Nikon COOLPIX 8700 Manual
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of Apple Computer, Inc. Finder, Power Mac, iMac, and iBook are trademarks of Apple Computer, Inc. Microsoft and
Windows are registered trademarks of Microsoft Corporation. Internet is a trademark of Digital Equipment Corpora-
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Microdrive is a registered trademark of Hitachi Global Storage Technologies in the United States and / or other coun-
tries. Adobe and Acrobat are registered trademarks of Adobe Systems Inc. PictBridge is a trademark. All other trade
names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or
registered trademarks of their respective holders.
Attaching the Camera Strap
Attach the camera strap as shown be-
low. Repeat for the second eyelet.
The Lens Cap
When replacing or removing the lens
cap, press the tabs on either side of the
cap to release the latch.
To avoid losing the lens cap, use the
cord provided to attach it to the camera
as shown.
�
�
�
�
More on Photography
Movies
More on Playback
Menu Guide
Technical Notes
Symbols and Conventions
To make it easier to fi nd the information
you need, the following symbols and con-
ventions are used:
This icon marks tips, additional
information that may be helpful
when using the camera.
This icon marks cautions, informa-
tion that should be read before use
to prevent damage to the camera.
This icon marks notes, information
that should be read before using
the camera.
This icon indicates that more infor-
mation is available elsewhere in this
manual or in the Quick Start Guide.
Scene Mode
For Your Safety
To prevent damage to your Nikon product or injury to yourself or to others,
read the following safety precautions in their entirety before using this equip-
ment. Keep these safety instructions where all those who use the product
will read them.
The consequences that could result from failure to observe the precautions
listed in this section are indicated by the following symbol:
This icon marks warnings, information that should be read before using this
Nikon product to prevent possible injury.
WARNINGS
Do not look at the sun through the view-
fi nder
Viewing the sun or other strong light
source through the viewfi nder could
cause permanent visual impairment.
Turn off immediately in the event of
malfunction
Should you notice smoke or an unusual
smell coming from the equipment or
from the AC adapter (available sepa-
rately), unplug the AC adapter and re-
move the battery immediately, taking
care to avoid burns. Continued opera-
tion could result in injury. After remov-
ing the battery, take the equipment to a
Nikon-authorized service representative
for inspection.
Do not use in the presence of fl ammable
gas
Do not use electronic equipment in the
presence of fl ammable gas, as this could
result in explosion or fi re.
Observe caution when using the camera
strap
Never place the strap around the neck
of an infant or child.
Do not disassemble
Touching the product’s internal parts
could result in injury. In the event of
malfunction, the product should be
repaired only by a qualifi ed technician.
Should the product break open as the
result of a fall or other accident, take
the product to a Nikon-authorized ser-
vice representative for inspection after
unplugging the AC adapter and remov-
ing the battery.
Observe proper precautions when han-
dling batteries
Batteries may leak or explode if improp-
erly handled. Observe the following
precautions when handling batteries for
use in this product:
• Before replacing the battery, turn the
product off and make sure the power-
on lamp has gone out. If you are using
an AC adapter, be sure it is unplugged.
• Use only rechargeable Nikon EN-EL1
lithium-ion batteries (supplied) or six-
volt 2CR5 (DL245) lithium batteries
(available separately).
• When inserting the battery, do not at-
tempt to insert it upside down or back-
wards.
• Do not short or disassemble batteries.
• Do not expose batteries to fl ame or to
excessive heat.
• Do not immerse in or expose to water.
• Replace the terminal cover when trans-
porting the battery. Do not transport or
store with metal objects such as neck-
laces or hairpins.
• Batteries are prone to leakage when
fully discharged. To avoid damage to
the product, be sure to remove the bat-
tery when no charge remains.
• Immediately after use, or when the
product is used on battery power for
an extended period, the battery may
become hot. Before removing the bat-
tery, turn the camera off and allow the
battery to cool.
• The camera grip may become notice-
ably warm when the camera is used
with a 2CR5 (DL245) lithium battery.
This is normal and does not indicate a
malfunction.
• Discontinue use immediately should you
notice any change in the battery, such as
discoloration or deformation.
Use appropriate cables
When connecting cables to the input
and output jacks, use only the cables
provided or sold by Nikon for the pur-
pose, to maintain compliance with
product regulations.
Keep out of reach of children
Particular care should be taken to pre-
vent infants from putting the batteries
or other small parts into their mouths.
Removing memory cards
Memory cards may become hot during
use. Observe due caution when remov-
ing memory cards from the camera.
CD-ROMs
The CD-ROMs on which the software
and manuals are distributed should
not be played back on audio CD equip-
ment. Playing CD-ROMs on an audio
CD player could cause hearing loss or
damage the equipment.
Observe caution when operating the
fl ash
Using the fl ash close to your subject’s
eyes could cause temporary visual
impairment. Particular care should
be observed if photographing infants,
when the fl ash should be no less than
one meter (39˝) from the subject.
When using the viewfi nder
When operating the diopter adjustment
control with your eye to the viewfi nder,
care should be taken to not put your
fi nger in your eye accidentally.
Avoid contact with liquid crystal
Should the monitor break, care should
be taken to avoid injury due to broken
glass and to prevent liquid crystal from
the monitor touching the skin or enter-
ing the eyes or mouth.
Notice for customers in the U.S.A.
Federal Communications Commission (FCC) Radio Frequency Interference Statement
This equipment has been tested and found
to comply with the limits for a Class B digi-
tal device, pursuant to Part 15 of the FCC
rules. These limits are designed to provide
reasonable protection against harmful
interference in a residential installation.
This equipment generates, uses, and can
radiate radio frequency energy and, if not
installed and used in accordance with the
instructions, may cause harmful interfer-
ence to radio communications. However,
there is no guarantee that interference
will not occur in a particular installation.
If this equipment does cause harmful in-
terference to radio or television reception,
which can be determined by turning the
equipment off and on, the user is encour-
aged to try to correct the interference by
one or more of the following measures:
• Reorient or relocate the receiving an-
tenna.
• Increase the separation between the
equipment and receiver.
• Connect the equipment into an outlet
on a circuit different from that to which
the receiver is connected.
• Consult the dealer or an experienced
radio / television technician for help.
CAUTIONS
Modifi cations
The FCC requires the user to be notifi ed
that any changes or modifi cations made to
this device that are not expressly approved
by Nikon Corporation may void the user’s
authority to operate the equipment.
Interface Cables
Use the interface cables sold or provided
by Nikon for your equipment. Using other
interface cables may exceed the limits of
Class B Part 15 of the FCC rules.
Notice for customers in the State of California
WARNING: Handling the cord on this
product will expose you to lead, a chemi-
cal known to the State of California to
cause birth defects or other reproductive
harm. Wash hands after handling.
Nikon Inc.,
1300 Walt Whitman Road, Melville, New York
11747-3064, U.S.A. Tel.: 631-547-4200
• No part of the manuals included with
this product may be reproduced, trans-
mitted, transcribed, stored in a retrieval
system, or translated into any language
in any form, by any means, without
Nikon’s prior written permission.
• Nikon reserves the right to change the
specifi cations of the hardware and soft-
ware described in these manuals at any
time and without prior notice.
• Nikon will not be held liable for any
damages resulting from the use of this
product.
• While every effort has been made to
ensure that the information in these
manuals is accurate and complete, we
would appreciate it were you to bring
any errors or omissions to the attention
of the Nikon representative in your area
(address provided separately).
Notice for customers in Canada
CAUTION
This class B digital apparatus meets all re-
quirements of the Canadian Interference
Causing Equipment Regulations.
ATTENTION
Cet appareil numérique de la classe B res-
pecte toutes les exigences du Règlement
sur le matériel brouilleur du Canada.
Notice Concerning Prohibition of Copying or Reproduction
Note that simply being in possession of material that has been digitally copied or repro-
duced by means of a scanner, digital camera or other device may be punishable by law.
• Items prohibited by law from being
copied or reproduced
Do not copy or reproduce paper money,
coins, securities, government bonds, or
local government bonds, even if such
copies or reproductions are stamped
“Sample.”
The copying or reproduction of paper
money, coins, or securities which are
circulated in a foreign country is pro-
hibited.
Unless the prior permission of the gov-
ernment has been obtained, the copy-
ing or reproduction of unused postage
stamps or post cards issued by the
government is prohibited.
The copying or reproduction of stamps
issued by the government and of cer-
tifi ed documents stipulated by law is
prohibited.
• Cautions on certain copies and re-
productions
The government has issued cautions on
copies or reproductions of securities is-
sued by private companies (shares, bills,
checks, gift certifi cates, etc.), commuter
passes, or coupon tickets, except when
a minimum of necessary copies are to
be provided for business use by a com-
pany. Also, do not copy or reproduce
passports issued by the government,
licenses issued by public agencies and
private groups, ID cards, and tickets,
such as passes and meal coupons.
• Comply with copyright notices
The copying or reproduction of copy-
righted creative works such as books,
music, paintings, woodcut prints, maps,
drawings, movies, and photographs is
governed by national and international
copyright laws. Do not use this product
for the purpose of making illegal copies
or to infringe copyright laws.
Table of Contents
For Your Safety...............................................................................................
ii
Notices...........................................................................................................
iv
Introduction
1
Parts of the Camera.........................................................................................
2
Using the Monitor...........................................................................................
4
Camera Displays...............................................................................................
5
Turning the Camera on and Off .....................................................................
7
The Shutter-Release Button............................................................................
7
Navigating the Menus.....................................................................................
7
First Steps
8
Inserting Batteries ...........................................................................................
8
Inserting Memory Cards.................................................................................. 10
Basic Setup....................................................................................................... 11
Basic Photography
14
Step 1 —Select
Mode.................................................................................. 14
Step 2 — Frame the Picture.............................................................................. 16
Step 3 — Focus and Shoot................................................................................ 18
Step 4 — View the Results (Quick review/Full-screen review)........................ 21
Scene Mode
23
Taking Pictures in Scene Mode....................................................................... 23
Taking Pictures for a Panorama...................................................................... 28
More on Photography
30
Image Quality and Size ................................................................................... 30
Image Quality................................................................................................. 30
Image Size...................................................................................................... 32
Flash Mode....................................................................................................... 34
Focus Mode...................................................................................................... 37
Self-Timer Mode.............................................................................................. 38
Exposure Compensation ................................................................................. 39
Exposure Mode (Shooting Modes
[Custom 1] and
[Custom 2] Only)..... 40
P: Programmed Auto...................................................................................... 41
S: Shutter-Priority Auto................................................................................... 42
A: Aperture-Priority Auto................................................................................ 43
M: Manual...................................................................................................... 44
Sensitivity (Shooting Modes
[Custom 1] and
[Custom 2] Only)............ 46
Manual Focus (Shooting Modes
[Custom 1] and
[Custom 2] Only) ..... 47
Movie Options (Shooting Modes
[Custom 1] and
[Custom 2] Only).... 49
Recording Movies............................................................................................ 51
Recording a Time-Lapse Movie ....................................................................... 52
Viewing Movies ............................................................................................... 54
More on Playback
55
Viewing Pictures on the Camera .................................................................... 55
Full-Frame Playback ........................................................................................ 55
Viewing Multiple Pictures: Thumbnail Playback............................................... 57
Photo Information .......................................................................................... 58
Taking a Closer Look: Playback Zoom.............................................................. 60
Creating Small Copies: Small Picture............................................................... 62
Voice Memos: Recording and Playback ........................................................... 63
Viewing Pictures on TV ................................................................................... 64
Viewing Pictures on a Computer.................................................................... 65
Printing Pictures .............................................................................................. 68
Printing Via Direct USB Connection................................................................. 69
Menu Guide
74
The Shooting Menu (Shooting Modes
[Custom 1] and
[Custom 2] Only) ... 74
White Balance ................................................................................................ 76
Metering ........................................................................................................ 79
Continuous .................................................................................................... 80
Best Shot Selector (BSS).................................................................................. 84
Image Adjustment.......................................................................................... 86
Saturation Control.......................................................................................... 87
User Setting.................................................................................................... 88
Image Sharpening .......................................................................................... 89
Lens ............................................................................................................... 90
Exposure Options ........................................................................................... 91
Focus Options................................................................................................. 93
Zoom Options ................................................................................................ 95
Speedlight Options......................................................................................... 96
Auto Bracketing ............................................................................................. 99
Noise Reduction ............................................................................................. 101
Reset.............................................................................................................. 102
My Menu ....................................................................................................... 103
CF Card Format.............................................................................................. 104
The Playback Menu ......................................................................................... 105
Delete ............................................................................................................ 106
Folders ........................................................................................................... 108
Slide Show ..................................................................................................... 112
Protect ........................................................................................................... 114
Hide Image..................................................................................................... 115
Print Set ......................................................................................................... 116
Auto Transfer ................................................................................................. 118
Move Image ................................................................................................... 120
CF Card Format.............................................................................................. 121
Small Pic......................................................................................................... 121
The Setup Menu .............................................................................................. 122
Language ....................................................................................................... 124
Date............................................................................................................... 124
Folders ........................................................................................................... 126
Monitor Options............................................................................................. 126
Seq. Numbers................................................................................................. 129
Shutter Sound ................................................................................................ 130
Auto Off......................................................................................................... 131
CF Card Format.............................................................................................. 131
Controls ......................................................................................................... 132
Shot Confi rmation.......................................................................................... 133
info.txt ........................................................................................................... 134
USB................................................................................................................ 134
Video Mode ................................................................................................... 135
Reset All......................................................................................................... 135
Date Imprint................................................................................................... 136
Firmware Version............................................................................................ 136
Technical Notes
137
Optional Accessories ....................................................................................... 137
Approved Memory Cards................................................................................ 139
Caring for Your Camera .................................................................................. 140
Error Messages................................................................................................. 143
Troubleshooting .............................................................................................. 146
Specifi cations................................................................................................... 149
Index................................................................................................................... 151
Use Only Nikon Brand Electronic Accessories
Nikon COOLPIX cameras are designed to the highest standards and include com-
plex electronic circuitry. Only Nikon brand electronic accessories (including battery
chargers, batteries, AC adapters, and Speedlights) certifi ed by Nikon specifi cally for
use with this Nikon digital camera are engineered and proven to operate within the
operational and safety requirements of this electronic circuitry.
THE USE OF NON-NIKON ELECTRONIC ACCESSORIES COULD DAMAGE THE CAMERA AND MAY VOID YOUR
NIKON WARRANTY. The use of third-party rechargeable Li-ion batteries not approved by
Nikon could interfere with normal operation of the camera or result in the batteries
overheating, igniting, rupturing, or leaking.
For more information about Nikon brand accessories, contact a local authorized
Nikon dealer.
Thank you for your purchase of a Nikon COOLPIX 8700 digital camera. This
manual has been written to help you enjoy taking pictures with your Nikon
digital camera. Read this manual thoroughly before use, and keep it where
all those who use the product will read it.
Before Taking Important Pictures
Before taking pictures on important occasions (such as at weddings or before taking the
camera on a trip), take a test shot to ensure that the camera is functioning normally.
Nikon will not be held liable for damages or lost profi ts that may result from product
malfunction.
Life-Long Learning
As part of Nikon’s “Life-Long Learning” commitment to ongoing prod uct sup port and
ed u ca tion, con tin u al ly-updated information is avail able on-line at the following sites:
• For users in the U.S.A.: http://www.nikonusa.com/
• For users in Europe: http://www.europe-nikon.com/support
• For users in Asia, Oceania, the Middle East, and Africa: http://www.nikon-asia.com/
Visit these sites to keep up-to-date with the latest product in for ma tion, tips, an swers to
fre quent ly-asked ques tions (FAQs), and gen er al advice on digital imaging and pho tog -
ra phy. Ad di tion al information may be available from the Nikon rep re sen ta tive in your
area. See the URL below for contact in for ma tion:
http://nikonimaging.com/
Parts of the Camera
Command dial
(FUNC) button
(
15, 132)
LCD illuminator button
(
6)
(exposure compensation) button (
39)
Voice memo record/ playback button (
63)
(exposure mode) button
(
40)
Shutter-release button (
7)
Power switch (
7)
Control panel
(
6)
Eyelet for
camera strap
(× 2)
Built-in Speedlight (
17, 34)
AF-assist illuminator
(LED;
19, 140, 149)
Photocell (
98)
Lens (
141, 149)
Microphone (
49, 63)
Self-timer lamp (
38)
Red-eye reduction lamp (
34)
Shot confi rmation lamp (
133)
Accessory shoe cover (
96)
Accessory shoe (
96)
(monitor) button (
4)
Zoom (
/ ) buttons
(
16, 57, 60)
Electronic viewfi nder
(
4, 5)
Diopter adjustment
control (
17)
(menu) button
(
74)
Monitor
(
4, 5)
(display) button (
4, 55)
Memory card
slot cover
(
10)
(quick review)
button (
21)
Multi selector
(
7)
(delete) button
(
21, 55, 57, 63)
/ SIZE (image quality / size)
button (
30, 32)
(fl ash mode)
button (
34)
ISO (sensitivity)
button (
46)
(AE / AF lock)
button (
20, 132)
/ MF (focus mode /
manual focus)
button (
37, 47)
Speaker (
54, 63)
Digital
I / O (USB)
connector
(
66, 70)
DC-IN
connector
(
9)
Audio / video (A / V) out connector
(
64)
Tripod socket
Battery-chamber cover
(
8, 138)
Battery pack connector
(under cover;
138)
Battery-chamber cover
latch (
8)
Mode selector
(
14, 55)
Interface connector
cover
Using the Monitor
Fold out to use
Range of rotation
Stow on camera body
Frame self-portraits *
Storage position †
* Monitor shows mirror im-
age of what will appear in
fi nal picture.
† If camera is on, monitor
turns off and electronic
viewfi nder turns on auto-
matically.
Do Not Use Excessive Force
Do not use excessive force when rotating the monitor. Failure to observe this precau-
tion could damage the hinge connecting the monitor to the camera body.
The
and
Buttons
The electronic viewfi nder can be used to frame pictures when bright ambient lighting
conditions make the display in the monitor diffi cult to see. Use the
button to switch
between the monitor and electronic viewfi nder. To hide or display indicators in the
monitor or electronic viewfi nder when the camera is in shooting mode, press the
button.
Histogram *
Framing guides
View through lens with battery,
fl ash, and focus indicators only
Settings and view through lens
(shooting display)
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
0°
90°
180°
* Shooting modes
(Custom 1) and
(Custom 2) only; not displayed in exposure
mode M, in movie mode, or when AE-lock is in effect.
Monitor / Electronic Viewfi nder
The following indicators appear in the monitor and electronic viewfi nder dur-
ing shooting:
Camera Displays
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
1.0.0
1.0
10
10
10
8M
8M
8M
AE/AF
AE/AF
AE/AF
17
16
15
6
2
14
13 12
3
4
5
7
8
9
10
11
TOKYO
TOKYO
1 TOKYO
1
AE-L
AE-L
AE-L AF-L
AF-L
AF-L
100
100
100
H
F5.6
F5.6
1/125 F5.6
125
1/125
1.0.0
1.0
10
10
10
8M
8M
8M
AE/AF
AE/AF
AE/AF
15
15
15
32
31
29
18
28
27
21
19 20
22
25
23
26
NR
NR
NR
WB
WB
WB
30
24
106
106”
106”
1 Shooting mode.............................. 15
2 Zoom indicator 2............................. 16
Folder name .................. 22, 108, 126
3 Exposure / focus lock............... 91, 133
4 Focus mode................................... 37
5 Flash indicator ............................... 18
Recording indicator ....................... 19
6 Flash mode.................................... 34
7 Battery level indicator 3................... 14
8 Focus indicator 4............................. 18
9 Image size ..................................... 32
10 Image quality................................. 30
11 Number of exposures
remaining...................................... 14
12 Date imprint indicator.................. 136
13 Aperture.................................. 40, 43
14 Shutter speed.......................... 40, 42
15 “Date not set” icon 5...................... 12
16 Exposure compensation................. 39
17 Self-timer indicator........................ 38
18 Ultra HS recording indicator........... 81
19 Manual focus display..................... 47
20 Spot metering target ..................... 79
21 Flash mode for optional
Speedlights.................................... 97
22 White balance ............................... 76
23 Sensitivity (ISO equivalency) ........... 46
24 Image adjustment.......................... 86
Black-and-white indicator.............. 87
25 Focus areas.................................... 93
26 Length of movie ............................ 51
27 Exposure display............................ 44
28 Exposure mode.............................. 40
29 Converter lens setting.................... 90
30 Best Shot Selector (BSS)................. 84
Bracketing indicator....................... 99
Noise reduction ........................... 101
31 Metering mode ............................. 79
32 Continuous shooting mode ........... 80
1 Icon varies with scene mode selected.
2 Displayed when zoom buttons are pressed.
3 Appears when batteries are running low.
4 Displayed when shutter-release button is pressed
halfway.
5 Appears when camera clock has not been set.
1 Sensitivity (ISO equivalency)
indicator........................................ 46
2 White balance indicator (appears
when
button is used to set white
balance) ........................................ 76
3 Battery level indicator .................... 14
4 Image quality................................. 30
5 Exposure mode.............................. 40
6 Shutter speed 2......................... 40, 42
Aperture 2 ................................ 40, 43
Shooting mode.............................. 24
Image size ..................................... 32
Exposure compensation................. 39
Sensitivity (ISO equivalency) ........... 46
White balance ............................... 76
Image transfer status..................... 66
7 Manual focus indicator.................. 47
8 Continuous shooting mode ........... 80
9 Exposure compensation
indicator........................................ 39
10 Flash mode.................................... 34
11 Exposure count display (number of
exposures remaining)..................... 14
Exposure indicator......................... 44
12 Metering mode ............................. 79
13 Self-timer ...................................... 38
Focus mode................................... 37
14 Flexible Program............................ 41
The LCD Illuminator Button
To view settings in the dark, press the LCD illuminator button (
2). The LCD illumina-
tor (control panel backlight) will light for about eight seconds.
2 Press
button to switch between shutter-speed
and aperture displays (
,
, P, and M only).
1 Control panel is shown with all elements lit for
illustrative purposes.
Move cursor up
Cancel and return
to previous menu,
or move cursor left
Display sub-menu,
move cursor right,
or make selection.
Move cursor down
7
Introduction
The Shutter-Release Button
The camera has a two stage shutter-release button. The camera sets focus
and exposure when the button is pressed halfway. Focus and exposure will
remain locked while the shutter-release button is kept in this position. To take
the picture, press the shutter-release button the rest of the way down.
Navigating the Menus
The multi selector is used to navigate through the camera menus.
Turning the Camera on and Off
When the camera is turned on, the lens will extend and
the monitor or electronic viewfi nder will display a wel-
come message. The message will clear from the display
when the camera is ready for shooting or playback.
When the camera is turned off, the lens will retract and
the camera displays will turn off.
The camera uses either of the following batteries:
Battery
Description
Six-volt 2CR5 (DL245)
lithium batteries (×1)
• Available at many retail outlets
• Not rechargeable
Rechargeable Nikon
EN-EL1 lithium-ion
batteries (×1)
• Provided with camera
• Can be recharged using supplied MH-53 battery charger
(be sure to charge battery before using camera for fi rst
time or after long period of disuse). About two hours are
required to charge battery when no charge remains.
1
Turn the camera off
3
Insert the battery
Insert the battery as shown in the label inside the
battery-chamber cover.
Inserting Batteries
Inserting the battery upside down or backwards
could damage the camera. Check to be sure the
battery is in the correct orientation.
2CR5 (DL245)
EN-EL1
2
Open the battery-chamber cover
Slide the battery-chamber cover latch to the
position (�) and fl ip the battery-chamber cover
open (�).
Turn the camera off before removing or inserting batteries. To remove the battery,
open the battery-chamber cover as described in Step 2, above, and slide the battery
out. Note that the battery may become hot during use; observe due caution when
removing the battery.
Read Battery Warnings
Read and follow the battery warnings and cautions on pages ii–iii and 140 of
this manual, together with any warnings and instructions supplied by the bat-
tery manufacturer.
Alternative Power Sources
To power the camera continuously for extended periods, use an EH-53 AC adapter
(available separately;
137). Do not, under any circumstances, use another make
or model of AC adapter. Failure to observe this precaution could result in overheating
or in damage to the camera.
4
Close the battery-chamber cover
Close the battery-chamber cover (�) and slide the
latch to the
position (�).
The Eject Button
If the eject button is up when the card-slot cover is closed,
closing the cover will partially eject the memory card, causing
errors when the camera is turned on. Be sure the eject button
is down before inserting memory cards.
Removing Memory Cards
Memory cards can be removed without loss of data when the
camera is off. To remove memory cards, turn the camera off
and open the memory card slot cover. Press the eject button
to pop it up (�), then press it again to partially eject the card
(�). The card can then be removed by hand. Note that
memory cards may become hot during use; observe due cau-
tion when removing memory cards.
Inserting Memory Cards
The camera stores pictures on CompactFlash™ memory cards. See “Technical
Notes: Approved Memory Cards” (
139) for a list of compatible cards.
1
Turn the camera off
2
Open the memory card slot cover
A yellow notice detailing memory card insertion is
placed in the memory card slot at shipment. Re-
move the notice and read the instructions.
3
Insert a memory card
Check that the eject button is all the way down
(�) and then insert a memory card as shown in the
label inside the memory card slot cover (�).
Inserting Memory Cards
Insert memory cards termi-
nals fi rst. Inserting the card
upside down or backwards
could damage the camera
or the card. Check to be
sure the card is in the correct
orientation.
Direction
of insertion
Terminals
Front
DO NOT INSERT:
Close the memory card slot cover
Format Memory Cards Before First Use
Memory cards must be formatted before fi rst use.
See “The Shooting Menu: CF Card Format” (
104).
Follow the steps below to choose a language and set the time and date.
1
Ready the monitor
2
Turn the camera on
The fi rst time the camera is turned on, a language-
selection dialog will be displayed. Choose a lan-
guage and set the time and date as described on
the following pages.
�
�
�
�
�
The Clock Battery
When the main battery is installed or an AC adapter is connected, the clock battery will
charge in about 10 hours. When fully charged, the clock battery can provide several
days of backup power. The language-selection dialog will automatically be dis-
played when the clock battery is exhausted.
The Camera Clock
The camera clock is less accurate than most watches or household clocks. Check the
clock regularly against more accurate timepieces and reset as necessary.
† Select No to exit to mode selected with mode selector. If time and date are not set,
(“date not set”) icon will fl ash in monitor during shooting and all pictures will have
time stamp of “0000.00.00 00:00.” Movies will be dated “2004.01.01 00:00.”
3
Highlight Yes. †
DATE
Set time and date?
Set time and date?
Set time and date?
No
Yes
4
BK
Set
MENU
QUICK
London, Casablanca
HOME TIME ZONE
Display map of world time zones.
BK
Set
MENU
QUICK
Madrid, Paris, Berlin
HOME TIME ZONE
5
Select home time zone.
1
LANGUAGE
Cancel
Set
Deutsch
Nederlands
Svenska
English
Español
Français
Italiano
MENU
QUICK
Highlight Deutsch (German), English,
Español (Spanish), Français (French),
Italiano (Italian), Nederlands (Dutch),
Svenska (Swedish),
(Japanese),
(Simplifi ed Chinese), or
(Korean). *
* Press
button to exit without selecting language. Language-selection dialog will
be displayed next time camera is turned on or if monitor is activated after camera has
entered standby mode.
2
DATE
Set time and date?
Set time and date?
Set time and date?
No
Yes
Confi rmation dialog displayed.
‡ If daylight saving time (
125) is in effect in local time zone, highlight DaylightSav-
ing and press multi selector right. To return to Step 6, highlight current time zone.
To return to Step 4, highlight Time Zone and press multi selector right.
01
00 : 00
01
2004
.
M
Y
D
DATE
7
Display DATE menu.
.
02
10 : 15
01
2004
.
D
Y
M
DATE
11
Choose order in which Day, Month,
and Year will be displayed.
.
01
00 : 00
01
2004
M
Y
D
DATE
9
Select Month. Repeat steps 8–9 to
edit Month, Year, hour, and minute.
12
Exit to mode currently selected with
mode selector. Note that time and date
of recording will not be imprinted on
pictures unless Date or Date and time is
selected for Date imprint (
136).
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
01
00 : 00
01
2004
.
M
Y
D
DATE
8
Edit Day (order of Day, Month, and
Year may differ in some areas).
.
01
10 : 15
02
2004
.
M
Y
D
DATE
10
Highlight D M Y.
6
01. 01. 2004 00 : 00
Time Zone
DaylightSaving
TIME ZONE
Madrid, Paris, Berlin
TIME ZONE menu displayed. ‡
Step 1 —Select
Mode
(auto) mode is selected automatically the fi rst time the camera is turned
on. In this automatic, “point-and-shoot” mode, the majority of settings are
controlled by the camera in response to shooting conditions, producing opti-
mal results in most situations.
1
Slide the mode selector to
and turn the
camera on
The lens will extend and the monitor or electronic
viewfi nder will display a welcome message. The
camera is ready to shoot when the message is
replaced by the shooting display and settings are
displayed in the control panel.
The Battery Indicator
Monitor
Control panel
No pictures can be taken until
battery has been recharged or
replaced.
Camera functions normally.
If fl ash fi res, monitor / elec-
tronic viewfi nder turns off
while Speedlight recharges.
Notes
(fl ashes)
Status
Low battery. Ready
spare battery.
Battery fully charged.
Battery exhausted.
NO ICON
WARNING!!
BATTERY
EXHAUSTED
Shooting
mode (
15)
indicates
auto mode.
Exposure mode (
40)
P (programmed auto) is
automatically
selected
in
mode.
Battery
indicator
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Monitor / electronic
viewfi nder
Control panel
Number of pictures that can be taken depends
on capacity of the memory card and options
chosen for image quality and size.
Image quality / size (
30)
Choose according to how
picture will be used.
Exposure mode
Confi rm that
mode is selected
If
Mode Is Not Selected
If
mode is not selected, press the
button
and rotate the command dial until the
icon is
displayed in the top left corner of the monitor or
electronic viewfi nder.
If User setting (the default option) has not been as-
signed to the
button (
132), the shooting mode
can be selected using camera menus (
88).
Shooting Mode
The following shooting modes are available:
Icon
88
14–20
23–29
Varies
Description
Automatic mode with choice of twelve “scenes”
suited to different subjects or shooting conditions.
Automatic, “point-and-shoot” mode.
Manual modes that offer control over all settings.
Separate adjustments can be made in each mode.
Mode
Scene
Auto
Custom 1
Custom 2
* Icon varies with scene mode selected (
23).
⇔ * ⇔ ⇔
Number of Exposures Remaining
If the number of exposures remaining reaches zero, the message “OUT OF MEMORY”
will be displayed in the monitor. No further pictures can be taken until:
• a new memory card is inserted (
10)
• pictures are deleted (
21, 106)
The “OUT OF MEMORY” message may clear from the display if a lower image quality
or size is selected (
30).
Step 2 — Frame the Picture
1
Ready the camera
Hold the camera steadily in both hands.
Don’t Block the Shot
To avoid muffl ed sound or
dark or partially obscured
pictures, keep fi ngers and
other objects away from the
microphone, lens, and fl ash.
To avoid blocking the red-eye
reduction lamp, keep your fi ngers below the ridges
on the camera grip.
2
Frame the subject
The camera is equipped with two types of built-in
zoom: optical zoom, in which the camera’s tele-
scoping lens can be used to magnify the subject up
to 8 ×, and digital zoom, in which digital processing
is used to further magnify the image up to 4 ×, for a
total of 32 ×. Use the zoom buttons to frame your
subject in the center of the monitor:
• Press the
button to zoom out from your sub-
ject, increasing the area visible in the frame.
• Press the
button to zoom in on your subject so
that it fi lls a larger area of the frame.
• When the camera is zoomed in to maximum
magnifi cation, holding the
button down for
about two seconds will trigger digital zoom, and
the zoom indicator will turn yellow. Use the
and
buttons to adjust zoom in the digital
zoom range. To cancel digital zoom, press
until the zoom indicator turns white.
Avoid pressing buttons
on left side of camera
while shooting.
Indicator shows
amount of zoom
when either button
is pressed
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Digital zoom
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Zoom
out
Zoom
in
The Built-in Speedlight
At default settings, the built-in Speedlight will pop up automati-
cally when the shutter-release button is pressed halfway if ad-
ditional light is required for correct exposure. Do not place your
fi ngers where they will obstruct the built-in Speedlight. If the
Speedlight is prevented from popping up when the shutter-re-
lease button is pressed halfway, a message will be displayed.
Do not attempt to raise the Speedlight by hand. Failure to observe this precaution
could result in damage to the Speedlight. To lower the Speedlight, gently press it
straight down until it clicks into place. Do not apply force to the front, back, or sides.
Digital Zoom (
95)
In digital zoom, data from the camera’s image sensor are processed digitally, enlarging
the center portion of the picture to fi ll the frame. Unlike optical zoom, digital zoom
does not increase the amount of detail visible in the picture. Instead, details visible at
maximum optical zoom are simply enlarged, producing a slightly “grainy” image.
When Lighting Is Poor
When lighting is poor, sensitivity is raised to compensate and the image in the monitor
may be slightly mottled. This is normal and does not indicate a malfunction.
Viewfi nder Focus
If the image in the electronic viewfi nder seems blurred, rotate
the diopter adjustment control until the image is in sharp fo-
cus. When operating the diopter control with your eye to the
viewfi nder, care should be taken to avoid accidentally putting
your fi nger in your eye.
Auto Power Off (Standby Mode)
If no operations are performed for one minute (three minutes when menus are dis-
played), the monitor and electronic viewfi nder will turn off automatically and the
camera will enter standby mode, reducing the drain on the batteries (if the camera is
powered by an optional AC adapter or the Loop option is selected during a slide show
[
112], the monitor and viewfi nder will turn off after thirty minutes). To reactivate
the display, press the
,
,
, or
button or press the shutter-release button
halfway.
The length of time before the camera enters standby mode can be changed using the
Auto off option in the setup menu (
131).
Step 3 — Focus and Shoot
1
Focus
Press the shutter-release button halfway to set fo-
cus and exposure (
7). In
mode, the camera
will automatically focus on the subject at the center
of the frame. Focus and exposure will lock while
the shutter-release button is pressed halfway. If the
subject is poorly lit and the fl ash is on, the built-in
Speedlight will pop up automatically and begin
charging.
With the shutter-release button pressed halfway,
check the focus and fl ash indicators in the monitor
or electronic viewfi nder.
* Always lights when focus is set to infi nity (
37) or manual
focus is used (
47).
2
Take the picture
Press the shutter release button the rest of the way
down to take the picture. To prevent blur, press the
shutter-release button down smoothly.
Flash
indicator
On (red)
Flash will fi re when picture is taken.
Blinks red
Flash charging.
Off
Flash off or not required.
Focus
indicator
On (green)
Subject in focus. *
Blinks
green
Camera unable to focus on sub-
ject at center of frame. Using fo-
cus lock, focus on another subject
at same distance, then recompose
picture and shoot.
Flash indicator
Focus indicator
Display Lag
The image from the camera CCD must be processed before it can be displayed in the
monitor or electronic viewfi nder, resulting in a slight lag between the movement of
the subject and the image in the display. This lag can be reduced by selecting Quick
response for the Monitor options > Shutter release speed option in the setup menu
(
126).
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
While pictures are being recorded to the memory card, a
( recording) or ( wait) icon
will be displayed in the monitor or electronic viewfi nder. The camera can continue to
take pictures until the icon is displayed. Do not turn the camera off, eject the
memory card, or remove or disconnect the power source while the
or icon is
displayed. Cutting power or removing the memory card in these circumstances could
result in loss of data or in damage to the camera or card.
Low Battery
If the fl ash fi res when the low battery icon is displayed, the monitor will turn off while
the Speedlight recharges.
The AF-Assist Illuminator
If lighting is poor when the shutter-release button is pressed
halfway, the built-in Speedlight will pop up and the AF as-
sist illuminator will light, allowing the camera to focus even
when the subject is poorly lit. The AF-assist illuminator has
a range of about 1.2 m (3´11˝). The AF-assist illuminator will
not light if:
• The built-in Speedlight is obstructed, preventing it from popping up (note that the
AF-assist illuminator may light even when the fl ash is off; be careful not to obstruct
the Speedlight while shooting)
• Focus mode (
37) is set to
(infi nity)
•
(Portrait),
(Night Portrait), or
(Close up) or is selected in scene mode (
24–26)
or Manual is chosen for Focus options > AF area mode (
93) and the center focus
area is not selected
•
(Landscape),
(Night landscape), or
(Fireworks show) is selected in scene mode
(
25–26)
• A setting other than Time-lapse movie is selected in movie mode (
49)
• Manual is selected for Speedlight opt. > Pop up (
96) and the built-in Speedlight is
lowered
Getting Good Results with Autofocus
Autofocus performs best when there is contrast between the subject and the back-
ground and the subject is evenly lit. It does not perform well if the subject is very dark
or moving rapidly, if there are objects of sharply differing brightness in the scene (e.g.,
the sun is behind your subject and their features are in deep shadow), or if there are
several objects at different distances from the camera at the center of the frame (e.g.,
your subject is inside a cage).
AF / AE Lock
Focus and exposure are locked when the shutter-release button is pressed halfway,
and remain locked while the shutter-release button is held in this position (focus
lock). Focus lock can be used to take pictures of off-center subjects or in situations
in which the camera is unable to focus using autofocus.
4
Press shutter-release button rest of way
down to take picture.
Take picture
3
Focus and exposure are locked while shut-
ter-release button is pressed halfway. *
Recompose picture
2
Check that focus indicator glows steadi-
ly, indicating that subject is in focus.
Check focus indicator
1
Position subject in center of frame and
press shutter-release button halfway.
Focus
* Do not change distance between camera and subject while focus lock is in effect. If
subject moves, release shutter-release button and focus again at new distance.
The
Button
Focus and exposure will also lock while the
button is
pressed (if desired, the
button can be used to lock focus
but not exposure, or vice versa;
132).
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Step 4 — View the Results (Quick Review / Full-Screen Review)
Playback Mode
Pictures can also be viewed by sliding the mode selector to
(playback mode;
55).
Playback Tips
Pictures are displayed briefl y at low resolution while being read from the memory card.
This makes it possible to scroll rapidly through the pictures in memory without waiting
for each image to be displayed at full resolution.
The
button can be used to view pictures without leaving shooting mode.
1
Pictures displayed in top left corner
of monitor (quick review).
2
Press
button again to display pic-
tures full screen (full-screen review).
Use the multi selector to view additional pictures. Press the multi selector
down or right to view pictures in the order recorded, up or left to view pic-
tures in reverse order. To return to shooting mode, press the
button a third
time or press the shutter-release button halfway.
Deleting Unwanted Pictures (Full-Screen Review)
To delete the picture displayed in full-screen review, press
the
button. A confi rmation dialog will be displayed;
press the multi selector up or down to highlight an option
and then press the multi selector to the right to make a se-
lection.
• Yes: Delete the picture and return to full-screen review
• No: Exit to full-screen review without deleting the picture
Quick Review
Pressing the
button will not delete pictures displayed in
quick review.
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001.JPG
JPG
100NIKON
0001.JPG
10:20
1
1
1
1
8M
8M
8M
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Image File and Folder Names
On the memory card, pictures are identifi ed by fi le names with three parts: a four letter
identifi er, a four-digit fi le number assigned automatically by the camera in ascending
order, and a three-letter extension (e.g., “DSCN0001.JPG”).
When a picture is viewed on the camera, the fi le number and extension appear in the
top right corner of the display. The identifi er is not displayed, but is visible when the
picture is transferred to a computer.
Pictures are stored in folders named with a three-digit folder number followed by a
fi ve-character identifi er (e.g, “100NIKON”). The default identifi er is NIKON; if desired,
folders with other identifi ers can be created and pictures organized by theme (
108).
Each sequence of pictures taken using interval-timer photography, Ultra HS, or pan-
orama assist is stored in a separate folder with its own identifi er: “INTVL” for interval
timer photography (
83), “N_” plus a three-digit sequence number for Ultra HS (e.g,
“101N_001”;
80), or “P_” plus a three-digit sequence number for panorama assist
(e.g, “101P_001”;
29). Folders can hold up to 200 pictures; if a picture is taken
when the current folder contains 200 pictures, a new folder will be created by adding
one to the current folder number. If a picture is taken when the current folder contains
a picture numbered 9999, a new folder will be created and fi le numbering will begin
again from 0001. If the current folder is numbered 999 and contains 200 pictures or
a picture numbered 9999, no further pictures can be taken until the memory card is
formatted (
104) or a new memory card inserted.
The fi rst picture displayed when pictures are played back is the picture with the highest
fi le number in the highest-numbered folder.
Type
Identifi er
Extension
HI-quality still
30
.TIF
DSCN
Original
49
49
.MOV
.MOV
INTN
DSCN
Movie
Time-lapse movie
Cropped copy
60
.JPG
RSCN
Copy
62
.JPG
SSCN
Small copy
DSCN
.WAV
63
Voice memo (appended to original still)
Audio
fi le
RSCN
.WAV
63
Voice memo (appended to cropped copy)
SSCN
.WAV
63
Voice memo (appended to small copy)
FINE-, NORMAL-, or BASIC-quality still
30
.JPG
DSCN
RAW-quality still
30
.NEF
DSCN
Scene mode offers a menu of twelve “scenes,” each corresponding to a
common situation, such as a backlit subject, sunset, or interior shot. Camera
settings are automatically adjusted to suit the selected scene, sparing the user
the necessity of adjusting each setting separately. To select a scene:
Taking Pictures in Scene Mode
3
Highlight scene (scene can also be
highlighted by rotating command dial).
Highlighted scene shown by large icon
and caption. To exit without changing
current selection, press
.
Party/Indoor
Set
BK
QUICK
MENU
SET-UP
User setting
* Default scene is
. If User setting has not been assigned to
button (
132),
scene mode can be selected using camera menus (
88).
The Scene Menu
The scene menu also contains a User setting option for
choosing the shooting mode (
88) and a SET-UP option for
access to the camera setup menu (
122).
Portrait
Set
BK
QUICK
MENU
SET-UP
User setting
1
Select scene mode. *
2
Display scene menu.
Portrait
Set
BK
QUICK
MENU
SET-UP
User setting
4
Select highlighted scene and return to
shooting mode. Selected scene shown
by icon in monitor or electronic view-
fi nder.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Depending on the scene selected, restrictions may apply to fl ash mode
(
;
34), the AF-assist illuminator (
;
19), focus mode (
;
37),
or focus area selection (
;
93). These restrictions are noted on the pages
that follow.
Scene Mode
Depending on your subject, scene mode may not always produce the desired results. If
results are not satisfactory, choose
(auto) mode and try again.
The AF-Assist Illuminator
In
(Portrait),
(Night Portrait), and
(Close up) modes, the AF-assist illuminator is
only available when the center focus area is selected.
Camera Shake (
)
In some scenes, slow shutter speeds may result in blurred pictures. The number of stars
next to the
icon indicates the precautions appropriate for avoiding blur:
✭
hold camera in both hands and brace elbows against body
✭ ✭ use tripod or rest camera on fl at, level surface
Selecting a Scene
The scene can also be selected by pressing the
button and rotating the command
dial. Selected scene is shown in control panel as
–
.
* Other modes can be selected.
Off
✭
Auto†
✔
Party / Indoor (
)
Use for shots that include details of the background, or
to capture the effects of candlelight and other indoor
background lighting.
Manual
Auto†
✔
*
—
Portrait (
)
Use for portraits. Main subject stands out clearly while
background details are softened, lending composition
sense of depth.
• Degree of softening depends on amount of light avail-
able.
† Self-timer can be used.
Selecting a scene:
23
Manual
✭ ✭
Auto*
✔
Off
✭
Auto*
✔
Sunset (
)
Preserves the deep hues seen in sunsets and sunrises.
—
—
*
—
Landscape (
)
Use for vivid landscape shots that enhance outlines,
colors, and contrast in such subjects as skyscapes and
forests.
• Camera focuses at infi nity. Focus indicator lights
whenever shutter-release button is pressed halfway.
Off
—
Auto†
Auto*
✔
Beach / Snow (
)
Captures the brightness of such subjects as snowfi elds,
beaches, or sunlit expanses of water.
Night portrait (
)
Use for shots that provide natural balance between
main subject and background when shooting portraits
under low light.
• Noise reduction (
101) turns on automatically at
slow shutter speeds.
* Self-timer can be used.
† Other modes can be selected.
* Self-timer can be used.
† Other modes can be selected.
Manual
✭
†
*
✔
Close up (
)
Use for close-up shots of fl owers, insects, and other
small objects.
• Camera focuses continuously until shutter-release
button is pressed halfway to lock focus. Minimum
focus distance varies with zoom position. To focus on
objects as close as 3 cm / 1.2˝ to lens, adjust zoom until
macro close-up icon (
) turns green. (Note that fl ash may not light entire
subject at ranges of 50 cm / 1´8˝ or less. Take test shot and examine results
in monitor or electronic viewfi nder.)
—
✭ ✭
—
Fireworks show (
)
Slow shutter speeds are used to capture the expanding
burst of light from a fi rework.
• Focus is fi xed at infi nity. Focus indicator lights when-
ever shutter-release button is pressed halfway.
• Self-timer and exposure compensation can not be
used.
—
✭ ✭
*
—
Night landscape (
)
A slow shutter speed is used to produce stunning night
landscapes.
• Noise reduction (
101) turns on automatically at
slow shutter speeds.
• Focus is fi xed at infi nity. Focus indicator lights when-
ever shutter-release button is pressed halfway.
Selecting a scene:
23
* Other modes can be selected.
† Macro close-up and self-timer can be selected.
‡ Self-timer can be used.
Off
—
Auto‡
✔
Back light (
)
Use when light is coming from behind a portrait sub-
ject, throwing their features into shadow, or when the
subject is in the shade but the background is brightly lit.
The fl ash will fi re automatically to “fi ll in” (illuminate)
shadows.
Off
—
*
Auto†
✔
Copy (
)
Provides clear pictures of text or drawings on a white
board or in printed matter such as a business card.
• Use macro close-up (
37) to focus at short ranges.
• Colored text and drawings may not show up well in
fi nal picture.
Noise Reduction
“ Noise” in the form of randomly-spaced, brightly-colored pixels tends to appear in
pictures taken at slow shutter speeds. This effect is particularly noticeable in dark areas
of the picture. In
(night portrait) and
(night landscape) modes, pictures taken at
slow shutter speeds are processed to reduce noise (this more than doubles the time
needed to process pictures before they are saved to the memory card). NR is displayed
in these modes.
Off
—
*
Auto*
✔
Panorama assist (
;
28)
Use when taking a series of pictures
that will later be joined to form a single
scene (for example, a panorama or
360 ° virtual-reality image).
• White balance and exposure are fi xed at values for fi rst shot in series.
Exposure compensation, fl ash mode, focus mode, and zoom can not be
changed after fi rst shot.
in scene menu as described in
steps 1–3 of “Taking Pictures in
Scene Mode” (
23).
7
End series.
6
Take next shot. Repeat steps 5-6 until
all shots in series have been taken.
Taking Pictures for a Panorama
5
Compose next shot to overlap with
previous picture.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
2
Default pan direction displayed.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
3
Select how pictures will be joined to-
gether in completed panorama. This is
the direction in which to pan the cam-
era after each shot. Yellow AE-L icon in
monitor shows that white balance and
exposure will lock with fi rst shot.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Right
to left
Bottom
to top
Top to
bottom
Left to
right
4
Take fi rst picture. About one third of
picture is shown superimposed on view
through lens (if pan direction is left to
right, picture will appear on left side
of monitor). AE-L icon turns white to
show that white balance and exposure
settings for this picture apply to all pic-
tures in series.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Selecting a scene:
23
Panorama Assist
Pan direction, zoom, exposure compensation, image quality and size, fl ash mode, and
focus mode can not be changed after the fi rst picture is taken. Pictures can not be
deleted until shooting is complete.
Viewing Pictures Taken Using Panorama Assist
Each series of pictures taken at Panorama assist is stored in a separate folder with a
name consisting of “P_” preceded by a three-digit folder number and followed by a
three-digit sequence number (e.g., “101P_001”). To view the pictures, select All fold-
ers in the playback Folders menu or select the appropriate folder from the folder list
(
111).
Use a Tripod
Using a tripod makes it easier to compose overlapping shots.
More on Photography
More on Photography
Image Quality and Size
Pictures taken with a digital camera are stored as image fi les. The size of the
fi les, and with it the number of images that can be recorded on the memory
card, depends on the quality and size of the images. Before shooting, choose
image quality and size according to how the picture will be used.
Image Quality
The camera stores images in one of three formats: NEF (RAW), TIFF (HI qual-
ity), or JPEG (FINE, NORMAL, or BASIC quality).
1 To reduce the amount of memory each shot occupies, JPEG images are compressed as
they are saved to the memory card. Compression selectively reduces the quality of the
image; the more a picture is compressed, the more noticeable this loss of quality is likely
to be. This column gives the approximate compression ratio for each setting.
2 Available only in shooting modes
(Custom 1) and
(Custom 2). Selecting
(auto) or scene mode resets image quality to FINE. Digital zoom (
16) not sup-
ported.
3 Available only at an image size of
. Direct print (
69) not supported.
4 Available only at image sizes of
and
.
BASIC
Basic image quality, suitable for pictures that will
be distributed by e-mail or used in web pages.
1 : 16
FINE
Fine image quality, suitable for enlargements or
high-quality prints.
1 : 4
JPEG
HI 2, 4
High image quality (on par with NEF) in format
supported by most imaging applications.
TIFF
RAW 2, 3
Raw data from CCD are saved in Nikon Elec-
tronic Image Format (NEF) without processing
or compression, preserving high level of detail at
fi le size slightly smaller than that of TIFF images.
Not
compressed
NEF
NORM
(NORMAL)
Normal image quality, suited to most applica-
tions.
1 : 8
Option
Description
Compression
ratio 1
Format
More on Photography
To choose an image quality setting:
Viewing RAW (NEF) Images on a Computer
RAW (NEF) images can only be viewed using PictureProject or Nikon Capture (versions
4.0 or earlier excluded; for more information, see the web sites listed on page 1 of this
manual). To create a TIFF copy for viewing in other applications, press the
button
while a RAW image is displayed in full-frame playback (
56). The copy will be saved
under a name with the extension .TIF.
Press
button until desired setting appears in con-
trol panel and shooting display.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
RAW
RAW
HI
HI
NORM
NORM
FINE
FINE
BASIC
BASIC
More on Photography
32
Image Size
Image size refers to the dimensions of the image, measured in pixels. Pictures
taken at smaller sizes require less memory, making them suited to distribution
by e-mail or the web. Conversely, the larger the image, the larger the size at
which it can be printed or displayed without becoming noticeably “grainy.”
To choose an image size:
Print Size
The size of images when printed depends on the printer resolution: the higher the
resolution, the smaller the fi nal print size.
Image size
(pixels)
Description
(print sizes assume printer resolution of 300 dpi)
Control
panel
(3,264 × 2,448)
Will print at a size of about 28 × 21 cm (11˝ × 8˝).
(2,592 × 1,944)
Will print at a size of about 22 × 16 cm (8 ½˝ × 6 ½˝).
(2,048 × 1,536)
Will print at a size of about 17 × 13 cm (7˝ × 5˝).
(1,600 × 1,200)
Will print at a size of about 14 × 10 cm (5 1/3˝ × 4˝).
(1,024 × 768)
Suited to printing at smaller sizes (for example, as
illustration in letter or report) or to display on moni-
tors 17˝ or larger.
(640 × 480)
Can be displayed full screen on 13˝ monitors. Suited
to distribution by e-mail or on web.
(3,264 × 2,176)
Top and bottom of frame cropped out to produce
picture of same proportions as frame of regular 35-
mm fi lm.
(1,280 × 960)
Will print at a size of about 11 × 8 cm (4˝ × 3˝).
Press
button and rotate command dial until desired setting appears in
control panel and shooting display.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
5M
3M
2M
1M
PC
TV
3:2
5M
8M
8M
3M
2M
1M
PC
TV
3:2
More on Photography
Memory Card Capacity and Image Quality / Size
The following table shows the approximate number of pictures that can be stored on a
256 MB memory card at different combinations of image quality and size.
Image
size
Image quality
HI
FINE
NORMAL
BASIC
RAW
File size
No. of images
File size
No. of images
10
64
126
244
20
23 MB
4 MB
2 MB
1 MB
12 MB
—
100
195
373
—
—
3 MB
2 MB
650 KB
—
File size
No. of images
File size
No. of images
—
159
313
602
—
—
2 MB
800 KB
420 KB
—
—
252
489
870
—
—
960 KB
500 KB
270 KB
—
File size
No. of images
File size
No. of images
—
391
712
1306
—
—
630 KB
330 KB
190 KB
—
—
602
979
1567
—
—
420 KB
230 KB
130 KB
—
File size
No. of images
File size
No. of images
—
1306
1959
2612
—
—
190 KB
110 KB
80 KB
—
11
71
142
279
—
21 MB
4 MB
2 MB
900 KB
—
* All fi gures are approximate. File size of JPEG images varies with scene recorded.
More on Photography
34
Select a fl ash mode according to lighting conditions.
Flash Mode
Auto Flash Off
The built-in Speedlight turns off automatically when focus is set to infi nity (
37), an
option other than Single is selected for Continuous (
80), BSS (
84) is on, a setting
other than Normal is selected for Lens (
90), AE lock (
91) is on, or Internal off
is selected for Speedlight opt. > Speedlight cntrl (
97).
Sensitivity (ISO Equivalency;
46)
A sensitivity of 400 is not recommended when using a fl ash.
Speedlight Options (
96)
The Speedlight opt. item in the shooting menu contains options controlling the built-
in and optional Speedlights.
Mode
Shooting
display
Control
panel
Flash fi res whenever pic-
ture is taken.
Use to “fi ll-in” (illuminate) shad-
ows and back-lit subjects.
Anytime Flash
( fi ll fl ash)
Flash will not fi re even
when lighting is poor.
Use to capture natural lighting un-
der dim light or where use of fl ash is
prohibited. Care should be taken to
avoid blurring when lighting is poor.
Flash Cancel (off)
Red-eye reduction lamp
lights before main fl ash
fi res, reducing “red-eye.”
Auto with red-eye
reduction
Use for portraits (works best if sub-
ject looks directly at red-reduction
lamp). Not recommended when
quick shutter response is required.
When lighting is poor,
built-in Speedlight pops up
when shutter-release but-
ton is pressed halfway and
fi res when picture is taken.
If left raised, fl ash will not
fi re if not required.
Recommended for most situations.
Auto
NO
ICON
Auto fl ash combined with
slow shutter speeds.
Use to capture both subject and
background at night or under dim
light. Care should be taken to avoid
blurring when lighting is poor.
Slow sync
How it works
When to use it
More on Photography
Anytime Flash
( fi ll fl ash)
Fill fl ash with red-
eye reduction
Fill fl ash + slow
sync
To choose a fl ash mode:
Manual Pop-Up
When Manual is selected for Speedlight opt. > Pop up, the built-in Speedlight can be
raised by pressing the
button. When raised, the fl ash will fi re whenever the shutter
is released. The fl ash mode can not be changed while the Speedlight is lowered; when
the Speedlight is raised, the following fl ash modes are available:
Flash Range
Flash range varies with zoom position. When the camera is zoomed all the way
out, the fl ash has a range of 0.5–4.1 m / 1´8˝–13´5˝. The range at maximum zoom is
0.5–2.7 m / 1´8˝–8´10˝ (Auto ISO). At ranges of 0.5 m (1´8˝) or less, the fl ash may not
light the entire subject. When using the fl ash at short range, play pictures back after
shooting to check the results.
Low Battery
If the built-in Speedlight fi res while the
(low battery) icon is displayed, the monitor
will turn off while the fl ash recharges.
Flash mode changes as follows:
NO ICON /
Auto
Flash Cancel
(off)
/
Auto with red-eye
reduction
/
Slow sync
Anytime fl ash
(fi ll fl ash)
Press
button until desired setting appears in control
panel and shooting display (note that no icon appears in
shooting display when fl ash is set to auto).
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
More on Photography
36
Using the Built-in Speedlight
Do not attempt to raise the Speedlight by hand. When lowering the Speedlight, gently
press straight down until it clicks into place, being careful not to pinch your fi ngers,
hair, or other objects. Do not apply force to the front, back, or sides of the Speedlight.
Failure to observe these precautions could damage the Speedlight.
Do Not Obstruct the Built-in Speedlight
When Auto (the default option) is selected for Speedlight opt. > Pop up, the built-in
Speedlight will pop-up automatically when required (because the photocell used for
fl ash control is part of the built-in fl ash unit, the Speedlight will pop up automatically
even when an optional fl ash is mounted on the camera accessory shoe). Do not place
your fi ngers or other objects on top of the Speedlight while shooting. If the Speedlight
is held down when the shutter-release button is pressed halfway, a message will be
displayed. Pictures can still be taken, but neither the built-in Speedlight nor optional
Speedlights will fi re. Note that the built-in Speedlight will pop up even when off (
) if
the AF-assist illuminator is required.
Lens Hoods
Remove lens hoods (available separately;
137) when using the fl ash.
When Lighting Is Poor
When lighting is poor and the fl ash is off (
) or set to slow sync (
), shutter speed
slows and pictures may be blurred. At speeds slower than ¼ s, the shutter-speed indica-
tor in the monitor or electronic viewfi nder will turn yellow to indicate that dark areas of
the image may be slightly mottled. Mottling can be reduced by turning noise reduction
on (
101). At speeds slower than 1/30 s, we recommend using a tripod or resting the
camera on a steady, level surface.
If
(auto) or scene modes, or when sensitivity (
46) is
set to AUTO in shooting modes
and
, the camera will
automatically increase sensitivity to a maximum of ISO 200 in
response to lighting conditions, permitting faster exposures
and minimizing blur caused by inadvertent camera movement
(camera shake). An ISO icon will be displayed to warn that
pictures may be slightly mottled.
ISO
ISO
ISO
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Optional Speedlights
Optional Speedlights can be mounted on the camera’s accessory shoe (
96).
More on Photography
Choose a focus mode according to the subject and composition.
Focus Mode
Mode
How it works
Self-timer
Combines autofocus (see above) at
distances of 3 cm (1˝) or more with
shutter-release delay of 10 s or 3 s.
Use for self-portraits or to
prevent pictures from blur-
ring when shutter-release
button is pressed.
NO ICON
Autofocus
Camera automatically adjusts focus
according to distance to subject.
Use when subject is 50 cm
(1´8˝) or more from lens.
Macro close-up
If zoomed in or out until
icon in
the shooting display turns green,
camera can focus on objects as
close as 3 cm (1.2˝) to lens.
Use for close-ups.
When to use it
Infi nity
Camera focuses at infi nity; focus
indicator lights whenever shutter-
release button is pressed halfway.
Flash is disabled.
Use when shooting distant
scenes through foreground
objects such as windows.
Manual Focus
For information on manual focus, see “Manual Focus” (
47).
To choose a focus mode:
Focus mode changes as follows:
NO ICON
Autofocus
Infi nity
Macro
close-up
Self-timer
Press
button until desired setting appears in control
panel and shooting display.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
More on Photography
38
Self-Timer Mode
The self-timer can be used for self-portraits or to avoid blurring that may re-
sult from the camera moving when the shutter-release button is pressed.
The Self-Timer
The Continuous option in the shooting menu is automatically set to Single when self-
timer mode is selected (
80). The self-timer is not available when
(Fireworks show)
is selected in scene mode (
26).
When using manual focus (
47), select the self-timer before choosing a focus dis-
tance. Choosing another focus mode automatically cancels manual focus.
The self-timer lamp on the front of the camera will blink until one second
before the picture is taken, staying lit during the fi nal second to warn that the
shutter is about to be released.
* icon is displayed; camera focuses in macro close-up mode (
37).
Blinks
Press once for 10 s delay
Press twice for 3 s delay
Start
1 s remaining
Stays lit
Shutter released
2
Set focus and exposure.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
3
Start timer. Press once for delay of
about 10 s, twice for delay of about 3 s.
Beep sounds when timer starts; timer
in shooting display counts down until
shutter is released. To stop timer before
picture is taken, press shutter button
twice (10 s timer) or once (3 s timer).
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
10
10
10
1
Select self-timer mode. *
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
More on Photography
Exposure compensation is used to alter exposure from the value suggested by
the camera. Exposure compensation can be set to values between –2.0 EV
(underexposure) and +2.0 EV (overexposure) in increments of 1 3 EV.
Exposure Compensation
Restrictions on Exposure Compensation
Exposure compensation is not available in manual exposure mode (
44) or when
(Fireworks show) is selected in scene mode (
26).
Cancelling Exposure Compensation
To cancel exposure compensation, choose a value of 0.0. In
(auto) and scene modes,
exposure compensation will be reset to 0.0 when the camera is turned off or another
shooting mode is selected.
Choosing a Value for Exposure Compensation
As a rule of thumb, select positive values when large areas of the frame are very brightly
lit (for example, when photographing an expanse of sunlit water, sand, or snow) or
when the background is much brighter than the main subject. Choose negative values
when large areas of the frame are very dark (for example, when photographing a forest
of dark green leaves) or when the background is much darker than the main subject.
This is because the camera, in order to avoid extreme under- or over-exposure, tends
to lower exposure when the frame is very bright and raise exposure when the frame is
very dark, which can make naturally bright subjects look dim and naturally dark subjects
appear over-bright, or “washed out.”
Press
button and rotate command dial until desired setting ap-
pears in control panel and shooting display.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
1.0.0
1.0
At settings other than 0.0,
icon is displayed in control panel
after
button is released.
More on Photography
40
Exposure Mode (Shooting Modes
and
Only)
In
(auto) and scene modes, the camera automatically adjusts shutter speed
and aperture to produce optimal exposure. In shooting modes
(Custom
1) and
(Custom 2), a choice of four exposure modes gives the user direct
control over shutter speed and aperture.
Mode
How it works
M
Manual
User controls both shutter speed
and aperture.
Use for complete control over
exposure.
P
Programmed
auto
Camera sets shutter speed and
aperture for optimal exposure.
Flexible program can be used to
select additional combinations of
shutter speed and aperture that
will produce the same exposure.
Recommended for most situa-
tions.
A
Aperture-
priority auto
User chooses aperture: camera
sets shutter speed for best re-
sults.
Large apertures (small f/-num-
bers) soften background details
and let more light into camera,
increasing range of fl ash. Small
apertures (large f/-numbers) in-
crease depth of fi eld, bringing
main subject and background
into focus.
When to use it
S
Shutter-
priority auto
User chooses shutter speed: cam-
era sets aperture for best results.
High shutter speeds freeze mo-
tion. Low shutter speeds sug-
gest movement by blurring mov-
ing objects.
To choose the exposure mode:
* If User setting has not been assigned to
button (
132), shooting mode can be
selected in shooting menu (
88).
2
Select exposure mode.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
1
Select shooting mode
or
. *
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
More on Photography
P: Programmed Auto
In programmed auto, the camera automatically adjusts shutter speed and ap-
erture according to the amount of light available, producing optimal exposure
in most situations. Adjustments to exposure can be made using exposure
compensation (
39) or exposure bracketing (
99).
Flexible Program
In programmed auto, different combinations of shutter speed and aperture
can be selected by rotating the command dial (fl exible program). Each combi-
nation of shutter speed and aperture will produce the same exposure.
Restoring Default Values for Shutter Speed and Aperture
Default values for shutter speed and aperture can be restored by rotating the command
dial until the asterisk (“*”) is no longer displayed. Default values can also be restored
by selecting another exposure mode or turning the camera off.
Shutter speed and aperture shown in shooting dis-
play. Asterisk (“*”) appears when fl exible program
is in effect. Control panel shutter speed / aperture
display shows either shutter speed or aperture; press
button to switch from one to the other.
F8.0
F8.0
F8.0
1/60
60
1/60
15
15
15
8M
8M
8M
More on Photography
42
S: Shutter-Priority Auto
In shutter-priority auto, the user selects the shutter speed by rotating the com-
mand dial; aperture is set automatically by the camera in response to lighting
conditions. Shutter speed can be set to values between 8 s and ¼,000 s in incre-
ments equivalent to 1 EV (one step).
F2.8
F2.8
1/1000 F2.8
1000
1/1000
15
15
15
8M
8M
8M
Rotate command dial un-
til desired shutter speed
appears in control panel
and shooting display.
If the selected shutter speed would result in the picture being under- or over-
exposed, the shutter-speed display in the monitor or electronic viewfi nder will
fl ash when the shutter-release button is pressed halfway. Choose another shut-
ter speed and try again. At speeds slower than ¼ s, the shutter-speed indicator
in the shooting display will turn yellow to show that mottling may appear in the
fi nal picture. If possible, choose a faster shutter speed or use noise reduction
(
101).
Ultra HS
When Ultra HS is selected for Continuous (
80), the frame advance rate is fi xed at
thirty frames per second, with the result that the shutter speed can not be set to a value
slower than 1/30 s.
Aperture Restrictions
At a shutter speed of ¼,000 s, aperture is restricted to f/7.4 (maximum zoom) or to values
between f/5.0 and f/8.0 (camera zoomed out to widest angle).
More on Photography
A: Aperture-Priority Auto
In aperture-priority auto, aperture is controlled by rotating the command dial;
shutter speed is set automatically by the camera in response to lighting condi-
tions. Aperture varies in increments equivalent to 1/3 EV (1/3 step); depending
on the zoom position, the camera can achieve apertures as large as f/2.8 or
as small as f/8.
Rotate
command
dial
until desired aperture ap-
pears in control panel and
shooting display.
F8.0
F8.0
F8.0
1/60
60
1/60
15
15
15
8M
8M
8M
If the selected aperture would result in the picture being under- or over-exposed,
the aperture display in the monitor or electronic viewfi nder will fl ash when the
shutter-release button is pressed halfway. Choose another aperture and try
again.
An aperture of f/8 may not be available at some zoom positions. For smaller
apertures, try zooming the camera out.
Aperture and Zoom
The maximum and minimum values for aperture are determined by the camera lens
and zoom setting. Unless On is chosen for Zoom options > Fixed aperture (
95),
aperture will change as the camera is zoomed in or out. If the second-highest aperture
setting is selected with the camera zoomed all the way out and the camera is then
zoomed in, the camera will vary the f/-number to maintain aperture at the second-high-
est setting for the current zoom position.
Faster Shutter Speeds
Depending on the amount of light available, it may be possible to achieve shutter
speeds as high as ¼,000 s (1/8,000 s when shooting in Ultra HS) by zooming the camera all
the way out and selecting the smallest aperture (largest f/-number).
Choosing an exposure mode:
40
More on Photography
44
M: Manual
In manual exposure mode, the user controls both shutter speed and aperture.
Shutter speed can be set to values between 8 s and ¼,000 s in increments equiv-
alent to 1 EV (one step), or the shutter can be held open for long time expo-
sures of up to ten minutes (see opposite). Aperture can set to values between
the minimum and maximum in increments equivalent to 1/3 EV (1/3 step).
1
Select shutter speed or aperture. Se-
lected item changes each time
button is pressed (selected item high-
lighted in green in shooting display).
F5.6
F5.6
1/125 F5.6
15
15
15
8M
8M
8M
F5.6
F5.6
F5.6
1/60
15
15
15
8M
8M
8M
2
Set selected item. Exposure displays
show amount picture will be under- or
over-exposed at current setting.
F8.0
1/60
60
1/60
15
15
15
8M
8M
8M
3
Select remaining item (aperture or
shutter speed). Repeat steps 2–3 until
desired exposure is achieved.
More on Photography
Understanding the Exposure Displays
The exposure displays show the amount pictures will be under- or over-exposed at the
values currently selected for shutter speed and aperture.
The control panel display is in EVs, rounded to the nearest
EV. If the picture would be under- over-exposed by more than
9 EV, the display will show a fl ashing –9 (underexposure) or
+9 (overexposure). If no operations are performed for about
eight seconds, the display in the control panel will be replaced
by the number of exposures remaining.
The exposure display in the monitor or electronic viewfi nder shows the amount expo-
sure deviates from the value suggested by the camera in EVs (–2 to +2 EV in increments
of 1/3 EV).
(Values in EVs)
–2
±0
+2
–1
+1
Underexposed
Overexposed
Long Time Exposures
For long time exposures of up to ten minutes, set Continuous (
80) to Single
and rotate the command dial to select a shutter speed of BULB or TIME. The length
of time the shutter will remain open depends on the option selected for Exposure
options > Bulb / Time (
92):
• Bulb release: When BULB is selected for shutter speed, the
shutter will remain open for as long as the shutter-release
button is held down, to a maximum of ten minutes.
• Timed release: When TIME is selected for shutter speed,
the shutter will open when the shutter-release button is
pressed and remain open until the shutter-release button
is pressed again or the time selected in the Timed release
menu has elapsed.
If possible, use a tripod to prevent blurring caused by camera shake. To reduce mot-
tling, use noise reduction (
101).
F5.6
F5.6
F5.6
15
15
15
8M
8M
8M
BULB10M
F5.6
F5.6
F5.6
15
15
15
8M
8M
8M
TIME30S
Choosing an exposure mode:
40
More on Photography
46
Sensitivity (Shooting Modes
and
Only)
Sensitivity (ISO equivalency) is the digital equivalent of fi lm speed. The higher
the sensitivity, the less light needed to make an exposure, allowing higher
shutter speeds and smaller apertures. Much as fi lm with a high ISO rating
tends to produce “grainy” images, high sensitivities may be associated with
“noise”—randomly spaced, brightly colored pixels concentrated in dark parts
of the image. Noise reduction (
101) can be used to reduce noise in pictures
taken at shutter speeds of ¼ s or slower.
In
(auto) and scene modes, the camera automatically raises sensitivity
when lighting is poor. In shooting modes
(Custom 1) and
(Custom 2),
the following options are available:
Option
50
Approximately equivalent to ISO 50. Recommended unless lighting is poor
or faster shutter speeds are required (e.g., when the subject is moving).
Noise may appear in pictures taken at settings above this value.
100
Approximately equivalent to ISO 100.
Description
200
Approximately equivalent to ISO 200.
400
Approximately equivalent to ISO 400. Intended for use with natural light-
ing; not recommended when using fl ash.
AUTO
Approximately equivalent to ISO 50 under normal conditions; when light-
ing is poor, however, camera automatically compensates by raising sensi-
tivity to maximum of ISO 200 equivalent (
36).
To choose a value for sensitivity:
Press
button and rotate command dial until desired setting is displayed. At set-
tings other than AUTO, sensitivity is shown in shooting display during shooting.
100
100
100
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
50
50
50
400
400
400
AUTO
AUTO
AUTO
100
100
100
200
200
200
Exposure Mode
If AUTO is selected in shutter-priority auto or manual exposure mode, sensitivity will be
fi xed at ISO 50 equivalent and will not vary with lighting conditions.
More on Photography
Manual Focus (Shooting Modes
and
Only)
In shooting modes
(Custom 1) and
(Custom 2), manual focus is available
for situations in which the desired results can not be achieved using autofo-
cus. Focus distance can be selected from preset values ranging from 3 cm (1˝)
to infi nity.
2
Confi rm focus in shooting dis-
play. Unless Off is selected for
Focus options > Focus confi rma-
tion (
94), focus confi rmation
turns on automatically when
manual focus is in effect, and
objects that are in focus will be
sharply outlined.
3
Take pictures.
Cancelling Manual Focus
To cancel manual focus, press the MF (
) button to select another focus mode.
Using the Self-Timer
When using manual focus with the self-timer, select self-timer mode before focusing.
Close-Ups
Minimum focus distance varies with zoom position. At some positions, the camera may
be unable to focus at very short distances (the
end of the manual focus display). If
the camera is unable to focus at the current zoom position, the manual focus display
will turn red.
Focus Lock
The
button can not be used to lock focus in manual focus mode.
Converter Lenses
Use autofocus with optional converter lenses (
137).
1
Press MF (
) button and rotate command dial until subject is in focus. Focus
position (distance from lens) shown by manual focus display in monitor or
electronic viewfi nder.
icon displayed in control panel.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
More on Photography
Image Adjustment (Shooting Modes
and
Only)
The shooting menu includes options for controlling white balance, sharpness, con-
trast, and color saturation. These settings, which are available only in shooting
modes
and
(
40), can be adjusted according to shooting conditions and the
user’s creative intent.
WHITE BALANCE
1/2
Auto
White bal preset
Daylight
Incandescent
Fluorescent
Cloudy
Speedlight
IMAGE ADJUSTMENT
Auto
Normal
More contrast
Less contrast
IMAGE SHARPENING
Normal
Low
Off
High
Auto
SATURATION CONTROL
Normal
Black&white
Enhanced
Moderate
Minimum
Maximum
White Balance (
76)
Adjust white balance for natural coloration under different
types of lighting.
Image Adjustment (
86)
Adjust contrast according to the scene and how the picture
will be used.
Saturation Control (
87)
Take pictures in black-and-white, or adjust vividness for print-
ing or for retouching in an imaging application.
Image Sharpening (
89)
Sharpen or soften outlines.
Keep or Delete (Quick Delete)
While pictures are being recorded at an image quality of HI
or at a Continuous setting of Ultra HS, a
(quick
delete) icon will be displayed in shooting display. To delete
pictures before they are recorded to the memory card, press
the
button. A confi rmation dialog will be displayed;
press the multi selector up or down to highlight an option
and then press the multi selector to the right to make a se-
lection.
• Yes: Delete the picture and return to shooting mode
• No: Exit to shooting mode without deleting the picture
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Choosing a shooting mode:
15
Movie Options (Shooting Modes
and
Only)
In shooting modes
(Custom 1) and
(Custom 2), the camera can record
the following types of movie. All movies except time-lapse movies include
sound recorded via the built-in microphone; the exposure mode is fi xed at P
(programmed auto) in all movie modes.
Option
Description
TV movie
(640)
Movies are recorded at 30 frames per second. Each frame is
640 × 480 pixels in size with vertical interlacing. Maximum length
for TV movies is 35 s.
Small movie
(320)
Movies are recorded at 15 frames per second. Each frame is
320 × 240 pixels in size. Maximum length for small movies is 180 s.
Sepia movie
320
Movies are recorded in sepia at 5 frames per second. Each frame
is 320 × 240 pixels in size. Maximum length for sepia movies is
180 s.
Time-lapse
movie
Camera takes still pictures at specifi ed intervals and joins these
frames to create silent movie with frame rate of 30 fps and frame
size of 640 × 480. Resulting movie may be up to 35 s (1050 frames)
long. Use to create time-lapse movies of slow processes that can be
fi lmed without moving camera: fl owers opening, butterfl y emerging
from cocoon, moving clouds, etc.
Movie Files
Movies are recorded as QuickTime movie fi les with the extension “.MOV” and names
consisting of “INTN” (time-lapse movies) or “DSCN” (other movies) plus a four-digit fi le
number assigned by adding one to the highest fi le number in the current folder (e.g.,
“INTN0001.MOV” or “DSCN0015.MOV”). Movies can be played back on a computer
after transfer.
To choose the type of movie that will be recorded:
† If Time lapse movie is selected, time-lapse-movie menu will be displayed (
52).
2
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
Highlight Continuous. *
CONTINUOUS
Single
Continuous H
Continuous L
Multi-shot 16
Ultra HS
5 shot buffer
1/2
3
Display CONTINUOUS menu.
4
Time lapse
Movie
CONTINUOUS
2/2
Highlight Movie.
MOVIE
TV movie (640)
Small movie(320)
Time-lapse movie
Sepia movie 320
5
Display MOVIE menu.
6
MOVIE
TV movie (640)
Small movie(320)
Time-lapse movie
Sepia movie 320
Highlight option.
7
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
Make selection. †
1
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
Display shooting menu.
8
F5.6
F5.6
1/125 F5.6
125
1/125
106
106”
106”
TV
TV
TV
Return to shooting mode.
* If Continuous option is not available in MY MENU, select Show all menus and
highlight Continuous in full shooting menu (
74–75).
While recording is in progress, a REC indicator will
be displayed. To pause recording, press the
button. Recording will resume when the
button
is pressed again.
Recording Movies
Zoom
Adjust optical zoom before recording TV movies, small movies, or sepia movies. Once
recording has begun, pressing the zoom buttons will activate digital zoom (maximum
2 ×), even if Off is selected for Zoom options > Digital tele (
95).
Using the Flash
The Speedlight turns off when TV movie (640), Small movie (320), or Sepia movie
320 is selected.
Focus Mode
If Single AF (the default option) is selected for Focus options > Auto-focus mode (
94), focus will lock when the shutter-release button is pressed to start recording.
1
Slide the mode selector to
and turn the
camera on
The exposure count display in the monitor shows
the maximum total length of the movie that can
be recorded.
2
Start recording
Press the shutter-release button all the way down
to start recording.
To record a TV movie, small movie, or sepia movie:
106
106”
106”
3
End recording
Press the shutter-release button all the way down a
second time to end recording. Recording will end
automatically when the memory card is full or the
movie has reached maximum length.
Recording a Time-Lapse Movie
Selecting Time-lapse movie from the MOVIE menu displays the menu
shown in Step 1, below.
2
Display menu of interval options.
Take a Test Shot
Take a test shot and view the results before beginning recording.
1
Highlight Set interval time.
AE LOCK
Off
On
6
Display AE LOCK menu.
5
Highlight AE lock.
4
Make selection and return to shoot-
ing menu. To change AE lock option,
select Continuous > Movie > Time lapse
movie. To exit without changing AE
lock option, proceed to Step 9.
3
Choose interval between frames from
30 s (thirty seconds), 1 m (one minute),
5 m (fi ve minutes), 10 m (ten minutes),
30 m (thirty minutes), and 60 m (sixty
minutes).
Set interval time
AE lock
TIME-LAPSE MOVIE
SET INTERVAL TIME
30s
1m
5m
10m
30m
60m
SET INTERVAL TIME
30s
1m
5m
10m
30m
60m
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
TIME-LAPSE MOVIE
Set interval time
AE lock
Use a Reliable Power Source
If possible, use the optional EH-53 AC adapter when recording time-lapse movies.
During Recording
To save power, the monitor, viewfi nder, and control panel turn off between frames. The
displays turn on automatically immediately before the camera takes the next shot.
Image Quality
The fi le size of time lapse movies varies greatly depending on the option selected for
image quality. If HI or RAW is selected, image quality will automatically be set to FINE.
AE Lock
When On is selected for AE lock, a yellow AE-L icon will be
displayed in the monitor, indicating that exposure and white
balance will be locked with the fi rst shot. Once the fi rst shot
is taken, the icon will turn white.
F5.6
F5.6
1/125 F5.6
125
1/125
325
325
325
TV
TV
TV
AE-L
8
Make selection.
7
Choose On to fi x exposure and auto
white balance for entire movie at val-
ues for fi rst frame, Off to meter new
values for exposure and white balance
with each shot.
AE LOCK
Off
On
9
Return to shooting mode.
10
Start recording. Camera will take pic-
tures at specifi ed interval until shutter-
release button is pressed again, mem-
ory card is full, or movie has reached
maximum length.
F5.6
F5.6
1/125 F5.6
125
1/125
325
325
325
TV
TV
TV
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
To play a movie back, slide the mode selector to
and display the movie in full-frame playback (movie
fi les are indicated by a
icon). Press the
button
to begin playback. If the movie was recorded with the
TV movie (640), Small movie (320), or Sepia movie
320 option, sound recorded with the movie will be
played back over the camera’s built-in speaker.
Viewing Movies
To
Description
Quick Review / Full-Screen Review
Movies can not be played back in quick review or full-screen review (
21).
Direct Print
Movies can not be printed via direct USB connection (
69).
Press
Start / pause /
resume
playback
Press
button to start playback. While playback is in
progress, pressing
button pauses playback. Press
again to resume. When movie ends, fi rst frame of movie
will be displayed.
Rewind movie
one frame
When movie is paused, pressing multi selector up or left
rewinds movie one frame.
Advance
movie one
frame
When movie is paused, pressing multi selector down or
right advances movie one frame.
Raise volume
Volume indicator displayed in monitor when zoom but-
tons are pressed. Four levels are available: high (
),
medium (
), low (
), and mute (
).
Lower volume
1
1
1
1
02.01.2004
02.01.2004
12:00
12:00
02.01.2004
100NIKON
100NIKON
0001
0001.MOV
MOV
100NIKON
0001.MOV
12:00
More on Playback
More on Playback
Full-Frame Playback
To view the pictures on the memory card full-frame in the monitor (full-frame
playback), slide the mode selector to
.
Viewing Pictures on the Camera
Deleting the Current Picture
To delete the picture displayed in the monitor, press the
button. A confi rmation dialog will be displayed; press the
multi selector up or down to highlight an option and then
press the multi selector to the right to make a selection.
• Yes: Delete the picture and return to playback mode
• No: Exit to playback mode without deleting the picture
Quick Review / Full-Screen Review
To view pictures without leaving shooting mode, press the
button (
21).
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Viewing Additional Pictures
Press the multi selector down or right to view pictures in the order recorded, up or left
to view pictures in reverse order. Keep the multi selector pressed to scroll rapidly to the
desired frame number.
Photo Information
Press the
button to hide or view photo information (
58).
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001.JPG
JPG
100NIKON
0001.JPG
10:20
1
1
1
1
8M
8M
8M
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001.JPG
JPG
100NIKON
0001.JPG
10:20
1
1
1
1
8M
8M
8M
Battery indicator is displayed
when battery is low, even
when photo information is
hidden.
More on Playback
56
Creating HI-Quality Copies of RAW Images (Full-Frame Playback)
HI-quality (TIFF) copies can be created from RAW-quality images, allowing the pic-
tures to be viewed in any application that supports TIFF. The copy will have the same
fi le name as the original, with “.TIF” in place of the extension “.NEF” (if the original
is named “DSCN0001.NEF,” the copy will be named “DSCN0001.TIF”). To create a
copy, slide the mode selector to
and follow the steps below.
Creating HI-Quality Copies
Before creating a copy, switch to shooting mode, select HI image quality, and check
the number of exposures remaining to confi rm that there is space on the memory
card for at least one additional HI-quality image.
Voice memos recorded with RAW images are not copied, and will be lost if the
original is deleted.
No
Yes
Delete RAW data?
Delete RAW data?
Delete RAW data?
5
Highlight option.
• No: exit without deleting original
• Yes: delete original
Press multi selector to right to select high-
lighted option and return to full-frame
playback.
* To exit without creating copy, highlight No and press multi selector right.
† icon displayed during copying. Wait until copying is complete.
02.01.2004
02.01.2004
10:25
10:25
02.01.2004
100NIKON
100NIKON
0002
0002.NEF
NEF
100NIKON
0002.NEF
10:25
4
2
4
2
8M
8M
8M RAW
RAW
1
Display RAW-quality original.
No
Yes
Convert RAW to HI?
Convert RAW to HI?
Convert RAW to HI?
3
Highlight Yes. *
No
Yes
Delete RAW data?
Delete RAW data?
Delete RAW data?
4
Create HI-quality copy. †
No
Yes
Convert RAW to HI?
Convert RAW to HI?
Convert RAW to HI?
2
Confi rmation dialog displayed.
More on Playback
Viewing Multiple Pictures: Thumbnail Playback
Pressing the
(
) button in full-screen review or full-
frame playback displays the pictures on the memory
card in “contact sheets” of four thumbnail images.
The following operations can be performed while
thumbnails are displayed:
To
Description
Press
Change
number of
pictures
displayed
With four thumbnails displayed, press
(
) button once
to view nine thumbnails. Press (
) to “zoom in” from
nine- to four-thumbnail view or, when four thumbnails are
displayed, to view highlighted picture full frame.
(
) /
(
)
Exit to cur-
rent mode
Return to full-frame playback with highlighted picture dis-
played full frame (full-frame playback) or return to shooting
mode (full-screen review).
Delete
highlighted
picture
Confi rmation dialog will be displayed. Press multi selector
up or down to highlight option, press to right to select.
• Select Yes to delete picture
• Select No to exit without deleting pic-
ture
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
Create
small copy
Create small copy of highlighted picture (full-frame play-
back only; not available in full-screen review). See “Creat-
ing Small Copies: Small Picture” (
62).
Shutter
button
Page
through
pictures
Rotate the command dial to scroll through thumbnails a
page at a time.
Highlight
pictures
Press multi selector up, down, left, or right to highlight
pictures.
1
3
2
4
1
3
2
4
More on Playback
58
Photo Information
In full-screen review and full-frame playback, informa-
tion about each picture is superimposed on the image.
There are six pages of photo information for each
picture. Rotate the command dial to cycle through
photo information as follows: Page 1 ⇔ Page 2 ⇔ Page
3 ⇔ Page 4 ⇔ Page 5 ⇔ Page 6 ⇔ Page 1.
Page 1 (File Information)
1 Date of recording
2 Time of recording
3 Image size
4 Folder
5 File number and type
6 Battery level indicator
7 Voice memo icon
8 Transfer icon
9 Print-order icon
10 Protect icon
11 Current frame num-
ber / total number of
frames visible in cur-
rent folder
12 Image quality
Page 2 (Shooting Information)
1 Camera type
2 Firmware information
3 Metering mode
4 Exposure mode
5 Shutter speed
6 Aperture
Page 3 (Shooting Information, continued)
1 Exposure compensation
2 Focal length
3 Focus mode
4 Flash status
5 Image adjustment
6 Sensitivity (ISO equivalency)
02.01.2004
02.01.2004
10:20
10:20
02.01.2004
100NIKON
100NIKON
0001
0001.JPG
JPG
100NIKON
0001.JPG
10:20
1
1
1
1
8M
8M
8MFINE
FINE
1
2
3
11
12
10
9
8
7
6
5
4
CAMERA
CAMERA
:E8700
E8700
APERTURE
APERTURE
:F4.2
F4.2
SHUTTER
SHUTTER
:1/500
1/500
MODE
MODE
:P
METERING
METERING
:MATRIX
MATRIX
FIRM
FIRM VER
VER
:E8700Vx.x
E8700Vx.x
CAMERA
:E8700
APERTURE
:F4.2
SHUTTER
:1/500
MODE
:P
METERING
:MATRIX
FIRM VER
:E8700Vx.x
1
2
3
4
5
6
EXP
EXP +/+/-
:0.0
0.0
SENSITIVITY
SENSITIVITY
:AUTO
AUTO
IMG ADJUST
IMG ADJUST
:AUTO
AUTO
SPEED LIGHT
SPEED LIGHT
:OFF
OFF
FOCUS
FOCUS
:AF
AF
FOCAL LENGTH
FOCAL LENGTH :f30mm
f30mm
EXP +/-
:0.0
SENSITIVITY
:AUTO
IMG ADJUST
:AUTO
SPEED LIGHT
:OFF
FOCUS
:AF
FOCAL LENGTH :f30mm
1
2
3
4
5
6
More on Playback
Page 4 (Shooting Information, continued)
1 White balance
2 Color saturation
3 Sharpening
4 Digital zoom
5 Converter lens setting
6 File size
Page 5 (Exposure Information)
1 Thumbnail preview (fl ashing border marks image
highlights — i.e., brightest areas of image)
2 Histogram (shows distribution of tones in image;
horizontal axis corresponds to pixel brightness,
with dark tones to left and bright tones to right,
while vertical axis shows number of pixels of each
brightness in image)
3 File number and type
4 Exposure information (metering, shutter speed,
aperture, exposure compensation, sensitivity)
Page 6 (Focus Confi rmation)
1 File number and type
2 Focus information (focal length, shutter speed,
aperture, focus mode, noise reduction)
3 Focus confi rmation (areas of picture that are in
focus are sharply outlined; active focus area is
shown in red)
WHITE BAL
WHITE BAL
:AUTO
AUTO
FILE SIZE
FILE SIZE
:2440KB
2440KB
CONVERTER
CONVERTER
:OFF
OFF
DIGITAL TELE
DIGITAL TELE
:X1.00
X1.00
SHARPNESS
SHARPNESS
:AUTO
AUTO
SATURATION
SATURATION
:0
WHITE BAL
:AUTO
FILE SIZE
:2440KB
CONVERTER
:OFF
DIGITAL TELE
:X1.00
SHARPNESS
:AUTO
SATURATION
:0
1
2
3
4
5
6
0001. JPG
AUTO
0.0
1/500
F4.2
1
2
4
3
0001. JPG
0001. JPG
OFF
OFF
AF
AF
F4.2
F4.2
1/500
1/500
f30mm
f30mm
0001. JPG
OFF
AF
F4.2
1/500
f30mm
1
2
3
More on Playback
60
Taking a Closer Look: Playback Zoom
Use the (
) button to zoom in on still pictures dis-
played in full-screen review or full-frame playback.
To
Description
Press
Zoom in
Zoom increases each time button is pressed, to a maximum
of 6 ×. While image is zoomed in, icon and zoom ratio
are displayed in top left corner of monitor.
(
)
Zoom out
Zoom decreases each time button is pressed. To cancel
zoom, zoom picture out until entire picture is displayed.
(
)
Create
cropped
copy
(full-frame
playback
only)
If
icon is displayed at top of monitor, cropped copy of
current picture can be created by pressing shutter-release but-
ton. Confi rmation dialog will be displayed; press multi selec-
tor up or down to highlight option, press to right to select.
• Select Yes to create new picture con-
taining only area visible in monitor
• Select No to exit without creating
cropped copy
Shutter
button
No
Yes
Save this image as
Save this image as
displayed?
displayed?
Save this image as
displayed?
Cancel
zoom
Cancel zoom and return to full-frame playback or shooting
mode (full-screen review).
View other
areas of
picture
Use multi selector to scroll to areas of picture not visible in
monitor. To use multi selector to view other pictures, can-
cel zoom.
Scroll
Scroll
Scroll
1.2
1.2
1.2
Zoom
Zoom
Zoom
More on Playback
Playback Zoom
Playback zoom is not available with movies or with copies created using the small
picture option.
Additional time is required to display RAW- or HI-quality images. If a message is dis-
played when the button is pressed to zoom in on the image, wait until the message
clears from the display and then try again.
Cropping Pictures
Copies may not display or transfer correctly when viewed on other models of Nikon
digital camera. Cropping is not available with RAW or HI-quality images, pictures taken
at an image size of
(3,264 × 2,176), pictures created using panorama assist, movies,
pictures created using the Ultra HS or Time lapse options in the Continuous menu,
cropped copies, or copies created using the small picture option. Copies can only be
created if suffi cient space is available on the memory card.
Cropped Copies
Cropped copies are stored as NORMAL-quality JPEG fi les and have the same time and
date of creation as the original. Depending on the size of the original and the zoom ratio
at the time the copy was created, copies will be 3,264 × 2,448 (
) , 2,592 × 1,994 (
),
2,048 × 1,536 (
), 1,600 × 1,200 (
), 1,280 × 960 (
), 1,024 × 768 (
), 640 × 480 (
),
320 × 240 (
), or 160 × 120 (
) pixels in size. Copies are stored in separate fi les on the
memory card with names of the form “RSCNnnnn.JPG,” where “nnnn” is a four-digit num-
ber assigned automatically by the camera. Copies are independent of the originals: delet-
ing the copy has no effect on the original, deleting the original no effect on the copy. Cop-
ies are created with the same transfer marking as the original, but any subsequent changes
to transfer marking or to protect, hide, and print attributes must be made separately.
More on Playback
62
Creating Small Copies: Small Picture
To create a small copy of the picture currently displayed in full-frame playback
or highlighted in the thumbnail list, press the shutter-release button.
SMALL PIC
No
Yes
Create small picture
Create small picture
file?
file?
Create small picture
file?
1
Confi rmation dialog displayed.
* To exit without creating small copy, highlight No and press multi selector to right.
Depending on the option selected for Small pic in the playback menu
(
121), copies will be 640 × 480 (
), 320 × 240 (
), or 160 × 120 (
) pix-
els in size. Small copies are stored as BASIC-quality JPEG fi les, making them
ideal for distribution by e-mail or for use in web pages.
3
Create copy and return to playback. To
view copy, use multi selector to scroll
to last picture in current folder. When
viewed on camera, copies are surround-
ed by gray border. Copies can not be
viewed in playback zoom.
SMALL PIC
No
Yes
Create small picture
Create small picture
file?
file?
Create small picture
file?
2
Highlight Yes. *
Small Copies
Copies are stored as fi les with names of the form “SSCNnnnn.JPG,” where “nnnn” is
a four-digit number assigned automatically by the camera. Copies are independent of
the originals: deleting the copy has no effect on the original, deleting the original no
effect on the copy. Copies are created with the same transfer marking and date and
time of recording as the original, but any subsequent changes to transfer marking or to
protect, hide, and print attributes must be made separately.
Copies may not display or transfer correctly when viewed on other models of Nikon
digital camera. Small copies can not be created in full screen review or playback zoom.
Copies can not be created from RAW or HI-quality images, pictures with a size of
(3,264 × 2,176), movies, pictures created using panorama assist or the Ultra HS or
Time lapse options in the Continuous menu, cropped copies, or other small copies.
Copies can only be created if suffi cient space is available on the memory card.
More on Playback
Voice Memos: Recording and Playback
Brief voice memos can be added to pictures displayed
in full-frame playback (
55). Voice memos can not
be added to movies. Memos are stored on the memory
card as WAV-format sound fi les. During playback, the
presence of a memo is indicated by a
icon.
To
Description
Press
Volume indicator displayed in monitor when zoom but-
tons are pressed. Four levels are available: high (
),
medium (
), low (
), and mute (
).
Record memo
Memo of up 20 s can be recorded while
button is
pressed. Recording ends after about 20 s or when
button is released.
Play memo
If
icon appears in fi le information display during play-
back, memo can be played back over the built-in speaker
by pressing
button. Playback ends when entire re-
cording has been played back or
button is pressed a
second time.
Raise volume
Lower volume
Pause / resume
playback
Press
button to pause playback. Press again to re-
sume.
( )
(
)
Delete
picture or
voice memo
Confi rmation dialog will be displayed. Press multi selector
up or down to highlight option, press to right to select.
• Select Yes to delete both picture
and voice memo
• Select
to delete voice memo
only
• Select No to exit without deleting
picture or voice memo
Erase 1 image?
Erase 1 image?
Erase 1 image?
No
Yes
19
19”
19”
More on Playback
64
Viewing Pictures on TV
The EG-E5000 audio / video (A / V) cable included with the camera can be used
to connect the camera to a television or video-cassette recorder (VCR).
Choosing a Video Mode
The Video mode item in the setup menu offers a choice of NTSC and PAL
(
135). Be sure that the mode selected matches the standard used by the
video device.
1
Turn the camera off
Turn the camera off before connecting or disconnecting the A / V cable.
2
Connect the A / V cable
Insert the black plug into the camera’s A / V-out connector. Insert the yel-
low plug into the video-in jack on the television or VCR. Connect the
white plug to the audio-in jack.
PAL
If PAL is selected for Video mode while the camera is connected to a video device,
video output will be suspended and the camera monitor or electronic viewfi nder will
turn on while movies are being recorded or pictures are being taken with Continuous
set to Ultra HS.
3
Tune the television to the video channel
If in doubt, consult the documentation for your television or VCR.
4
Slide the mode selector to
5
Turn the camera on
The camera monitor will remain off and the television will show the image
normally shown in the monitor.
More on Playback
Using the UC-E1 USB cable and PictureProject software, you can view photo-
graphs and movies on a computer. Before pictures can be transferred (copied)
to your computer, PictureProject must be installed. For more information on
installing PictureProject and transferring pictures to a computer, see the docu-
mentation on the reference CD and the Quick Start Guide.
Before Connecting the Camera
Before transferring pictures to a computer, set the
USB option in the camera setup menu to match the
computer’s operating system (
134). The camera
supports two options: Mass storage (the default op-
tion) and PTP (Picture Transfer Protocol).
Viewing Pictures on a Computer
Operating system
USB option
Windows 2000 Professional
Windows Millennium Edition (Me)
Windows 98 Second Edition (SE)
Choose Mass storage.
Windows XP Home Edition
Windows XP Professional
Mac OS X (10.1.5 or later)
Choose Mass storage or PTP.
PTP
Mass storage
USB
More on Playback
66
Connecting the USB Cable
Turn the computer on and wait for it to start up. After confi rming that the
camera is off, connect the UC-E1 USB cable as shown below. Connect the
camera directly to the computer; do not connect the cable via a USB hub or
keyboard.
Windows 2000 Professional, Windows Millennium Edition (Me),
Windows 98 Second Edition (SE)
Do NOT select PTP when connecting the camera to a computer running one of the
above operating systems. If you have connected the camera to a computer running
one of the above operating systems with PTP selected in the USB menu, disconnect
the camera as described below. Be sure to select Mass storage before reconnecting
the camera.
Windows 2000 Professional
A dialog will be displayed welcoming you to the Found New Hardware Wizard. Click
Cancel to close the dialog, and then disconnect the camera.
Windows Millennium Edition (Me)
After displaying a message stating that the hardware information database is being
updated, the computer will start the Add New Hardware Wizard. Click Cancel to exit
the wizard, and then disconnect the camera.
Windows 98 Second Edition (SE)
The Add New Hardware Wizard will be displayed. Click Cancel to exit the wizard, and
then disconnect the camera.
UC-E1 USB cable
When the camera is turned on, the lens will extend and
will be displayed
in the control panel. All controls except the power switch will be inactive.
More on Playback
Mac OS X
Drag the “Untitled (Unlabeled)” camera volume into
the Trash.
Disconnecting the Camera
If PTP is selected in the USB menu, the camera can be turned off and the
USB cable disconnected once transfer is complete. If the USB option in the
camera setup menu is still at its default setting of Mass storage, the camera
must fi rst be removed from the system as described below.
Windows XP Home Edition / Windows XP Professional
Click the “Safely Remove Hardware” icon (
) in the
taskbar and select Safely remove USB Mass Storage
Device from the menu that appears.
Windows 2000 Professional
Click the “Unplug or Eject Hardware” icon (
) in the
taskbar and select Stop USB Mass Storage Device
from the menu that appears.
Windows Millennium Edition (Me)
Click the “Unplug or Eject Hardware” icon (
) in the
taskbar and select Stop USB Disk from the menu that
appears.
Windows 98 Second Edition (SE)
In My Computer, click with the right mouse button on
the removable disk corresponding to the camera and
select Eject from the menu that appears.
More on Playback
68
Printing Pictures
To print the pictures from the camera memory card:
• select pictures for printing using the Print set option and take the memory
card to a digital print service center (
116)
• select pictures for printing using the Print set option and insert the memory
card into a personal photo printer equipped with a card slot (
116)
• use the USB cable to connect the camera to a PictBridge-compatible printer
and print pictures directly from the camera (
69)
• transfer the pictures using PictureProject and print them from a computer
(see the documentation on the reference CD)
To print the time and date of recording on pictures:
• take pictures using the Date imprint option in the setup menu, which im-
prints the date or date and time of recording directly on pictures as they are
taken (
136)
• if the photo printer or print service supports Digital Print Order Format
(DPOF), use the Date option in the Print set > Print selection menu
(
116)
• transfer the pictures using PictureProject and print them using the date im-
print option (see the documentation on the reference CD)
“ Print Set” and Digital Print Order Format ( DPOF)
The Print set option in the playback menu is used to create a digital “print order” listing
the pictures to be printed, the number of prints, and the information to be included on
each print. This print order is stored on the camera memory card in Digital Print Order
Format (DPOF). Once a print order has been created, the memory card can be inserted
in a DPOF-compatible device and the pictures printed directly from the card. Before us-
ing this option, check that the printer or print service supports DPOF. Note that:
• If the Print set option has not been used to create a print order, one copy of all the
pictures on the memory card will be printed
“Date Imprint” Versus the Print Set “Date” Option
Date imprint
Print selection > Date
Must be set before picture is taken
Set after picture is taken
Date permanently imprinted on picture
Date stored separately
Date appears whenever picture is
printed
Date only appears when picture is print-
ed on DPOF-compatible printer
More on Playback
Printing Via Direct USB Connection
When the camera is connected to a PictBridge-compatible printer via the
UC-E1 USB cable, selected pictures can be printed directly from the camera
memory card.
Step 1 — Set the USB Option to PTP
Before pictures can be printed via direct USB connection, the USB option in
the setup menu must be set to PTP (
134; the default option is Mass stor-
age). Be sure to change the USB option before connecting the printer.
Step 3
Print
• Print selected pictures (
70)
• Print DPOF print order (
72)
Step 1
Set the USB option to PTP (
69)
Step 2
Connect the USB Cable (
70)
Before Printing
Before printing via direct USB connection, check printer settings and make sure that the
printer supports PictBridge. See the printer manual for details.
Pictures That Can Not Be Printed by Direct USB Connection
Movies and RAW-quality pictures (
30) can not be printed via direct USB connection.
Some printers may not support direct printing of HI-quality (TIFF) images; consult the
documentation provided with the printer for more information.
Use a Reliable Power Source
When printing pictures via direct USB connection, be sure the battery is fully charged. If
in doubt, recharge the battery before printing or use the optional EH-53 AC adapter.
PictBridge
PictBridge is an industry standard that ensures compatibility between cameras and
printers, allowing pictures to be printed directly from the camera without using a
computer.
More on Playback
70
Step 2 — Connect the USB Cable
After confi rming that the camera is off, connect the UC-E1 USB cable as
shown below.
Turn the camera and printer on. The menu shown at
right will be displayed in the camera monitor.
PictBridge
Print selection
Print all images
Cancel
DPOF printing
Step 3 — Print
To print selected pictures:
* To print one copy of each picture on memory card, highlight Print all images and
press multi selector to right. Select Cancel to exit without printing pictures.
UC-E1 USB cable
PictBridge
Print selection
Print all images
Cancel
DPOF printing
1
Highlight Print selection. *
02. 01.
2004
10: 35
PRINT SELECTION
4
4
BK
Set
MENU
QUICK
2
Display selection dialog.
3
Scroll through pictures. Current picture
shown at bottom of display.
02. 01.
2004
10: 35
PRINT SELECTION
4
4
BK
Set
MENU
QUICK
More on Playback
* Select Confi rm to return to Step 6, Cancel to exit without printing pictures.
† Press
button to interrupt printing before all pictures have been printed.
POWER SWITCH CAN
NOW BE TURNED OFF
QUICK Resume
9
Message shown at left is displayed
when printing is complete. Turn cam-
era off and disconnect USB cable, or
press
button to return to Step 1.
02. 01.
2004
10: 35
PRINT SELECTION
1
1
1
1
4
4
BK
Set
MENU
QUICK
4
Select current picture and set number
of prints to 1. Selected pictures marked
by icon.
02. 01.
2004
10: 35
PRINT SELECTION
3
3
3
3
4
4
BK
Set
MENU
QUICK
5
Use multi selector to specify number
of prints (up to 9). To deselect picture,
press multi selector down when num-
ber of prints is 1. Repeat steps 3–5 to
select additional pictures.
Printing
QUICK Cancel
006
001
8
Start printing. †
7
Highlight Begin print. *
Begin print
Confirm
Cancel
PRINT SELECTION
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
PLEASE CHECK
PRINTER STATUS
prints
prints
006 prints
CONFIRM
Exit
3
2
1
4
5
6
3
2
1
4
5
6
3
1
1
1
3
1
1
1
3
1
1
3
1
1
1
QUICK
6
View selected pictures. Press multi se-
lector up, right, left, or down to view
pictures not visible in display. After
confi rming selection, press
button
again to proceed to next step.
More on Playback
72
The Print set option in the playback menu can be used to create a digital
“print order” that specifi es the pictures to be printed, the number copies of
each print, and the information to be included on the prints (
116). To print
the current print order:
DPOF Printing
The DPOF printing option is only available if a print order has been created.
PictBridge
Print selection
Print all images
Cancel
DPOF printing
1
Highlight DPOF printing.
2
Display options.
CONFIRM
3
1
1
1
3
1
1
1
3
1
1
3
1
1
1
3
2
1
4
5
6
3
2
1
4
5
6
Exit
QUICK
4
Display print order. Press multi selec-
tor up, right, left, or down to view
pictures not visible in display.
Begin print
Confirm
Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
006 prints
prints
PLEASE CHECK
PRINTER STATUS
006 prints
3
Highlight Confi rm (to exit without
printing pictures, highlight Cancel and
press multi selector to right).
Begin print
Confirm
Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
prints
prints
PLEASE CHECK
PRINTER STATUS
006 prints
More on Playback
Error Messages
If the dialog shown at right is displayed, an error has occurred.
After checking the printer and resolving any problems as di-
rected in the printer manual, highlight Resume and press the
multi selector to the right to resume printing. Select Cancel
to exit without printing the remaining images.
Cancel
Resume
PRINTER ERROR
CHECK PRINTER
STATUS
Begin print
Confirm
Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
prints
prints
PLEASE CHECK
PRINTER STATUS
006 prints
6
Highlight Begin print. *
Printing
QUICK Cancel
006
001
7
Start printing. To interrupt printing
before all images have been printed,
press
button and then turn camera
off and disconnect USB cable.
8
Message shown at left is displayed
when printing is complete. Turn cam-
era off and disconnect USB cable, or
press
button to return to Step 1.
POWER SWITCH CAN
NOW BE TURNED OFF
QUICK Resume
5
Return to DPOF PRINTING menu.
Begin print
Confirm
Cancel
DPOF PRINTING
PLEASE CHECK
PLEASE CHECK
PRINTER STATUS
PRINTER STATUS
006 prints
prints
PLEASE CHECK
PRINTER STATUS
006 prints
* Select Confi rm to return to Step 4, Cancel to exit without printing pictures.
Menu Guide — The Shooting Menu
In shooting modes
(Custom 1) and
(Custom 2), the settings listed oppo-
site can be adjusted from the shooting menu. To display the shooting menu,
slide the mode selector to
and follow the steps below.
The Shooting Menu (Shooting Modes
and
Only)
* Illustration shows default menu.
Pressing the
button displays a one-page custom menu containing fi ve
items selected from a total of nineteen options available in the full shooting
menu (at default settings, the options displayed are White balance, Meter-
ing, Continuous, BSS, and User Setting). The items that appear in the
custom menu can be selected using the My menu option (
103). To display
the full shooting menu, which consists of three pages of options:
1
Highlight Show all menus.
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
2
Full shooting menu displayed.
ALL MENU
1/3
White balance
Metering
Continuous
Image adjustment
Saturation control
BSS
User setting
1
Select shooting mode
or
.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
2
Display shooting menu. *
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
Menu Guide — The Shooting Menu
The
Icon
A
icon appearing next to a highlighted option indicates that the selected option can
be changed by rotating the command dial.
ALL MENU 1/3
White balance
Metering
Continuous
BSS
Image adjustment
Saturation control
87
86
84–85
80–83
79
76–78
User setting
88
The full shooting menu contains the following options:
ALL MENU 2/3
Image sharpening
Lens
Exposure options
Focus options
Zoom options
Speedlight opt.
96–98
95
93–94
91–92
90
89
Auto bracketing
99–100
ALL MENU 3/3
Noise reduction
Reset
My menu
CF card format
104
103
102
101
ALL MENU
1/3
White balance
Metering
Continuous
Image adjustment
Saturation control
BSS
User setting
Image sharpening
Lens
Exposure options
Focus options
Zoom options
Speedlight opt.
Auto bracketing
ALL MENU
2/3
Noise reduction
Reset
My menu
CF card format
SET-UP
ALL MENU
3/3
SET-UP
122–136
Menu Guide — The Shooting Menu
76
White Balance
The color of the light refl ected from an object varies
with the color of the light source. The human brain
is able to adapt to such changes in color, with the re-
sult that we see white objects as white, regardless of
whether they are in the shade, direct sunlight, or under
incandescent lighting. Digital cameras can mimic this
adjustment by processing information from the camera’s image sensor (CCD)
according to the color of the light source. This process is known as a “white
balance adjustment.”
In
and scene modes, white balance is adjusted automatically to suit the
selected scene. In shooting modes
and
, white balance can be selected
from the following options:
WHITE BALANCE
1/2
Auto
White bal preset
Daylight
Incandescent
Fluorescent
Cloudy
Speedlight
Option
Incandescent
Use under incandescent lighting.
Auto
White balance automatically adjusted to suit lighting
conditions. Recommended for most situations.
White bal preset
White object used as reference to set white balance un-
der unusual lighting conditions.
Fluorescent
Use under most types of fl uorescent lighting.
Cloudy
Speedlight
Use with built-in Speedlight.
Use when taking pictures under overcast skies.
Daylight
White balance adjusted for direct sunlight.
Description
Shade
Use under sunny skies when subject is in shade.
White Balance
At settings other than
(Auto), white balance is shown by
an icon in the shooting display.
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Menu Guide — The Shooting Menu
Using the shooting menu:
74
1
Highlight white balance option.
WHITE BALANCE
1/2
Auto
White bal preset
Daylight
Incandescent
Fluorescent
Cloudy
Speedlight
3
Make selection and return to shooting
menu.
WHITE BALANCE
1/2
Auto
White bal preset
Daylight
Incandescent
Fluorescent
Cloudy
Speedlight
Fine-Tuning White Balance
At settings other than
(Auto) and
(White bal preset), white balance
can be “fi ne tuned” to compensate for variations in the color of the light
source or to create pictures with a “warm” or “cold” cast. Except in the
case of
(Fluorescent), adjustments can be made in the range +3 to –3 in
increments of one. Higher settings can be used to lend images a bluish tinge
or to compensate for light sources with a yellow or red cast. Lower settings
can be used to make pictures slightly yellow or red or to compensate for light
sources with a blue cast.
When white balance is set to
(Fluorescent), a menu
of three different bulb types is available.
Bulb type
Option
FL1
FL2
FL3
Daylight (D)
Daylight
White /
Neutral (N)
White (W)
To fi ne-tune white balance:
2
Select value.
White bal preset
WHITE BALANCE
1/2
Auto
Daylight
Incandescent
Fluorescent
Cloudy
Speedlight
Menu Guide — The Shooting Menu
78
Preset White Balance
Preset white balance is used when shooting under
mixed lighting or to compensate for light sources with
a strong color cast (for example, to make pictures taken
under a lamp with a red shade look as though they had
been taken under white light). When
(White bal
preset) is selected from the white-balance menu, the
camera will zoom in and the menu shown above at
right will be displayed.
Cancel
Measure
WHITE BAL PRESET
Option
Cancel
Recalls the most recent value for preset white balance from memory
and sets white balance to this value.
Measure
To measure a new value for white balance, place a white object, such as
a piece of paper, under the lighting that will be used in the fi nal picture.
Frame this object so that it fi lls the square in the center of the menu
shown above. Highlight Measure and press the multi selector to the
right to measure a new value for white balance (the shutter will be re-
leased and the camera will return to the original zoom position, but no
picture will be recorded).
Description
Using the Flash
Preset white balance can not be measured with the fl ash.
Menu Guide — The Shooting Menu
Using the shooting menu:
74
Metering
Choose a metering method suited to the composition
and lighting conditions.
METERING
Matrix
Spot
Center-weighted
Spot AF area
Option
Matrix
Camera compares mea-
surements from 256 areas
of frame with library of
typical compositions to set
exposure for entire frame.
How it works
Spot AF
area
Links spot metering to ac-
tive focus area when auto
or manual focus area se-
lection is in effect (
93).
Use instead of autoexposure lock to me-
ter off-center subjects. Matrix metering is
used when focus-area selection is off.
Recommended for most situations.
Spot
Camera
meters
area
shown by square in center
of monitor. Only about 1/32
of frame is metered.
Ensures that subject in metering target
is correctly exposed even if background
is much brighter or darker. Can be used
with autoexposure lock (
20) to meter
off-center subjects.
Center-
weighted
Camera
meters
entire
frame but assigns weight
of 80% to area in center
of frame occupying rough-
ly ¼ of total.
Classic meter for portraits; preserves back-
ground details while letting lighting con-
ditions at center of frame determine ex-
posure. Can be used with autoexposure
lock (
20) to meter off-center subjects.
When to use it
Metering
Metering is shown by icons in the control panel and shooting display. No icon appears
in the shooting display when
(Matrix) is selected. When spot AF-area metering is
selected, a
icon appears in the control panel.
Control panel
Shooting
display
Spot metering
target
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
Menu Guide — The Shooting Menu
80
Continuous
Use the options in this menu to capture a fl eeting
expression on a portrait subject, photograph a subject
that is moving unpredictably, or capture motion in a
series of pictures.
CONTINUOUS
Single
Continuous H
Continuous L
Multi-shot 16
Ultra HS
5 shot buffer
1/2
Option
Single
Camera takes one picture each time shutter-release button is
pressed.
Continuous H 1, 2
While shutter-release button is pressed, camera records up to 5
pictures at up to 2.5 fps. Monitor and electronic viewfi nder turn
off during shooting.
Continuous L 2, 3
Camera records up to 12 pictures at rate of up to 1.2 fps while
shutter-release button is pressed. Shooting is suspended while
icon is displayed (
81).
Time lapse3
Camera takes pictures automatically at specifi ed interval. See
“Interval Timer Photography” (
82).
Description
Multi-shot 16 2, 3
Each time shutter-release button is pressed, camera takes 16
consecutive pictures 816 × 612 pixels in size at about 1.5 fps
and arranges them in 4 rows to form a single picture measuring
3,264 × 2,448 pixels. Image size automatically set to
.
5 shot buffer 2, 3
Camera shoots at up to 1 fps while shutter-release button is
pressed, but only last fi ve shots are saved to memory card.
Ultra HS 4
While shutter-release button is pressed, camera records up to
100 pictures at rate of up to 30 fps. Image quality is automati-
cally set to NORMAL and image size to
(640 × 480). With
each sequence, camera creates new folder in which all photos in
sequence are stored. Folder name consists of “N_” followed by
three-digit sequence number assigned automatically by camera.
Exposure count is shown in shooting display.
Movie 4
Camera records movies up to three minutes long. See “Mov-
ies” (
49).
1 HI image quality reset to FINE.
2 Built-in Speedlight turns off.
3 RAW and HI image quality reset to FINE.
4 Built-in and optional Speedlights turn off
(Movie > Time-lapse movie excluded).
Menu Guide — The Shooting Menu
Using the shooting menu:
74
Other Camera Settings
Settings other than Single can not be used in combination with BSS (
84), white-bal-
ance bracketing (
99), or noise reduction (
101). Multi-shot 16, Ultra HS, 5 shot
buffer, Time lapse, and Movie can not be used in combination with auto-exposure
bracketing (
99). Digital zoom (
16) can not be used at settings of Multi-shot 16
or Ultra HS.
Focus, Exposure, and White Balance
At settings other than Single, focus, exposure, and white balance are determined by
the fi rst picture in each series.
Ultra HS
If the monitor is swivelled to point in the same direction as the lens during shooting, the
display in the monitor will be inverted.
During shooting, progress is shown by the zoom indicator in
the monitor, from S (start) to E (end). To interrupt shooting
before one hundred pictures have been recorded, lift your
fi nger from the shutter-release button.
The Memory Buffer
During shooting, pictures are stored in a temporary memory buffer before being trans-
ferred to the memory card for permanent storage. You can continue to take pictures
as long as room is available in the buffer. When the buffer is full, a (wait) icon will
be displayed and shooting will be suspended. More pictures can be taken as soon as
enough memory becomes available in the buffer.
Continuous
At settings other than Single, the current “continuous” setting is shown by an icon in
the shooting display. At settings of Continuous H, Continuous L, 5 shot buffer, and
Time lapse, a
icon appears in the control panel. A
icon appears in the control
panel when Multi-shot 16 is selected; in Ultra HS and Movie mode, the
icon in
the control panel fl ashes. At a setting of Ultra HS, the image-quality indicator (NORM)
fl ashes in the control panel.
Control panel
Shooting
display
F5.6
F5.6
1/125 F5.6
125
1/125
15
15
15
8M
8M
8M
H
Menu Guide — The Shooting Menu
82
Interval Timer Photography
To display the menu shown in Step 1, below, highlight Time lapse in the
CONTINUOUS menu and press the multi selector to the right.
Take a Test Shot
Take a test shot and view the results before beginning recording.
2
Display menu of interval options.
3
Choose interval between pictures from
30 s (thirty seconds), 1 m (one minute),
5 m (fi ve minutes), 10 m (ten minutes),
30 m (thirty minutes), and 60 m (sixty
minutes).
SET INTERVAL TIME
30s
1m
5m
10m
30m
60m
4
Make selection and return to shooting
menu. To change AE lock option, select
Continuous >Time lapse. To exit with-
out changing AE lock option, proceed
to Step 9.
5
Highlight AE lock.
AE LOCK
Off
On
6
Display AE LOCK menu.
1
Highlight Set interval time.
TIME LAPSE
Set interval time
AE lock
SET INTERVAL TIME
30s
1m
5m
10m
30m
60m
MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
TIME LAPSE
Set interval time
AE lock
Menu Guide — The Shooting Menu
Using the shooting menu:
74
Use a Reliable Power Source
To prevent shooting from ending unexpectedly, use the optional EH-53 AC adapter for
interval timer photography.
During Recording
To save power, the monitor and electronic viewfi nder turn off between pictures. The
display turns on automatically immediately before the camera takes the next shot.
Folders
Each sequence of pictures is stored in a folder with a name consisting of a three-digit
folder number followed by “INTVL” (e.g., “101INTVL”).
Quick Review / Full Screen Review
Quick review and full screen review are not available during interval timer shooting.
7
Choose On to fi x exposure and auto
white balance for entire series at val-
ues for fi rst picture, Off to meter new
values for exposure and white balance
with each shot.
AE LOCK
Off
On
8
Make selection.
9
Return to shooting mode.
10
Start recording. Camera will take
pictures at specifi ed interval until shut-
ter-release button is pressed again,
memory card is full, or 1,800 pictures
have been taken.
INTVL
INTVL
INTVL
F5.6
F5.6
1/125 F5.6
125
1/125
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MY MENU
Metering
White balance
Continuous
BSS
User setting
SET-UP
Show all menus
Menu Guide — The Shooting Menu
84
Best Shot Selector (BSS)
The options in the “best-shot selector” (BSS) menu
are recommended for situations in which inadvertent
camera movement can produce blurred pictures, or
when parts of the image are prone to under- or over-
exposure.
Off
On
Exposure BSS
BEST SHOT SELECTOR
Option
Description
Off
BSS off.
On
Camera takes shots while shutter-release but-
ton is pressed, to a maximum of ten. These im-
ages are then compared and sharpest picture
(picture with highest level of detail) saved to
memory card. Flash turns off automatically and
focus, exposure, and auto white balance for all
photos are determined by the fi rst picture in each series. Recom-
mended for situations in which inadvertent camera movement can
produce blurred pictures, for example when:
• the camera is zoomed in
• macro close-up is in effect
• lighting is poor and the fl ash can not be used
Exposure
BSS
Selecting this option displays sub-menu shown
at right. Choose from:
• Highlight BSS: picture with smallest area of
overexposure is selected.
• Shadow BSS: picture with smallest area of
underexposure is selected.
• Histogram BSS: of pictures with least under- and over-exposure,
camera chooses picture with overall exposure closest to optimum.
Camera takes fi ve shots each time shutter-release button is pressed.
These images are then compared and picture that best meets select-
ed criterion saved to memory card. Flash turns off automatically and
focus and auto white balance for all photos are determined by the
fi rst picture in each series. Recommended for subjects containing ar-
eas of high contrast, when it is diffi cult to set exposure correctly.
EXPOSURE BSS
Highlight BSS
Shadow BSS
Histogram BSS
Menu Guide — The Shooting Menu
Using the shooting menu:
74
Restrictions on BSS
BSS may not produce the desired results with a moving subject or if the composition
is changed while the shutter-release button is pressed all the way down. BSS can not
be used with the self timer (
38), Continuous (
80) settings other than Single,
autoexposure or white-balance bracketing (
99), or noise reduction (
101). Image-
quality settings of RAW and HI are not available with exposure BSS.
BSS
At settings other than Off, the current BSS setting is indicated
by an icon in the shooting display.
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Menu Guide — The Shooting Menu
86
Image Adjustment
At settings other than Auto, the current image-adjustment
setting is indicated by an icon in the shooting display. No
image adjustment icon is displayed when Black&white is
selected for Saturation control.
Image Adjustment
The options in the image adjustment menu control
contrast.
IMAGE ADJUSTMENT
Auto
Normal
More contrast
Less contrast
Option
Description
Normal
Camera performs same standard contrast adjustment on all pictures.
Suitable for a wide variety of scenes, from dark to bright.
Auto
Camera automatically adjusts contrast according to shooting condi-
tions.
Less
contrast
Picture processed to decrease difference between light and dark ar-
eas, reducing contrast. Recommended when light is very bright,
creating strong shadows on subject.
More
contrast
Picture processed to emphasize difference between light and dark
areas, enhancing contrast. Useful when shooting under overcast
skies or shooting low contrast subjects such as landscapes.
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Menu Guide — The Shooting Menu
Using the shooting menu:
74
Saturation Control
If Black&white is in effect when Sepia movie 320 is selected in the movie menu (
49), Saturation control will be reset to Normal.
Black-and-White
When Black&white is selected, monitor shows the view
through the lens in black-and-white and a
icon is appears
in the shooting display.
Saturation Control
Saturation control is used to heighten or reduce the
vividness of colors.
SATURATION CONTROL
Normal
Black&white
Enhanced
Moderate
Minimum
Maximum
Option
Description
±0 Normal
Recommended for most situations.
+2 Maximum
Use for vivid, photoprint effect when taking pictures that will
be printed “as is,” without further modifi cation.
+1 Enhanced
Use when taking pictures that will later be retouched on a
computer.
–1 Moderate
–2 Minimum
Black&white
Pictures recorded in black-and-white. Black-and-white images
require same amount of memory as color images, but show a
higher level of detail. Black&white can not be used in combi-
nation with digital zoom (
16), white balance (
76), white-
balance bracketing (
99), or RAW image quality (
30).
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Menu Guide — The Shooting Menu
88
USER SETTING
Set
BK
QUICK
MENU
SET-UP
User setting
User Setting
The User Setting menu can be used in place of the
button to choose the shooting mode. Choose from
Auto (
), Scene (scene mode), Custom 1 (shooting
mode
), and Custom 2 (shooting mode
). The
camera stores changes to settings in shooting modes
and
and restores these settings the next time the
mode is selected, making it possible to create two sets of “custom” settings
(one for shooting mode
and another for shooting mode
) and recall them
as desired. For more information on shooting modes, see page 15.
Auto
Scene
Custom 1
Custom 2
USER SETTING
1
Highlight User setting.
2
Display USER SETTING menu.
1
Highlight User setting.
2
Display USER SETTING menu.
Shooting Mode
The current shooting mode is shown in the top left corner
of the shooting display.
Displaying the User Setting Menu in
(Auto) Mode
Press the
button. The menu shown in Step 1 will be displayed.
Displaying the User Setting Menu in Scene Mode
Press the
button. The menu shown in Step 1 will be displayed.
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Auto
Scene
Custom 1
Custom 2
USER SETTING
SET-UP
User setting
SHOOTING MENU(AUTO)
Auto
Scene
Custom 1
Custom 2
USER SETTING
Menu Guide — The Shooting Menu
Using the shooting menu:
74
Image Sharpening
In shooting modes
and
, the image-sharpening
menu controls the amount of sharpening performed.
The camera automatically processes pictures to empha-
size the borders between light and dark areas, making
edges seem sharper. As this processing occurs after
shooting, its effects can not be previewed in the shoot-
ing display, but they will be visible in the fi nal picture.
IMAGE SHARPENING
Normal
Low
Off
High
Auto
Option
Low
Sharpening reduced below normal level.
Auto
Camera sharpens edges for optimal results; amount of sharpening
varies from shot to shot.
High
Pictures processed to increase sharpness, making edges more dis-
tinct.
Normal
Camera performs same standard level of sharpening on all images.
Off
No sharpening performed.
Description
Menu Guide — The Shooting Menu
90
Lens
The lens menu is used to adjust camera settings for
optimal results with the optional converter lenses and
adapters listed below. Note that these accessories can
only be used with a lens adapter ring (
137). For
complete information on use and handling, see the
documentation provided with each converter lens.
LENS
Normal
Wide adapter
Telephoto
Fisheye
Option
Fisheye
(for FC-E9)
• Zoom fi xed at widest angle.
• Focus fi xed at infi nity.
• Metering fi xed at center-weighted (
79).
• Corners of frame blacked out to create circular frame.
Normal
No modifi cations are made to settings. Use when no converter
lens is attached (be sure to remove lens adapter ring).
Wide adapter
(for WC-E80)
Camera zooms out to widest angle. Zoom can be adjusted be-
tween middle optical zoom position and widest angle.
Telephoto
(for TC-E15ED)
Optical zoom set to maximum optical zoom position. Digital
zoom can be used.
Description
Using a Flash
The built-in Speedlight turns off automatically at settings other than Normal. Optional
Speedlights mounted on the accessory shoe (
96) can be used with wide-angle and
telephoto converter lenses when the optional Speedlight is set to mode A (non-TTL
auto). Use of an optional Speedlight is not recommended with fi sheye converter lenses,
as the fl ash will be unable to light the entire subject.
Use Autofocus
When shooting at settings other than Normal, use autofocus (
37). Manual focus
and infi nity will not produce results that accurately refl ect the selected focus distance.
Lens
At settings other than Normal, the current lens setting is indi-
cated by an icon in the monitor.
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