Rane MP 22 Operator's Manual
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22 has all unbalanced RCA connectors, except for the XLR & ¼" Mic Inputs, and ¼" Mic Loop. Be sure your amplifier is off while making connections. On the front panel, set all controls to the middle of their travel. Set all pushbuttons to their out position, slide the MASTER LEV ...
1. Front panel MAIN MIC input: Use this three pin connector for connecting a balanced microphone of any impedance. 2. MIC EQ controls: These two controls adjust the frequency contour of both Microphone Inputs. They have no effect on any other Inputs. Positioning these controls to the “12 o'clock” position turns the Mic Equalization off. 3. CHANNEL A & B EQ ENGAGE switches: Engaging this switch enables the Channel Equali ...
13. MAIN & REMOTE MIC OVERLOAD indicator: This red LED monitors both Microphone Inputs, before and after the MIC EQ. It lights whenever these levels exceed 4dB below clipping. Occasional flickering is normal; however, it should not be allowed to light steadily. 14. REMOTE MIC ENGAGE switch: This pushbutton ENGAGES the REMOTE MIC Input. The adjacent red LE ...
1. REMOTE MIC/LINE INPUT: This ¼" tip-sleeve INPUT is for wireless mics or other high-impedence sources. 2. MICROPHONE LOOP jacks: These ¼" tip-sleeve connectors are for inserting external signal processing in the micro- phone circuit only. These jacks do not effect the other INPUTS. 3. PHONO GROUND screw: This GROUND SCREW can facilitate your hum chasing, buzz eliminating experiments. This provides a place to connect thos ...
leave the power supply for last. This gives you a chance to make mistakes and correct them without damaging your fragile speakers, ears and nerves. All of the line level inputs are unbalanced RCA connec- tors. Inputs PH/LN1, LINE 3, LINE 4 and LINE 5 appear on Channel A; while PH/LN2, LINE 4, LINE 5 and LINE 6 each appear on Channel B. The only restriction is the assignment of ...
the PHONO/LINE switch to LINE. If a turntable is used, set this switch to PHONO. Make sure all faders are set to zero, the MIC and EQ are disengaged (switches out) and that all rotary controls are either fully CCW (LEVEL controls) or in their center detents (EQs), whichever applies. Leave the rear panel INPUT TRIMS at full CW (factory preset). Switch ...
