID (or 7FH) 06H MMC Command Message 04H FAST FORWARD (MCS) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 goes into the fast forward condition. The VS-2000 does not transmit this message. ●REWIND(MCS) Status Data Byte Status F0H 7FH,Dev,06H,05H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real time Header Dev Device ID (or 7FH) 06H MMC Command Message 05H REWIND(MCS) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 goes into the rewind condition. The VS-2000 does not transmit this message. ●RECORD STROBE Status Data Byte Status F0H 7FH,Dev,06H,06H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 06H RECORD STROBE F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 goes into the following condition. 1. The VS-2000 is in the play back condition. Start Recording the tracks that status are the record standby mode. 2. The VS-2000 is in the stop condition. Start Playing back and Start Recording the track that status are the record standby mode. If the transport switch [REC] was pressed out of the recording condition, the VS-2000 transmits as the device ID 7FH.ccH,ddH,eeH,,,ffH,,, ●RECORD EXIT Status Data Byte Status F0H 7FH,Dev,06H,07H F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 07H RECORD EXIT F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 exit from the record condition. If the transport switch [REC] was pressed while recording, the VS-2000 transmits as the device ID 7FH. ●MMC RESET Status Data Byte Status F0H 7FH,Dev,06H,0DH F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 0DH MMC RESET F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 resets all communication channels related with MMC. When powered on the VS-2000 transmits as the device ID 7FH. ●WRITE Status Data Byte Status F0H 7FH,Dev,06H,40H,ccH,ddH,eeH,,,ffH,,, F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 40H WRITE ccH Information Bytes follows the command ddH The name of the writable Information Field. eeH Information Field Format : : ffH Field names and data : : F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 write the data to the specified information field. The VS-2000 does not transmit this message.

7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 41H MASKED WRITE 04H Number of Bytes follows the command ddH The name of the masked type writable Information Field eeH Byte number to write in the Bit Map ffH bit location of the bit map byte to change ggH New data to write to the specified bit map byte F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 writes the data to the specified bit map byte. The VS-2000 does not transmit this message. ●LOCATE(MCP) ❍Format 1 - LOCATE[I/F] Status Data Byte Status F0H 7FH,Dev,06H,44H,02H,00H,nnH F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 44H LOCATE (MCP) 02H umber of Bytes 00H “I/F” sub command nnH Information Field (08H, 09H, 0AH, 0BH, 0CH, 0DH, 0EH, 0FH) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 locates the selected time location stored to the specified information filed. The VS-2000 does not transmit this message. ❍Format 2 - LOCATE[TARGET] Status Data Byte Status F0H 7FH,Dev,06H,44H,06H,01H,hrH, F7H mnH,scH,frH,ffH Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 44H LOCATE(MCP) 06H Number of Bytes 01H “TARGET” sub command hrH,mnH,scH,frH,ffH Standard time with Sub Frame F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 locates the specified time location received from the command. If the efficient locate number or marker number is selected, the VS-2000 transmits as the device ID 7FH. ●MOVE Status Data Byte Status F0H 7FH,Dev,06H,4CH,02H,ddH,ssH F7H Byte Description F0H Status of System Exclusive Message 7FH Universal System Exclusive Real-time Header Dev Device ID (or 7FH) 06H MMC Command Message 4CH MOVE 02H Number of Bytes ddH Name of the Efficient Destination Information Field (08H,09H,0AH,0BH,0CH,0DH,0EH,0FH) ssH Name of the Efficient Source Information Field (01H) F7H EOX (End of System Exclusive message) If the device ID on the message was as same as that of the receiving device or 7FH, the VS-2000 transfers the data on the selected source information filed to the destination Information Field, if the name of both information fields in efficient. The VS-2000 does not transmit this message. ●The efficient Information Field The followings are the efficient Information Field on the VS-2000. The name of the efficient destination Information Field: 01H SELECTED TIME CODE 08H GP0 / LOCATE POINT 09H GP1 0AH GP2 0BH GP3 0CH GP4 0DH GP5 0EH GP6 0FH GP7 4FH TRACK RECORD READY

VS-2000 can transfer and receive the scenes, the EZ ROUTING User Templates and the User Effect Patches by bulk dump. In order to make bulk dump transmit, a transmitting function is performed on UTILITY- MIDI BULK DUMP screen. In order to make bulk dump receive, after changing into a reception standby state on UTILITY-MIDI BULK DUMP screen, the bulk dump which the VS-2000 outputted beforehand is sent to the VS-2000. ■Address Block +—————————————————————————————————————————————————————————————————+ | Start | | | address | Contents and remarks | |=============+===================================================| | 10 00 00 00 | SCENE #1—1 | : : | 10 00 7F 7F | | |—————————————+———————————————————————————————————————————————————| | 10 01 00 00 | SCENE #1—2 | : : | 10 01 7F 7F | | |—————————————+———————————————————————————————————————————————————| : : |—————————————+———————————————————————————————————————————————————| | 10 0F 00 00 | SCENE #1—16 | : : | 10 0F 7F 7F | | |—————————————+———————————————————————————————————————————————————| | 10 10 00 00 | SCENE #2—1 | : : | 10 10 7F 7F | | |—————————————+———————————————————————————————————————————————————| : : |—————————————+———————————————————————————————————————————————————| | 10 5F 00 00 | SCENE #6—16 | : : | 10 5F 7F 7F | | |—————————————+———————————————————————————————————————————————————| | 11 00 00 00 | EZ ROUTING USER TEMPLATE #00 | : : | 11 00 7F 7F | | |—————————————+———————————————————————————————————————————————————| | 11 01 00 00 | EZ ROUTING USER TEMPLATE #01 | : : | 11 01 7F 7F | | |—————————————+———————————————————————————————————————————————————| : : |—————————————+———————————————————————————————————————————————————| | 11 13 00 00 | EZ ROUTING USER TEMPLATE #19 | : : | 11 13 7F 7F | | |—————————————+———————————————————————————————————————————————————| | 12 00 00 00 | EFFECT USER PATCH #000 | : : | 12 00 01 7F | | |—————————————+———————————————————————————————————————————————————| | 12 00 02 00 | EFFECT USER PATCH #001 | : : | 12 00 03 7F | | |—————————————+———————————————————————————————————————————————————| : : |—————————————+———————————————————————————————————————————————————| | 12 03 0E 00 | EFFECT USER PATCH #199 | : : | 12 03 0F 7F | | +—————————————————————————————————————————————————————————————————+ 5. V-LINK TRANSMITTED DATA The following control command will be transmitted while V-LIN function is activated. ■CHANNEL VOICE MESSAGES ●CONTROL CHANG ❍Controller Number 0 This is used to switch image banks. (MIDI ch.=1 fixed) In the V-LINK activated mode, while AUTOMIX is playing, this is transmitted when the current time coincides with the pre-registered time for switching image bank. Status Second Third B0H 00H mmH mm = Bank Nunber : 00H - 7FH (1 - 128) ❍Controller Number 1 If the V-LINK function is On and the UTILITY V-LINK SETUP screen's FADER ASSIGN Sw is also On, this message is transmitted when you operate a fader assigned to Brightness (MIDI ch. is fixed at 1). Status Second Third B0H 01H mmH mm = Control Value: 0H - 7FH (0 - 127) ❍Controller Number 5 If the V-LINK function is On and the UTILITY V-LINK SETUP screen's FADER ASSIGN Sw is also On, this message is transmitted when you operate a fader assigned to Dissolve Time (MIDI ch. is fixed at 1). Status Second Third B0H 05H mmH mm = Control Value : 0H - 7FH (0 - 127) ❍Controller Number 7 If the V-LINK function is On and the UTILITY V-LINK SETUP screen's FADER ASSIGN Sw is also On, this message is transmitted when you operate a fader assigned to Color Cb (MIDI ch. is fixed at 1). Status Second Third B0H 07H mmH mm = Control Value : 0H - 7FH (0 - 127) ❍Controller Number 10 If the V-LINK function is On and the UTILITY V-LINK SETUP screen's FADER ASSIGN Sw is also On, this message is transmitted when you operate a fader assigned to Color Cr (MIDI ch. is fixed at 1). Status Second Third B0H 0AH mmH mm = Control Value : 0H - 7FH (0 - 127) ❍Controller Number 11 If the V-LINK function is On and the UTILITY V-LINK SETUP screen's FADER ASSIGN Sw is also On, this message is transmitted when you operate a fader assigned to T Bar (MIDI ch. is fixed at 1). Status Second Third B0H 0BH mmH mm = Control Value : 0H - 7FH (0 - 127) ❍Controller Number 72 If the V-LINK function is On and the UTILITY V-LINK SETUP screen's FADER ASSIGN Sw is also On, this message is transmitted when you operate a fader assigned to Playback Speed (MIDI ch. is fixed at 1). Status Second Third B0H 48H mmH mm = Control Value : 0H - 7FH (0 - 127)

fixed)In the V-LINK activated mode and while AUTOMIX is playing, this is transmitted when the current time coincides with the pre-registered time for switching image clip. Status Second C0H ppH pp = Program No. : 00H - 7FH (1 - 128) ■CHANNEL MODE MESSAGES ●RESET ALL CONTROLLERS (Controller number 121) This is transmitted when [CLEAR]+[V-LINK] are pressed. (MIDI ch.=1 fixed) Status Second Third B0H 79H 00H ●ALL NOTEOFF(Controller number 123) This is transmitted when VS-2000 stops. (MIDI ch.=1 fixed) Status Second Third B0H 7BH 00H ■SYSTEM EXCLUSIVE MESSAGES ❍V-LINK ON Status Data Byte Status F0H 41H,7FH,00H,51H,12H,10H, F7H 00H,00H,01H,aaH, ..., ffH,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) 7FH Device ID 00H 51H Model ID (DV-7PR) 12H Command ID (DT1) 10H Address MSB 00H Address 00H Address LSB 01H V-LINK ON/OFF (ON) aaH Clip Ctrl Rx MIDI ch (*1) bbH Color Ctrl Rx MIDI ch (*1) ccH Note Message Enabled (*2) ddH Fast Control Enabled (*3) eeH MMC Control Mode (*4) ffH MTC Control Mode(*5) Sum Check Sum F7H EOX (End of System Exclusive message) These messages are transmitted when V-LINK function turns to enable. VS-2000 doesn’t receive these messages. (*1) 00H(ch.1) fixed (*2) 00H(OFF) fixed (*3) 01H(ON) fixed (*4) It depends on MMC mode(OFF, MASTER or SLAVE) of VS-2000 as followings. OFF 00H(OFF) MASTER 01H(SLAVE) SLAVE 02H(MASTER) (*5) It depends on SYNC mode(INT or EXT) of VS-2000 as followings. INT 01H(SLAVE) EXT 02H(MASTER) ❍V-LINK OFF Status Data Byte Status F0H 41H,7FH,00H,51H,12H,10H, F7H 00H,00H,00H,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) 7FH Device ID 00H 51H Model ID (DV-7PR) 12H Command ID (DT1) 10H Address MSB 00H Address 00H Address LSB 00H V-LINK ON/OFF (OFF) Sum Check Sum F7H EOX (End of System Exclusive message) These messages are transmitted when V-LINK function turns to disable. VS-2000 doesn’t receive these messages. ❍SET CLIP CONTROL ASSIGNMENT Status Data Byte Status F0H 41H,7FH,00H,51H,12H,10H,10H,00H, F7H 05H,00H,00H,05H,0FH,0FH,00H,0BH,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) 7FH Device ID 00H 51H Model ID (DV-7PR) 12H Command ID (DT1) 10H Address MSB 10H Address 00H Address LSB 04H Playback Speed Control Assign(MSN) 08H Playback Speed Control Assign(LSN) 00H Dissolve Time Control Assign(MSN) 05H Dissolve Time Control Assign(LSN) 0FH Audio Level Control Assign (MSN) (*1) 0FH Audio Level Control Assign (LSN) (*1) 00H T Bar Control Assign (MSN) 0BH T Bar Control Assign (LSN) Sum Check Sum F7H EOX (End of System Exclusive message) These messages are transmitted when V-LINK function turns to enable. VS-2000 doesn’t receive these messages. (*1) On the VS-2000, the audio level cannot be controlled. ❍SET COLOR CONTROL ASSIGNMENT Status Data Byte Status F0H 41H,7FH,00H,51H,12H,10H,20H, F7H 00H,00H,07H,00H,0AH,00H,01H,Sum Byte Description F0H Status of System Exclusive Message 41H Manufacturer ID (Roland) 7FH Device ID 00H 51H Model IDModel ID (DV-7PR) 12H Command ID (DT1) 10H Address MSB 20H Address 00H Address LSB 00H Color Cb Control Assign(MSN) 07H Color Cb Control Assign(LSN) 00H Color Cr Control Assign(MSN) 0AH Color Cr Control Assign(LSN) 00H Brightness Control Assign(MSN) 01H Brightness Control Assign(LSN) Sum Check Sum F7H EOX (End of System Exclusive message) These messages are transmitted when V-LINK function turns to enable. VS-2000 doesn’t receive these messages.

(Hexadecimal number is shown with H.) In MIDI documentation, data values and addresses/sizes of system exclusive messages etc. are expressed as hexadecimal values for each 7 bits. the following table shows how these correspond to decimal numbers. +——————+——————++——————+——————++——————+——————++——————+——————+ | dec | hex || dec | hex || dec | hex || dec | hex | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+ (*) Decimal values such as MIDI channel, bank select, and program change are listed as one(1) greater than the values given in the above table. (*) A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expression two 7-bit bytes would indicate a value of aa x 128 + bb. (*) In the case of values which have a +/- sign, 40H=-64, 00H=0, 3FH=+63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 40 00H = -8192, 00 00H = 0, 3F 7FH = +8191. (*) Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed as a 20byte nibble 0a 0bH has the value of a x 16 + b. What 5AH in decimal system? 5AH = 90 according to the above table. What in decimal system is 12034H in hexadecimal of every 7 bit? 12H = 18, 34H = 52 according to the above table. So 18 x 128 + 52 = 2356. What in decimal system is 0A 03 09 0D in nibble system? 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 according to the above table. So ((10 x 16 + 3) x 16 + 9) x 16 + 3 = 41885. What in nibble system is 1258 in decimal system? ____ 16)1258 16) 78 ... 10 16) 4 ... 14 0 ... 4 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH according to the above table. So it is 00 04 0E 0AH. ●Example of system exclusive message and Checksum calculation On Roland system exclusive message (DT1), checksum is added at the end of transmitted data (in front of F7) to check the message is received correctly. Value of checksum is defined by address and data (or size) of the system exclusive message to be transmitted. ❍How to calculate checksum (Hexadecimal number is shown with H.) checksum is a value which lower 7 bit of the sum of address, size and checksum itself turns to be 0. If the address of the system exclusive message to be transmitted is aa bb ccH and data or size is dd ee ffH, aa + bb + cc + dd + ee + ff = sum sum /128 = quotient and odd When odd is 0, 0 = checksum When odd is other than 0, 128 - odd = checksum. ■MIDI Machine Control (MMC) Command, Information Field/Response Reference ●Command Recognized Command Action ----------------- ------- 01H STOP STOP 02H PLAY PLAY 03H DEFERRED PLAY PLAY 04H FAST FORWARD FF 05H REWIND REW 06H RECORD STROBE REC / PUNCH IN 07H RECORD EXIT PUNCH OUT 0DH MMC RESET RESET 40H WRITE write to Information fields 41H MASKED WRITE Set Track Status Information Fields 44H 00H LOCATE I/F LOCATE (Read Locator) 44H 01H LOCATE TARGET LOCATE (Designated Time) 4CH MOVE Move between Information ●Commands Transmitted Command Action ----------------- ------ 01H STOP STOP 03H DEFERRED PLAY PLAY 06H RECORD STROBE REC / PUNCH IN 07H RECORD EXIT PUNCH OUT 0DH MMC RESET RESET 44H 01H LOCATE TARGET LOCATE ●Valid Information Fields/response Command Action Valid Commands ---------------------- ----------- -------------------------- 01H SELECTED TIME CODE Current Time MOVE(FROM) 08H GP0 / LOCATE POINT Locator 1 MOVE(FROM), MOVE(TO), WRITE 09H GP1 Locator 2 MOVE(FROM), MOVE(TO), WRITE 0AH GP2 Locator 3 MOVE(FROM), MOVE(TO), WRITE 0BH GP3 Locator 4 MOVE(FROM), MOVE(TO), WRITE 0CH GP4 Locator 5 MOVE(FROM), MOVE(TO), WRITE 0DH GP5 Locator 6 MOVE(FROM), MOVE(TO), WRITE 0EH GP6 Locator 7 MOVE(FROM), MOVE(TO), WRITE 0FH GP7 Locator 8 MOVE(FROM), MOVE(TO), WRITE 4FH TRACK RECORD READY Track Status MASKED WRITE, WRITE

Mode 2 : OMNI ON, MONO o: Yes Mode 3 : OMNI ON, MONO Mode 4 : OMNI ON, MONO x: No Digital Studio Workstation Date : Oct. 31, 2003 Model VS-2000 MIDI Implementation Chart Version : 1.00 Funcition... Transmitted Recognixed Remarks Basic Channel: Default Changed 1–16 1–16 *1 1–16 Mode: Default Message Altered Mode 3 x ************** Mode 3 x x Note Number: True Voice o 12–127 *1 0–127 *19 o 36–84, 36–60 *5 36–84 *18 0–127 *19 Verocity: Note On Note Off o (9n, v=1–127 *1) x 9n, v=0 x x After Touch: Key's Channel's x x x x Pitch Bend: x o *5,*18 Contorol Change: 0,32 o *16 o Bank Select 6,38 x o Data Entry LSB,MSB *10 7,39,71 x o NPUT/TRACK FADER LEVEL *10 10,42,74 o o INPUT/TRACK PAN *10 12,44,76 o o NPUT/TRACK AUX1 SEND LEVEL *10 13,45,77 o o INPUT/TRACK AUX2 SEND LEVEL *10 14,46,78 o o INPUT/TRACK FX1 SEND LEVEL *10 15,47,79 o o INPUT/TRACK FX2 SEND LEVEL *10 16,48,80 o o INPUT/TRACK FX3 SEND LEVEL *10 17,49,81 o o INPUT/TRACK FX4 SEND LEVEL *10 18,50,82 o o INPUT/TRACK FX5 SEND LEVEL *10 19,51,83 o o INPUT/TRACK FX6 SEND LEVEL *10 20,52,84 o o INPUT/TRACK AUX1/2 SEND PAN *10 21,53,85 o o INPUT/TRACK FX1/2 SEND PAN *10 22,54,86 o o INPUT/TRACK FX3/4 SEND PAN *10 23,55,87 o o INPUT/TRACK FX5/6 SEND PAN *10 24,56,88 o o INPUT/TRACK OFFSET FADER LEVEL *10 25,57,89 o o INPUT/TRACK OFFSET FADER PAN *10 35,67 o o TRACK STATUS *10 64 x o Hold *10,*11 96,97 x o Data Inc,Dec *10 98,99 x o NRPN LSB,MSB *10 102 o o RETURN FADER LEVEL *10,*12 / MASTER LEVEL *10,*13 103 o o RETURN BALANCE *10,*12 / MASTER BALANCE *10,*13 104 o o RETURN AUX1 SEND LEVEL *10,*12 / MONITOR BALANCE *10,*13 DIR1 LEVEL *10,*14 / AUX1 LEVEL *10,*15 105 o o RETURN AUX2 SEND LEVEL *10,*12 / DIR2 LEVEL *10,*14 / AUX2 LEVEL *10,*15 106 o o RETURN FX1 SEND LEVEL *10,*12 / DIR3 LEVEL *10,*14 / FX1 LEVEL *10,*15 107 o o RETURN FX2 SEND LEVEL *10,*12 / DIR4 LEVEL *10,*14 / FX2 LEVEL *10,*15 108 o o RETURN FX3 SEND LEVEL *10,*12 / DIR5 LEVEL *10,*14 / FX3 LEVEL *10,*15 109 o o RETURN FX4 SEND LEVEL *10,*12 / DIR6 LEVEL *10,*14 / FX4 LEVEL *10,*15 110 o o RETURN FX5 SEND LEVEL *10,*12 / DIR7 LEVEL *10,*14 / FX5 LEVEL *10,*15 111 o o RETURN FX6 SEND LEVEL *10,*12 / DIR8 LEVEL *10,*14 / FX6 LEVEL *10,*15 112 o o RETURN AUX1/2 SEND Bal *10,*12 / DIR1/2 LEVEL *10,*14 / AUX1/2 LEVEL *10,*15 113 o o RETURN FX1/2 SEND Bal *10,*12 / DIR3/4 LEVEL *10,*14 / FX1/2 LEVEL *10,*15 114 o o RETURN FX3/4 SEND Bal *10,*12 / DIR5/6 LEVEL *10,*14 / FX3/4 LEVEL *10,*15 115 o o RETURN FX5/6 SEND Bal *10,*12 / DIR7/8 LEVEL *10,*14 / FX5/6 LEVEL *10,*15 1 x o Modulation *18 5 x o Portamento Time *18 16 x o General Purpose Controller 1 *18 17 x o General Purpose Controller 2 *18 18 x o General Purpose Controller 3 *18 19 x o General Purpose Controller 4 *18 65 x o Portamento *18 76 x o Vibrato Rate *18 77 x o Vibrato Depth *18 78 x o Vibrato Delay *18 80 x o General Purpose Controller 5 *18 81 x o General Purpose Controller 6 *18 82 x o General Purpose Controller 7 *18 83 x o General Purpose Controller 8 *18 Program Change: True Number o *17 ************** 0–8 o 0–99 *6 0–95 *7 0–8 Effect #0–#99 Scene #1-1– #6-16 Drum Kit 0 – 8 *19 System Exclusive: o *8 o *9 Common Quarter Frame Song Position Song Select Tune o *2 o*3 x x o *2 x x x Realtime: Clock Command o*3 o o*4 o AUX: All Sound Off Reset All Controllers Local on/off All Notes Off Active Sensing System Reset x o *17 x o *17 x x x x x x x x Notes *1 MIDI Metronome Only *2 MIDI OUT SYNC Gen.=MTC Only *3 MIDI OUT SYNC Gen.=MIDIclk or SyncTr Only *4 When recording Sync Track Only *5 When the effect patch Voice Transformer effect (algorithm 27) is selected and MIDI CONTROL Sw is “On” only. *6 When EFFECT P.C. Rx Sw=On and MIDI CH=1–6. *7 When SCENE P.C. Rx Sw=On and MIDI CH=16. *8 SysEx. Tx Sw=On Only *9 SysEx. Rx Sw=On Only *10 MIXER CONTROL TYPE=C.C. Only *11 When the effect patch Vocoder2 effect (algorithm 28) is selected and HOLD is “MIDI” only. *12 When MIDI CH=1–6. *13 When MIDI CH=16. *14 When MIDI CH=14. *15 When MIDI CH=15. *16 When V-LINK switch is “On,” transmit MSB. *17 V-LINK switch is “On” only. *18 When HARMONY function is turned on. *19 When RHYTHM TRACK function is turned on and MIDI channel is set.