Nikon D5 Professional Professional Setting Manual

Movie-Related Camera Controls ...................................... 4 Recording Movies ............................................................... 6 Before Recording ................................................................ 8 • Frame Size/Frame Rate ...................................................................8 • Movie ISO Sensitivity Settings ....................................................10 • Set Picture Control.........................................................................11 • White Balance .................................................................................12 • Microphone Sensitivity ................................................................13 • Frequency Response .....................................................................13 • Wind Noise Reduction ..................................................................13 More on Movies .................................................................14 • The Information Display...............................................................14 • Custom Control Assignments ........................18 • Electronic Vibration Reduction ......................22 • The Movie i-Button Menu ..........................................................23 • White Balance .................................................................................24 • Choosing a Picture Control in Live View ..................................25 • Photos and Frame Grabs .................................26 • Creating Stills from 4K UHD Movies ..........................................28 • HDMI Output ..................................................................................29 Time-Lapse Movies ...........................................................32 • Time-Lapse Movie Techniques ...................................................32 • Table: Time-Lapse Movie Techniques Compared ...................33 • Filming 4K UHD Time-Lapse Movies .........................................34

• Restrictions on Available Settings .............................................36 • Keeping the Camera Cool ............................................................36 • Image Artifacts ...............................................................................37 • Ending Recording ..........................................................................37 Movie Playback Tips and Tricks ......................................38 • Ten-Second Advance/Rewind ....................................................38 • Skipping to an Index or the Last/First Frame ..........................38 • Using the Touch Screen ................................................................39 Joining Movie Files Together .................40 D5 Movie Specifications ..................................................42

Shutter- release button Power switch Movie-record button Stereo microphone MODE button USB connector Headphone connector Focus-mode selector AF-mode button HDMI connector Connector for external microphone Pv button Fn1 button Fn2 button Sub-command dial Tripod socket Guide pin socket Movie-Related Camera Controls

Monitor O (Q) button K button G button L (Z/Q ) button X button W (M) button J button Fn3 button Rear control panel T button U button R button a button Sub-selector AF-ON button Main command dial Live view selector i button Multi selector The monitor’s touch-screen controls can be used for movie playback (page 39).

Rotate the live view selector to 1 and press the a button. a button   2  Focus. Frame the opening shot and press the AF-ON button or press the shutter-release button half- way to focus. AF-ON button   3  Start recording. Press the movie-record but- ton to start recording (audio is also recorded; be careful not to cover the built-in microphone). A recording indicator and the time available are displayed in the monitor. The camera can be refocused by pressing the AF-ON button, and exposure can be locked by pressing the center of the sub-selec- tor (page 20) or altered by up to ±3 EV using exposure compensation. Movie-record button

Press the movie-record button again to end recording and then press a to exit live view.

the movie shooting menu. Frame Size/Frame Rate Choose an option according to how you will use the movie. Option Maximum length (★ high quality/Normal) r 3840 × 2160 (4K UHD); 30p 29 min. 59 s (recorded across up to 8 files of up to 4 GB each; the number and length of the files varies with Frame size/frame rate and Movie quality; files can be joined together using ViewNX‑i as described on page 40). s 3840 × 2160 (4K UHD); 25p t 3840 × 2160 (4K UHD); 24p y/y 1920 × 1080; 60p z/z 1920 × 1080; 50p 1/1 1920 × 1080; 30p 2/2 1920 × 1080; 25p 3/3 1920 × 1080; 24p 4/4 1280 × 720; 60p 5/5 1280 × 720; 50p u/6 1920 × 1080; 60p crop v/7 1920 × 1080; 50p crop 8/8 1920 × 1080; 30p crop 9/9 1920 × 1080; 25p crop !/! 1920 × 1080; 24p crop l Before Recording

The movie crop varies with frame size and, at frame sizes of 1920 × 1080 and 1280 × 720, the option selected for Image area > Choose image area in the movie shooting menu. 3840 × 2160 (4K UHD) 1920 × 1080 or 1280 × 720, FX image area 1920 × 1080 crop 1920 × 1080 or 1280 × 720, DX image area Footage with a frame size of 3840 × 2160 (4K UHD) can be filmed with DX lenses.

ISO sensitivity can be adjusted in movie mode (in live view or during recording). • ISO sensitivity (mode M): Choose the ISO sensitivity for exposure mode M from values between ISO 100 and Hi 5. Auto ISO sensitivity control is used in other exposure modes. • Auto ISO control (mode M): Select On for auto ISO sensitivity control in exposure mode M, Off to use the value selected for ISO sen- sitivity (mode M). • Maximum sensitivity: Choose the upper limit for auto ISO sensitivity control from values between ISO 200 and Hi 5. Auto ISO sensitiv‑ ity control is used in exposure modes P, S, and A and when On is selected for Auto ISO control (mode M) in exposure mode M. l Auto ISO Sensitivity Control At high ISO sensitivities, the camera may have difficulty fo- cusing and noise (randomly-spaced bright pixels, fog, or lines) may increase. This can be prevented by choosing a lower value for Movie ISO sensitivity settings > Maximum sensitivity.

Choose a Picture Control for movies. • Same as photo settings: Use the Picture Control settings currently selected in the photo shooting menu. • Q Standard: Standard processing for balanced results. Recommended for most situations. • R Neutral: Minimal processing for natural results. Choose for footage that you intend to process in post‑production. • S Vivid: Footage is enhanced for a vivid, photoprint effect with emphasis on primary colors. • T Monochrome: Film monochrome footage. • o Portrait: Footage of portrait subjects is processed to give skin a natural texture and rounded feel. • p Landscape: Film vibrant landscapes and cityscapes. • q Flat : Details are preserved over a wide tone range, from highlights to shadows, maximizing the potential for tweaking in post‑production. Use with highlight‑weighted me‑ tering to minimize loss of detail in highlights. l

lighting conditions. Choose Same as photo settings to use the white balance settings currently selected in the photo shooting menu. Measuring Preset Manual White Balance Instead of using a specially-prepared reference object, you can measure white balance from any white or grey object in the frame. When Preset manual is selected for white balance, you can hold the U button in live view to enter direct measurement mode. L will flash in the display; tap a white or grey object to position the spot white balance target (r) over the selected object and measure white balance. To zoom in on the target for precise posi- tioning, press the X button. Press the U button again to exit direct measurement mode. White balance presets d1–d6 can be viewed by selecting Preset man- ual for White balance in the movie shooting menu. The white balance target is shown on the preset. l

optional ME-1 stereo or ME-W1 wireless microphones. Choose Auto sensitivity to adjust sensitivity automatically, Microphone off to turn sound recording off. To select sen- sitivity manually, select Manual sensitivity and choose a value between 1 and 20 (higher values indicate increased sensitivity). Frequency Response If S Wide range is selected, the built-in microphone will respond to a wide range of frequencies, from music to the bustling hum of a city street. Choose T Vocal range to bring out human voices. Wind Noise Reduction Select On to enable the low-cut filter for the built-in mi- crophone (optional stereo microphones are unaffected), reducing noise produced by wind blowing over the mi- crophone (note that other sounds may also be affected). Wind-noise reduction for optional stereo microphones that support this feature can be enabled or disabled using microphone controls. l l l

find useful when filming movies. The Information Display To hide or display indicators in the monitor, press the R button. Information on Information off Framing guides Virtual horizon Histo- gram l More on Movies

in red 30 s before live view ends) Low battery No memory card

in movie mode (in live view and during recording): y u i o !0 !1 !2 q w e r t

q Headphone volume: Volume of audio output to headphones. Dis‑ played when third‑party headphones are connected. w Microphone sensitivity: Microphone sensitivity. e Sound level: Sound level for audio recording. Displayed in red if level is too high; adjust microphone sensitivity accordingly. r Frequency response: The current frequency response. t Wind noise reduction: Displayed when wind noise reduction is on. y “No movie” indicator: Indicates that movies can not be recorded. u Movie frame size: The frame size for movie recording. i Time remaining: The recording time available for movies. o Highlight display indicator: Appears when the highlight display is on. !0 File name: The file name for the current movie. !1 “No power aperture” indicator: Indicates that power aperture is un‑ available. !2 Electronic VR indicator: Displayed when electronic vibration reduc‑ tion is on. File Names During recording, a new file is cre- ated when the current file reaches 4 GB. Normally displayed in white, the file name in the information display flashes amber 30 s and turns red 10 s before a new file is created.

Use Custom Setting g1 (Custom control assignment) to choose the roles played by camera controls during movie recording. Press To choose the roles played by the following controls, high- light an option and press the center of the multi selector: 0 Pv button v Fn1 button x Fn2 button z Fn3 button 8 Center of sub-selector G Shutter-release button The functions that can be assigned to these controls are: 0 v x z 8 G t Power aperture (open) 4 — — — — — q Power aperture (close) — 4 — — — — i Exposure compensation + 4 — — — — — h Exposure compensation − — 4 — — — — r Index marking 4 4 4 4 4 — s View photo shooting info 4 4 4 4 4 — B AE/AF lock — — — — 4 — C AE lock only — — — — 4 — E AE lock (Hold) — — — — 4 — F AF lock only — — — — 4 — C Take photos — — — — — 4 l

0 v x z 8 G 1 Record movies — — — — — 4 x Live frame grab — — — — — 4 None 4 4 4 4 4 — Power Aperture Power aperture is available only in exposure modes A and M and can not be used while photo shooting info is displayed (a 6 icon indicates that power aperture can not be used). The display may flicker while aperture is adjusted. Press + y To choose the roles played by the following controls in combination with the command dials, highlight an option and press the center of the multi selector: 1 Pv button + y w Fn1 button + y y Fn2 button + y 9 Center of sub-selector + y Choose from J Choose image area and None. Selecting the former disables the Frame size/frame rate options in the i-button (page 23) and movie shooting menus.

At default settings, exposure com- pensation can be adjusted by press- ing the E button and rotating the main command dial. The sound of the dial may however be audible in the audio recorded with movies. This can be prevented by using Custom Setting g1 (Cus- tom control assignment) to assign Exposure compensa- tion + to the Pv button and Exposure compensation − to the Fn1 button. Exposure compensation can then be ad- justed by pressing and holding one or the other of these buttons instead of rotating the main command dial. Exposure Lock To lock exposure when filming in P, S, or A mode or when auto ISO sen- sitivity control is enabled, assign AE-L lock (Hold) to the center of the sub-selector. Exposure will lock when the center of the sub-selector is pressed and remain locked until it is pressed again. Exposure lock will not be interrupted if the shutter-release button is pressed all the way down to take photographs during filming. Center of sub- selector

Starting Recording with the Shutter-Release Button If Record movies is assigned to the shutter-release button and the live view selector is rotated to 1, you can start live view by pressing the shutter-release button halfway and start and end recording by pressing it all the way down. To prevent camera shake, you can mount the camera on a tri- pod and start and end recording using an optional remote cord (such as the MC-36A or MC-30A) or wireless remote controller (such as the WR-R10/WR-T10). To prevent unintended operation of the a button, select Disable for Custom Setting f8 (Live view button options). Choosing a Role for the Fn3 Button The addition of a customizable Fn3 button gives you more flexibility in choosing roles for the Pv, Fn1, and Fn2 buttons. For example, assigning Index marking to the Fn3 button leaves the Pv and Fn1 buttons free for power zoom or expo- sure compensation, increasing the control options available.

To enable electronic vibration reduction in movie mode, select On for Electronic VR in the movie shooting menu. Electronic vibration reduction is best with hand-held cine- matography; select Off when the camera is on a tripod. Note that if electronic vibration reduction is on, the angle of view will be reduced and the edges of the frame cropped out. Electronic vibration reduction is not available at frame sizes of 3840 × 2160 and 1920 × 1080 crop (page 8). Re- gardless of the option chosen for Movie ISO sensitivity settings > ISO sensitivity (mode M) in the movie shooting menu (page 10), the upper limit when electronic vibration reduction is on is ISO 102400. l

The Movie i-Button Menu Pressing the i button in movie mode displays the following options: • Choose image area: Choose an image area for movie recording (page 9). • Frame size/frame rate: Select a frame size and rate (page 8). • Movie quality: Choose movie quality. • Microphone sensitivity: Press 1 or 3 to adjust microphone sensi‑ tivity (page 13). • Frequency response: Control the frequency response of the built‑in microphone (page 13). • Wind noise reduction: Enable or disable wind noise reduction using the built‑in microphone’s low‑cut filter (page 13). • Destination: When two memory cards are inserted, you can choose the card to which movies are recorded. • Monitor brightness: Press 1 or 3 to adjust monitor brightness (note that this affects live view only and has no effect on photo‑ graphs or movies or on the brightness of the monitor for menus or playback). • Highlight display: Choose whether the brightest areas of the frame (highlights) are shown by slanting lines in the display. • Headphone volume: Press 1 or 3 to adjust headphone volume. • Electronic VR: Enable or disable electronic vibration reduction in movie mode (page 22). l i button

U button and rotating a command dial. The Main Command Dial Choose a white balance option. The effect can be previewed in the moni- tor. The Sub-command Dial Fine-tune white balance on the amber (A)–blue (B) axis in increments of 0.5. If K (Choose color temp.) is selected for white balance, you can choose a color temperature by pressing the U button and rotating the sub- command dial (adjustments are made in mireds), or enter a color temperature by pressing and holding the U button and using 4 and 2 to highlight digits and 1 and 3 to edit. l

If Preset manual is selected for white balance, you can use the U button and sub-command dial to choose a preset. Choosing a Picture Control in Live View To choose a Picture Control in live view, press the L (Z/Q) button. The effect of the selected control can be previewed in the monitor. To modify the selected control, press 2. l

You can interrupt filming and take photos without leaving movie mode or take photos at the current frame size while filming (live frame grab). Taking Photos In movie mode, photos can be taken by keeping the shut- ter-release button pressed all the way down (note that photos will not be taken if the camera is unable to focus). If filming is in progress, recording will end and any footage shot to that point will be saved. The photos will have an aspect ratio of 16∶9; size varies with the option selected for movie frame size and, in the case of photos taken at frame sizes of 1920 × 1080 and 1280 × 720, with the image area and the option selected for Image size > JPEG/TIFF in the photo shooting menu. Frame size Image area Image size Photo size (pixels) 3840 × 2160 — 3840 × 2160 1920 × 1080 1280 × 720 FX Large 5568 × 3128 Medium 4176 × 2344 Small 2784 × 1560 DX Large 3648 × 2048 Medium 2736 × 1536 Small 1824 × 1024 1920 × 1080 crop — 1920 × 1080 l

Live Frame Grab If Live frame grab is selected for Custom Setting g1 (Custom con- trol assignment) > Shutter-release button, pressing the shutter-release button all the way down during filming will soundlessly take a photo without ending recording. Live Frame Grab Photos are recorded at the current movie frame size (page 8) and are saved at an image quality of JPEG fine★. Only one photo is taken each time the shutter-release button is pressed, regardless of release mode. Up to 50 shots can be taken with each movie; if two memory cards are inserted, photos and movies will be saved to the same card.

During movie playback, you can use Save selected frame to save selected frames of 4K UHD movies as JPEG images.   1  Pause playback on the desired frame. Press 3 to pause playback.   2  Choose Save selected frame. Press i or J, then highlight Save selected frame and press 2.   3  Create a still copy. Press 1 to create a fine★- quality JPEG copy of the current frame. A confirmation dialog will be displayed; highlight Yes and press J. l Save Selected Frame Movie stills lack some photo information and can not be re- touched.

HDMI Output The camera can be connected to HDMI devices for high- definition movie playback and recording. Connecting to an HDMI Device The camera can be connected to high-definition video devices using an optional High-Definition Multimedia In- terface (HDMI) cable or a third-party type C HDMI cable. Always turn the camera off before connecting or discon- necting the cable. Connect to camera Connect to high-defi- nition device (choose cable with appropriate connector) Tune the device to the HDMI input channel, then turn the camera on and press the K button. During playback, im- ages will be displayed on the television screen. Volume can be adjusted using television controls; the camera con- trols can not be used. If the camera is connected to a third-party HDMI video re- corder, you can film movies and save them directly to the device even if no memory card is inserted in the camera. l

When using the optional Nikon HDMI cable, attach the sup- plied clip as shown to prevent accidental disconnection. Do not use cable clips with non-Nikon cables.

HDMI Options The HDMI option in the setup menu controls output reso- lution and offers a variety of advanced HDMI options. Output Resolution Choose the format for images out- put to the HDMI device. If Auto is selected, the camera will automati- cally select the appropriate format. Advanced Selecting Advanced displays the following options: • Output range: Auto is recommended in most situations. If the camera is unable to determine the correct setting, you can choose an option based on the device’s video signal input color range. If the input range is 16 to 235 or contrast is so high that highlights are “washed out” (too bright) and shadows too dark, choose Limited range. Choose Full range if the input range is 0 to 255 or if contrast is so low that shadows are “washed out”. • Output display size: Horizontal and vertical frame coverage for HDMI output can be set to 95% or 100%. Choose 100% when recording video to an external device. • Live view on-screen display: If Off is selected, the external device will not display shooting information during live view photography. • Dual monitor: Choose On to mirror the HDMI display on the cam‑ era monitor, Off to turn the camera monitor off to save power. Dual monitor turns on automatically when Live view on- screen display is Off.

time-lapse photography, the interval timer, or unlimited continuous release. In the first case, the camera generates the movie automatically, while the last two methods re- quire third-party movie-editing software, a powerful com- puter, and advanced image-processing skills. Time-Lapse Movie Techniques The three methods of creating time-lapse movies are com- pared below. Interval-Timer Photography In interval-timer photography, the camera takes photos at preset intervals. Image quality, size, and other settings can be adjusted for exactly the results you want, while shots containing unwanted objects can be edited or deleted. You can create frames for high-quality movies and even (in NEF/RAW format) choose the color temperature. Time-Lapse Photography This is the least complicated method: the camera creates movies from photos taken at preset intervals, sparing you the task of splicing the shots together. You are however limited to the frame sizes, bit rates, and quality options available in the Frame size/frame rate and Movie quality menus and can record movies in MOV format only. In ad- dition, the individual frames that make up the movie are not stored in separate files. l Time-Lapse Movies

Selecting a shutter speed of 4  s or slower in exposure mode S or M lets you take an unlimited number of photo- graphs in continuous release mode (Cl, Ch, or Qc): shooting can continue as long as the battery lasts and there is space on the memory card, regardless of the option selected for Custom Setting d2 (Max. continuous release). Although the lack of shutter speeds faster than 4 s limits your choice of subjects, the interval between shots is as short as in normal photography, producing smoother footage of sub- jects that require exposure times of 4 s or more, such as stars or auroras. Table: Time-Lapse Movie Techniques Compared Interval timer Time lapse Continuous Format Stills NEF, JPEG, TIFF — NEF, JPEG, TIFF Movies — MOV — Max. frame size 5568 × 3712 3840 × 2160 5568 × 3712 Time between shots 0.5 s or more 1 s or more Time selected in Cl or Ch mode Exposure time 1/8000–30 s 4–30 s Creates Material for advanced time‑ lapse movies and film logs Hassle‑free time‑lapse movies Material for time‑lapse movies featuring star trails or auroras l

Filming 4K UHD time-lapse movies is simple: just select a frame size of 3840 × 2160 for Frame size/frame rate in the movie shooting menu and then follow the steps below. The crop (page 9) is the same as for 4K UHD movies.   1  Adjust time-lapse movie settings. Select Time-lapse movie in the movie shooting menu and adjust the following settings: • Interval: The interval (in minutes and seconds) should be longer than the slowest anticipated shutter speed. Highlight Interval and press 2. Choose an interval and press J. • Shooting time: The total shooting time (in hours and minutes) can be up to 7 hours and 59 minutes. Highlight Shooting time and press 2. Choose a shooting time and press J. l

es in exposure in modes other than M (note that exposure smoothing only takes effect in mode M if auto ISO sensitivity control is enabled in the photo shooting menu). Highlight Exposure smoothing and press 2. Highlight an option and press J.   2  Start shooting. Highlight Start and press J. Af- ter about 3 s, shooting will start and the camera will take photo- graphs at the selected interval for the selected shooting time. To end shooting early and cre- ate a time-lapse movie from the frames shot to that point, highlight Off in the time-lapse movie menu and press J, or press J between frames or immediately after a frame is recorded.

Restrictions on Available Settings The exposure settings available in movie mode (in live view or during recording) vary with the exposure mode selected. Aperture Shutter speed ISO sensitivity P, S — — — 1, 2 A 4 — — 1, 2 M 4 4 4 2, 3 1. The upper limit for ISO sensitivity can be selected using the Movie ISO sensitivity settings > Maximum sensitivity option in the movie shooting menu (page 10). 2. The upper limit when On is selected for Electronic VR in the movie shooting menu is ISO 102400. 3. If On is selected for Movie ISO sensitivity settings > Auto ISO control (mode M) in the movie shooting menu, the upper limit for ISO sensitivity can be selected using the Maximum sensitivity option. Keeping the Camera Cool If live view is used continuously for extended periods, the camera’s internal temperature will rise, causing noise (bright spots, randomly-spaced bright pixels, or fog) to appear in images. Use live view only when taking pic- tures. Note that live view does not end when menus are displayed; unless you intend to resume shooting immedi- ately, exit live view before using the menus. l l Things to Note

tor and in the final movie under fluorescent, mercury va- por, or sodium lamps, when power aperture is in use, or if the camera is panned horizontally or an object moves at high speed through frame. Jagged edges, color fringing, moiré, and bright spots may also appear. Bright areas or bands may appear with flashing signs and other intermit- tent light sources or if the subject is briefly illuminated by a strobe or other bright, momentary light source. Noise (randomly-spaced bright pixels, fog, or lines) and unex- pected colors may be more noticeable if you zoom in on the view through the lens during live view. The Flicker reduction option in the movie shooting menu can be used to reduce flicker under fluorescent, mercury vapor, or sodium lamps. The desired results may not be obtained if the subject is very bright, in which case you should try a smaller aperture (higher f-number). Ending Recording If the maximum length is reached, the memory card fills, the battery runs low, the live view selector is rotated to C, the lens is removed, or the camera overheats, filming will end automatically and all footage shot to that point will be saved. No movie will be recorded if the battery is removed during filming. l l

Some tips for viewing movies: Ten-Second Advance/Rewind Rotate the main command dial one click to advance or rewind 10 sec- onds. Skipping to an Index or the Last/First Frame If you added index markers during recording, you can skip to the next or previous index frame by rotating the sub-command dial during play- back. If there are no intervening in- dex markers, the sub-command dial will take you to the last or first frame. l l Index Marking If Index marking is assigned to a con- trol using Custom Setting g1 (Custom control assignment, page 18), you can press the selected control during re- cording to add indices that can be used to locate frames during editing and playback. Up to 20 indices can be added to each movie.

The touch screen offers the following movie playback con- trols: Play/Pause/Resume Tap the a icon to start playback and tap the monitor to pause or resume. a icon Skip Tap the progress bar to skip to the selected position and pause play- back. You may find this useful when attempting to find a specific scene in a long movie. Progress bar Volume Control Tap the W or X icon during play- back to adjust the volume. Volume control l

Each movie recorded with the D5 may consist of up to 8 files of up to 4 GB in size. These files can be joined together in ViewNX-i.   1  Select the files in the movie. Right-click any of the files in the movie and choose Se- lect Set of Continuous Movies to select all the movie’s component files.

Click the (movie) button to launch ViewNX-Movie Editor.   3  Click Combine movies. The options at right will be displayed. Click Combine Movies.   4  Save the movie. Choose a destination and file name and click Out- put.

Total pixels 21.33 million Dust-reduction system Image sensor cleaning, Image Dust Off reference data (Capture NX-D software required) Storage Media • Models for use with XQD cards: XQD cards • Models for use with CompactFlash cards: Type I Com- pactFlash memory cards (UDMA7 compliant) Movies Metering TTL exposure metering using main image sensor Metering method Matrix, center-weighted, or highlight-weighted Frame size (pixels) and frame rate • 3840 × 2160 (4K UHD); 30p (progressive), 25p, 24p • 1920 × 1080; 60p, 50p, 30p, 25p, 24p • 1920 × 1080 crop; 60p, 50p, 30p, 25p, 24p • 1280 × 720; 60p, 50p Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; ★ high quality available at all frame sizes, normal quality available at all sizes except 3840 × 2160 Bit rate • 3840 × 2160 (4K UHD): 144 Mbps • 1920 × 1080 60p/50p ★ high: 48 Mbps • 1920 × 1080 60p/50p normal: 24 Mbps • 1920 × 1080 30p/25p/24p ★ high: 24 Mbps • 1920 × 1080 30p/25p/24p normal: 12 Mbps • 1920 × 1080 crop ★ high: 24 Mbps • 1920 × 1080 crop normal: 12 Mbps D5 Movie Specifications

• HDMI output: 4∶2∶2, 8 bit File format MOV Video compression H.264/MPEG-4 Advanced Video Coding Audio recording format 48 kHz, 16-bit linear PCM Audio recording device Built-in stereo microphone; external microphone (imped- ance 2.2K Ω); sensitivity adjustable ISO sensitivity • Exposure mode M: Auto ISO sensitivity control (ISO 100 to Hi 5) available with selectable upper limit; manual se- lection (ISO 100 to 102400 in steps of 1/3, 1/2, or 1 EV) with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, 2, 3, 4, or 5 EV (ISO 3280000 equivalent) above ISO 102400 • Exposure modes P, S, and A: Auto ISO sensitivity control (ISO 100 to Hi 5) with selectable upper limit Other options Index marking, time-lapse movies, electronic vibration reduction White balance Same as photo settings, auto (3 types), incandescent, fluorescent (7 types), direct sunlight, cloudy, shade, preset manual (up to 6 values can be stored, spot white balance measurement available during live view), choose color temperature (2500 K–10000 K), all with fine-tuning. Picture Control Picture Control System Same as photo settings, Standard, Neutral, Vivid, Mono- chrome, Portrait, Landscape, Flat; selected Picture Control can be modified; storage for custom Picture Controls

Monitor 8-cm/3.2-in., approx. 2359k-dot (XGA) TFT touch-sensitive LCD with 170 ° viewing angle, approximately 100% frame coverage, and manual monitor brightness control Interface USB SuperSpeed USB (USB 3.0 Micro-B connector); connection to built-in USB port is recommended HDMI output Type C HDMI connector Audio input Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) Audio output Stereo mini-pin jack (3.5 mm diameter) Power source Battery One rechargeable Li-ion EN-EL18a battery AC adapter EH-6b AC adapter; requires EP-6 power connector (available separately) Tripod socket 1/4 in. (ISO 1222)