Roland HP 337 Manual 

Model HP-337 MIDI Implementation Version: 1.00 1. Receive data IChannel Voice Messages GNote off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = note off velocity: 00H-7FH (0-127) * For Drum Parts, these messages are received when Rx.NOTE OFF = ON for each Instrument. * The velocity values of Note Off messages are ignored. GNote on Status 2nd bytes 3rd byte 9nH kkH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = note on velocity: 01H-7FH (1-127) * Not received when Rx.NOTE MESSAGE = OFF. (Initial value is ON) * For Drum Parts, not received when Rx.NOTE ON = OFF for each Instrument. GPolyphonic Key Pressure Status 2nd bytes 3rd byte AnH kkH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = key pressure: 00H-7FH (0-127) * Not received when Rx.POLY PRESSURE (PAf) = OFF. (Initial value is ON) * The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect. GControl Change * When Rx.CONTROL CHANGE = OFF, all control change messages except for Channel Mode messages will be ignored. * The value specified by a Control Change message will not be reset even by a Program Change, etc. HBank Select (Controller number 0, 32) Status 2nd bytes 3rd byte BnH 00H mmH BnH 20H llH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384), Initial Value = 00 00H (bank.1) * Not received when Rx.BANK SELECT = OFF. * "Rx.BANK SELECT" is set to OFF by "GM1 System On," and Bank Select message will be ignored. * "Rx.BANK SELECT" is set to ON by "GM2 System On." * "Rx.BANK SELECT" is set to ON by power-on Reset or by receiving "GS RESET." * When Rx.BANK SELECT LSB = OFF, Bank number LSB (llH) will be handled as 00H regardless of the received value. However, when sending Bank Select messages, you have to send both the MSB (mmH) and LSB (llH, the value should be 00H) together. * Bank Select processing will be suspended until a Program Change message is received. * The GS format "Variation number" is the value of the Bank Select MSB (Controller number 0) expressed in decimal. * Some other GS devices do not recognize the Bank Select LSB (Controller number 32). HModulation (Controller number 1) Status 2nd bytes 3rd byte BnH 01H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Modulation depth: 00H-7FH (0-127) * Not received when Rx.MODULATION = OFF. (Initial value is ON) * The resulting effect is determined by System Exclusive messages. With the initial settings, this is Pitch Modulation Depth. HPortamento Time (Controller number 5) Status 2nd bytes 3rd byte BnH 05H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Portamento Time: 00H-7FH (0-127), Initial value = 00H (0) * This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change. HData Entry (Controller number 6, 38) Status 2nd bytes 3rd byte BnH 06H mmH BnH 26H llH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB HVolume (Controller number 7) Status 2nd bytes 3rd byte BnH 07H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Volume: 00H-7FH (0-127), Initial Value = 64H (100) * Volume messages are used to adjust the volume balance of each Part. * Not received when Rx.VOLUME = OFF. (Initial value is ON) HPan (Controller number 10) Status 2nd bytes 3rd byte BnH 0AH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = pan: 00H-40H-7FH (Left-Center-Right), Initial Value = 40H (Center) * For Rhythm Parts, this is a relative adjustment of each Instrument's pan setting. * Some Tones are not capable of being panned all the way to the left or right. * Not received when Rx.PANPOT = OFF. (Initial value is ON) HExpression (Controller number 11) Status 2nd bytes 3rd byte BnH 0BH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Expression: 00H-7FH (0-127), Initial Value = 7FH (127) * This adjusts the volume of a Part. It can be used independently from Volume messages. Expression messages are used for musical expression within a performance; e.g., expression pedal movements, crescendo and decrescendo. * Not received when Rx.EXPRESSION = OFF. (Initial value is ON) HHold 1 (Controller number 64) Status 2nd bytes 3rd byte BnH 40H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) * Not received when Rx.HOLD1 = OFF. (Initial value is ON) HPortamento (Controller number 65) Status 2nd bytes 3rd byte BnH 41H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON * Not received when Rx.PORTAMENTO = OFF. (Initial value is ON) HSostenuto (Controller number 66) Status 2nd bytes 3rd byte BnH 42H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON * Not received when Rx.SOSTENUTO = OFF. (Initial value is ON) Copyright © 2000 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

Status 2nd bytes 3rd byte BnH 43H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON * Not received when Rx.SOFT = OFF. (Initial value is ON) * Some Tones will not exhibit any change. HFilter Resonance (Timbre/Harmonic Intensity) (Controller number 71) Status 2nd byte 3rd byte BnH 47H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv= Resonance value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change. HRelease Time (Controller number 72) Status 2nd byte 3rd byte BnH 48H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Release Time value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change. HAttack time (Controller number 73) Status 2nd byte 3rd byte BnH 49H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Attack time value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value=40H (no change) * Some Tones will not exhibit any change. HCutoff (Controller number 74) Status 2nd byte 3rd byte BnH 4AH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Cutoff value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change. HDecay Time (Controller number 75) Status 2nd byte 3rd byte BnH 4BH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Decay Time value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change. HVibrato Rate (Controller number 76) Status 2nd byte 3rd byte BnH 4CH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Vibrato Rate value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change. HVibrato Depth (Controller number 77) Status 2nd byte 3rd byte BnH 4DH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Vibrato Depth Value (relative change) : 00H-7FH(-64 - 0 - +63), Initial Value = 40H (no change) * Some Tones will not exhibit any change. HVibrato Delay (Controller number 78) Status 2nd byte 3rd byte BnH 4EH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Vibrato Delay value (relative change) : 00H-7FH(-64 - 0 - +63), Initial value=40H (no change) * Some Tones will not exhibit any change. HPortamento control (Controller number 84) Status 2nd bytes 3rd byte BnH 54H kkH n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = source note number: 00H-7FH (0-127) * A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number. * If a voice is already sounding for a note number identical to the Source Note Number, this voice will continue sounding (i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on. * The rate of the pitch change caused by Portamento Control is determined by the Portamento Time value. Example 1. On MIDI Description Result 90 3C 40 Note on C4 C4 on B0 54 3C Portamento Control from C4 no change (C4 voice still sunding) 90 40 40 Note on E4 glide from C4 to E4 80 3C 40 Note off C4 no change 80 40 40 Note off E4 E4 off Example 2. On MIDI Description Result B0 54 3C Portamento Control from C4 no change 90 40 40 Note on E4 E4 is played with glide from C4 to E4 80 40 40 Note off E4 E4 off HEffect 1 (Reverb Send Level) (Controller number 91) Status 2nd bytes 3rd byte BnH 5BH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127), Initial Value = 28H (40) * This message adjusts the Reverb Send Level of each Part. HEffect 3 (Chorus Send Level) (Controller number 93) Status 2nd bytes 3rd byte BnH 5DH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127), Initial Value = 00H (0) * This message adjusts the Chorus Send Level of each Part.

Status 2nd bytes 3rd byte BnH 63H mmH BnH 62H llH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm = upper byte (MSB) of the parameter number specified by NRPN ll = lower byte (LSB) of the parameter number specified by NRPN * Rx.NRPN is set to OFF by power-on reset or by receiving "GM1 System On" or "GM2 System On," and NRPN message will be ignored. NRPN message will be received when Rx.NRPN = ON, or by receiving "GS RESET." * The value set by NRPN will not be reset even if Program Change or Reset All Controllers is received. **NRPN** The NRPN (Non Registered Parameter Number) message allows an extended range of control changes to be used. To use these messages, you must first use NRPN MSB and NRPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an NRPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter. Refer to Section 4. Supplementary material "Examples of actual MIDI messages" (p. 13). On the GS devices, Data entry LSB (llH) of NRPN is ignored, so it is no problem to send Data entry MSB (mmH) only (without Data entry LSB). On the HP-337, NRPN can be used to modify the following parameters. NRPN Data entry MSB LSB MSB Description 01H 08H mmH Vibrato Rate (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 09H mmH Vibrato Depth (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 0AH mmH Vibrato Delay (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 20H mmH TVF Cutoff Frequency (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 21H mmH TVF Resonance (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 63H mmH TVF&TVA Envelope Attack Time (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 64H mmH TVF&TVA Envelope Decay Time (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 01H 66H mmH TVF&TVA Envelope Release Time (relative change) mm: 0EH-40H-72H (-50 - 0 - +50) 18H rrH mmH Drum Instrument Pitch Coarse (relative change) rr : key number of drum instrument mm: 00H-40H-7FH (-63 - 0 - +63 semitone) 1AH rrH mmH Drum Instrument TVA Level (absolute change) rr : key number of drum instrument mm: 00H-7FH (zero-maximum) 1CH rrH mmH Drum Instrument Panpot (absolute change) rr : key number of drum instrument mm: 00H, 01H-40H-7FH (Ramdom, Left-Center-Right) 1DH rrH mmH Drum Instrument Reverb Send Level (absolute change) rr : key number of drum instrument mm: 01H-7FH (zero-maximum) 1EH rrH mmH Drum Instrument Chorus Send Level (absolute change) rr : key number of drum instrument mm: 01H-7FH (zero-maximum) * Parameters marked "relative change" will change relatively to the preset value(40H). Even among different GS devices, "relative change" parameters may sometimes differ in the way the sound changes or in the range of change. * Parameters marked "absolute change" will be set to the absolute value of the parameter, regardless of the preset value. * Data entry LSB (llH) is ignored. HRPN MSB/LSB (Controller number 100, 101) Status 2nd bytes 3rd byte BnH 65H mmH BnH 64H llH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm = upper byte (MSB) of parameter number specified by RPN ll = lower byte (LSB) of parameter number specified by RPN * Not received when Rx.RPN = OFF. (Initial value is ON) * The value specified by RPN will not be reset even by messages such as Program Change or Reset All Controller. **RPN** The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard. To use these messages, you must first use RPN MSB and RPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an RPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter.Refer to Section 4. "Examples of actual MIDI messages" (p. 13). On the HP-337, RPN can be used to modify the following parameters. RPN Data entry MSB LSB MSB LSB Explanation 00H 00H mmH --- Pitch Bend Sensitivity mm: 00H-18H (0-24 semitones),Initial Value = 02H (2 semitones) ll : ignored (processed as 00h) specify up to 2 octaves in semitone steps 00H 01H mmH llH Master Fine Tuning mm, ll : 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.99 cents), Initial Value = 40 00H (0 cent) ll : ignored (processed as 00h) specify up to 2 octaves in semitone steps Refer to 4. Supplementary material, "About tuning" (p. 14) 00H 02H mmH --- Master Coarse Tuning mm : 28H - 40H - 58H (-24 - 0 - +24 semitones), Initial Value = 40H (0 cent) ll : ignored (processed as 00h) 00H 05H mmH llH Modulation Depth Range mm : 00H - 04H (0 - 4 semitones) ll : 00H - 7FH (0 - 100 cents) 100/128 Cent/Value 7FH 7FH --- --- RPN null Set condition where RPN and NRPN are unspecified. The data entry messages after set RPN null will be ignored. (No Data entry messages are required after RPN null). Settings already made will not change. mm, ll : ignored GProgram Change Status 2nd bytes CnH ppH n = MIDI channel number: 0H-FH (ch.1-ch.16) pp = Program number: 00H-7FH (prog.1-prog.128) * Not received when Rx.PROGRAM CHANGE = OFF. (Initial value is ON) * After a Program Change message is received, the sound will change beginning with the next Note-on. Voices already sounding when the Program Change message was received will not be affected. * For Drum Parts, Program Change messages will not be received on bank numbers 129- 16384 (the value of Control Number 0 is other than 0 (00H)). GChannel Pressure Status 2nd bytes DnH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Channel Pressure: 00H-7FH (0-127) * Not received when Rx.CH PRESSURE (CAf) = OFF. (Initial value is ON) * The resulting effect is determined by System Exclusive messages. With the initial settings there will be no effect.

Status 2nd byte 3rd bytes EnH llH mmH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191) * Not received when Rx.PITCH BEND = OFF. (Initial value is ON) * The resulting effect is determined by System Exclusive messages. With the initial settings the effect is Pitch Bend. IChannel Mode Messages GAll Sounds Off (Controller number 120) Status 2nd byte 3rd bytes BnH 78H 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) * When this message is received, all currently-sounding notes on the corresponding channel will be turned off immediately. GReset All Controllers (Controller number 121) Status 2nd byte 3rd bytes BnH 79H 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) * When this message is received, the following controllers will be set to their reset values. Controller Reset value Pitch Bend Change +-0 (Center) Polyphonic Key Pressure 0 (off) Channel Pressure 0 (off) Modulation 0 (off) Expression 127 (max) Hold 1 0 (off) Portamento 0 (off) Sostenuto 0 (off) Soft 0 (off) RPN unset; previously set data will not change NRPN unset; previously set data will not change GLoacl Control (Controller number 122) Status 2nd byte 3rd bytes BnH 7AH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H, 7FH (0, 127), 00H: Local Off, 7FH: Local On GAll Notes Off (Controller number 123) Status 2nd byte 3rd bytes BnH 7BH 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) * When All Notes Off is received, all notes on the corresponding channel will be turned off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off. GOMNI OFF (Controller number 124) Status 2nd byte 3rd bytes BnH 7CH 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) * The same processing will be carried out as when All Notes Off is received. GOMNI ON (Controller number 125) Status 2nd byte 3rd bytes BnH 7DH 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) * OMNI ON is only recognized as "All notes off"; the Mode doesn't change (OMNI OFF remains). GMONO (Controller number 126) Status 2nd byte 3rd bytes BnH 7EH mmH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm = mono number: 00H-10H (0-16) * The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 4 (M = 1) regardless of the value of "mono number." GPOLY (Controller number 127) Status 2nd byte 3rd bytes BnH 7FH 00H n = MIDI channel number: 0H-FH (ch.1-ch.16) * The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 3. ISystem Realtime Message GActive Sensing Status FEH * When Active Sensing is received, the unit will begin monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted. ISystem Exclusive Message Status Data byte Status F0H iiH, ddH, ......, eeH F7H F0H: System Exclusive Message status ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland's manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH). dd, ..., ee = data: 00H-7FH (0-127) F7H: EOX (End Of Exclusive) The System Exclusive Messages received by the HP-337 are; messages related to mode settings, Universal Realtime System Exclusive messages and Data Set (DT1). GSystem exclusive messages related to mode settings These messages are used to initialize a device to GS or General MIDI mode, or change the operating mode. When creating performance data, a "GM1 System On" message should be inserted at the beginning of a General MIDI 1 score, a "GM2 System On" message at the beginning of a General MIDI 2 score, and a "GS Reset" message at the beginning of a GS music data. Each song should contain only one mode message as appropriate for the type of data. (Do not insert two or more mode setting messages in a single song.) "GM System On" uses Universal Non-realtime Message format. "GS Reset" uses Roland system Exclusive format "Data Set 1 (DT1)." HGM1 System On This is a command message that resets the internal settings of the unit to the General MIDI initial state (General MIDI System-Level 1). After receiving this message HP-337, will automatically be set to the proper condition for correctly playing a General MIDI score. Status Data byte Status F0H 7EH, 7FH, 09H, 01H F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 01H Sub ID#2 (General MIDI 1 On) F7H EOX (End Of Exclusive) * When this message is received, Rx.BANK SELECT will be OFF and Rx.NRPN will be OFF. * There must be an interval of at least 50 ms between this message and the next.

Status Data byte Status F0H 7EH 7FH 09H 03H F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 03H Sub ID#2 (General MIDI 2 On) F7H EOX (End Of Exclusive) * When this message is received, the HP-337 will be able to receive the messages specified by General MIDI 2, and use the General MIDI 2 soundmap. * There must be an interval of at least 50 ms between this message and the next. HGM System Off "GM System Off" is a command message that resets the internal state of the HP-337 from the GM state to its native condition. The HP-337 will reset to the GS default state. Status Data byte Status F0H 7EH, 7FH, 09H, 02H F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub-ID#1 (General MIDI message) 02H Sub-ID#2 (General MIDI Off) 40H EOX (End of exclusive) * When this message is received, the HP-337 will reset to the GS default state. * There must be an interval of at least 50 ms between this message and the next. HGS reset GS Reset is a command message that resets the internal settings of a device to the GS initial state. This message will appear at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly playback GS music data. Status Data byte Status F0H 41H, 10H, 42H, 12H, 40H, 00H, 7FH, 00H, 41H F7H Byte Explanation F0H Exclusive status 41H ID number (Roland) 10H Device ID (dev: 00H-1FH (1-32), Initial value is 10H (17)) 42H Model ID (GS) 12H Command ID (DT1) 40H Address MSB 00H Address 7FH Address LSB 00H Data (GS reset) 41H Checksum F7H EOX (End Of Exclusive) * When this message is received, Rx.NRPN will be ON. * There must be an interval of at least 50 ms between this message and the next. GUniversal Realtime System Exclusive Messages HMaster volume Status Data byte Status F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control messages) 01H Sub ID#2 (Master Volume) llH Master volume lower byte mmH Master volume upper byte F7H EOX (End Of Exclusive) * The lower byte (llH) of Master Volume will be handled as 00H. HMaster Fine Tuning Status Data byte Status F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End Of Exclusive) mm, ll : 00 00H - 40 00H - 7F 7FH(-100 - 0 - +99.9 [cents]) HMaster Coarse Tuning Status Data byte Status F0H 7FH,7FH,04H,04H,llH,mmH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 04H Sub ID#2 (Master Coarse Tuning) llH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX (End Of Exclusive) llH : ignored (processed as 00H) mmH : 28H - 40H - 58H (-24 - 0 - +24 [semitones]) GGlobal Parameter Control Parameters of the Global Parameter Control are newly provided for the General MIDI 2. HReverb Parameters Status Data byte Status F0H 7FH,7FH,04H,05H,01H,01H,01H,01H,01H,ppH,vvH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 01H Slot path LSB (Effect 0101: Reverb) ppH Parameter to be controlled. vvH Value for the parameter. F7H EOX (End Of Exclusive) pp=0 Reverb Type vv = 00H Small Room vv = 01H Medium Room vv = 02H Large Room vv = 03H Medium Hall vv = 04H Large Hall vv = 08H Plate pp=1 Reverb Time vv = 00H - 7FH 0 - 127

7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 02H Slot path LSB (Effect 0102: Chorus) ppH Parameter to be controlled. vvH Value for the parameter. F7H EOX (End Of Exclusive) pp=0 Chorus Type vv=0 Chorus1 vv=1 Chorus2 vv=2 Chorus3 vv=3 Chorus4 vv=4 FB Chorus vv=5 Flanger pp=1 Mod Rate vv=00H - 7FH 0 - 127 pp=2 Mod Depth vv =00H - 7FH 0 - 127 pp=3 Feedback vv =00H - 7FH 0 - 127 pp=4 Send To Reverb vv =00H - 7FH 0 - 127 HChannel Pressure Status Data byte Status F0H 7FH,7FH,09H,01H,0nH,ppH,rrH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 01H Sub ID#2 (Channel Pressure) 0nH MIDI Channel (00 - 0F) ppH Controlled parameter rrH Controlled range F7H EOX (End Of Exclusive) pp=0 Pitch Control rr = 28H - 58H -24 - +24 [semitones] pp=1 Filter Cutoff Control rr = 00H - 7FH -9600 - +9450 [cents] pp=2 Amplitude Control rr = 00H - 7FH 0 - 200 [%] pp=3 LFO Pitch Depth rr = 00H - 7FH 0 - 600 [cents] pp=4 LFO Filter Depth rr = 00H - 7FH 0 - 2400 [cents] pp=5 LFO Amplitude Depth rr = 00H - 7FH 0 - 100 [%] HController Status Data byte Status F0H 7FH,7FH,09H,03H,0nH,ccH,ppH,rrH F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 03H Sub ID#2 (Control Change) 0nH MIDI Channel (00 - 0F) ccH Controller number (01 - 1F, 40 - 5F) ppH Controlled parameter rrH Controlled range F7H EOX (End Of Exclusive) pp=0 Pitch Control rr = 28H - 58H -24 - +24 [semitones] pp=1 Filter Cutoff Control rr = 00H - 7FH -9600 - +9450 [cents] pp=2 Amplitude Control rr = 00H - 7FH 0 - 200 [%] pp=3 LFO Pitch Depth rr = 00H - 7FH 0 - 600 [cents] pp=4 LFO Filter Depth rr = 00H - 7FH 0 - 2400 [cents] pp=5 LFO Amplitude Depth rr = 00H - 7FH 0 - 100 [%] HScale/Octave Tuning Adjust Status Data byte Status F0H 7EH,7FH,08H,08H,ffH,ggH,hhH,ssH... F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 08H Sub ID#1 (MIDI Tuning Standard) 08H Sub ID#2 (scale/octave tuning 1-byte form) ffH Channel/Option byte1 bits 0 to 1 = channel 15 to 16 bit 2 to 6 = Undefined ggH Channel byte2 bits 0 to 6 = channel 8 to 14 hhH Channel byte3 bits 0 to 6 = channel 1 to 7 ssH 12 byte tuning offset of 12 semitones from C to B 00H = -64 [cents] 40H = 0 [cents] (equal temperament) 7FH = +63 [cents] F7H EOX (End Of Exclusive) HKey-Based Instrument Controllers Status Data byte Status F0H 7FH,7FH,0AH,01H,0nH,kkH,nnH,vvH... F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 0AH Sub ID#1 (Key-Based Instrument Control) 01H Sub ID#2 (Controller) 0nH MIDI Channel (00 - 0FH) kkH Key Number nnH Control Number vvH Value F7 EOX (End Of Exclusive) nn=07H Level vv = 00H - 7FH 0 - 200 [%] (Relative) nn=0AH Pan vv = 00H - 7FH Left - Right (Absolute) nn=5BH Reverb Send vv = 00H - 7FH 0 - 127 (Absolute) nn=5D Chorus Send vv = 00H - 7FH 0 - 127 (Absolute) * This parameter affects drum instruments only.

HIdentity Request Message Status Data byte Status F0H 7FH, 10H, 06H, 01H F7H Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 10H Device ID 06H Sub ID#1 (General Information) 01H Sub ID#2 (Identity Request) F7H EOX (End Of Exclusive) GData transmission HP-337 can receive the various parameters using System Exclusive messages. The exclusive message of GS format data has a model ID of 42H and a device ID of 10H (17), and it is common to all the GS devices. HData set 1 DT1 This is the message that actually performs data transmission, and is used when you wish to transmit the data. Status Data byte Status F0H 41H, 10H, 42H, 12H, aaH, bbH, ccH, ddH, ... eeH, sum F7H Byte Explanation F0H Exclusive status 41H ID number (Roland) 10H Device ID 42H Model ID (GS) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the transmitted data bbH Address: middle byte of the starting address of the transmitted data ccH Address LSB: lower byte of the starting address of the transmitted data ddH Data: the actual data to be transmitted. Multiple bytes of data are transmitted starting from the address. : : eeH Data sum Checksum F7H EOX (End Of Exclusive) * The amount of data that can be transmitted at one time depends on the type of data, and data can be received only from the specified starting address and size. Refer to the Address and Size given in Section 3 (p. 9). * Data larger than 128 bytes must be divided into packets of 128 bytes or less. If "Data Set 1" is transmitted successively, there must be an interval of at least 40 ms between packets. * Regarding the checksum please refer to section 4 (p. 13). 2. Transmit data Arranger data can not be transmitted. IChannel Voice Messages GNote off Status 2nd byte 3rd byte 8nH kkH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = note off velocity: 00H-7FH (0-127) * Note off message is sent out with the velocity of 40H. GNote on Status 2nd bytes 3rd byte 9nH kkH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) kk = note number: 00H-7FH (0-127) vv = note on velocity: 01H-7FH (1-127) GControl Change HBank Select (Controller number 0, 32) Status 2nd bytes 3rd byte BnH 00H mmH BnH 20H llH n = MIDI channel number: 0H-FH (ch.1-ch.16) mm, ll = Bank number: 00H, 00H-7FH, 7FH (bank.1-bank.16384) HVolume (Controller number 7) Status 2nd bytes 3rd byte BnH 07H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Volume: 00H-7FH (0-127) HHold 1 (Controller number 64) Status 2nd bytes 3rd byte BnH 40H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) HSostenuto (Controller number 66) Status 2nd bytes 3rd byte BnH 42H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON HSoft (Controller number 67) Status 2nd bytes 3rd byte BnH 43H vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) HEffect 1 (Reverb Send Level) (Controller number 91) Status 2nd bytes 3rd byte BnH 5BH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127) HEffect 3 (Chorus Send Level) (Controller number 93) Status 2nd bytes 3rd byte BnH 5DH vvH n = MIDI channel number: 0H-FH (ch.1-ch.16) vv = Control value: 00H-7FH (0-127)

pp = Program number: 00H-7FH (prog.1-prog.128) ISystem Realtime Message GRealtime Clock Status F8H GActive sensing Status FEH * This will be transmitted constantly at intervals of approximately 250 ms. ISystem exclusive messages HIdentity Reply Status Data byte Status F0H 7EH, 10H, 06H, 02H, 41H, 42H, 00H, 00H, 09H, 00H, 01H, 00H, 00H F7H Byte Explanation F0H Exclusive status 7EH ID number (universal non-realtime message) 10H Device ID (use the same as the device ID of Roland) 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 42H Device family code (LSB) 00H Device family code (MSB) 00H Device family number code (LSB) 09H Device family number code (MSB) 00H Software revision level 01H Software revision level 00H Software revision level 00H Software revision level F7H EOX (End of Exclusive)

This map indicates address, size, Data (range), Parameter, Description, and Default Value of parameters which can be transferred using and "Data set 1 (DT1)." All the numbers of address, size, Data, and Default Value are indicated in 7-bit Hexadecimal-form. IAddress Block map An outlined address map of the Exclusive Communication is as follows; Address (H) Block 40 00 00 +————————————————————————————————————+ | SYSTEM PARAMETERS |Individual 40 01 3F +————————————————————————————————————+ 40 1x 00 +————————————————————————————————————+ | PART PARAMETERS |Individual | (x = 0-F) | 40 2x 5A +————————————————————————————————————+ 41 m0 00 +————————————————————————————————————+ | SRUM SETUP PARAMETERS |Individual | (m = 0-1) | 41 m8 7F +————————————————————————————————————+ 48 00 00 +————————————————————————————————————+ | SYSTEM PARAMETERS |Bulk 48 01 10 +————————————————————————————————————+ | PART PARAMETERS |Bulk 48 1D 0F +————————————————————————————————————+ 49 m0 00 +————————————————————————————————————+ | DRUM SETUP PARAMETER |Bulk | (m = 0-1) | 49 mE 17 +————————————————————————————————————+ There are two ways in which GS data is transmitted: Individual Parameter Transmission in which individual parameters are transmitted one by one, and Bulk Dump Transmission in which a large amount of data is transmitted at once. IIndividual Parameters Individual Parameter Transmission transmits data (or requests data) for one parameter as one exclusive message (one packet of "F0 ..... F7"). In Individual Parameter Transmission, you must use the Address and Size listed in the following "Parameter Address Map." Addresses marked at "#" cannot be used as starting addresses. GSystem Parameters Parameters related to the system of the device are called System Parameters. Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description 40 00 00 00 00 04 0018-07E8 MASTER TUNE -100.0 - +100.0 [cent] 00 04 00 00 0 [cent] 40 00 01# Use nibblized data. 40 00 02# 40 00 03# * Refer to section 4. Supplementary material, "About tuning" (p. 14). 40 00 04 00 00 01 00-7F MASTER VOLUME 0-127 7F 127 (= F0 7F 7F 04 01 00 vv F7) 40 00 05 00 00 01 28-58 MASTER KEY-SHIFT -24 - +24 [semitones] 40 0 [semitones] 40 00 06 00 00 01 01-7F MASTER PAN -63 (LEFT) - +63 (RIGHT) 40 0 (CENTER) 40 00 7F 00 00 01 00 MODE SET 00 = GS Reset, 127 = Exit GS (Rx. only) * Refer to "System exclusive messages related to mode settings" (p. 4). 40 01 10 00 00 10 00-40 VOICE RESERVE Part 10 (Drum Part) 02 2 40 01 11# Part 1 06 6 40 01 12# Part 2 02 2 40 01 13# Part 3 02 2 40 01 14# Part 4 02 2 40 01 15# Part 5 02 2 40 01 16# Part 6 02 2 40 01 17# Part 7 02 2 40 01 18# Part 8 02 2 40 01 19# Part 9 02 2 40 01 1A# Part 11 00 0 40 01 :# : 40 01 1F# Part 16 00 0 * The sum total of voices in the voice reserve function must be equal to or less than the number of the maximum polyphony. The maximum polyphony of the HP-337 is 128. For compatibility with other GS models, it is recommended that the maximum polyphony be equal or less than 24. 40 01 30 00 00 01 00-07 REVERB MACRO 00: Room 1 04 Hall 2 01: Room 2 02: Room 3 03: Hall 1 04: Hall 2 05: Plate 06: Delay 07: Panning Delay 40 01 31 00 00 01 00-07 REVERB CHARACTER 0-7 04 4 40 01 32 00 00 01 00-07 REVERB PRE-LPF 0-7 00 0 40 01 33 00 00 01 00-7F REVERB LEVEL 0-127 40 64 40 01 34 00 00 01 00-7F REVERB TIME 0-127 40 64 40 01 35 00 00 01 00-7F REVERB DELAY FEEDBACK 0-127 00 0 * REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most suitable value. * REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number.

00 00 01 00-07 CHORUS MACRO 00: Chorus 1 02 Chorus 3 01: Chorus 2 02: Chorus 3 03: Chorus 4 04: Feedback Chorus 05: Flanger 06: Short Delay 07: Short Delay (FB) 40 01 39 00 00 01 00-07 CHORUS PRE-LPF 0-7 00 0 40 01 3A 00 00 01 00-7F CHORUS LEVEL 0-127 40 64 40 01 3B 00 00 01 00-7F CHORUS FEEDBACK 0-127 08 8 40 01 3C 00 00 01 00-7F CHORUS DELAY 0-127 50 80 40 01 3D 00 00 01 00-7F CHORUS RATE 0-127 03 3 40 01 3E 00 00 01 00-7F CHORUS DEPTH 0-127 13 19 40 01 3F 00 00 01 00-7F CHORUS SEND LEVEL TO REVERB 0-127 00 0 * CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the most suitable value. GPart Parameters HP-337 has 16 parts. Parameters that can be set individually for each Part are called Part parameters. If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be specified as one of 16 blocks, from 0 (H) to F (H). The relation between Part number and Block number is as follows. x...BLOCK NUMBER (0-F), Part 1 (MIDI ch = 1) x = 1 Part 2 (MIDI ch = 2) x = 2 : : : Part 9 (MIDI ch = 9) x = 9 Part10 (MIDI ch = 10) x = 0 Part11 (MIDI ch = 11) x = A Part12 (MIDI ch = 12) x = B : : : Part16 (MIDI ch = 16) x = F Address (H) Size (H) Data (H) Parameter Description Default Value (H) Description 40 1x 00 00 00 02 00-7F TONE NUMBER CC#00 VALUE 0-127 00 0 40 1x 01# 00-7F P.C. VALUE 1-128 00 1 40 1x 02 00 00 01 00-10 Rx. CHANNEL 1-16, OFF Same as the Part Number 40 1x 03 00 00 01 00-01 Rx. PITCH BEND OFF/ON 01 ON 40 1x 04 00 00 01 00-01 Rx. CH PRESSURE (CAf) OFF/ON 01 ON 40 1x 05 00 00 01 00-01 Rx. PROGRAM CHANGE OFF/ON 01 ON 40 1x 06 00 00 01 00-01 Rx. CONTROL CHANGE OFF/ON 01 ON 40 1x 07 00 00 01 00-01 Rx. POLY PRESSURE (PAf) OFF/ON 01 ON 40 1x 08 00 00 01 00-01 Rx. NOTE MESSAGE OFF/ON 01 ON 40 1x 09 00 00 01 00-01 Rx. RPN OFF/ON 01 ON 40 1x 0A 00 00 01 00-01 Rx. NRPN OFF/ON 00 (01*) OFF (ON*) * When "GM1 System On" and "GM2 System On" are received, Rx. NRPN will be set OFF. When "GS Reset" is received, it will be set ON. 40 1x 0B 00 00 01 00-01 Rx. MODULATION OFF/ON 01 ON 40 1x 0C 00 00 01 00-01 Rx. VOLUME OFF/ON 01 ON 40 1x 0D 00 00 01 00-01 Rx. PANPOT OFF/ON 01 ON 40 1x 0E 00 00 01 00-01 Rx. EXPRESSION OFF/ON 01 ON 40 1x 0F 00 00 01 00-01 Rx. HOLD1 OFF/ON 01 ON 40 1x 10 00 00 01 00-01 Rx. PORTAMENTO OFF/ON 01 ON 40 1x 11 00 00 01 00-01 Rx. SOSTENUTO OFF/ON 01 ON 40 1x 12 00 00 01 00-01 Rx. SOFT OFF/ON 01 ON 40 1x 13 00 00 01 00-01 MONO/POLY MODE Mono/Poly 01 Poly (= CC# 126 01 / CC# 127 00) 40 1x 14 00 00 01 00-02 ASSIGN MODE 0 = SINGLE 00 at x = 0 SINGLE at x = 0 1 = LIMITED-MULTI 01 at x ≠ 0 LIMITED-MULTI at x ≠0 2 = FULL-MULTI * ASSIGN MODE is the parameter that determines how voice assignment will be handled when sounds overlap on identical note numbers in the same channel (i.e., repeatedly struck notes). This is initialized to a mode suitable for each Part, so for general purposes there is no need to change this. 40 1x 15 00 00 01 00-02 USE FOR RHYTHM PART 0 = OFF 00 at x ≠0 OFF at x ≠0 1 = MAP1 01 at x = 0 MAP1 at x ≠0 2 = MAP2 * This parameter sets the Drum Map of the Part used as the Drum Part. HP-337 can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial settings, Part10 (MIDI CH = 10, x = 0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF (0)). 40 1x 16 00 00 01 28-58 PITCH KEY SHIFT -24 - +24 [semitones] 40 0 [semitones] 40 1x 17 00 00 02 08-F8 PITCH OFFSET FINE -12.0 - +12.0 [Hz] 08 00 0 [Hz] 40 1x 18# Use nibblized data. * PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect.

00 00 01 00-7F PART LEVEL 0-127 64 100 (= CC# 7) 40 1x 1A 00 00 01 00-7F VELOCITY SENSE DEPTH 0-127 40 64 40 1x 1B 00 00 01 00-7F VELOCITY SENSE OFFSET 0-127 40 64 40 1x 1C 00 00 01 00-7F PART PANPOT -64 (RANDOM), -63 (LEFT) - +63 (RIGHT) 40 0 (CENTER) (= CC# 10, except RANDOM) 40 1x 1D 00 00 01 00-7F KEY RANGE LOW (C-1)-(G9) 00 C-1 40 1x 1E 00 00 01 00-7F KEY RANGE HIGH (C-1)-(G9) 7F G 9 40 1x 1F 00 00 01 00-5F CC1 CONTROLLER NUMBER 0-95 10 16 40 1x 20 00 00 01 00-5F CC2 CONTROLLER NUMBER 0-95 11 17 40 1x 21 00 00 01 00-7F CHORUS SEND LEVEL 0-127 00 0 (= CC# 93) 40 1x 22 00 00 01 00-7F REVERB SEND LEVEL 0-127 28 40 (= CC# 91) 40 1x 23 00 00 01 00-01 Rx. BANK SELECT OFF/ON 01 (00*) ON (OFF*) * "Rx.BANK SELECT" is set to OFF by "GM1 System On," and Bank Select message will be ignored. * "Rx.BANK SELECT" is set to ON by "GM2 System On." * "Rx.BANK SELECT" is set to ON by power-on Reset or by receiving "GS RESET." 40 1x 24 00 00 01 00-01 Rx.BANK SELECT LSB OFF/ON 00 OFF * HP-337 can be recognise Bank Select LSB (40H-43H) even if this message is OFF. 40 1x 25 00 00 01 00-01 TONE REMAIN OFF/ON 01 ON 40 1x 28 00 00 03 00-7F Bank Select LSB Range LSB (from) 40 40H 40 1x 29# LSB (to) 43 43H 40 1x 30 00 00 01 0E-72 TONE MODIFY 1 -50 - +50 40 0 Vibrato rate (= NRPN# 8) 40 1x 31 00 00 01 0E-72 TONE MODIFY 2 -50 - +50 40 0 Vibrato depth (= NRPN# 9) 40 1x 32 00 00 01 0E-72 TONE MODIFY 3 -50 - +50 40 0 TVF cutoff frequency (= NRPN# 32) 40 1x 33 00 00 01 0E-72 TONE MODIFY 4 -50 - +50 40 0 TVF resonance (= NRPN# 33) 40 1x 34 00 00 01 0E-72 TONE MODIFY 5 -50 - +50 40 0 TVF&TVA Env.attack (= NRPN# 99) 40 1x 35 00 00 01 0E-72 TONE MODIFY 6 -50 - +50 40 0 TVF&TVA Env.decay (= NRPN# 100) 40 1x 36 00 00 01 0E-72 TONE MODIFY 7 -50 - +50 40 0 TVF&TVA Env.release (= NRPN# 102) 40 1x 37 00 00 01 0E-72 TONE MODIFY 8 -50 - +50 40 0 Vibrato delay (= NRPN# 10) 40 1x 40 00 00 0C 00-7F SCALE TUNING C -64 - +63 [cent] 40 0 [cent] 40 1x 41# 00-7F SCALE TUNING C# -64 - +63 [cent] 40 0 [cent] 40 1x 42# 00-7F SCALE TUNING D -64 - +63 [cent] 40 0 [cent] 40 1x 43# 00-7F SCALE TUNING D# -64 - +63 [cent] 40 0 [cent] 40 1x 44# 00-7F SCALE TUNING E -64 - +63 [cent] 40 0 [cent] 40 1x 45# 00-7F SCALE TUNING F -64 - +63 [cent] 40 0 [cent] 40 1x 46# 00-7F SCALE TUNING F# -64 - +63 [cent] 40 0 [cent] 40 1x 47# 00-7F SCALE TUNING G -64 - +63 [cent] 40 0 [cent] 40 1x 48# 00-7F SCALE TUNING G# -64 - +63 [cent] 40 0 [cent] 40 1x 49# 00-7F SCALE TUNING A -64 - +63 [cent] 40 0 [cent] 40 1x 4A# 00-7F SCALE TUNING A# -64 - +63 [cent] 40 0 [cent] 40 1x 4B# 00-7F SCALE TUNING B -64 - +63 [cent] 40 0 [cent] * SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change simultaneously. A setting of +/- 0 cent (40H) is equal temperament. Refer to section 4. Supplementary material, "The Scale Tune Feature"(p. 14). 40 2x 00 00 00 01 28-58 MOD PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones] 40 2x 01 00 00 01 00-7F MOD TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent] 40 2x 02 00 00 01 00-7F MOD AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%] 40 2x 03 00 00 01 00-7F MOD LFO1 RATE CONTROL- 10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 04 00 00 01 00-7F MOD LFO1 PITCH DEPTH 0-600 [cent] 0A 47 [cent] 40 2x 05 00 00 01 00-7F MOD LFO1 TVF DEPTH0 -2400 [cent] 00 0 [cent] 40 2x 06 00 00 01 00-7F MOD LFO1 TVA DEPTH0 -100.0 [%] 00 0 [%] 40 2x 07 00 00 01 00-7F MOD LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 08 00 00 01 00-7F MOD LFO2 PITCH DEPTH0 -600 [cent] 00 0 [cent] 40 2x 09 00 00 01 00-7F MOD LFO2 TVF DEPTH0 -2400 [cent] 00 0 [cent] 40 2x 0A 00 00 01 00-7F MOD LFO2 TVA DEPTH0 -100.0 [%] 00 0 [%] 40 2x 10 00 00 01 40-58 BEND PITCH CONTROL 0-24 [semitone] 42 2 [semitones] 40 2x 11 00 00 01 00-7F BEND TVF CUTOFF CONTROL- 9600 - +9600 [cent] 40 0 [cent] 40 2x 12 00 00 01 00-7F BEND AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%] 40 2x 13 00 00 01 00-7F BEND LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 14 00 00 01 00-7F BEND LFO1 PITCH DEPTH0 -600 [cent] 00 0 [cent] 40 2x 15 00 00 01 00-7F BEND LFO1 TVF DEPTH0 -2400 [cent] 00 0 [cent] 40 2x 16 00 00 01 00-7F BEND LFO1 TVA DEPTH0 -100.0 [%] 00 0 [%] 40 2x 17 00 00 01 00-7F BEND LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 18 00 00 01 00-7F BEND LFO2 PITCH DEPTH0 -600 [cent] 00 0 [cent] 40 2x 19 00 00 01 00-7F BEND LFO2 TVF DEPTH0 -2400 [cent] 00 0 [cent] 40 2x 1A 00 00 01 00-7F BEND LFO2 TVA DEPTH0 -100.0 [%] 00 0 [%] 40 2x 20 00 00 01 28-58 CAf PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones] 40 2x 21 00 00 01 00-7F CAf TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent] 40 2x 22 00 00 01 00-7F CAf AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%]

00 00 01 00-7F CAf LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 24 00 00 01 00-7F CAf LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 25 00 00 01 00-7F CAf LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 26 00 00 01 00-7F CAf LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 27 00 00 01 00-7F CAf LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 28 00 00 01 00-7F CAf LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 29 00 00 01 00-7F CAf LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 2A 00 00 01 00-7F CAf LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 30 00 00 01 28-58 PAf PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones] 40 2x 31 00 00 01 00-7F PAf TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent] 40 2x 32 00 00 01 00-7F PAf AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%] 40 2x 33 00 00 01 00-7F PAf LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 34 00 00 01 00-7F PAf LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 35 00 00 01 00-7F PAf LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 36 00 00 01 00-7F PAf LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 37 00 00 01 00-7F PAf LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 38 00 00 01 00-7F PAf LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 39 00 00 01 00-7F PAf LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 3A 00 00 01 00-7F PAf LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 40 00 00 01 28-58 CC1 PITCH CONTROL -24 - +24 [semitone] 40 0 [semitones] 40 2x 41 00 00 01 00-7F CC1 TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent] 40 2x 42 00 00 01 00-7F CC1 AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%] 40 2x 43 00 00 01 00-7F CC1 LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 44 00 00 01 00-7F CC1 LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 45 00 00 01 00-7F CC1 LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 46 00 00 01 00-7F CC1 LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 47 00 00 01 00-7F CC1 LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 48 00 00 01 00-7F CC1 LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 49 00 00 01 00-7F CC1 LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 4A 00 00 01 00-7F CC1 LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 50 00 00 01 28-58 CC2 PITCH CONTROL- 24 - +24 [semitone] 40 0 [semitones] 40 2x 51 00 00 01 00-7F CC2 TVF CUTOFF CONTROL -9600 - +9600 [cent] 40 0 [cent] 40 2x 52 00 00 01 00-7F CC2 AMPLITUDE CONTROL -100.0 - +100.0 [%] 40 0 [%] 40 2x 53 00 00 01 00-7F CC2 LFO1 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 54 00 00 01 00-7F CC2 LFO1 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 55 00 00 01 00-7F CC2 LFO1 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 56 00 00 01 00-7F CC2 LFO1 TVA DEPTH 0-100.0 [%] 00 0 [%] 40 2x 57 00 00 01 00-7F CC2 LFO2 RATE CONTROL -10.0 - +10.0 [Hz] 40 0 [Hz] 40 2x 58 00 00 01 00-7F CC2 LFO2 PITCH DEPTH 0-600 [cent] 00 0 [cent] 40 2x 59 00 00 01 00-7F CC2 LFO2 TVF DEPTH 0-2400 [cent] 00 0 [cent] 40 2x 5A 00 00 01 00-7F CC2 LFO2 TVA DEPTH 0-100.0 [%] 00 0 [%] GDrum Setup Parameters * m: Map number (0 = MAP1, 1 = MAP2) * rr: drum part note number (00H-7FH) Address (H) Size (H) Data (H) Parameter Description 41 m1 rr 00 00 01 00-7F PLAY NOTE NUMBER Pitch coarse 41 m2 rr 00 00 01 00-7F LEVEL TVA level (= NRPN# 26) 41 m3 rr 00 00 01 00-7F ASSIGN GROUP NUMBER Non, 1-127 41 m4 rr 00 00 01 00-7F PANPOT -64 (RANDOM), -63 (LEFT) - +63 (RIGHT) (= NRPN# 28, except RANDOM) 41 m5 rr 00 00 01 00-7F REVERB SEND LEVEL 0.0-1.0 (= NRPN# 29) Multiplicand of the part reverb depth 41 m6 rr 00 00 01 00-7F CHORUS SEND LEVEL 0.0-1.0 (= NRPN# 30) Multiplicand of the part chorus depth 41 m7 rr 00 00 01 00-01 Rx. NOTE OFF OFF/ON 41 m8 rr 00 00 01 00-01 Rx. NOTE ON OFF/ON * When the Drum Set is changed, DRUM SETUP PARAMETER values will all be initialized.

GDecimal and Hexadecimal table In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers. +——————+——————++——————+——————++——————+——————++——————+——————+ | Dec. | Hex. || Dec .| Hex. || Dec. | Hex. || Dec. | Hex. | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+ * Decimal values such as MIDI channel, bank select, and program change are listed as one (1) greater than the values given in the above table. * A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb. * In the case of values which have a +/- sign, 00H = -64, 40H = +/- 0, and 7FH = +63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = +/- 0, and 7F 7FH = +8191. For example if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x 128. * Data marked "nibbled" is expressed in hexadecimal in 4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16 + b. What is the decimal expression of 5AH ? From the preceding table, 5AH = 90 What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? From the preceding table, since 12H = 18 and 34H = 52 18 x 128 + 52 = 2356 What is the decimal expression of the nibbled value 0A 03 09 0D ? From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885 What is the nibbled expression of the decimal value 1258? 16) 1258 16) 78 ... 10 16) 4 ... 14 0 ... 4 Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E 0AH. GExamples of actual MIDI messages 92 3E 5F 9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95. CE 49 CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute in GS). EA 00 28 EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 128 + 0 = 8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 128 + 0 - (64 x 128 + 0) = 5120 - 8192 = -3072 If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072) / (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11. B3 64 00 65 00 06 0C 26 00 64 7F 65 7F BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called "running status" which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning. B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H (B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H (B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH (B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H (B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH (B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH. RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/- 12 semitones (1 octave). (On GS sound sources the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.) Once the parameter number has been specified for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end. It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in . This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound source will then misinterpret the data. Take care to give each event its own status. It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480). * TPQN: Ticks Per Quarter Note

Checksum Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted exclusive message. uHow to calculate the checksum (hexadecimal numbers are indicated by 'H') The checksum is a value derived by adding the address, size and checksum itself and inverting the lower 7 bits. Here's an example of how the checksum is calculated. We will assume that in the exclusive message we are transmitting, the address is aa bb ccH and the data or size is dd ee ffH. aa + bb + cc + dd + ee + ff = sum sum / 128 = quotient ... remainder 128 - remainder = checksum Setting REVERB MACRO to ROOM 3 According to the "Parameter Address Map," the REVERB MACRO Address is 40 01 30H, and ROOM 3 is a value of 02H. Thus, F0 41 10 42 12 40 01 30 02 ?? F7 (1) (2) (3) (4) (5) Address data Checksum (6) (1) Exclusive Status, (2) ID (Roland), (3) Device ID (17), (4) Model ID (GS), (5) Command ID (DT1), (6) End of Exclusive Next we calculate the checksum. 40H + 01H + 30H + 02H = 64 + 1 + 48 + 2 = 115 (sum) 115 (sum) / 128 = 0 (quotient) ... 115 (remainder) checksum = 128 - 115 (remainder) = 13 = 0DH This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we transmit. GAbout tuning In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to the appropriate MIDI channel. In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels being used, or by sending a System Exclusive MASTER TUNE (address 40 00 00H). RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to be precise, 100/8192 cent), and System Exclusive MASTER TUNE allows tuning in steps of 0.1 cent. One cent is 1/100th of a semitone. The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER TUNE are added together to determine the actual pitch sounded by each Part. Frequently used tuning values are given in the following table for your reference. Values are in hexadecimal (decimal in parentheses). +————————+————————+——————————————+———————————————————+ |Hz in A4| cent | RPN #1 | Sys.Ex. 40 00 00 | +————————+————————+——————————————+———————————————————+ | 445.0 | +19.56 | 4C 43 (+1603)| 00 04 0C 04 (+196)| | 444.0 | +15.67 | 4A 03 (+1283)| 00 04 09 0D (+157)| | 443.0 | +11.76 | 47 44 (+ 964)| 00 04 07 06 (+118)| | 442.0 | + 7.85 | 45 03 (+ 643)| 00 04 04 0F (+ 79)| | 441.0 | + 3.93 | 42 42 (+ 322)| 00 04 02 07 (+ 39)| | 440.0 | 0.00 | 40 00 ( 0)| 00 04 00 00 ( 0)| | 439.0 | - 3.94 | 3D 3D (- 323)| 00 03 0D 09 (- 39)| | 438.0 | - 7.89 | 3A 7A (- 646)| 00 03 0B 01 (- 79)| +————————+————————+——————————————+———————————————————+ Set the tuning of MIDI channel 3 to A4 = 442.0 Hz Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H. B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H (B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H (B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H (B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H (B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH (B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH GThe Scale Tune Feature (address: 40 1x 40) The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament. As examples, three possible types of scale setting are explained below. HEqual Temperament This method of tuning divides the octave into 12 equal parts. It is currently the most widely used form of tuning, especially in occidental music. On HP-337, the default settings for the Scale Tune feature produce equal temperament. HJust Temperament (Keytone C) The three main chords resound much more beautifully than with equal temperament, but this benefit can only be obtained in one key. If transposed, the chords tend to become ambiguous. The example given involves settings for a key in which C is the keynote. HArabian Scale By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for ethnic music. For example, the settings introduced below will set the unit to use the Arabian Scale. Example Settings Note name Equal Temperament Just Temperament (Keytone C) Arabian Scale C 0 0 -6 C# 0 -8 +45 D 0 +4 -2 D# 0 +16 -12 E 0 -14 -51 F 0 -2 -8 F# 0 -10 +43 G 0 +2 -4 G# 0 +14 +47 A 0 -16 0 A# 0 +14 -10 B 0 -12 -49 The values in the table are given in cents. Refer to the explanation of Scale Tuning (p. 11) to convert these values to hexadecimal, and transmit them as exclusive data. For example, to set the tune (C-B) of the Part1 Arabian Scale, send the data as follows: F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 50 F7 Copyright(c) 2000 ROLAND CORPORATION All right reserved. No part of this publication may reproduced in any form without the written permission of ROLAND CORPORATION.

CC0 /CC32 / PC# Tone Name Voices Notes (GS) 00h / 00h / 00h Grand Piano1 2 00h / 01h / 00h Piano1 1 8-16 00h / 41h / 00h MIDI Piano1 2 1-8 08h / 00h / 00h Piano 1w 2 8-17 08h / 40h / 00h Grand Piano1 2 1-1 10h / 00h / 00h Piano 1d 1 8-18 10h / 40h / 00h UprightPiano 2 1-2 10h / 41h / 00h Ballad Piano 2 00h / 00h / 01h Piano 2 1 8-19 00h / 40h / 01h Piano 2 00h / 41h / 01h MIDI Piano2 2 1-9 00h / 42h / 01h Bright Piano 2 00h / 48h / 01h Piano 2* 1 08h / 00h / 01h Piano 2w 2 8-20 08h / 41h / 01h Grand Piano2 1 1-10 00h / 00h / 02h Piano 3 1 8-21 00h / 41h / 02h EG+Rhodes 1 2 00h / 42h / 02h EG+Rhodes 2 2 00h / 48h / 02h Piano 3* 1 08h / 00h / 02h Piano 3w 2 8-22 08h / 40h / 02h Rock Piano 2 1-3 08h / 41h / 02h Air Grand 3 1-6 08h / 42h / 02h PianoStrings 4 1-5 08h / 43h / 02h Bright Piano 2 00h / 00h / 03h GS Honkytonk 2 8-23 00h / 48h / 03h Honky-tonk* 2 08h / 00h / 03h Honky-tonk 2 2 1-7 8-24 08h / 40h / 03h Honky-tonk 2 1-4 00h / 00h / 04h GS E.Piano1 1 8-25 00h / 41h / 04h Hard Rhodes 2 00h / 42h / 04h Stage Rhodes 2 2-3 00h / 48h / 04h E.Piano 1* 1 08h / 00h / 04h Detuned EP 1 2 8-30 08h / 40h / 04h Soft E.Piano 2 2-4 08h / 42h / 04h Chord EP1 1 10h / 00h / 04h E.Piano 1v 2 8-28 10h / 40h / 04h E.Piano 1 2 2-1 18h / 00h / 04h 60's E.Piano 1 2-6 8-27 18h / 40h / 04h Sine Rhodes 1 18h / 48h / 04h 60'sE.Piano* 1 00h / 00h / 05h GS E.Piano2 1 8-26 00h / 40h / 05h Hard E.Piano 2 2-5 00h / 41h / 05h E.Piano 3 1 00h / 48h / 05h E.Piano 2* 1 08h / 00h / 05h Detuned EP 2 2 8-31 08h / 40h / 05h St.FM EP 2 08h / 41h / 05h FM+SA EP 2 08h / 42h / 05h Hard FM EP 2 10h / 00h / 05h E.Piano 2v 2 8-29 10h / 40h / 05h E.Piano 2 1 2-2 00h / 00h / 06h GS Harpsi. 1 8-32 00h / 40h / 06h Harpsichord1 1 3-1 00h / 48h / 06h Harpsichord* 1 08h / 00h / 06h Coupled Hps. 2 8-33 08h / 40h / 06h Harpsichord2 2 3-2 10h / 00h / 06h Harpsi.w 2 8-34 18h / 00h / 06h Harpsi.o 2 8-35 00h / 00h / 07h Soft Clav. 1 2-7 8-36 00h / 40h / 07h Analog Clav. 2 00h / 41h / 07h 5th Ana.Clav 2 00h / 48h / 07h Clav.* 1 00h / 00h / 08h Celesta 1 4-4 8-37 00h / 48h / 08h Celesta* 1 00h / 00h / 09h Glockenspiel 1 4-8 8-38 00h / 48h / 09h Glocken* 1 00h / 00h / 0Ah GS Music Box 1 8-39 00h / 40h / 0Ah Music Box 1 4-5 00h / 48h / 0Ah Music Box* 1 00h / 00h / 0Bh GS Vibe 1 8-40 00h / 40h / 0Bh Vibraphone 1 4-1 00h / 48h / 0Bh Vibraphone* 1 08h / 00h / 0Bh Vibe.w 2 8-41 00h / 00h / 0Ch GS Marimba 1 8-42 00h / 48h / 0Ch Marimba* 1 08h / 00h / 0Ch Marimba 1 4-3 8-43 08h / 40h / 0Ch Balafon 1 00h / 00h / 0Dh Xylophone 1 4-7 8-44 00h / 48h / 0Dh Xylophone* 1 00h / 00h / 0Eh Tubular-bell 1 4-9 8-45 00h / 48h / 0Eh Tubularbell* 1 08h / 00h / 0Eh Church Bell 1 8-46 09h / 00h / 0Eh Carillon 1 8-47 09h / 48h / 0Eh Carillon* 1 00h / 00h / 0Fh GS Santur 1 8-48 00h / 40h / 0Fh Santur 2 4-6 00h / 48h / 0Fh Santur* 1 00h / 00h / 10h Organ 1 1 8-49 00h / 41h / 10h Full Organ 1 1 5-4 00h / 42h / 10h Lower Organ1 1 00h / 43h / 10h Full Organ 5 2 00h / 48h / 10h Organ 1* 1 08h / 00h / 10h Detuned Or.1 2 8-52 08h / 40h / 10h Pop Organ 2 1 08h / 42h / 10h Lower Organ2 1 08h / 43h / 10h Full Organ 6 2 08h / 44h / 10h Detuned Or.1 2 09h / 00h / 10h Full Organ 2 1 10h / 00h / 10h Pop Organ 1 1 8-51 10h / 41h / 10h Full Organ 3 1 10h / 42h / 10h Lower Organ3 1 10h / 43h / 10h Full Organ 7 2 10h / 48h / 10h Pop Organ 1* 1 12h / 00h / 10h Pop Organ 1 5-6 20h / 00h / 10h Full Organ 4 1 8-57 20h / 40h / 10h VS Organ 2 20h / 42h / 10h Metalic Org. 2 20h / 43h / 10h Full Organ 8 1 20h / 44h / 10h Organ 4 2 00h / 00h / 11h Organ 2 1 8-50 00h / 40h / 11h Jazz Organ1 2 5-3 00h / 41h / 11h Jazz Organ4 2 00h / 42h / 11h Jazz Organ 5 2 00h / 48h / 11h Organ 2* 1 01h / 00h / 11h Jazz Organ3 2 08h / 00h / 11h Detuned Or.2 2 8-53 08h / 41h / 11h Organ Bass 2 08h / 42h / 11h Jazz Organ 6 2 20h / 00h / 11h Jazz Organ1 2 8-58 20h / 40h / 11h Jazz Organ2 2 20h / 41h / 11h Pipe Org. Bs 2 20h / 42h / 11h Jazz Organ 7 2 20h / 43h / 11h Organ 5 2 00h / 00h / 12h Rock Organ2 2 8-59 00h / 40h / 12h Rock Organ1 2 00h / 41h / 12h Rotary Org.S 1 00h / 42h / 12h Rotary Org.F 1 00h / 48h / 12h Rock Organ2* 2 00h / 00h / 13h Church Org.1 1 8-54 00h / 40h / 13h Organ Flute 1 00h / 48h / 13h ChurchOrg.1* 1 08h / 00h / 13h Church Org.2 2 8-55 08h / 40h / 13h Trem.Flute 2 08h / 41h / 13h Church Organ 2 5-2 10h / 00h / 13h Church Org.3 2 8-56 10h / 40h / 13h Theater Org. 2 10h / 42h / 13h Nason flt 8' 1 5-1 00h / 00h / 14h Reed Organ 1 8-60 00h / 40h / 14h Digi Church 2 00h / 48h / 14h Reed Organ* 1

Accordion Fr 2 8-61 00h / 40h / 15h Accordion 1 5-5 00h / 48h / 15h AccordionFr* 2 08h / 00h / 15h Accordion It 2 8-62 00h / 00h / 16h GS Harmonica 1 8-63 00h / 40h / 16h Harmonica 1 5-7 00h / 48h / 16h Harmonica* 1 00h / 00h / 17h Bandoneon 2 8-64 00h / 48h / 17h Bandoneon* 2 00h / 00h / 18h GS Nylon Gt. 1 8-65 00h / 40h / 18h Nylon Guitar 1 3-3 00h / 42h / 18h Chord Gt1 1 00h / 48h / 18h Nylon-strGt* 1 08h / 00h / 18h Ukulele 1 8-68 08h / 40h / 18h Gut Guitar 1 10h / 00h / 18h Nylon Gt.o 2 8-67 20h / 00h / 18h Nylon Guitar 1 8-66 20h / 40h / 18h Nylon Gt.2 1 00h / 00h / 19h Steel-str.Gt 1 3-4 8-69 00h / 40h / 19h Steel Guitar 1 00h / 48h / 19h Steel-strGt* 1 08h / 00h / 19h 12-str.Gt 2 8-70 08h / 40h / 19h 12str Guitar 2 08h / 41h / 19h Nylon+Steel 2 10h / 00h / 19h GS Mandolin 1 8-71 10h / 40h / 19h Mandolin 1 3-5 10h / 41h / 19h Steel Gt.2 1 00h / 00h / 1Ah Jazz Guitar 1 3-7 8-72 00h / 48h / 1Ah Jazz Guitar* 1 08h / 00h / 1Ah Hawaiian 1 8-73 08h / 40h / 1Ah Hawaiian Gt. 1 00h / 00h / 1Bh Clean Gt. 1 8-74 00h / 40h / 1Bh JC E.Guitar 2 00h / 48h / 1Bh Clean Gt.* 1 08h / 00h / 1Bh Chorus Gt. 2 8-75 00h / 00h / 1Ch Muted Gt. 1 8-76 00h / 40h / 1Ch Muted Dis.Gt 1 00h / 48h / 1Ch Muted Gt.* 1 08h / 00h / 1Ch Funk Gt. 1 8-77 08h / 48h / 1Ch Funk Gt.* 1 10h / 00h / 1Ch Funk Gt.2 2 8-78 00h / 00h / 1Dh Overdrive Gt 1 3-8 8-79 00h / 48h / 1Dh OverdriveGt* 1 00h / 00h / 1Eh DistortionGt 1 3-9 8-80 00h / 40h / 1Eh DistortionGt2 1 00h / 41h / 1Eh Dazed Guitar 2 00h / 42h / 1Eh Rock Rhythm2 2 00h / 48h / 1Eh Dist.Guitar* 1 08h / 00h / 1Eh Feedback Gt. 2 8-81 08h / 40h / 1Eh Power Gt.2 2 08h / 41h / 1Eh Power Guitar 2 08h / 42h / 1Eh Rock Rhythm 2 00h / 00h / 1Fh Gt.Harmonics 1 8-82 00h / 48h / 1Fh Gt.Harmo* 1 08h / 00h / 1Fh Gt. Feedback 1 8-83 00h / 00h / 20h GS Ac.Bass 1 8-84 00h / 40h / 20h Acoustic Bs. 2 00h / 41h / 20h A.Bass+Cymbl 2 00h / 48h / 20h Acoustic Bs* 1 00h / 00h / 21h GS Fing.Bass 1 8-85 00h / 40h / 21h Fingered Bs. 1 00h / 48h / 21h Fingered Bs* 1 00h / 00h / 22h GS Picked Bs 1 8-86 00h / 40h / 22h Picked Bs. 1 00h / 41h / 22h Mute PickBs. 1 00h / 48h / 22h Picked Bs.* 1 00h / 00h / 23h Fretless Bs. 1 8-87 00h / 48h / 23h Fretless Bs* 1 00h / 48h / 24h Slap Bass 1* 1 00h / 00h / 25h Slap Bass 2 1 8-89 00h / 48h / 25h Slap Bass 2* 1 00h / 00h / 26h Synth Bass 1 1 8-91 00h / 48h / 26h Synth Bass1* 1 01h / 00h / 26h SynthBass101 1 8-90 08h / 00h / 26h Synth Bass 3 1 8-93 00h / 00h / 27h Synth Bass 2 2 8-92 00h / 48h / 27h Synth Bass2* 2 08h / 00h / 27h Synth Bass 4 2 8-94 10h / 00h / 27h Rubber Bass 2 8-95 10h / 40h / 27h SH101 Bass 1 10h / 48h / 27h Rubber Bass* 2 00h / 00h / 28h GS Violin 1 8-96 00h / 40h / 28h Violin 1 6-2 00h / 48h / 28h Violin* 1 08h / 00h / 28h Slow Violin 1 8-97 00h / 00h / 29h Viola 1 8-98 00h / 48h / 29h Viola* 1 00h / 00h / 2Ah GS Cello 1 8-99 00h / 40h / 2Ah Cello 1 6-3 00h / 48h / 2Ah Cello* 1 00h / 00h / 2Bh Contrabass 1 8-100 00h / 48h / 2Bh Contrabass* 1 00h / 00h / 2Ch Tremolo Str 1 8-101 00h / 48h / 2Ch Tremolo Str* 1 00h / 00h / 2Dh PizzicatoStr 1 8-102 00h / 48h / 2Dh Pizzicato* 1 00h / 00h / 2Eh GS Harp 1 8-103 00h / 40h / 2Eh Harp 1 6-6 00h / 48h / 2Eh Harp* 1 00h / 00h / 2Fh Timpani 1 8-104 00h / 48h / 2Fh Timpani* 1 00h / 00h / 30h GS Strings 1 8-105 00h / 40h / 30h Strings 2 6-1 00h / 42h / 30h Oct Strings 2 6-4 00h / 48h / 30h Strings* 1 08h / 00h / 30h Orchestra 2 6-7 5-106 00h / 00h / 31h GS Sl.Str 1 8-107 00h / 40h / 31h Slow Strings 2 6-5 00h / 41h / 31h SlowStrings2 2 00h / 48h / 31h SlowStrings* 1 00h / 00h / 32h Syn.Strings1 1 8-108 00h / 40h / 32h Syn.Strings1 1 6-8 00h / 48h / 32h Syn.Str 1* 1 08h / 00h / 32h Syn.Strings3 2 8-110 00h / 00h / 33h Syn.Strings2 2 8-109 00h / 48h / 33h Syn.Str 2* 2 00h / 00h / 34h Choir Aahs 1 8-111 00h / 48h / 34h Choir Aahs* 1 20h / 00h / 34h Choir 1 7-2 8-112 00h / 00h / 35h Pop Voice 1 7-3 8-113 00h / 40h / 35h Jazz Voices 1 7-1 00h / 41h / 35h Doos Voice 1 00h / 42h / 35h Thum Voice 1 00h / 43h / 35h Doot Accent 1 00h / 44h / 35h Dat Accent 1 00h / 45h / 35h Bop Accent 1 00h / 46h / 35h Doos & Doot 2 00h / 47h / 35h Dat & Bop 2 00h / 48h / 35h Pop Voice* 1

SynVox 1 7-5 8-114 00h / 40h / 36h Choir Oohs 2 7-4 00h / 48h / 36h SynVox* 1 00h / 00h / 37h OrchestraHit 2 8-115 00h / 48h / 37h Orche.Hit* 2 00h / 00h / 38h GS Trumpet 1 8-116 00h / 40h / 38h Trumpet 1 8-3 00h / 48h / 38h Trumpet* 1 00h / 00h / 39h GS Trombone 1 8-117 00h / 40h / 39h TromboneSoft 1 8-4 00h / 48h / 39h Trombone* 1 01h / 00h / 39h Trombone 2 2 8-118 00h / 00h / 3Ah Tuba 1 8-119 00h / 48h / 3Ah Tuba* 1 00h / 00h / 3Bh MutedTrumpet 1 8-13 8-120 00h / 48h / 3Bh M.Trumpet* 1 00h / 00h / 3Ch GS French Horn 2 8-121 00h / 40h / 3Ch French Horn 1 8-5 00h / 48h / 3Ch FrenchHorns* 2 01h / 00h / 3Ch Fr.Horn 2 2 8-122 00h / 00h / 3Dh Brass 1 1 8-123 00h / 40h / 3Dh Brass 1 1 8-10 00h / 48h / 3Dh Brass 1* 1 08h / 00h / 3Dh Brass 2 2 8-124 00h / 00h / 3Eh Synth Brass1 2 8-125 00h / 48h / 3Eh SynthBrass1* 2 08h / 00h / 3Eh Synth Brass3 2 8-127 10h / 00h / 3Eh AnalogBrass1 2 8-129 10h / 48h / 3Eh A.Brass 1* 2 00h / 00h / 3Fh Synth Brass2 2 8-126 00h / 48h / 3Fh SynthBrass2* 2 08h / 00h / 3Fh Synth Brass4 1 8-128 10h / 00h / 3Fh AnalogBrass2 2 8-130 00h / 00h / 40h GS Sop.Sax 1 8-131 00h / 40h / 40h Soprano Sax 1 8-8 00h / 48h / 40h Soprano Sax* 1 00h / 00h / 41h Alto Sax 1 8-11 8-132 00h / 48h / 41h Alto Sax* 1 08h / 00h / 41h Blow Sax 1 00h / 00h / 42h Tenor Sax 1 8-133 00h / 40h / 42h Blow Sax 1 8-9 00h / 48h / 42h Tenor Sax* 1 00h / 00h / 43h Baritone Sax 1 8-134 00h / 48h / 43h BaritoneSax* 1 00h / 00h / 44h GS Oboe 1 8-135 00h / 40h / 44h Oboe 1 8-2 00h / 48h / 44h Oboe* 1 01h / 40h / 44h Tune Oboe 1 00h / 00h / 45h English Horn 1 8-136 00h / 48h / 45h EnglishHorn* 1 00h / 00h / 46h Bassoon 1 8-12 8-137 00h / 48h / 46h Bassoon* 1 00h / 00h / 47h Clarinet 1 8-14 8-138 00h / 48h / 47h Clarinet* 1 00h / 00h / 48h Piccolo 1 8-139 00h / 48h / 48h Piccolo* 1 00h / 00h / 49h GS Flute 1 8-140 00h / 40h / 49h Flute 1 8-1 00h / 48h / 49h Flute* 1 00h / 00h / 4Ah Recorder 1 8-141 00h / 48h / 4Ah Recorder* 1 00h / 00h / 4Bh Pan Flute 1 8-15 8-142 00h / 40h / 4Bh Blow Pipe 1 00h / 48h / 4Bh Pan Flute* 1 00h / 00h / 4Ch Bottle Blow 2 8-143 00h / 48h / 4Ch Bottle Blow* 2 00h / 00h / 4Dh Shakuhachi 2 8-144 00h / 48h / 4Dh Shakuhachi* 2 00h / 00h / 4Eh Whistle 1 8-145 00h / 48h / 4Eh Whistle* 1 00h / 00h / 4Fh Ocarina 1 8-146 00h / 48h / 4Fh Ocarina* 1 00h / 00h / 50h Square Wave 2 8-147 00h / 40h / 50h Syn.Square 2 00h / 41h / 50h CC Solo 2 7-11 00h / 48h / 50h Square Wave* 2 01h / 00h / 50h Square 1 8-148 01h / 40h / 50h FM Lead 1 2 08h / 00h / 50h Sine Wave 1 8-149 08h / 40h / 50h JP8 Square 1 00h / 00h / 51h Saw Wave 2 8-150 00h / 40h / 51h Mg Lead 1 00h / 48h / 51h Saw Wave* 2 01h / 00h / 51h Saw 1 8-151 01h / 40h / 51h P5 Saw Lead 1 08h / 00h / 51h Doctor Solo 2 8-152 08h / 40h / 51h Rhythmic Saw 2 08h / 48h / 51h Doctor Solo* 2 00h / 00h / 52h Syn.Calliope 2 8-153 00h / 40h / 52h JP8 Pulse 2 00h / 48h / 52h SynCalliope* 2 00h / 00h / 53h Chiffer Lead 2 8-154 00h / 40h / 53h Cheese Saw 1 00h / 48h / 53h ChifferLead* 2 00h / 00h / 54h Charang 2 8-155 00h / 40h / 54h Reso Saw 1 00h / 48h / 54h Charang* 2 00h / 00h / 55h Solo Vox 1 8-156 00h / 40h / 55h RAVE Vox 2 00h / 48h / 55h Solo Vox* 2 00h / 00h / 56h 5th Saw Wave 2 8-157 00h / 40h / 56h 5th Lead 2 00h / 48h / 56h 5th SawWave* 2 00h / 00h / 57h Bass & Lead 2 8-158 00h / 40h / 57h FM Lead 2 1 00h / 48h / 57h Bass & Lead* 2 00h / 00h / 58h Fantasia 2 7-6 8-159 00h / 40h / 58h Fantasia 2 2 00h / 42h / 58h Chord Syn1 2 00h / 48h / 58h Fantasia* 2 00h / 00h / 59h Warm Pad 1 7-10 8-160 00h / 40h / 59h Soft Pad 2 00h / 48h / 59h Warm Pad* 1 00h / 00h / 5Ah Polysynth 2 8-161 00h / 40h / 5Ah P5 Poly 2 00h / 48h / 5Ah Polysynth* 2 00h / 00h / 5Bh Space Voice 1 8-162 00h / 40h / 5Bh Heaven II 2 00h / 48h / 5Bh Space Voice* 1

Bowed Glass 2 8-163 00h / 48h / 5Ch Bowed Glass* 2 00h / 00h / 5Dh Metal Pad 2 8-164 00h / 40h / 5Dh Tine Pad 2 00h / 41h / 5Dh Panner Pad 2 00h / 48h / 5Dh Metal Pad* 2 00h / 00h / 5Eh Halo Pad 2 8-165 00h / 40h / 5Eh JP8 Sqr Pad 2 00h / 48h / 5Eh Halo Pad* 2 00h / 00h / 5Fh Sweep Pad 1 8-166 00h / 40h / 5Fh Sweep Pad 2 2 00h / 41h / 5Fh Polar Pad 1 00h / 42h / 5Fh Converge 1 00h / 48h / 5Fh Sweep Pad* 1 00h / 00h / 60h Ice Rain 2 8-167 00h / 40h / 60h LFO RAVE 2 00h / 48h / 60h Ice Rain* 2 00h / 00h / 61h Soundtrack 2 8-168 00h / 40h / 61h Ancestral 2 00h / 41h / 61h Prologue 2 00h / 48h / 61h Soundtrack* 2 00h / 00h / 62h Crystal 2 7-8 8-169 00h / 40h / 62h Vibra Bells 2 4-2 00h / 41h / 62h Clear Bells 2 00h / 42h / 62h ChristmasBel 2 00h / 48h / 62h Crystal* 2 01h / 00h / 62h Syn Mallet 1 8-170 01h / 48h / 62h Syn Mallet* 1 00h / 00h / 63h Atmosphere 2 8-171 00h / 40h / 63h Harpvox 2 7-9 00h / 41h / 63h Nylon Harp 2 00h / 42h / 63h Nylon+Rhodes 2 00h / 48h / 63h Atmosphere* 2 00h / 00h / 64h Brightness 2 7-7 8-172 00h / 48h / 64h Brightness* 2 00h / 00h / 65h Goblin 2 8-173 00h / 40h / 65h Calculating 2 00h / 41h / 65h Goblinson 2 00h / 42h / 65h 50's Sci-Fi 2 00h / 48h / 65h Goblin* 2 00h / 00h / 66h Echo Drops 1 8-174 00h / 40h / 66h Big Panner 2 00h / 48h / 66h Echo Drops* 1 01h / 00h / 66h Echo Bell 2 8-175 01h / 40h / 66h Ai-yai-a 2 02h / 00h / 66h Echo Pan 2 8-176 02h / 40h / 66h Echo Pan 2 2 02h / 41h / 66h Water Piano 2 00h / 00h / 67h Star Theme 2 8-177 00h / 48h / 67h Star Theme* 2 00h / 00h / 68h Sitar 1 8-178 00h / 48h / 68h Sitar* 1 01h / 00h / 68h Sitar 2 2 8-179 00h / 00h / 69h Banjo 1 3-6 8-180 00h / 48h / 69h Banjo* 1 00h / 00h / 6Ah GS Shamisen 1 8-181 00h / 40h / 6Ah Shamisen 2 3-10 00h / 48h / 6Ah Shamisen* 1 00h / 00h / 6Bh Koto 1 3-11 8-182 00h / 48h / 6Bh Koto* 1 08h / 00h / 6Bh Taisho Koto 2 8-183 08h / 48h / 6Bh Taisho Koto* 2 00h / 00h / 6Ch Kalimba 1 4-11 8-184 00h / 48h / 6Ch Kalimba* 1 00h / 00h / 6Dh Bagpipe 1 8-185 00h / 48h / 6Dh Bagpipe* 1 00h / 00h / 6Eh Fiddle 1 8-186 00h / 48h / 6Eh Fiddle* 1 00h / 00h / 6Fh Shanai 1 8-187 00h / 48h / 6Fh Shanai* 1 00h / 00h / 70h Tinkle Bell 1 8-188 00h / 48h / 70h Tinkle Bell* 1 00h / 00h / 71h Agogo 1 8-189 00h / 48h / 71h Agogo* 1 00h / 00h / 72h Steel Drums 1 4-10 8-190 00h / 48h / 72h Steel Drums* 1 00h / 00h / 73h Woodblock 1 8-191 00h / 48h / 73h Woodblock* 1 08h / 00h / 73h Castanets 1 8-192 00h / 00h / 74h Taiko 1 8-193 00h / 48h / 74h Taiko* 1 08h / 00h / 74h Concert BD 1 8-194 08h / 48h / 74h Concert BD* 1 00h / 00h / 75h Melo. Tom 1 1 8-195 00h / 48h / 75h Melo.Tom 1* 1 08h / 00h / 75h Melo. Tom 2 1 8-196 00h / 00h / 76h Synth Drum 1 8-197 00h / 48h / 76h Synth Drum* 1 08h / 00h / 76h 808 Tom 1 8-198 09h / 00h / 76h Elec Perc. 1 8-199 00h / 00h / 77h Reverse Cym. 1 8-200 00h / 48h / 77h ReverseCym.* 1 00h / 00h / 78h Gt.FretNoise 1 8-201 00h / 48h / 78h Fret Noise* 1 01h / 00h / 78h Gt.Cut Noise 1 8-202 02h / 00h / 78h String Slap 1 8-203 06h / 40h / 78h Pick Scrape 1 00h / 00h / 79h Breath Noise 1 8-204 00h / 48h / 79h BreathNoise* 1 01h / 00h / 79h Fl.Key Click 1 8-205 00h / 00h / 7Ah Seashore 1 8-206 00h / 48h / 7Ah Seashore* 1 01h / 00h / 7Ah Rain 1 8-207 02h / 00h / 7Ah Thunder 1 8-208 02h / 40h / 7Ah Thunder Bell 2 03h / 00h / 7Ah Wind 1 8-209 04h / 00h / 7Ah Stream 2 8-210 05h / 00h / 7Ah Bubble 2 8-211 00h / 00h / 7Bh Bird 2 8-212 00h / 48h / 7Bh Bird* 2 01h / 00h / 7Bh Dog 1 8-213 02h / 00h / 7Bh Horse-Gallop 1 8-214 03h / 00h / 7Bh Bird 2 1 8-215 04h / 40h / 7Bh Cat 1 00h / 00h / 7Ch Telephone 1 1 8-216 00h / 48h / 7Ch Telephone 1* 1 01h / 00h / 7Ch Telephone 2 1 8-217 02h / 00h / 7Ch DoorCreaking 1 8-218 03h / 00h / 7Ch Door 1 8-219 04h / 00h / 7Ch Scratch 1 8-220 05h / 00h / 7Ch Windchime 2 8-221 05h / 40h / 7Ch Bar Chimes 1 00h / 00h / 7Dh Helicopter 1 8-222 00h / 48h / 7Dh Helicopter* 1 01h / 00h / 7Dh Car-Engine 1 8-223 02h / 00h / 7Dh Car-Stop 1 8-224 03h / 00h / 7Dh Car-Pass 1 8-225 04h / 00h / 7Dh Car-Crash 2 8-226 05h / 00h / 7Dh Siren 1 8-237

Train 1 8-238 07h / 00h / 7Dh Jetplane 2 8-239 07h / 40h / 7Dh Falling Down 2 08h / 00h / 7Dh Starship 2 8-240 09h / 00h / 7Dh Burst Noise 2 8-241 00h / 00h / 7Eh Applause 2 8-242 00h / 48h / 7Eh Applause* 2 01h / 00h / 7Eh Laughing 1 8-243 02h / 00h / 7Eh Screaming 1 8-244 03h / 00h / 7Eh Punch 1 8-245 04h / 00h / 7Eh Heart Beat 1 8-246 05h / 00h / 7Eh Footsteps 1 8-247 05h / 41h / 7Eh Finger Snap 1 00h / 00h / 7Fh Gun Shot 1 8-248 00h / 48h / 7Fh Gun Shot* 1 01h / 00h / 7Fh Machine Gun 1 8-249 02h / 00h / 7Fh Lasergun 1 8-250 03h / 00h / 7Fh Explosion 2 8-251 HKR-337 Drum MAPPING CC0 /CC32 / PC# Tone Name Notes 00h / 40h / 00h STANDARD 8-6 00h / 40h / 08h ROOM 8-242 00h / 00h / 10h POWER 8-243 00h / 00h / 18h ELECTRONIC 8-244 00h / 00h / 19h TR-808 8-245 00h / 40h / 19h DANCE 8-246 00h / 00h / 20h JAZZ 8-247 00h / 40h / 28h BRUSH 8-248 00h / 00h / 30h ORCHESTRA 8-249 00h / 00h / 00h GS STANDARD 8-250 00h / 00h / 08h GS ROOM 8-251 00h / 00h / 28h GS BRUSH 8-252 00h / 00h / 38h SOUND EFFECT 8-7 *The tones which marked in Notes can be selected from panel. +------- Tone group number | +---- Tone variation number | | 8-10 HTone groups number as follows, 1:Piano 2:E.Piano 3:Harpsi 4:Vibes 5:Organ 6:Strings 7:Voice 8:Flute